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More- HOUDON and the ENLIGHTENMENT Jean-Antoine

More- HOUDON and the ENLIGHTENMENT Jean-Antoine

HOUDON AND THE ENLIGHTENMENT

Jean-Antoine Houdon is considered the greatest portrait sculptor of the Enlightenment. Spanning much of the 18th century, the Enlightenment embodied a euphoric of unstoppable and the rational and scientific approach to social, cultural, political, and economic issues. Also called the Age of , the Enlightenment was a period of intense intellectual exchange that marked the emergence of the modern world. In , Enligtenment ideas gained popularity in the city’s cosmopolitan salons and soon spread. Grounded in the scientific and intellectual developments of the 17th century, including the discoveries of , the Enlightenment embraced reason as the avenue to truth. Scholars enthusiastically studied and wrote about the world around them, leading to a flowering of new ideas and a burst of inventions, among them the steam engine and the hot-air balloon. This explosion of interest in the led to major publications that codified the vast accumulated, the most famous being the multi-volume Encyclopédie, edited by Denis Diderot. Philosophers, including and Jean- Jacques Rousseau, explored issues of morality, education, , and . Their thinking contributed to the enormous social, political, and judicial reforms brought about at the time of the . In the United States, the period coincided with the emergence of a new country and constitution, inspired by Enlightenment proponents such as George Washington, , , and . The Enlightenment's interest in the individual was the backdrop for Houdon's work. His scientific study of anatomy, his use of life and death masks to create accurate likenesses, and his emphasis on capturing not only the physical appearance of his sitters but also the essence of their character all reflected the spirit of the Enlightenment. As part of the goal to educate and transform rulers into enlightened

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monarchs, French intellectuals of the Enlightenment actively promoted Houdon’s progressive work at foreign courts. Catherine II of Russia and Frederick II of Prussia, for example, both acquired busts of Voltaire.

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