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El Cine En C Sa ABRIL 2020 Nº92 (143) www.caimanediciones.es EDICIÓN DIGITAL HONG SANGSOO ESPECIAL EL CINE EN C SA 3,49 EUROS DAN SALLITT / GUY MADDIN - ALFRED HITCHCOCK / PODCASTS DE CINE / SERIES TV / ESPECIAL LIBROS SUMARIO ESPECIAL ABRIL 2020 NO 92 (143) 6. RÁFAGAS EL CINE EN CASA Festivales Punto de vista José Félix Collazos Medina del Campo Cristina Aparicio IBAFF Felipe Rodríguez Torres Rodaje 'Libertad' (Enrique Urbizu) Carlos F. Heredero Grass (Hong Sangsoo) Sundance TV: cine coreano Enric Albero 5. EDITORIAL Caimán en casa. Carlos F. Heredero FIRMAS 7. Un gag bressoniano 18. EL CINE EN CASA Adrian Martin El canon de Hong (The Day After / Grass) Violeta Kovacsics 17. Aventuras en la zona roja Dan Sallitt. El cineasta del que no se habla Jaime Pena Quintín Las artes del confinamientoCarlos F. Heredero De Hitchcock a Guy Maddin: un itinerario Carlos Losilla 49. LO VIEJO Y LO NUEVO Imágenes para escuchar Caimán CdC El dragón de la maldad Más cine que nunca Jara Yáñez contra el santo guerrero Santos Zunzunegui Estrenos online Ex Libris (Frederick Wiseman) Jaime Pena 50. HISTORIA(S) DEL CINE El cochecito (Marco Ferreri) Luis E. Parés Grandes nombres de la crítica (7) Matthias & Maxime (Xavier Dolan) Javier Rueda Thierry Jousse Los profesores de Saint-Denis (M. Idir, Grand Corps Malade) Violeta Kovacsics Cristina Aparicio La pasión en el arte (Phil Grabsky) Fernando Bernal Piedra y cielo, de Víctor Erice Vivarium (Lorcan Finnegan) Felipe Rodríguez Torres Santos Zunzunegui La alegría de las pequeñas cosas (Daniele Luchetti) Cristina Aparicio 56. INFORMES Berlinale 2020 Series TV Jaime Pena Reescrituras de la historia americana Javier Rueda Javier H. Estrada Reescribiendo las reescrituras Felipe Rodríguez Torres La conjura contra América (David Simon, Ed Burns) 59. MEDIATECA Javier Rueda DVD The Mandalorian (Jon Favreau) Juanma Ruiz La línea invisible (Mariano Barroso) Fernando Bernal Esta mierda me supera (Jonathan Entwistle) Javier Rueda The Accident (Sandra Goldbacher, Jack Thorne) Cristina Aparicio 60. ESPECIAL LIBROS CINE 74. THE END La herencia del cine (Paulino El ángel exterminador Carlos F. Heredero Viota) Manuel Asín Reseñas ENTREVISTA OFERTA DE SUSCRIPCIÓN Mariano Barroso pág. 37 CAIMÁN CUADERNOS DE CINE ABRIL 2020 3 Editorial CARLOS F. HEREDERO Director Carlos F. Heredero Coordinador en Cataluña: Àngel Quintana Consejo de redacción: Enric Albero, Manuel Asín, Fernando Bernal, Roberto Cueto, Javier H. Estrada, José Antonio Hurtado, Eulàlia Iglesias, Violeta Kovacsics, Carlos Losilla, Beatriz Martínez, José Enrique Monterde, Andrea Morán Ferrés, Luis E. Parés, Jaime Pena, Antonio Santamarina Redacción: Jara Yáñez Secretaria de redacción: Carmen Córdoba Consejo Editorial: Jordi Balló, Jean-Michel Frodon, Leonardo García Tsao, Román CAIMÁN Gubern, Adrian Martin, David Oubiña, Manuel Pérez Estremera, José María Prado, Jonathan Rosenbaum, Jenaro Talens, Santos Zunzunegui Colaboran en este número: EN CASA José Luis Álvarez Cedena, Cristina Aparicio, José Félix Collazos, Pablo López, Adrian Martin, Rubén de iel a nuestra cita mensual, a la que Caimán Cuadernos de Cine no la Prida, Daniel Reigosa, Felipe ha faltado nunca desde que en mayo de 2007 salió por primera vez Rodríguez Torres, Quintín, Javier Rueda, Santos Zunzunegui a la calle (en aquel entonces con la cabecera de Cahiers du cinéma. Dirección de arte y maquetación: España), este mes lo hacemos de nuevo puntualmente (a partir del Itala Spinetti viernes, 27 de marzo), pero en esta ocasión los lectores no nos van Publicidad: Pedro Medina a encontrar en la calle, pues no existe una edición física de este Coord. y redes sociales: número, sino exclusivamente una versión digital, que se puede adquirir a tra- Juanma Ruiz vés de Kiosko y Más al precio habitual de 3,49 euros (https://www.kioskoymas. REDACCIÓN com/publicacion/portada/caiman_cuadernos_de_cine/e399). C/ Soria, nº 9, 4º / 28005 Madrid F (España) No era una decisión fácil, ni mucho menos de nuestro gusto. Nos ha venido Tel.: (+34) 91 468 58 35 impuesta, como es fácil entender, por las restricciones que todos vivimos Mail: [email protected] debido a la pandemia del coronavirus. En el actual estado de cosas, afrontar la impresión, distribución en kioscos y envío de la revista a nuestros suscripto- res se hacía económicamente inviable. Sin embargo, hemos optado por realizar un número digital completo y por mantener, de esta manera, la continuidad de la publicación. Por sentido de la responsabilidad y por compromiso con nuestros lectores, en Caimán CdC hemos decidido seguir acompañando la actualidad cinemato- Director General Pedro Medina gráfica de este convulso presente, por mucho que en este número especial el Caimán Ediciones, S.L. comentario y la crítica de los estrenos en sala (casi todos cancelados, tras el cie- C/ Soria, nº 9, 4º rre de los cines) haya sido sustituido por la reflexión y la crítica sobre diferentes 28005 Madrid Tel.: (+34) 91 468 58 35 expresiones fílmicas y audiovisuales accesibles on line y en plataformas (gran- [email protected] des y pequeñas), incluidos algunos estrenos de largometrajes que han optado www.caimanediciones.es por esta vía. PUBLICIDAD En cualquier caso, mantenemos también en este número el resto de nuestras [email protected] Tel.: 91 468 58 35 secciones habituales (Ráfagas, Historias del Cine, Lo viejo y lo nuevo, Informes, Mediateca) y añadimos, incluso, el Especial Libros (10 páginas) que publicamos SUSCRIPCIONES [email protected] todos los años más o menos por estas mismas fechas. En definitiva, no hacemos Tel.: 91 468 58 35 otra cosa que permanecer fieles a nuestros contenidos, a la vez que renovamos DISTRIBUCIÓN: Sociedad General nuestro vocacional vínculo con el presente del cine y del audiovisual: una actua- Española de Librería (SGEL). lidad que, aquí y ahora, pasa por la multiplicidad de canales que hacen accesi- IMPRESIÓN: www.LITOFINTER.com bles los contenidos fílmicos a través de las pequeñas pantallas. Depósito Legal: M-48464-2011 ISSN: 2253-7317 A la ineludible obligación cívica y sanitaria de quedarnos en casa responde- Las opiniones expresadas por los colaboradores mos con un amplio dosier titulado ‘El cine en casa’ (30 páginas), casi improvi- no son compartidas necesariamente por Caimán Cuadernos de Cine. sado sobre la marcha por nuestro equipo de críticos y colaboradores, puesto que Esta revista ha recibido una ayuda a la edición del Ministerio de Cultura y Deporte. las obligadas medidas de confinamiento llegaron cuando otros contenidos muy diferentes estaban ya escritos, maquetados y listos para ser enviados a imprenta. Reaccionar y responder a las urgencias del presente es también nuestra labor. Actividad subvencionada por el Ministerio de Cultura y Deporte. Acompañar el encierro que vivimos, cumplir con el deber cívico de todos y seguir pensando críticamente sobre el cine al que ahora mismo tenemos acceso son, en esta dolorosa primavera, nuestros irrenunciables compromisos. CAIMÁN CUADERNOS DE CINE ABRIL 2020 5 RÁFAGASx x x x x Rodajes Entrevistas Festivales Seminarios Ciclos Breves por su valor no solo como objeto de estudio, sino como herramienta para otros aprendizajes que resume su frase: “Quizá es necesario empezar a pensar la película –aunque no es lo más fácil pedagógicamente– no como un objeto sino como la traza final de un proceso creativo, y el cine, como arte”. El otro premio principal fue para Apiyemiyekî?, de Ana Vaz, que a partir del archivo de más de 3.000 dibujos realizados por nativos de la Amazonía brasileña –y encontrados por un activista en derechos humanos– crea un lenguaje de Un film dramatique, de Éric Baudelaire superposición para construir la memoria visual colectiva de un pueblo sometido a un cruel exterminio institucional y “leer las historias no contadas y reprimidas PUNTO DE VISTA que están escritas en el paisaje”. MIRADAS OBLICUAS LA COMUNIDAD La estimulante intersección entre prácticas documentales y experimentales JOSÉ FÉLIX COLLAZOS ha recorrido toda la programación del certamen, superando a menudo el marco de las sesiones –armadas conceptual evelaba Erika Balsom, comisaria de la retrospectiva An Oceanic y temáticamente para estimular el Feeling, que el título lo había encontrado en la metáfora con la diálogo entre obras– y encontrando ecos que Sigmund Freud describía el océano como espacio que nos complementarios en otras propuestas permite pensar más allá de las individualidades para abrazar la de un ecosistema global. El libanés fusión con la inmensidad del mundo; una sensación de conexión e Rabih Mroué ofreció una conferencia Rinterdependencia. Este concepto sobre la inquebrantable relación que establecemos performativa y el taller 'Absent But con el entorno recorrió toda la edición de Punto de Vista que, sin renunciar a Liable to Come Back' (Ausente pero voces singulares, ha construido un espacio de hibridación artística para generar obligado a volver) para reflexionar intercambio y experiencias colectivas que fortalezcan la idea de comunidad: en este sobre el vacío, los desaparecidos y caso, un grupo de creadores interdisciplinares que comparten intereses junto a un reconstruir el paisaje heterogéneo de público comprometido con la programación en el que destaca la nutrida presencia de estudiantes de cine. Todo esto concentra Un film dramatique, Gran Premio a la Mejor Película (exaequo), obra colectiva del centro de enseñanza Dora Maar bajo la dirección de Éric Baudelaire, que certifica el poder del cine para crear comunidad. Durante cuatro años, la película que comenzó como una observación sobre los alumnos fue derivando a una obra hecha con los estudiantes para cristalizar en algo creado por ellos mismos. La mirada y el trabajo filmado por el realizador se diluyen con las imágenes que más de una veintena de jóvenes graban sobre su día a día –en la escuela, en su barrio, en casa con su familia o amigos– mientras debaten sobre temas como la violencia social o la identidad francesa y buscan respuesta al interrogante nuclear de la obra: '¿Qué estamos haciendo juntos?'. Una alentadora concreción de las teorías de Alain Bergala sobre enseñar en cine (y no el cine) Apiyemiyekî?, de Ana Vaz 6 ABRIL 2020 CAIMÁN CUADERNOS DE CINE su país, destruido por tantas crisis y guerras.
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