Bagsakan (Feat. Francis M & Gloc 9)

Total Page：16

File Type：pdf, Size：1020Kb

Bagsakan (feat. Francis M & Gloc 9) Parokya Ni Edgar Nandito na si chito Si chito miranda Nandito na si kiko Si francis magalona Nandito na si gloc 9 Wala syang apelyido Magbabagsakan dito in 5 4 3 2Nandito na si chito Si chito miranda Nandito rin si kiko Si francis magalona Nandito rin si gloc 9 Wala syang apelyido Magbabagsakan dito Mauuna si chito! Chito Miranda:Hindi ko alam kung bat ako kasama dito Sama-sama sa mga pasabog nila kiko at ni glock - astig patinikan ng bibig Teka muna teka lang painom muna ng tubig Shift sa segunda bago mapatumba Dapat makaisip ka na rhyme na maganda At madulas ang pagbigkas At astig baka sakaling marinig Ng libo libo na pilipino nakikinig sa mga pabibo ko Di ka ba nagugulat sa mga naganap Di ko din alam kung bat ako sikat Para bang panaginip na pinilit makamit Talagang sinusulit ang pagiging makulit Kailangan galingan hindi na kayang tapatan ang tugtugan ng parokya at aming samahan Shit! panu to wala nko masabi Ngunit kailangan gumalaw ng mga labi kong ito Kunyari nagbabakasakali Na magaling din ako kaya nasali! Natapos na si chito Si chito miranda Nandito na si kiko Si francis magalona Nandito rin si gloc 9 Wala syang apelyido Magbabagsakan dito Babanat na si kiko!Francis magalona:It ain't an uzi or ingram Triggers in the maximum Not a 45 or 44 magnum And it aint even a 357 Nor 12 gauge but the mouth so listen Nandito na si kiko at kasama ko si chito at si gloc 9 And its time to rock rhyme Di ko mapigilan lumabas ang mga salita Sa aking bibig di padadaig Ang bunganga Hala tumunganga Lahat napapahanga sa talento Akoy taga kalentong Batang mandaluyong na ngayun nakatira sa antipolo Sumasaklolo sa mga hiphop Pwede karerin to' Pwede rin trip langSi gloc kasama ng parokya Parang bulagaan at kelangan di mabokya Hindi mo na kelangang malaman Kung bakit pa Kaming lahat ay nagsamasama Mic check eto na nagsanib na ang pwersa Francis magalona-gloc9-at-ang-parokya 1 2 3 4 lets volt in!Natapos na si chito Si chito miranda Tapos na rin si kiko Si francis magalona Nandito na si gloc 9Gloc9: ahhh mic check - mic checkWala syang apelyidoGloc9: okay na ba ung mic?Magbabagsakan dito Kelangan ng magingat At ang huling bagsakan Si gloc 9 ang babanat!Bato bato sa langit Ang tamaan'y wag magalit Bawal ang nakasimangot Baka lalo ka pumangit Pero okay lang Hindi naman kami mga suplado Sumabay ka sa amin na parang nkaeroplano Sa tunog ng gitara Kasama ng pinakamalupit na banda Pati si kiko Magaling-hindi parin kayang tapatan Parang awit na lagi mong binabalik balikan Stop-rewind and play mo Nakapakasaya na para bang birthday ko Alam mo na siguro ang ibig kong sabihin Hindi na kelangan pang paikutikutin Baka lalong matagalan lang Lumapit at makinig na para iyong maintindihan Mga salitang sinulat na hindi ko papel Pero pwede ilatag Na parang banig na higaan Kapag hinawakan ang mikropono parang nabubuwang Eh kasi naman siguro Ganyan lang kapag gumagawa kami ng bago Medyo nabibilisan Hindi mo naisip na pwedeng mangyari Magkasamasama lahat ay kasali! Ge!Chito miranda: Ngayun lang nadinig Hindi na to madadaig Nagsamasama sa bagsakan At naging isang bibig Magingat ingat ka nga at baka masindak Sapagkat andito na si chito-at-si-kiko-at-si-gloc! Lyrics provided by https://www.geniuslyrics.cc/.

Copy Link

Recommended publications

Jeydon Lopez
The four bad boys and Me For sure kilala niyo naman yung F4 di ba? Meron din niyan dito sa school namin. Tawag namin sakanila, APAT. Jeydon Lopez. Ang leader ng grupo at ang pinaka bad boy sa kanilang lahat. Siya 'daw' yung hari ng school kaya tinitingala siya ng halos lahat ng mga studyante. Gwapo, mayaman, sikat, habulin ng mga babae at ang Captain ng basketball team. Siya ang numero unong bully sa school namin, mapang asar at napaka yabang. Malakas mag yosi at uminon ng alak. Siya yung taong pinaka kinaiinisan ko sa lahat. Troy Mendoza. Siya ang best friend at palaging kasama ni Jeydon. Cute, mayaman at sobrang kulit. Siya ang wonanizer sa kanilang apat dahil siya ang pinaka mahilig sa mga babae at ang 'boyfriend ng campus' dahil sa dami ng girlfriend niya. Napaka dami na niyang babaeng pina iyak. Isa din siya sa kinaiinisan kong tao sa school. Charles Gonzales. Ang pinaka matanda sa grupo. Siya ang basagulero sa kanilang apat, walang alam kundi makipag away. Gwapo, mayaman, sobrang mapang asar at kinakatakutan sa school. Hindi lang siya sa school expert mang bully pati sa buhay ko. Unfortunately kapatid ko siya, mahal ko siya pero naiinis din ako sakanya. Marky Lim. Siya ang huling kukumpleto sa grupo nila. Siya yung silent type sa grupo nila na parang may sariling mundo palagi. Gwapo, masunget tska snobero. Sabi nila siya daw yung pinaka player sa kanilang apat pero hindi ako naniniwala kasi crush ko siya eh. Ang galing galing niya kasi kumanta tska napaka gwapo pa. Siya lang ata yung gusto ko sakanila.
[Show full text]
OPM Vol. 06 300 Songs
OPM Vol. 06 300 Songs Title Artist Number A WISH ON CHRISTMAS NIGHT JOSE MARI CHAN 22835 ADJUST SOAPDISH 28542 AGAC LA MANESIA PANGASINAN SONG 22999 AGAWAN BASE PERYODIKO 22906 AKALA KO AY IKAW NA WILLIE REVILLAME 22742 AKING PAGMAMAHAL REPABLIKAN 35077 AKO AY MAY LOBO CHILDREN 35115 AKO'Y BINAGO NIYA EUNICE SALDANA 35377 ALAB NG PUSO RIVERMAYA 27625 ALL ME TONI GONZAGA 35135 ALWAYS YOU CHARICE 28206 ANG AKING PUSO JANNO GIBBS feat. KYLA 28213 ANG HIMIG NATIN JUAN DELA CRUZ BAND 22690 ANG PANDAY ELY BUENDIA 22893 ANTUKIN RICO BLANCO 22838 ARAW-ARAW NA LANG AEGIS 22968 ASO'T PUSA HALE 28538 AWIT NG PUSO FATIMA SORIANO 22969 AYANG-AYANG BOSTON 22950 AYOKO SA DILIM FRANCIS MAGALONA 22751 AYUZ RICO BLANCO 22949 BABY DON'T YOU BREAK MY HEART SLOW M. Y. M. P. 22839 BACK 2 U CUESHE 28183 BAGONG HENERASYON HYMN JESSA MAE GABON 35052 BAHAY KUBO HALE 28539 BAHOO POKWANG 28182 BAKASYON PERYODIKO 22894 BAKIT GAGONG RAPPER 22729 BAKIT KUNG SINO PA GAGONG RAPPER 22725 BAKIT LABIS KITANG MAHAL GAGONG RAPPER 22744 BALASANG KAS NAN MONTANIOSA APOLLO FAGYAN 22963 BALITA GLOC 9 feat. GABBY ALIPE of URBA 22891 BALIW KISS JANE 35113 BANANA (RIGHT NOW) Tagalog Version BLANKTAPE 22747 BANGON RICO BLANCO 22890 BAR-IMAN TAUSUG 28184 BARKADA HABANG BUHAY CALSADA 35053 BAW WAW WAW FRANCIS MAGALONA 22773 BINIBINI BROWNMAN REVIVAL 22743 BONGGACIOUS POKWANG 22959 BULALAKAW HALE 28540 BUS STOP ELY BUENDIA & FRANCIS M. 35120 CAN'T FIND NO REASON LOUIE HEREDIA 22728 CAN'T HELP FALLING IN LOVE SAM MILBY 22896 CHIKA LANG `YON BLANKTAPE 28202 CHRISTMAS BONUS AEGIS 35201 CHRISTMAS MORNING ERASERHEADS 35134 CHRISTMAS PARTY ERASERHEADS 35167 microky.com | 1 Title Artist Number COULD WE GARY V.
[Show full text]
Kod-4000 Sort by Title Tagalog Song Num Title Artist Num
KOD-4000 SORT BY TITLE TAGALOG SONG NUM TITLE ARTIST NUM TITLE ARTIST 650761 214 Luke Mejares 650801 A Tear Fell Victor Wood 650762 ( Anong Meron Ang Taong ) Happy Itchyworms 650802 A Wish On Christmas Night Jose Mari Chan 650000 (Ang) Kailangan Ko'y Ikaw Regine Velasquez 650803 A Wit Na Kanta Yoyoy Villame 650763 (He's Somehow Been) A Part Of Me Roselle Nava 650804 Aalis Ka Ba?(Crying Time) Rocky Lazatin 650764 (He's Somehow Been)A Part Of Me Roselle Nava 650805 Aangkin Sa Puso Ko Vina Morales 650765 (Nothing's Gonna Make Me) Change Roselle Nava 650806 Aawitin Ko Na Lang Ariel Rivera 650766 (Nothing's Gonna)Make Me Change Roselle Nava 650807 Abalayan Bingbing Bonoan 650187 (This Song) Dedicated To You Lilet 650808 Abalayan (Ilocano) Bingbing Bonoan 650767 ‘Cha Cha Cha’ Unknown 650809 Abc Tumble Down D Children 650768 100 Years Five For Fighthing 650188 Abot Kamay Orange&Lemons 650769 16 Candles The Crest 650810 Abot Kamay (Mtv) Orange&Lemons 650770 214 (Mtv) Luke Mejares 650189 Abot-Kamay Orange And Lemons 650771 214 (My Favorite Song) Rivermaya 650811 About Kaman Orange&Lemons 650772 2Nd Floor Nina 650812 Adda Pammaneknek Nollie Bareng 650773 2Nd Floor (Mtv) Nina 650813 Adios Mariquita Linda Adapt. L. Celerio 650774 6_8_12 (Mtv) Ogie Alcasid 650814 Adlaw Gai-I Nanog Rivera 650775 9 & Cooky Chua Bakit (Mtv) Gloc 650815 Adore You Eddie Peregrina 650776 A Ba Ka Da Children 650816 Adtoyakon R. Lopez 650777 A Beautiful Sky (Mtv) Lynn Sherman 650817 Aegis Rachel Alejandro 650778 A Better Man Ogie Alcasid 650190 Aegis Medley Aegis 650779 A
[Show full text]
1 Song Title
Music Video Pack Vol. 6 Song Title No. Popularized By Composer/Lyricist Hillary Lindsey, Liz Rose, FEARLESS 344 TAYLOR SWIFT Taylor Swift Christina Aguilera; FIGHTER 345 CHRISTINA AGUILERA Scott Storch I. Dench/ A. Ghost/ E. Rogers/ GYPSY 346 SHAKIRA Shakira/ C. Sturken HEARTBREAK WARFARE 347 JOHN MAYER Mayer, John LAST OF THE AMERICAN GIRLS 351 GREENDAY Billie Joe Armstrong OPPOSITES ATTRACT 348 JURIS Jungee Marcelo SAMPIP 349 PAROKYA NI EDGAR SOMEDAY 352 MICHAEL LEARNS TO ROCK Jascha Richter SUNBURN 353 OWL CITY Adam Young Nasri Atweh, Justin Bieber, Luke THAT SHOULD BE ME 354 JUSTIN BIEBER Gottwald, Adam Messinger THE ONLY EXCEPTION 350 PARAMORE Farro, Hayley Williams Max Martin, Alicia WHAT DO YOU WANT FROM ME 355 ADAM LAMBERT Moore, Jonathan Karl Joseph Elliott, Rick WHEN LOVE AND HATE COLLIDE 356 DEF LEPPARD Savage Jason Michael Wade, YOU AND ME 357 LIFEHOUSE Jude Anthony Cole YOUR SMILING FACE 358 JAMES TAYLOR James Taylor www.wowvideoke.com 1 Music Video Pack Vol. 6 Song Title No. Popularized By Composer/Lyricist AFTER ALL THESE YEARS 9057 JOURNEY Jonathan Cain Michael Masser / Je!rey ALL AT ONCE 9064 WHITNEY HOUSTON L Osborne ALL MY LIFE 9058 AMERICA Foo Fighters ALL THIS TIME 9059 SIX PART INVENTION COULD'VE BEEN 9063 SARAH GERONIMO Richard Kerr (music) I'LL NEVER LOVE THIS WAY AGAIN 9065 DIONNE WARWICK and Will Jennings (lyrics) NOT LIKE THE MOVIES 9062 KC CONCEPCION Jaye Muller/Ben Patton THE ART OF LETTING GO 9061 MIKAILA Linda Creed, Michael UNPRETTY 9066 TLC Masser YOU WIN THE GAME 9060 MARK BAUTISTA 2 www.wowvideoke.com Music Video Pack Vol.
[Show full text]
PH - Songs on Streaming Server 1 TITLE NO ARTIST
TITLE NO ARTIST 22 5050 TAYLOR SWIFT 214 4261 RIVER MAYA ( I LOVE YOU) FOR SENTIMENTALS REASONS SAM COOKEÿ (SITTIN’ ON) THE DOCK OF THE BAY OTIS REDDINGÿ (YOU DRIVE ME) CRAZY 4284 BRITNEY SPEARS (YOU’VE GOT) THE MAGIC TOUCH THE PLATTERSÿ 19-2000 GORILLAZ 4 SEASONS OF LONELINESS BOYZ II MEN 9-1-1 EMERGENCY SONG 1 A BIG HUNK O’ LOVE 2 ELVIS PRESLEY A BOY AND A GIRL IN A LITTLE CANOE 3 A CERTAIN SMILE INTROVOYS A LITTLE BIT 4461 M.Y.M.P. A LOVE SONG FOR NO ONE 4262 JOHN MAYER A LOVE TO LAST A LIFETIME 4 JOSE MARI CHAN A MEDIA LUZ 5 A MILLION THANKS TO YOU PILITA CORRALESÿ A MOTHER’S SONG 6 A SHOOTING STAR (YELLOW) F4ÿ A SONG FOR MAMA BOYZ II MEN A SONG FOR MAMA 4861 BOYZ II MEN A SUMMER PLACE 7 LETTERMAN A SUNDAY KIND OF LOVE ETTA JAMESÿ A TEAR FELL VICTOR WOOD A TEAR FELL 4862 VICTOR WOOD A THOUSAND YEARS 4462 CHRISTINA PERRI A TO Z, COME SING WITH ME 8 A WOMAN’S NEED ARIEL RIVERA A-GOONG WENT THE LITTLE GREEN FROG 13 A-TISKET, A-TASKET 53 ACERCATE MAS 9 OSVALDO FARRES ADAPTATION MAE RIVERA ADIOS MARIQUITA LINDA 10 MARCO A. JIMENEZ AFRAID FOR LOVE TO FADE 11 JOSE MARI CHAN AFTERTHOUGHTS ON A TV SHOW 12 JOSE MARI CHAN AH TELL ME WHY 14 P.D. AIN’T NO MOUNTAIN HIGH ENOUGH 4463 DIANA ROSS AIN’T NO SUNSHINE BILL WITHERSÿ AKING MINAHAL ROCKSTAR 2 AKO ANG NAGTANIM FOLK (MABUHAY SINGERS)ÿ AKO AY IKAW RIN NONOY ZU¥IGAÿ AKO AY MAGHIHINTAY CENON LAGMANÿ AKO AY MAYROONG PUSA AWIT PAMBATAÿ PH - Songs on Streaming Server 1 TITLE NO ARTIST AKO NA LANG ANG LALAYO FREDRICK HERRERA AKO SI SUPERMAN 15 REY VALERA AKO’ Y NAPAPA-UUHH GLADY’S & THE BOXERS AKO’Y ISANG PINOY 16 FLORANTE AKO’Y IYUNG-IYO OGIE ALCASIDÿ AKO’Y NANDIYAN PARA SA’YO 17 MICHAEL V.
[Show full text]
Stories Captured by Word of Mouth Cultural Heritage Building Through Oral History
STORIES CAPTURED BY WORD OF MOUTH CULTURAL HERITAGE BUILDING THROUGH ORAL HISTORY Christine M. Abrigo Karen Cecille V. Natividad De La Salle University Libraries Oral History, still relevant? (Santiago, 2017) • Addresses limitations of documents • Gathers insights and sentiments • More personal approach to recording history Oral History in the Philippines (Foronda, 1978) There is a scarcity of studies and literatures on the status and beginning of oral history in the country. DLSU Libraries as repository of institutional and national memory Collects archival materials and special collections as they are vital sources of information and carry pertinent evidences of culture and history. Oral history is one of these archival materials. Purpose of this paper This paper intends to document the oral history archival collection of the De La Salle University (DLSU) Libraries; its initiatives to capture, preserve and promote intangible cultural heritage and collective memory to its users through this collection, and the planned initiatives to further build the collection as a significant contribution to Philippine society. ORAL HISTORY COLLECTION (OHC) OF THE DLSU LIBRARIES Provenance The core OHC came from the family of Dr. Marcelino A. Foronda, Jr., a notable Filipino historian and from the Center for Oral and Local History of the university, which was later named in his honor, hence, the Marcelino A. Foronda Jr. Center for Local and Oral History (MAFCLOH). Collection Profile FORMAT Print transcript Audio cassette tape Collection Source (in
[Show full text]
09/10/2017 True Faith, Parokya Ni Edgar
FOR IMMEDIATE RELEASE TRUE FAITH, PAROKYA NI EDGAR AND OTHER TOP OPM BANDS TO PERFORM AT CITY OF DREAMS’ OCTOBER BEER FESTIVAL October 9, 2017 - It’s all about overflowing beer, authentic German delicacies, rollicking fun with friends, and top OPM bands True Faith and Parokya ni Edgar during the third annual October Beer Festival at the Grand Ballroom of luxury integrated resort City of Dreams Manila on October 12 and 13, 7pm to 11pm. True Faith will take the center stage and perform their classic 90’s hits on October 12 for a by invitation only event. Part 3 Band and Eye Candies will also perform on the same night. Popular rock band Parokya ni Edgar together with Gloc 9 and Eye Candies will bring the house down on October 13. Exciting raffle prizes and beer drinking games complete the October beer fest experience. True Faith’s “Perfect,” “Paano Ka Magiging Akin,” “Dahil Ikaw” and “Huwag Nalang Kaya;” and Parokya ni Edgar’s “Harana,” “Para Sayo,” “Yes, Yes, Show” and “Silvertoes” are some of the highly-anticipated chart-topping songs to be performed live at the October Beer Festival. Guests can also indulge in a variety of beers such as Weihenstephaner from the oldest brewery in Germany and the world, Sapporo from Japan, Heineken from Netherlands and local beers San Miguel Pale Pilsen, San Miguel Light, and Pedro Brewcrafters. This wide array of beers complements the Bavarian buffet with carving stations of roasted suckling pig, German-style roast chicken, roast pork knuckle and German meatloaf; a selection of grilled sausages, braised beef paired with a variety of breads and pretzels with butter; and desserts such as Bavarian crème, Bee Sting cake, Sacher cake, Linzer cake and apple strudel.
[Show full text]
Ang Novelty Song Sa Pilipinas*
Ang Novelty Song Sa Pilipinas* New Era University Fame Pascua, M.A. Panimula ng musika ay isang sining na bahagi ng kultura ng bawat tao o grupo ng tao. Ito ay nasa anyo ng pagkanta ng mga himig at liriko at/o pagtugtog ng mga musikal na instrumento na lumilikha ng mga tunog at himig. Ayon kay Delia Gamboa Besa sa kanyang sanaysay na “Contemporary Philippine Music” (1998), ang musikaA sa Pilipinas ay sinasalamin ang mayamang kulturang nag-uugat pareho sa katutubong pinagmulan at sa impluwensya mula sa labas, at gayundin sa resulta ng pag-aangkop dito at Pascua... pagsasanib ng mga ito. Dahil dito, nauri ni Besa ang musika sa Pilipinas sa tatlo: (1) ang katutubo, (2) ang may impluwensyang1 Espansyol, at (3) ang may impluwensyang Amerikano. Mapapansin na ang ganitong pag-uuri ng musika sa Pilipinas ay sinusundan ang tipikal na kronolohiya ng kasaysayan ng Pilipinas bagama’t ang uri ng musika ay hindi lamang nakakulong sa partikular na peryodisasyon. Maari itong magpatuloy o hindi, mangibabaw pa o hindi na (bagamat umiiral pa rin) sa partikular na panahon. Gayunpaman, hindi kumpleto ang ganitong pag-uuri ng musika sa Pilipinas (kung tuluyang ibabatay sa kronolohiya ng kasaysayan ng Pilipinas) dahil sa walang banggit sa kung ano na o paano natin tatawagin ang musika ng mga Pilipino pagkatapos ng kolonyal na panahon? Bagamat nagbanggit ng “contemporary Philippine music” si Besa sa pamagat ng kanyang artikulo hindi naman ito nagliwanag sa kung “ano” ito o ang kumakatawan dito bagkus tumalakay sa sitwasyon ng “contemporary music”—na sa kabuuan, unti-unti nang napapamayanihan ng mga Filipino— gayunpaman ay nahaharap pa rin sa mga suliranin.
[Show full text]
W Ala Tay Ong Sasan Tuhin
ISSN: 0041-7149 SINce ISSN: 2619-7987 1922 VOL. 87 • NO. 1 • MAY 2014 UNITASSemi-annual Peer-reviewed international online Journal of advanced reSearch in literature, culture, and Society U Z. ELISERIO WALA TAYONG SASANTUHIN TAYONG WALA . UNITAS WALA TAYONG SASANTUHIN VOL. 87 • NO. 1 • MAY 2014 UNITASSemi-annual Peer-reviewed international online Journal of advanced reSearch in literature, culture, and Society WALA TAYONG SASANTUHIN u Z. ElisErio SINce 1922 Indexed in the International Bibliography of the Modern Language Association of America Wala Tayong Sasantuhin Copyright @ 2014 U Eliserio & the University of Santo Tomas Pasasalamat kay Vladimeir Gonzales para sa paghintulot sa may akda na gamitin ang litratong kuha niya para sa pabalat ng libro. UNITAS is an international online peer-reviewed open-access journal of advanced research in literature, culture, and society published bi-annually (May and November). UNITAS is published by the University of Santo Tomas, Manila, Philippines, the oldest university in Asia. It is hosted by the Department of Literature, with its editorial address at the Office of the Scholar-in-Residence under the auspices of the Faculty of Arts and Letters. Hard copies are printed on demand or in a limited edition. Copyright @ University of Santo Tomas Copyright The authors keep the copyright of their work in the interest of advancing knowledge but if it is reprinted, they are expected to acknowledge its initial publication in UNITAS. Although downloading and printing of the articles are allowed, users are urged to contact UNITAS if reproduction is intended for non-individual and non-commercial purposes. Reproduction of copies for fair use, i.e., for instruction in schools, colleges and universities, is allowed as long as only the exact number of copies needed for class use is reproduced.
[Show full text]
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Hip-hop, Streetdance, and the Remaking of the Global Filipino Permalink https://escholarship.org/uc/item/16q5z7gp Author Perillo, Jeffrey Lorenzo Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Hip-hop, Streetdance, and the Remaking of the Global Filipino A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Jeffrey Lorenzo Perillo 2013 © Copyright by Jeffrey Lorenzo Perillo 2013 ! ABSTRACT OF THE DISSERTATION Hip-hop, Streetdance, and the Remaking of the Global Filipino by Jeffrey Lorenzo Perillo Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2013 Professor Susan Leigh Foster, Committee Co-Chair Professor Victor Bascara, Committee Co-Chair New York-based African American, Latino, and Caribbean immigrant youth of the 1960s and early 1970s gave life to one of the world's major contemporary cultural movements: Hip-hop. Initially misunderstood as a faddish form of Black male musical expression, Hip-hop's cultural resistance practices were quickly recognized as four core elements (emceeing, turntablism, graffiti art, and b-boying/b-girling). In the global context, Hip-hop has generated scholarly discourse that points to either the cultural globalization of American Blackness or a "global village." My project interrupts this conversation and focuses on the unique, multi-site cultural history of Filipino identity as constituted through practitioners of Hip-Hop dance. My work argues that a community of Filipinos, situated in different geo-political loci—Berkeley, California, Honolulu, Hawai‘i, and Manila, Philippines—configure prevailing concepts of Hip-hop while remaking conditions of ! ii dispossession and displacement in the late twentieth and early twenty-first centuries.
[Show full text]
MY MIIC STAR PHILIPPINES SONGS 4378 SONGS No
MY MIIC STAR PHILIPPINES SONGS 4378 SONGS No. Artist Song Title 55142 17:28 NETWORK I 55143 17:28 SUKOB NA 56237 1017 BERTING 58528 1017 CHARING 58685 1017 SANA 56247 14K DADAANIN KO NA LANG SA KANTA 59345 14K SAMA SAMA 57152 2 Unlimited NO LIMIT 59075 2001 CC TSUBIBO 55105 6 cycle mind SANDALAN 56102 6 Cycle Mind BIGLAAN 58345 6 CYCLE MIND I 58544 6 Cycle Mind CIRCLE 56314 6 Cyclemind MAGSASAYA 56908 6 Cyclemind TRIP 57005 6 cyclemind GAYA NG NOON 57030 6 Cyclemind NALILITO 58447 6 Cyclemind UMAASA 58494 6 Cyclemind WAIT OR GO 58547 6 Cyclemind DINAMAYAN 58619 6 Cyclemind AAMININ 58684 6 Cyclemind SALUDO 59024 6 Cyclemind WALANG IWANAN 56134 6 cylce mind PABA 56204 6 cylce mind SIGE 59176 7th Coral Group KAPUSO 56747 92 AD DIWA NG PASKO 57504 A. PASCUAL ANG TANGING ALAY KO 55477 A.TORRES MAHIWAGA 55391 A.Torres & R.Malaga SARONG BITUON (BICOLANO) 58594 Abdilla SABALAN 58596 Abdilla SURATAN 58597 Abdilla WAY BULI RAPAT 58608 Abdilla SIMASANDUNG 58609 Abdilla SUSA ATAY DAYANG 58675 Abdilla INA AMA 58680 Abdilla MALASA MAGTUNANG 57952 Abigail BONGGAHAN 58562 Acel PAKIUSAP 58584 Acel Bisa ONE LOVE 57247 Acosta & Russell DEEP IN MY SOUL 57269 Acosta-Rusell DON'T FADE AWAY 56921 Adamo ALINE khe.com.au khe.co.nz picknmix.com.au miicstar.com.au MY MIIC STAR PHILIPPINES SONGS 4378 SONGS No. Artist Song Title 58917 Adelaida Ramones KARIK KENKA 58934 Adelaida Ramones REBBENG NA KADI 58946 Adelaida Ramones TOY AYAT KO 58905 Adelaida Ramones & Randy Corpuz APAY NGA INAYAT NAK 58943 Adelaida Ramones & Randy Corpuz SIKSIKA 55470 Aegis BASANG BASA SA
[Show full text]
Module 1 AFRO-LATIN AMERICAN and POPULAR MUSIC
Republic of the Philippines Department of Education Regional Office IX, Zamboanga Peninsula 10 Zest for Progress Zeal of Partnership MUSIC Quarter 2, Wk.1 - Module 1 AFRO-LATIN AMERICAN AND POPULAR MUSIC Name of Learner: ___________________________ Grade & Section: ___________________________ 0 Name of School: ___________________________ WHAT I NEED TO KNOW KkKNOW Music has always been an important part in the daily life of the African, whether for work, religion, ceremonies, or even communication. Singing, dancing, hand clapping and the beating of drums are essential to many African ceremonies, including those for birth, death, initiation, marriage, and funerals. Music and dance are also important to religious expression and political events. However, because of its wide influences on global music that has permeated contemporary American, Latin American, and European styles, there has been a growing interest in its own cultural heritage and musical sources. In this module, it contains review on the different elements of music and to analyze the characteristics of Afro-Latin American and popular music were: African music, Latin American music, Jazz music, and Popular music. Also includes the vocal forms, instruments, vocal and dance, and instrumental forms mentioned above. At the end of this module, you are expected to: 1. Analyzes musical characteristics of Afro-Latin American and popular music through listening activities. ( MU10AP-IIa-h-5) WHAT I KNOW Directions: Read and understand the questions carefully and write your answers on the blanks provided. 1. What is the overall quality of sound of a piece, most often indicated by the number/layer of voices in the music ? Answer: ________________ 2.
[Show full text]