Rock / Blues Brendan Croker & Steve Phillips

Total Page:16

File Type:pdf, Size:1020Kb

Rock / Blues Brendan Croker & Steve Phillips Brendan Croker rock & Steve Phillips Mark Knopfler’s co-Notting Hillbillies / A first appearance at Carnegie Hall by two mates of long standing blues who just have a great time playing together. The pedigree of the duo guarantees the audience will have a great time too. You might not know the name but the chances are you’ll have heard Brendan Croker singing and playing alongside the likes of Michelle Shocked, Mark Knopfler, Tanita Tikaram, John Mayall, Eric Clapton and many, many more besides. Brendan’s passion for music spans over thirty years, five of which he spent as a songwriter in and out of Nashville. While he was there, he wrote a multi-platinum selling song for Wynona Judd and lost $100 to Joe Ely in a dodgy game of pool. He is one of Britain’s great Bluesmen. Steve Phillips is; “One of the greatest Blues guitarists Europe has produced and currently one of the finest anywhere in the world. His recent involvement with Mark Knopfler (of Dire Straits) in The Notting Hillbillies briefly turned Phillips into a kind of rock star (featuring on the cover of Q magazine no less!)” Trevor Hodgett, Blueprint Magazine. When not fulfilling a busy diary of solo acoustic dates throughout the continent, he occasionally feels the urge to assemble a collection of North Yorkshire’s finest, The Rough Diamonds, and bring a little bar room boogie and Western Swing to a wider audience. Prepare yourselves for a wonderful evening of superb and glittering interpretations of blues and country blues material both old and new. This is a warm, funny, entertaining and impressive night – they just toss a coin to choose who will kick-off the evening. These guys will warm you up and then melt you with their talent, charm, humour and wit. “…his marvellous voice; sometimes a howling Blues shout and other times a husky gentle roll your own… don’t be deceived by the determinedly uncomplicated Crocker… he’s got deep roots…” Mark Knopfler Date / Time Fri 10 June 7.30pm Tickets £12 Fifestyle £11 / £10 Box Office 01383 314000 www.carnegiehall.co.uk.
Recommended publications
  • About the Filmmakers
    About the Filmmakers Although he is known primarily as an author, Timothy Ferris has been involved in television since age sixteen, when he wrangled seagulls for NBC’s Omnibus and shot film for the Tonight show. While in high school he anchored a live Saturday-morning panel program, Youth Meets Business, which he describes today as “so stultifyingly boring that I believe its only viewers some mornings were our parents,” and played a defense attorney in a youth-oriented courtroom drama “that even our parents gave up watching.” Undaunted, Ferris went on to write and present two PBS specials — The Creation of the Universe and Life Beyond Earth. The two aired back-to-back in 1999, making Ferris one of the few nonfiction filmmakers to have an entire night of prime-time network programming devoted to his work. In addition to producing, writing, and narrating Seeing in the Dark, Ferris shot several of its time-lapse sequences, made field recordings for its soundtrack, and designed its special effects. Ferris is the author of ten books, including Seeing in the Dark, on which the film is based, named by The New York Times as one of the ten best books of the year. He produced the Voyager phonograph record, an artifact of human civilization launched aboard the twin Voyager interstellar spacecraft and now exiting the outer reaches of the solar system, and was among the journalists selected as candidates to fly aboard the space shuttle in 1986. Called “the Press Contact: best popular science writer in the English language” by The Christian Science Monitor and “the best science writer of his generation” by The Washington Gail Rubin Post, Ferris is a Fellow of the American Association for the Advancement of (505) 265-7215 Science.
    [Show full text]
  • February 2014 Womack Family Band Sandtown Band Two2many Band Friday, February 14Th - 8:30 Pm Friday, March 14Th - 8:30 Friday, April 11Th - 8:30 Pm
    An American Music Series presented by Anna Givens Tickets $10 February 2014 Womack Family Band SandTown Band Two2Many Band Friday, February 14th - 8:30 pm Friday, March 14th - 8:30 Friday, April 11th - 8:30 pm Patti Krewson, Director of Warm Up with a Hot Ticket! Administration & Development A Night of Comedy Now that the holidays are truly behind us and the Resigns decorations are packed and put away, we are looking for I would like to express my sincere Friday, February 7th - 8 pm Friday, March 7th - 8 pm things to do until the spring comes and the snow will finally appreciation to David Taylor and Featuring Chris Smith & Headliner The Fryman Featuring Bill Boronkay &Headliner Chili Challis be gone. It also means we need to do something to get rid the staff of the Theatre and to the of those winter blues until we can get back to the outdoors. Full Cash Bar Service Board of Directors for the Mature Audience I have just the ticket! On the inside you will discover a lot of fantastic opportunity to work at one of shows we have coming that fit everyone in your family’s taste for Sandusky’s historic landmarks. It Tickets entertainment, and your friends for that perfect night out. has been a privilege to spend the $10 Bill Boronkay Chili Challis last 2 ½ years working with the Until Friday, you can buy before the public if you are a Member of the community to promote the mission Tickets Sandusky State Theatre. Members are a part of our Membership of the Theatre.
    [Show full text]
  • Austria Switzerland
    INTERNATIONAL KNOPFLER & THE NOTTING HILLIBILLIES ARE (PRESUMED) HAVING A GOOD TIME ON LOW -KEY U.K. TOUR (Continued from page 32) whether his experiment in enjoying road, says the band, was to abandon Local promoters made little. A scribes as an "upper -end guest formed three years ago by guitar- himself on tour worked. the idea of a seated, formal concert minimal merchandising advance house or standard business -rate ho- ists Croker and Phillips, with The country-blues set of the Hill- feel. The shows that worked best was long since spent and the light- tel." Everybody, he stressed, was Knopfler quickly shedding his origi- billies -the name comes from the were those with roughly equal seat- ing and PA firms waived rental treated equally. nal producer's hat for a more active west London district of Notting ing and standing space. Council hall charges. "The tour wouldn't have None in the principal band drew a role. Hill, where Knopfler lives -is a stewards were briefed not to pre- happened otherwise," says Bicknell. wage. The exceptions: the two con- A Hillbillies album, released by combination of three things: covers, vent anybody from getting up and The 11- person road crew took a cut tracted "session" men, Nashville - Phonogram in the U.K., was two new material from Brendan Croker, dancing. But not all venues were in wages. There was one equipment based pedal steel guitarist Paul years in the making at Knopfler's Phillips, and Knopfler, and at least able to offer standing room. truck and four minibuses. There Franklin and bassist Marcus Cliff of home studio.
    [Show full text]
  • Mark Knopfler Paris Tickets
    Mark knopfler paris tickets We're currently processing your order; this may take several minutes. Processing © Newsletter | Terms of Use | Privacy. Get the latest news and exclusive ticket presales at Mark Knopfler's official site – MARK KNOPFLER en concert: Mark Knopfler c'est le guitariste, chanteur, compositeur et producteur de Dire Straits, groupe qui a su adapter la musique. Find and buy Mark Knopfler and Band tickets at Find upcoming event tour dates and schedules for Mark Knopfler and Band at Find and buy Mark Knopfler tickets at Find upcoming event tour dates and schedules for Mark Knopfler at DVD-Video containing the first concert of Dire Straits in Paris Great concert, good atmosphere. This is a. Privateering. Lyrics Depot is your source of lyrics to A Walk in Paris by Mark Knopfler. Please check back for more Mark Knopfler lyrics. David Knopfler: TO FEEL THAT WAY AGAIN Paris, June 7” – DAVE 7 To Sultans Of Swing (Video) Mark Knopfler: LAST EXIT TO BROOKLYN Vertigo. Win Return flights to Paris with Air France, two tickets to see Mark Knopfler live and a Fender American Standard Stratocaster signed by Mark Knopfler. KNOPFLER part of The Music Sales Group London / New York / Paris / Sydney / Copenhagen / Berlin / Madrid / Hong Kong / Tokyo DIRE STRAITS ANGEL OF. With The Very Best of Dire Straits bROTHERS iN bAND disembarks in Paris on keyboardist Dire Straits and Mark Knopfler since period, he came to be. The Tracker Tour was a concert tour by British singer-songwriter and guitarist Mark Knopfler, Date, City, Country, Venue, Tickets Sold/Available, Box Office .
    [Show full text]
  • Sultans of Swing Artist:Dire Straits , Writer:Mark Knopfler
    Sultans of Swing artist:Dire Straits , writer:Mark Knopfler Dire Straits: https://www.youtube.com/watch?v=2jH74e3Qo9k [Dm] You get a shiver in the dark, It's a [C] raining in the [Bb] park but mean[A]time- [A7] [A] [Dm] South of the river you [C] stop and you hold every[Dm]thing [A7] [A] [F] A band is blowing Dixie, double [C] four time [Bb] You feel alright when you hear the music [Dm] ring [Bb] [C] Well now you [Dm] step inside but you [C] don't see [Bb] too many [A] faces [A7] [Dm] Coming in out of the [C] rain they hear the [Bb] jazz go [A] down [A7] [F] Competition in other [C] places Uh [Bb] but the horns they blowin' that [Dm] sound [Bb] [C] Way on downsouth [Bb] [C] Way on downsouth London town Check out [Dm] guitar george, [C] he knows [Bb] all the [Dm] chords [A7] [Dm] Mind he's strictly rhythm He doesn't [C] want to make them [Bb] cry or [A] sing [A7] [A] [F] They said an old guitar is [C] all he can afford [Bb] When he gets up under the lights to play his [Dm] thing [Bb] [C] And [Dm] Harry doesn't [C] mind, if [Bb] he doesn't [A] make the scene [A7] [A] [Dm] He's got a [C] daytime [Bb] job, he's doing al[A]right [A7] [A] [F] He can play the honky tonk like any[C]thing [Bb] Savin' it up, for Friday [Dm] night [Bb] [C] With the Sultans [Bb] [C] We're the Sultans of Swing [Dm] Then a crowd a young boys they're a [C] foolin' a[Bb]round in the [A] corner [A7] [A] [Dm] Drunk and dressed in their best brown [C] baggies And their [Bb] platform [Dm] soles [A7] [A] [F] They don't give a damn about any [C] trumpet playin' band [Bb] It ain't what they call rock and [Dm] roll [Bb] [C] Then the Sultans, [Bb] [C] Yeah the Sultans they play creole, creole [Dm] And then the man he [C] steps right [Bb] up to the [A] microphone [Dm] And says at [C] last just as the [Bb] time bell [A] rings [A7] [A] [F] Goodnight, now it's [C] time to go home [Bb] And he makes it fast with one [Dm] more thing [Bb] [C] We are the Sultans [Bb] [C] We are the Sultans of [Dm] Swing Produced by www.ozbcoz.com - Jim's Ukulele Songbook Ukulele gCEA Tuning.
    [Show full text]
  • Vicente Amigo
    Vicente Amigo Tierra Different. Global. Surprising. That's how you can describe Vicente Amigo's new album Tierra, the most innovative and international of his career which will be released in February 2013. The great Flamenco guitar player has opened his music's window to the fresh air of the British producer Guy Fletcher and recorded in London with musicians from Dire Straits, Mark Knopfler and Capercaillie, in order to offer an exceptional and brave album in which Flamenco music blends naturally with other music styles, opening new paths without losing depth, holding tightly to the inspirational Southern Spanish sounds but wrapped in Celtic melodies, linking light and mist, hovering over different styles to create something completely new. “I met Guy in Córdoba last year, at a Mark Knopfler show during the Guitar Festival”, says Vicente Amigo. “We were introduced by the show's promoters, and the initial idea of playing a song with them developed into a new main objective: I wanted to fuse with all those great musicians. My proposal was to embrace all our freedoms: mine, his as a producer, and the musicians' who collaborated. That is far more important, at a certain point, than music itself”. The album Tierra has been produced by Guy Fletcher (Kent, 1960), who was Dire Straits' keyboard player and Mark Knopfler's inseparable collaborator. As a musician he has also worked with Roxy Music, Mick Jagger, Nothing Hillbillies, Randy Newman, Tina Turner, Willie De Ville, Brian Ferry, Aztec Camera ... An emblematic British musician who has placed Vicente Amigo's guitar in a new dimension of lyricism, dream-state, rhythmic beats, tone variety, brightness … An artistic connection going beyond different types of music, styles, languages.
    [Show full text]
  • Supermolecules Steer Electrons Down a Wrong-Way Street
    COMMENTARY Supermolecules steer electrons down a wrong- way street COMMENTARY Malcolm D. E. Forbesa,b,1 The controlled movement of electrons is of paramount reaction centers was understood in detail by the 1970s importance for solving current technological problems (7). When the crystal structure of a reaction center that will have broad societal impact. Batteries for became available in 1984 (8), many structure−reactivity electric vehicles, quantum computers, efficient solar relationshipsinphotosynthesisweremoreclearly energy conversion devices, and nanoscale machines elucidated. A key feature of the ET cascade was its for biomedical applications represent just a handful of pronounced directionality: Despite 2 sets of pigments such possible advances. A current research thrust is to arranged in an approximate C2 symmetry inside the better understand and control the rate and direction- membrane-bound protein, the multistep reaction ality of electron transfer (ET) reactions. The problem of went in only one direction. This observation stimu- ET directionality has long fascinated scientists and lated many scientists to attempt to mimic the process engineers (1), and researchers in the field of electron in solution, and to develop artificial photosynthetic donor (D)–acceptor (A) interactions are now deeply systems (9). immersed in developing methods to exert control The desire for a deeper understanding of photo- over electron motion in molecules, metamaterials, synthesis in plants, to mimic nature’s processes for and bulk materials on micrometer and nanometer solar energy conversion, and for the generation of scales. The PNAS paper by Polizzi et al. (2) reports re- solar fuels, led chemists to develop a special class of sults on directional ET reactions in so-called “supermo- molecule called a donor–spacer–acceptor (DSpA).
    [Show full text]
  • Eastern Progress 1980-1981 Eastern Progress
    Eastern Kentucky University Encompass Eastern Progress 1980-1981 Eastern Progress 1-15-1981 Eastern Progress - 15 Jan 1981 Eastern Kentucky University Follow this and additional works at: http://encompass.eku.edu/progress_1980-81 Recommended Citation Eastern Kentucky University, "Eastern Progress - 15 Jan 1981" (1981). Eastern Progress 1980-1981. Paper 17. http://encompass.eku.edu/progress_1980-81/17 This News Article is brought to you for free and open access by the Eastern Progress at Encompass. It has been accepted for inclusion in Eastern Progress 1980-1981 by an authorized administrator of Encompass. For more information, please contact [email protected]. ' • ■ . OHteW SOKW PuMtenton of iMn. Kantueky IMWrtty Vol. SO/No 17 10 Thursday. Jmwv 16. 1M1 NWmM4. K y. «047B High parking ticket fines, abundance of tickets provoke questions Editor's note: all statistics quoted in Even though the University had and carried her luggage into the dor- the following story were obtained from fewer cars registered last semester mitory. When she returned there was a Tom Lindquist, director of Public than either UK or Western, the ticket on her car. Reyes looked at her Safety at Eastern, Ruth Hastie, University issued many more tickets. watch - it was 10:42 a.m. She looked at manager of the parking department at The parking department at Western the ticket ... it had been written at UK and Sgt Janet Kirby, parking and issued 7,348 parking decals from the 10:41 a.m. traffic supervisor at Western. first week in June through the first week in December. The department "I was extremely angry," said By BETTY MALKIN wrote 7,929 parking tickets for the same Reyes.
    [Show full text]
  • John Illsley –
    John Illsley – Live In London (74:13, CD,Absolute /Rough Trade, 2015) Bevor wir im Einzelnen auf das Album eingehen, muss vorausgeschickt werden, dass die Analyse unseres hauseigenen Labors ergeben hat, dass dieses Produkt keine nachweisbaren Spuren von Prog enthält, obwohl die Zutatenliste (Cover) dies durchaus hätte vermuten lassen können. Was also erwartet den Hörer? Der Ex-Dire-Straits-Bassist legt hier ein ordentliches, wenn auch unspektakuläres Live-Album vor, welches ganz in der Tradition seiner ehemaligen Band daher kommt. Exakt so könnten sich die Dire Straits in ihren frühen Tagen in einem kleinen Club angehört haben. Simon Johnson agiert als „Mark Knopfler- Darsteller“ souverän an der Gitarre.Illsley selbst ist stimmlich auch sehr nahe bei seinem alten Buddy. Die Truppe spielt locker zusammen und nebenbei ist der Klang der CD auch ausgezeichnet. Die Tracklist besteht zu einem großen Teil aus Dire Straits- Klassikern und Illsley-Solo-Material. ‚Walk Of Life‘ mag man möglicherweise nicht mehr hören. Dann gilt das Gleiche auch für ‚Money For Nothing‘. DieIllsley -Songs fallen hier zumindest nicht negativ auf. Bis auf ‚Streets Of Heaven‘ und ‚When God Made Time‘ lassen sie aber auch nicht wirklich aufhorchen. Stilistisch könnte man sie in etwa in die frühe Dire Straits-Phase bis „Making Movies“ einordnen. Dazu finden sich mit ‚Another Brick In The Wall‘ und ‚First We Take Manhattan‘ auch zwei Cover-Versionen auf dem Album – von denen Illsley allerdings besser die Finger gelassen hätte. Ersteres kann ich schon im Original nur noch selten genießen und ‚First We Take Manhattan‘ macht im „Sultans Of Swing“-Outfit auch keine glückliche Figur.
    [Show full text]
  • Still on the Road 1979 Slow Train Coming Recording Sessions
    STILL ON THE ROAD 1979 SLOW TRAIN COMING RECORDING SESSIONS APRIL 30 Sheffield, Alabama Muscle Shoals Sound Studio, 1st Slow Train Coming session MAY 1 Sheffield, Alabama Muscle Shoals Sound Studio, 2nd Slow Train Coming session 2 Sheffield, Alabama Muscle Shoals Sound Studio, 3rd Slow Train Coming session 3 Sheffield, Alabama Muscle Shoals Sound Studio, 4th Slow Train Coming session 4 Sheffield, Alabama Muscle Shoals Sound Studio, 5th and last Slow Train Coming session Still On The Road: 1979 Slow Train Coming recording sessions 5031 Muscle Shoals Sound Studio Sheffield, Alabama 30 April 1979 1st Slow Train Coming session produced by Jerry Wexler & Barry Beckett. 1. Trouble In Mind 2. Trouble In Mind 3. Trouble In Mind 4. Trouble In Mind 5. Trouble In Mind 6. Trouble In Mind 7. Trouble In Mind 8. Trouble In Mind Bob Dylan (guitar & vocal), Mark Knopfler (guitar), Barry Beckett (piano & organ), Tim Drummond (bass), Pick Withers (drums). Bootleg CD The Genuine Bootleg Series Vol. 3 (track 7) References Michael Krogsgaard: Bob Dylan: The Recording Sessions (Part 4). The Telegraph #56, Winter 1997, pp. 150-176. Clinton Heylin: Bob Dylan. The Recording Sessions [1960 – 1994]. St. Martin’s Press December 1995, pp 129–131. Clinton Heylin: Trouble In Mind. Bob Dylan’s Gospel Years. What really happened. Chapter 2. From Sheffield to Santa Monica, (March – August 1979 & Appendix 1 The Gospel Years: A Chronology). Lesser Gods 2017. Official releases 1 released on Bob Dylan: Trouble No More. The Bootleg Series Vol. 13 1979-1981, Disc Three: Rare and Unreleased, Columbia 88985454652-2, 3 November 2017 7 released on single Columbia 1-11072, September 1979.
    [Show full text]
  • Rodeo Draws Large Happy Hour Crowd Dire Straits Surface; Prince Is No Poet
    Page 6, The Retriever, November 26, 1980 Rodeo draws large happy hour crowd by Paul Minehart The . ;:0.... _---.:. hour clock starts ticking at 4 in the afternoon If you have been keeping up with the and doesn't stop until 9. Secondly, from 5-7 cultural changes in America, you probably the rodeo lays out a buffet with Texas-style know that the cowboy look is in. This style, generosity. It's all you· can eat and it's free! originating in the state of Texas, has people On Thursdays, in place of the buffet, they all over dressed in cowboy boots shirts and serve up hamburgers and french fries, with hats. Fancy belt buckles complete the o}ltfits all the extras. That too is free. It won't take of many. too long for many people to realize that free Marylanders hasn't felt the full impact of food and dollar drinks make the Rodeo a this ever popular style, which has become pretty good deal. more than just a fad, yet there are several Naturally, The Rodeo hopes everyone will bars nearby that cater to those into the stick around after the happy hour when the western scene. drinks are more expensive. That's when they There are bars that look western, where make big bucks. After nine o'clock the the people act western; you know, country drinks are considerably more expensive. A and western music, beer brawls and draft beer that was no larger than the mechanical bronco rides at $3 a throw average 10 oz.
    [Show full text]
  • Presentazione Di Powerpoint
    INFORMATION GUIDE DSL Proudly presents for the first time in the United States DSL (Dire Straits Legacy) on a very limited engagement Summer of 2018 featuring: PHIL PALMER Musical Director – Guitars & Vocals Phil joined Dire Straits in 1990 and played on the band’s On Every Street record and world tour. He is one of the world’s top session guitarists, having played on more than 450 albums and toured with a list of some the world’s greatest artists that is too long to mention; think of a name and Phil has probably played with that person. He was also a member of Eric Clapton’s band along with his DS Legacy colleagues Alan Clark and Steve Ferrone. ALAN CLARK Piano, Hammond Organ and Keyboards Alan joined Dire Straits in 1980, becoming their first and main keyboard player, and played on every tour and record thereafter until the band’s eventual breakup in the mid-1990s. He also co-produced the “On Every Street” album with Knopfler. He has played and recorded with many other artists and was a member of Eric Clapton’s band for several years while Dire Straits took a break, and was Tina Turner’s musical director at the height of her career. DANNY CUMMINGS Percussions & Vocals Danny joined Dire Straits as their percussionist in 1990 and played on the On Every Street album and tour. Outside of Dire Straits, he has worked with many great artists including Tina Turner, George Michael, Bryan Adams, Pino Daniele, and was the drummer in Mark Knopfler’s band for several years.
    [Show full text]