Reluctant Saints "Long Drive" Album Review

Total Page:16

File Type:pdf, Size:1020Kb

Reluctant Saints PRLog - Global Press Release Distribution Reluctant Saints "Long Drive" Album Review Should you buy this album? With a quickness. "How will Reluctant Saints be Live? Phenomenal! Do not miss a live concert or show from these guys, and ladies--when you hear Brian Cameron sing live, he'll buckle your knees like a cheap lawn chair. Jan. 4, 2011 - PRLog -- Tuesday, 04 January 2011 03:57 Written by Giuseppe Colato The long awaited, highly anticipated album "Long Drive" from Atlanta, Georgia's Reluctant Saints is finally here-and well worth the wait! A Song by Song Tour of "Long Drive": 1-Blue Ridge Baby--(written by Brian Cameron) My Take; "Blue Ridge Baby" comes right out of the gate with a lead guitar solo that blends right into the funk/country/rock/pop groove of the song. Then comes Brian Cameron laying down funky-soulful vocals about a girl that "is everything to him." The song is about getting back to your girl--your perfect girl, and nothing will stop you from getting back to her. The song then breaks into a short and sweet guitar solo that blends right back into the song's groove. Rock solid drums, sweetly layed down keys and a bass line that never stops groovin. This song is one of those songs that can make it on many a different chart--so much so, it makes you want this "Blue Ridge Baby" that the song is about. This will end up one of the most popular songs off of this album. It just has that "it." 2-Shine On Me--(written by Brian Cameron) My Take: This song comes right out of the gate with some sweet slide guitar that brings in the pop/county groove. Brian Cameron is predicting the future as he's talking to a shy girl that "he hasn't got yet." But he pledges to her that he'll openly communicate with her and be the man that she deserves. This great story became a great song. The slide guitar comes and goes at just the right moments, and the rest of the band is right there keeping that country/pop-rock country club dance floor movin groove right where it needs to be. 3-Long Drive--(written by Brian Cameron and Andrew Black) My Take: The album's self-titled song is a duet about a guy going all the way out to L.A. from Atlanta to see his girl and get her back. When she answers the door in a towel (as a strange voice asks her, "Hey baby, who's that at the door?" he tells her all the things that he's been through since she left, what he's been missing and all about the journey out to L.A. to go and get her back. He wins her heart back, and she tells him "let's fly back home" instead of tackling that "Long Drive." In this song you hear some of that "Brian Cameron soul" and his vocal counterpart, Shana Alverson, comes into the song with sheer perfection. This is one of those songs that makes you want more just like it. Great story, great singing and solid music behind the whole thing. 4-Down In Nowhere--(written by Brian Cameron, Brooks Wilson, Brent Wilson) My Take: This song is one of those sweet songs that steals your heart, your Mom's heart, your girl's heart--and everyone else's, too. It's a story about a guy chasing his dreams. He gets all that he wanted out of life--or so he thought. One day he just "gets it"--he gets what's really important in life. This is that story, and it's as sweet as it can be. It has a sad-ish vibe to it, but in a good way. It ends on a great positive note. This is one of those songs that you'll be listening to for years and years and years--and still loving it more than ever. It has a nice lead guitar part toward the end that leads right into a moment of Mark Wilson vocal bliss. This song will be on the radio for sure. 5-Song To Remember--(written by Nathan Morgan) My Take: This is a rock-solid rock/funk groove that can hang with anything from the yester-years of the 1970's. It's straight up in-your-face old school Southern Page 1/3 PRLog - Global Press Release Distribution Rock in its finest hour. It's a serious funk/blues/southern rock anthem type of song that I can't get enough of personally, and I can't seem to ever have it quite loud enough either (although my neighbors would probably disagree). Searing guitar solos, funk drums to die for and keys that will make you smile from ear to ear as you remember back to a time when you used to hear those type of keyboard sounds all the time in "the good ol' music" that you were brought up on. This song WILL remind you of Lynyrd Skynyrd, and it does it effortlessly without trying to get "their sound." It's more of a you-can-tell-what-inspires-Nathan-Morgan-when-he-writes-music kind of song. Eventually this song leads into a picked up pace funk/swing groove that grabs you and refuses to let you go while it forces you to move your foot, feet or rock your entire body. All the while searing guitar solos are coming and going--and they brought their keys along with them. If Lynyrd Skynyrd was alive and recording today-this is the sound that they would be putting out, and they'd bring a few friends in the studio with them, too. 6-I'll Miss You When I'm Broke--(written by Jon Cole) My Take: "My favorite song 'title' on this album." It'a slow bluesy type of slow dance song, and it's deep. Jon Cole sings lead on this track, and boy does he ever! This song is so good I'll bet pretty much anything it ends up in a movie sound track or as a TV show theme song, or the backing song to a season-ending very dramatic episode. These guys do slow and deep with authority. Once again, guitar solos that are perfect for the places that they come and go in. Once again they seem to have captured that 70's and 80's sound, that slow and real deep rock groove that moved us deeper than anything else. If you were to combine Journey, Kiss, Rare Earth and a little dose of very early Deep Purple and gave them a shot of real soft and slow Southern Rock/Blues, this is what you'd get. 7-Descending--(written by Brian Cameron and Andrew Black) My Take: From the very first note this song is slow and deep--yet swingin' along with a real cool pace that's not too slow or too fast. Brian Cameron's vocals sound like a lot of songs that you love on this track. It's utterly amazing how these guys get these screaming/searing guitar solos into a slow song and pull it off with perfection--reminding me of one of the most underrated guitarists in rock and roll: Neal Schon. Great rhythm guitar woven in and out, too! This song also brings a sweet, soothing-yet-festive sax into the equation! It wanders into a 'world-sound' vibe for a moment, and then combines that with the original flavor of the song that builds up into a killer Sade' type of song feel. It's a little hard to describe, but it works, all of it. I guarantee you the last note of the song will leave you wanting more, guaranteed. 8-Right Behind You--(written by Brian Cameron) My Take: This is a crowd pleasing groove that I can see catching on, and doing so across many music genres and continents. Once again Brian Cameron adds his soulful flavor to the vocals of an almost perfect pop-rock be-bop groove, and then in steps Davin McCoy to carry the vocal torch the rest of the way. This is one heck of a catchy tune! I can see groups of college kids all over the world bopping and singing along with this song--to the point of people breaking out into song in the middle of malls like they do these days. And the more I listen to it, the more I think that, too. Note to said college kids: replace all keyboard parts with whistling. 9-Free--(written by Brian Cameron and David Clemens) My Take: This starts out with a very early 70's acoustic sound--a little bit reminiscent of The Who's 'Pinball Wizard' that changes into a funky-almost swing flavor that's different from anything I've heard recently, but really good, really solid and really catchy. Brian Cameron leads the way on this musical journey that boasts all about him being "Free," and the rest of the Reluctant Saints are right there with him. This song has a little Neal Schon/Journey flavor to it, and it's all good. This is one of those songs, when they play it live for a huge audience, the crowd will all be singing along with them, and they'll all be as happy as they can be. Read the FULL Press release at http://www.dirtysouthtv.com/music-news/album-reviews/135-..
Recommended publications
  • Bad Rhetoric: Towards a Punk Rock Pedagogy Michael Utley Clemson University, [email protected]
    Clemson University TigerPrints All Theses Theses 8-2012 Bad Rhetoric: Towards A Punk Rock Pedagogy Michael Utley Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Rhetoric and Composition Commons Recommended Citation Utley, Michael, "Bad Rhetoric: Towards A Punk Rock Pedagogy" (2012). All Theses. 1465. https://tigerprints.clemson.edu/all_theses/1465 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. BAD RHETORIC: TOWARDS A PUNK ROCK PEDAGOGY A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts Professional Communication by Michael M. Utley August 2012 Accepted by: Dr. Jan Rune Holmevik, Committee Chair Dr. Cynthia Haynes Dr. Scot Barnett TABLE OF CONTENTS Page Introduction ..........................................................................................................................4 Theory ................................................................................................................................32 The Bad Brains: Rhetoric, Rage & Rastafarianism in Early 1980s Hardcore Punk ..........67 Rise Above: Black Flag and the Foundation of Punk Rock’s DIY Ethos .........................93 Conclusion .......................................................................................................................109
    [Show full text]
  • The Ripple Effect: Imminent Sonic Destruction – Recurring Themes
    Share 0 More Next Blog» Create Blog Sign In The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect Home Submissions Record Label Heavy Ripples Distribution Ripple Radio Swag Contact Who We Be Wednesday, March 21, 2012 Digital Ripple Music Releases Available at Bandcamp! Imminent Sonic Destruction – Recurring Themes GET REVIEWED! CONTACT THE RIPPLE If you're in a band or the industry and you'd like your music to reach a larger audience, send it to us for a review. Contact [email protected] or send your stuff to The Ripple Effect, 5801 Norris Canyon Road #200, San Ramon, Ca 94583. Please read the submission policy below. Submission Policy Imminent Sonic Destruction. When you read a band name like that, it makes you think twice before you open the file and start listening. I mean, what if the band Wear Your Passion with Pride name is literal? What if you start listening and unleash destruction upon the planet? Thankfully, that didn’t happen. In fact, there isn’t much about this release that would lead you to think of destruction at all. Not that it is all pretty music or anything like that. But I’ve heard music that makes you think that the end of the world is like, right now. This release reminds me a lot of Devin Townsend Project stuff. There are some real prog touches in here, mixed with some heavier, metal type music, and some flat out death metal vocals at times.
    [Show full text]
  • Racist Slurs Found Scrawled in SOAR Office Was Scrawled in Large Letters on a Dry Erase Message Board in the Department of Security Or to Speak with a Dean
    Racist slurs found scrawled in SOAR office was scrawled in large letters on a dry erase message board in the Department of Security or to speak with a dean. Cotter BY AMY MONTEMERLO AND RENE E the room. described this act as "hurtful and oppressive... [it] is clearly an LAJEUNESSE A member of SOAR discovered the epithet on Sunday. The act against SOAR and particularly those African-American N£ws Editors Dean on Call last weekend, Associate Dean of Students and Direc- and Latino members of that organization." tor of Intercultural Affairs Jeri Roseboro was contacted and met Potter feels that the incident is not a personal attack A racial epithet was discovered in the Pugh Center last with SOAR members Sunday afternoon. Safety and Security was against SOAR, because the organization is "a coalition of weekend. According to Dean of Students Janice Kassman and promptly alerted and began an investigation of the incident. every color... always open to everyone." He explained that he Colby President William Cotter, a perpetrator or group of Monday morning, October 27, ten members of SOAR, was not shocked at all when he saw the epithet and deface- perpetrators entered the Students Organized Against Racism Professor Sandy Grande, Assistant Director of Security Peter ment because Colby really is not a bubble and you can expect (SOAR) organization room in the Pugh Center sometime Chenevert, and four deans, met in the Dean of Students office such things from society. Rather, he and other members of the between 10 p.m. on Saturday, October 25, and noon on to discuss the incident and to recommend further action.
    [Show full text]
  • Page 5 HPC to Ask Administration
    MTV tonight - page 5 VOLXIX.NO. 133 the independent student newspaper scrting nolrt dame and saint man s WEDNESDAY, APRIL 24, 1985 HPC to ask administration ‘Why?’ about rectors By SCOTT BEARBY In addition to being upset over University criteria should be made what type of rector they wish to model. He received honorable men­ Assistant News Editor the mutual decision made by Tyson known to the students. have. tion for the rector of the year award and Gibson to have Gibson give up Mimi Soule, Lewis Hall president, Before Thursday, the hall presi­ this year and is a past recipient of the The recent alleged firing of Car­ his Carroll post, Kearns is angry over stated hall officers run under the as­ dents will sponsor discussions on honor. roll Hall Rector Father Steve Gibson lack of administration response to sumption they w ill be working with what role a rector should have in “ Father Steve cares about his resi­ and the lack of published criteria by questions as to how Gibson was inef­ the same rector. When a new rector their respective dorms. A combined dents,” said Lyons Hall President which the University chooses and fective as a rector and how the Uni­ is hired without any input from the statement w ill be given to Tyson on Joan Cahill, adding that she did not evaluates rectors prompted the Hall versity determines what rectors students, there may be a conflict of Friday. see how this did not fit the Univer­ Presidents’ Council to address the should be hired. > ideas between the students and rec­ Morrissey Hall President Mark sity mold.
    [Show full text]
  • Syllabus of NOTE THIS WEEK
    IM cui# i/in c niM TUE RI ftP PAGE 6A REVIEW 3A| PROFILE 6A M ickey Canada's Rourke Grapes of Blow s It Wrath The Arts and Entertainment Section of the Daily Nexus/For the Week of Oct. 12-19,1989 Syllabus OF NOTE THIS WEEK MUSIC Top 5 at Mominglory Music: 1. Red Hot Chili Peppers, Mothers Milk 2. Tracy Chapman, Crossroads 3. Tears for Fears, Sowing the Seeds of Love 4. Young MC, Stone Cold Rhymin’ 5. David Byrne, Rei Momo At Rockhouse Music: 1. Bad Brains, Quickness 2. Red Hot Chili Peppers, ■ Review Mothers Milk 3. Meat Puppets, Monsters Monroe In Top Form In 4. Erasure, Drama 12-inch 5. Camper Van Beethoven, Key Lime Pie Billy Wilder’s Hilarious Cross-dressing Comedy This Weekend at the Vic By Brian Banks FI L M Reporter_________________________________________ | FILM Tonight: Marilyn sings! Marilyn Weekend at Bemies, I.V. Thea­ dances! Marilyn barely ter, 7, 9 and 11 p.m.; $3 Tomorrow: wears a dress! And best of Major League, I.V. Theater, 7,9 all, Marilyn acts! and 11 p.m.; $3 Saturday: That’s right. Marilyn The Wall, I.V. Theater, 7, 9 and Monroe, poster girl extra­ 11 p.m.; $3, duuude. Better Off Dead, Campbell Hall, ordinaire, displays a great 7, 9 and 11 p.m.; $2.50 flair for comedy in the 1959 Some Like It Hot, Victoria St. Theater, 1:30 and 4 p.m. Phone: classic, Some Like It Hot, 965-1886 showing this weekend atj Sunday: The Navigator, Campbell Hall, the Victoria St.
    [Show full text]
  • Tommy Ocean Is Not Only an Easy Name to Remember but One That
    ! " # $ % & " ! Tommy Ocean Nobot Jul 10, 2019 - Rebecca Cullen Tommy Ocean is not only an easy name to remember but one that proves more than worthwhile doing so once you’ve spent even just ten minutes or so with this latest album. There’s a certain purity to his sound, which fuses beautifully and authentically with the deeply considerate, honest and insightful manner in which he writes. Even with the initial openness of Tell Me, complete with its rising anticipation, raw folk sound, and a gentle to raspy leading voice that meanders through this entrancing melody, Ocean showcases a truly meaningful approach to music. This is anything but squeaky clean pop – there’s a lightness to much of it, but authenticity rules above all; you can hear the live sound, and you can connect with these expressions of intimacy and deep thought all the more profoundly for it. Tommy Ocean is a story-teller, a musician and writer with intention and purpose. Moments like Revolution set upon a mildly theatrical, Bob Dylan-like level of depth, alongside an Elliot Smith style display of emotion and heart. And with all of this, as each song progresses, the latter half often sees Ocean rise up into these passionate, higher melodic peaks – further emphasizing the thoughts at the heart of his work. This, among certain vocal cracks and intricacies, is one of the most recognizable and unique traits throughout this album. Progressing from the passionate strum to the more delicate and musically impressive finger- picking, Sometimes mellows things out for a near-whispered journey of personal reflection and contemplation.
    [Show full text]
  • Bad Brains Bad Brains Mp3, Flac, Wma
    Bad Brains Bad Brains mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Reggae Album: Bad Brains Country: US Released: 1997 Style: Reggae, Hardcore, Punk MP3 version RAR size: 1735 mb FLAC version RAR size: 1759 mb WMA version RAR size: 1214 mb Rating: 4.7 Votes: 259 Other Formats: AA DXD MIDI VQF AHX APE AAC Tracklist A1 Sailin' On A2 Don't Need It A3 Attitude A4 The Regulator A5 Banned In D.C. A6 Jah Calling A7 Supertouch/Shitfit A8 Leaving Babylon B1 Fearless Vampire Killers B2 I B3 Big Takeover B4 Pay To Cum B5 Right Brigade B6 I Luv I Jah B7 Intro Companies, etc. Recorded At – 171-A Studios Mixed At – Song Shop Recording Co. Mastered At – ASR Recording Service Phonographic Copyright (p) – Bad Brains Phonographic Copyright (p) – Reachout International Records, Inc. Copyright (c) – Bad Brains Copyright (c) – Reachout International Records, Inc. Credits Artwork [Capital Lick] – MIR Artwork [Logo Art] – Donnell Gibson, Jay Jones Bass [Basses], Backing Vocals – Darryl* Concept By – Neil Cooper Coordinator [Production Co-ordinator For Bad Brains] – David Hahn Coordinator [Production Co-ordinator For Roir] – John Hanti Drums, Backing Vocals – Earl Hudson Engineer [Mixing] – Wayne Vlcan Guitar [Gits], Backing Vocals – Dr. Know Liner Notes – Ira Kaplan Mastered By [Mastering Engineer] – Stanley Moskowitz Mixed By – Bad Brains Other [Morse Code] – Dave Id Photography By – Laura Levine Recorded By, Mixed By – Jay Dublee Vocals [Throat] – H.R. Words By, Music By – Bad Brains Notes Clear Red Tape Made in U.S.A. Recorded at 171-A Studios, NYC, August - October 1981, except tracks A6, B4 & B6 recorded live at 171-A on May 16, 1981.
    [Show full text]
  • "Rock Against Reagan": the Punk Movement, Cultural Hegemony, and Reaganism in the Eighties
    University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 2016 "Rock against Reagan": The punk movement, cultural hegemony, and Reaganism in the eighties Johnathan Kyle Williams University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©2016 Johnathan Kyle Williams Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the Cultural History Commons Recommended Citation Williams, Johnathan Kyle, ""Rock against Reagan": The punk movement, cultural hegemony, and Reaganism in the eighties" (2016). Dissertations and Theses @ UNI. 239. https://scholarworks.uni.edu/etd/239 This Open Access Thesis is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. Copyright by JOHNATHAN KYLE WILLIAMS 2015 All Rights Reserved “ROCK AGAINST REAGAN”: THE PUNK MOVEMENT, CULTURAL HEGEMONY, AND REAGANISM IN THE EIGHTIES An Abstract of a Thesis Submitted in Partial Fulfillment of the Requirements for the Degree Master of Arts Johnathan Kyle Williams University of Northern Iowa May, 2016 ABSTRACT Despite scholars’ growing interest in the cultural movement known as punk, there has been a lack of focus on the movement’s relationship to its historical context. Punk meant rebellion, and this research looks at how the rebellion of the American punk movement during the eighties [1978 to 1992], was aimed at the president Ronald Reagan. Their dissent, however, was not only directed towards Reagan, but the culture that he encompassed.
    [Show full text]
  • Scholastic Needs
    performed live by St. Paul and the Martyrs with cinematographic and lighting effects March 22 and 23,1990 8:00 p.m. Washington Hall Tickets go on sale March 5, 1990 at the La Fortune Intonnatlon Desk for $3. All procedes to benefit st. Hedwig's Outreach Center and The South Bend YWCA Women's Shelter. Program will Include songs from the Pink Floyd album as well as other selections. SCH LASTIC NOTRE DAME'S STUDENT MAGAZINE COVER Lady Killers The women's fencing team has dominated in the Midwest 14 and is now a top contender for the NCAAs Chris Fillio Rebels with a Cause A full team at the NCAA tournament could spell national 17 championship for DeCicco's swordsmen Chris Fillio NEWS ANALYSIS Reflections on Eastern Europe 6 Author shares his views on the radical changes sweeping this vital region of the world by Derik Weldon FEATURES Notre Dame's Only Fraternity Pictllre oj J/inillll (II S'ltrt' [)ml/t', I!llfi, "r UII/I,'I1 1'. (,'/l1Imnl.\' 8 The Knights of Columbus focus on charity, service, and Catholicity as the SCHOLASTIC NEEDS YOU chapter bounces back from adversity by Scott Brutocao Computer Matchmaking "Domer Dating" raises money for the Model United Nations 12 Club by Frank Barletta SCHOLASTIC IS now accepting applications for the following positions: Managing Editor Photography Editor Sports Editor Systems Manager News Editor Graphic Arts Manager Features Editor Business Manager Copy Editor Advertising Manager Departments Editor Advertising Design Manager Saint Mary's Editor Layout Manager Applications are due by 5 p.m.
    [Show full text]
  • Gather 'Round for Some Holiday Cheer It's the Blood That Counts
    Page 11 Page 14 Geek Club Northside’s Bands January 2006 Profile Perform eat It’s the blood that counts Northside’s annual Blood Drive by Ashraf Abbas As part of Northside’s annual Blood Drive they weren’t solicited, they just said ‘by the way refreshments station to make sure they were not B in coalition with LifeSource, at approximately do you have the red blood cell harvester? Can I feeling dizzy or at a loss of balance after donat- 7:30 am on December 20th, students, parents, do that?’” ing blood. and faculty sat down and donated about 500 There were a few specifications, however, for The Blood Drive seemed a complete success cubic centimeters of blood. Mr. John Belcaster acted as moderator for this event as part of his newly appointed duty in place of Ms. Carolyn Rownd as Northside Student Council Supervisor. Every member of the student council played a vital role in advertising the Blood Drive, Northside College Preparatory High School The which made for a better turn-out. oof To donate, students had to be at least seventeen years of age, weigh at least 110 pounds, and have valid identification (driver’s license, state ID, or school ID). Students that were sixteen years of age could participate with parental consent. LifeSource supervisor Brandy H Vol. 7 No. 5 Vol. Weddington came ready for this year’s blood drive, using the same set-up that LifeSource used last year (same chair and table arrangements). Appar- ently, it helped the event run very smoothly. By far, the most interesting device at the Blood Drive was a new centrifuge machine called “ALYX.” “Basically it’s a one-needle procedure,” said Luis Zavala, the Micheal Kharouta, Adv.
    [Show full text]
  • Protest and Survive: a Brief History and Analysis of the Politics of Punk
    PROTEST AND SURVIVE: A BRIEF HISTORY AND ANALYSIS OF THE POLITICS OF PUNK A THESIS IN Musicology Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree MASTER OF MUSIC by DILLON PATRICK HENRY B.F.A., Carnegie Mellon University, 2010 M.M., University of Michigan, 2014 Kansas City, Missouri 2018 © 2018 DILLON PATRICK HENRY ALL RIGHTS RESERVED PROTEST AND SURVIVE: A BRIEF HISTORY AND ANALYSIS OF THE POLITICS OF PUNK Dillon Patrick Henry, Candidate for the Master of Music Degree University of Missouri-Kansas City, 2018 ABSTRACT Politics are an important aspect of most punk music, and many authors, avoiding concrete description, paint the genre with a nebulous left-ish brush. This, however, is insufficient at explaining how and why the genre has adapted to (as well as helped shape) geographically and culturally disparate communities across the globe over the last half- century. Moreover, most academic treatment of punk rock comes from a cultural and sociological perspective, lacking a theoretical and analytical discussion of the music itself. This document will synthesize the evolving genre’s musical and cultural entanglements with politics. To this end, the document will focus on landmark bands, albums, and locations around the world in a mostly chronological order with occasional overlap, documenting cultural development of the genre with supplemental musical analysis. With rigorous primary-source analysis of punk rock zines, this document will also recognize punk rock communities and transmission of ideas outside of the bands themselves. The elusive intertwining and occasionally paradoxical stances of the punk subculture are precisely why creating a single definition of punk rock is a difficult endeavor.
    [Show full text]
  • The BG News September 12, 1985
    Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 9-12-1985 The BG News September 12, 1985 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News September 12, 1985" (1985). BG News (Student Newspaper). 4417. https://scholarworks.bgsu.edu/bg-news/4417 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Sunny •od ck.i today. High 60-65. Vol. 68 Issue 11 THE BG NEWSThursday, September 12,1985 Rose slams Ty-breaker Cincinnati celebrates new baseball record we cant compete with the big CINCINNATI (AP) - Pete markets like New York, but look Rose wiped tears from his eyes how many people are coming and waved to fans who roared out This shows we can compete their approval last night after he with George Steinbrenner with broke Ty Cobb's all-time major baseball. We've got great fans league hit record. here." The hit, a single, came in the Jim Norris, a beer vendor, first inning off San Diego was hoping Rose wouldn't get Padres' pitcher Eric Show. the hit. But after the line drive The 23-year veteran bit a 2-1 he smiled, shrugged, and said, pitch on a line drive over short- "I can't complain.
    [Show full text]