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PROFESSIONAL VIDEO 315 800-947-1175 | 212-444-6675 Blackmagic • Canon
PROFESSIONAL VIDEO 315 800-947-1175 | 212-444-6675 Blackmagic • Canon VIDEO TAPE Fuji Film PRO-T120 VHS Video Cassette (FUPROT120)............................3.29 XA10 Professional HD Camcorder DVC-60 Mini DV Cassette (FUDVC60) .......................................3.35 Pocket Cinema Camera Ultra-compact, the XA10 DVC-80 Mini DV Cassette (FUDVC80)........................................7.99 shares nearly all the Pocket Cinema Camera is a HDV Cassette, 63 Minute (FUHDVDVM63) .................................6.99 functionality of the XF100, true Super 16 digital film DV141HD63S HDV (FUDV14163S) ............................................7.95 but in an even smaller, camera that’s small enough run-and-gun form factor. to keep with you at all times. Maxell 64GB internal flash drive Remarkably compact (5 x 2.6 DV-60 Mini DV Cassette (MADVM60SE) .................................3.99 and two SDXC-compatible x 1.5”) and lightweight (12.5 M-DV63PRO Mini DV Cassette (MADVM63PRO)......................5.50 card slots allow non-stop oz) with a magnesium alloy chassis, it features 13 stops of T-120 VHS Cassette (MAGXT120) ..........................................2.39 recording. Able to capture dynamic range, Super 16 sensor size, and and records 1080HD STD-160 VHS Cassette (MAGXT160).....................................2.69 AVCHD video at bitrates up to lossless CinemaDNG RAW and Apple ProRes 422 (HQ) files to fast STD-180 VHS Cassette (MAGXT180)......................................3.09 24Mbps, the camcorder’s native 1920 x1080 CMOS sensor also SDXC cards, so you can immediately edit or color correct your HG-T120 VHS Cassette (MAHGT120) .....................................1.99 lets you choose 60i, 24p, PF30, and PF24 frame rates for media on your laptop. Active Micro Four Thirds lens mount can HG-T160 VHS Video Cassette (MAHGT160) ............................2.59 customizing the look of your footage. -
A-Contents Product and Technical Information
Products Information Vol.8 A-contents Product and Technical Information INDEX ● 8K Camera System P4 ● 4K / HD Production Studio, OB Van, Production P24 ● 8K Camera Lineup P6 ● Video Signal Generator P26 ● 8K Camcorder P8 ● Protocol Analyzer P28 ● BOSMA IP Camera P9 ● Test & Measurement P30 ● 8K Projector P10 ● HDMI 2.1 Signal Generator P31 ● High Performance Computing P12 ● System Integrating Processor P32 ● 22.2ch Sound System P14 ● MMT / TLV / MPEG-2 TS Solution P34 ● 8K Real-time MTF Measurement System / P15 ● 8K Services P36 Display MTF Measurement System ● Multipurpose Camera System P38 ● 8K Recorder P16 ● New Laser Scanning Microscope P39 ● 8K Converter P18 ● Web-based Virtual Museum / P40 ● SMPTE ST 2110 Compliant IP Gateway P20 AI Scaler (ASTRO Intelligence Scaler) ● Frame Memory Board Series P21 ● MADD. P41 ● 8K / 4K Monitor P22 ● Corporate Profile P42 ● Audio Monitor P23 ● INDEX (Product Lineup by Field / Model Number Index) P43 8K Camera System Sports Analysis 8K Camera System Digitizing and With “8K eyes” you can not only see realistic image reproduction, but also details Visualising Sports that are invisible to the naked eye, expanding our own human abilities. Long-distance Higher accuracy analysis is transmission possible by accumulateing a via fiber optics and 5G networks large amount of detailed data. By doing so, it may be possible to 8K Camcorder greatly improve athlete AA-4814-B performance, analysis competing P8 teams data, improve video judgement technology, and more. 8K 120Hz Portable Camera 8K Video Server AB-4815 SR-8428 / SR-8438 / SR-8450 P7 P17 8K / Big Data Stadium 8K VR Indoor / Outdoor 8K VR Large-scale Display Using a VR system and Provides an environment for an 8K camera solves the large-scale display for current lack of resolution entertainment, displaying video in in current HMD devices, the optimum size even if the as well as the complexity display board differs from the of shooting content at video standard, as well as the same time. -
Prosumer Video Camcorders Pages #58, 360, 361
Don’t forget cables, Prosumer Video Camcorders pages #58, 360, 361 Camcorder Format Guide Hi-8: Records analog video, 400 lines of horizontal resolution onto an 8mm or Hi-8 cassette, DVD: Record High Defi nition 1080i video signals onto DVDs directly from which looks similar in size to a standard audio cassette. the camcorder using 3” (8cm) DVD media. DVD-R/-RW/+RW and +R DL (Dual Layer) media formats. The AVCHD DVD high defi nition recorded discs can only playback on the Blu-Ray DVD Digital-8: Records digitally 500 lines of horizontal resolution onto an 8mm or Hi-8 cassette, desktop players or your computer DVD drive. a Sony conduit for their large 8/Hi-8mm clientele. HDD: Record High Defi nition 1080i video signals onto the camcorder built- Memory Cards: Memory cards store electronic data on a small card, some no bigger than in hard disk drive (HDD). Easily back-up your recorded video onto your PCs hard drive (using a stamp. They store video, photos, music, and more. In video camcorders the most popular cards software) for viewing, editing, and archiving purposes. used are SD, SD-mini, MMC, and Memory Stick Duo/Pro. Memory cards have no moving parts, and are less prone to movement damage. DV/MiniDV: The DV format records digitally a remarkable 500 lines of horizontal resolution video onto Standard and Mini-DV size magnetic tape. It has since become one of the standards DVD: This consumer format records directly on 3” (8cm) DVD media. Convenient easy for consumer and semi-professional video production. -
Holograms a User’S Guide to Blowing Minds
LIGHTS • VIDEO • STAGING • INTEGRATION MONTHLY TECH NEWS CX128 AUGUST 2017 $7.50 AU Holograms A user’s guide to blowing minds In Profile: Dave Jacques Band touring in 2017: The Bootleg Beach Boys NEWS: ROADSKILLS: REGULARS: GEARBOX: • Jands take Robe • Grinspoon 20th • 20 Questions: Greg Weaver • Vuepix ER 5.9 touring • Mipro moves to anniversary album • Biz Talk: Bleed them till led screen ABA on tour they die • Clay Paky K Eye K20 Point Series Professional Install • Helpmanns dazzle • Icehouse • Tech Tools: HDMI and HDCP HCR Enclosures • SMPTE goes well 40th anniversary tour • Duncan Fry: Tale of two • Sennheiser XSW2 mixers wireless system Admire the Architecture... Adamson’s NEW IS7 & IS10 installation array speakers–as launched at InfoComm 2017–are designed to blend into the surrounding space, so that the architectural design remains the centre of attention. For a demonstration please contact: [email protected] CX_Cover_strip_2017.indd 1 16/06/2017 3:20:45 PM Chroma-Q® Color Force II™ GAME CHANGED AGAIN From the makers of one of the most popular professional cyc lights, • A purer white with no skittles Chroma-Q® does it again: Color Force II™, a batten that delivers formidable output and superior colour blending, all with smooth, even coverage. KEY FEATURES: • Chroma-Q’s proven award-winning technology • At least 50% more output than its predecessor • Easily washes a 12m / 39 foot cyc Patents Pending • Extremely smooth, uniform output • Homogenised RGBA colour-mixing • Pixel control to 76mm / 3 inch increments • High CRI of 92 • Theatrical grade dimming • Chroma-Q calibration means: superior fixture-to-fixture consistency • Available in 1.8m / 6 foot, 1.2m / 4 foot, & 0.3m / 1 foot versions Game changed: now take your next performance to exciting new heights! Distributed by www.jands.com.au www.chroma-q.com/cf2 Chroma-Q Color Force II Dealer Launch Ad Sep16.indd 1 7/12/2016 9:20 am CX contents128 2017 . -
Apple Prores White Paper January 2020 Contents
Apple ProRes White Paper January 2020 Contents Introduction 3 Authorized Apple ProRes Implementations 4 Apple ProRes Family Overview 5 Properties of Digital Images 8 Frame Size (Full-Width Versus Partial-Width) 8 Chroma Sampling 9 Sample Bit Depth 10 Properties of Apple ProRes Codecs 11 Data Rate 12 Quality 15 Performance 18 Alpha Channel Support in Apple ProRes 4444 Codecs 22 Appendix 23 Target Data Rates 23 Glossary 26 Apple ProRes January 2020 2 Introduction Apple ProRes is one of the most popular codecs in professional post-production. The ProRes family of video codecs has made it both possible and affordable to edit full-frame, 10-bit, 4:2:2 and 4:4:4:4 high-definition (HD), 2K, 4K, 5K, and larger video sources with multistream performance in Final Cut Pro X. This white paper provides in-depth information about the ProRes family of codecs, including technical specifications and performance metrics. For information about Apple ProRes RAW, which brings to raw video the same great performance, quality, and ease of use that ProRes has brought to conventional video, see the Apple ProRes RAW White Paper. Apple ProRes January 2020 3 Authorized Apple ProRes Implementations Apple ProRes is a codec technology developed for high-quality, high-performance editing in Final Cut Pro X. Apple has licensed ProRes to select companies for use in specific products and workflows. In some instances, unauthorized codec implementations have been used in third-party software and hardware products. Using any unauthorized implementation (like the FFmpeg and derivative implementations) may lead to decoding errors, performance degradation, incompatibility, and instability. -
GY-HM790 3-CCD Prohd Camera New Product News
NEW PRODUCT NEWS ProHD Memory Card Camcorder GY-HM790 Pictured with optional Remote Control module, KA-M790 JVC's modular ProHD camera with solid state recording capability as well as studio functionality provides outstanding image quality for demanding applications. ● Patented 3-CCD optical system for ● XDCAM EXtm codec full HD images ● Patented Focus Assist function ● Full bandwidth 4:2:2 HDSDI output ● Industry standard bayonet lens mount ● Built-in Genlock ● 4.3” Flip-out monitor ● Full support of 1080i / 720p / 480i IN THE STUDIO (OPTIONS) IN THE FIELD ● ● Compact Shoulder form factor Sturdy, sleek studio sled ● ● Dual SDHC memory recording High resolution 8.4” viewfinder ● ● Data rates: 19Mbps, 25Mbps, 35Mbps 26-pin multicore module ● ● 1080i/p, 720p, 480i recording Full featured multicore CCU ● ● Ready -to-edit files (.mov, .mp4, .avi) Local Remote Panel (shader) ● ● Pool feed input Fiber Remote Module ● ● Time code IN/OUT Wide range of lenses & accessories ● 1.22 megapixel viewfinder ● Optional ASI module NEW PRODUCT NEWS 1/3” Progressive-scan 3CCD design with Triplex Offset 35Mbps (MPEG-2 HQ mode) and and Adaptive Pixel Correlation MPEG-2 SP mode (19Mbps/25Mbps) The three progressive-scan CCD design provides rich, JVC's original 1080p Dynamic Digital Signal accurate colors, while JVC original Triplex Offset technology in Processor compresses video signals conjunction with pixel correlation adaptively increases the up to 35Mbps to support full 1920 X 1080 effective resolution both horizontally and vertically by shifting sampling. The SP mode records at a the red and blue pixels. The camera produces dramatically constant bit rate of either 19Mbps or 25Mbps to ensure higher horizontal / vertical / diagonal resolution. -
Revised Landscape Report 2020
MOVING THE EUROPEAN XR TECH INDUSTRY FORWARD Revised Landscape Report 2020 www.xr4all.eu This project has received funding from the European Union’s Horizon 2020 Research and Innovation Programme under Grant Agreement N° 825545. XR4ALL ‐ eXtended Reality for All Main authors Name Organisation Country Oliver Schreer Fraunhofer HHI Germany Ivanka Pelivan Fraunhofer HHI Germany Peter Kauff Fraunhofer HHI Germany Ralf Schäfer Fraunhofer HHI Germany Anna Hilsmann Fraunhofer HHI Germany Paul Chojecki Fraunhofer HHI Germany Thomas Koch Fraunhofer HHI Germany Serhan Gül Fraunhofer HHI Germany Aurela Shehu Fraunhofer HHI Germany Weiwen Hu Fraunhofer HHI Germany Youssef Sabbah Europe Unlimited S.A. Belgium Jérôme Royan b<>com France Muriel Deschanel b<>com France Albert Murienne b<>com France Laurent Launay b<>com France Jacques Verly Image & 3D Europe Belgium Alain Gallez Image & 3D Europe Belgium Sylvain Grain Image & 3D Europe Belgium Alexandra Gérard Image & 3D Europe Belgium Leen Segers LucidWeb Belgium Mealle Quevillard LucidWeb Belgium Gauthier Lafruit Université Libre de Bruxelles Belgium Donna Schipper Leiden University, Centre for Innovation The Netherlands Mitchell Bosch Leiden University, Centre for Innovation The Netherlands Xiaoqing Jiu Leiden University, Centre for Innovation The Netherlands Anastasia Pash Globetrotter VR Cyprus Alan Chalmers University of Warwick United Kingdom Luciana Gaspar University of Warwick United Kingdom This project has received funding from the European Union’s Horizon 2020 Research and Innovation Programme under Grant Agreement N° 825545. LEGAL NOTICE The information and views set out in this report are those of the authors and do not necessarily reflect the official opinion of the European Union. Neither the European Union institutions and bodies nor any person acting on their behalf may be held responsible for the use which may be made of the information contained therein. -
Landscape Report
www.xr4all.eu XR4ALL (Grant Agreement 825545) “eXtended Reality for All” Coordination and Support Action D4.1: Landscape Report Issued by: Fraunhofer HHI Issue date: 30/11/2019 Due date: 30/11/2019 Work Package Leader: Fraunhofer HHI Start date of project: 01 December 2018 Duration: 30 months Document History Version Date Changes 0.1 31/07/2019 Draft structure 0.2 31/08/2019 Revised structure 0.3 05/11/2019 Comments from 1st review included 1.0 30/11/2019 Final version Dissemination Level PU Public X PP Restricted to other programme participants (including the EC Services) RE Restricted to a group specified by the consortium (including the EC Services) CO Confidential, only for members of the consortium (including the EC) Main authors Name Organisation Oliver Schreer HHI Ivanka Pelivan HHI Peter Kauff HHI Ralf Schäfer HHI Anna Hilsmann HHI Paul Chojecki HHI Thomas Koch HHI Ramon Wiegratz HHI Jérome Royan BCOM Muriel Deschanel BCOM Albert Murienne BCOM Laurent Launay BCOM Jacques Verly I3D Quality reviewers Name Organisation Jacques Verly I3D Muriel Deschanel BCOM LEGAL NOTICE The information and views set out in this report are those of the authors and do not necessarily reflect the official opinion of the European Union. Neither the European Union institutions and bodies nor any person acting on their behalf may be held responsible for the use which may be made of the information contained therein. © XR4ALL Consortium, 2019 This project has received funding from the European Union’s Horizon 2020 Research and Innovation Programme under Grant Agreement N° 825545. Reproduction is authorised provided the source is acknowledged. -
The EDIROL F-1 Provides Reliable, High
USB 2.0 i.LINK Shock-resistant floating HDD forfor securesecure && stablestable recordingrecording despitedespite shocksshocks andand vibrationsvibrations Removable HDD provides hours of recording in the field Seamless 9 hours recordingrecording withwith externalexternal batterybattery The EDIROL F-1 provides reliable, high quality Additional 2 Channels of Audio recordingrecording inin hi-qualityhi-quality linearlinear PCMPCM WAVWAV capture of both video and audio when you need it Remote Control of Multiple Units via LAN for managing multi-camera shoots most: out in the field where every shot counts. or remote locations Seamless and reliable HDV/DV capture to removable HDD for hours of worry-free recording ■ ■ POWER button ■ DISPLAY button ■ REC Indicator High-Capacity HDV/DV capture simplifies and and Indicator Cycles between various Lights in red while accelerates your workflow screen content displays recording to HDD The i.LINK connection to your camera provides easy capture of HDV or DV. Begin editing immediately directly ■ REC/STOP buttons off the HDD or enjoy smooth and speedy transfer of Starts and stops recording recorded data to your NLE system. Continue to use the ■ TRANSPORT buttons camera's tape mechanism as an affordable/compact Select previous or next file backup media. and play/pause ■ MENU button Calls up menu screen for ■Removable HDD provides hours of recording in the field setup and other system A removable hard drive is the recording media inside the preferences F-1. Remove the full drive and editing or transfer can begin ■ PHONES jack and level knob Mini stereo jack for immediately by simply connecting it to your computer headphone connection and via bus-powered USB. -
What Is 2160P
What is 2160p Continue The standard resolution of 4K video size refers to the horizontal resolution of the display of about 4000 pixels. Digital TV and digital cinema typically use several different 4K resolutions. in television and consumer media, 3840 × 2160 (4K UHD) is the dominant 4K standard, while the film projection industry uses 4096 × 2160 (DCI 4K). The share of the 4K television market increased as prices plummeted during 2014 and 2015. By 2020, more than half of U.S. households are expected to have 4K TVs, which is much faster than Full HD (1080p). Comparison of general broadcasting permissions Comparison of general 4K display permissions and the terminology of the term 4K is common and applies to any resolution with a horizontal pixel count of about 4000. (p2) Various organizations have standardized several different resolutions 4K. DCI Digital Cinema System Specification Comparison of DCI and UHD Resolutions In 2005, the Digital Film Initiatives (DCI), a prominent standards organization in the film industry, published the specifications of the digital film system. This specification establishes standardized 2K and 4K container formats for digital film production, with resolutions of 2048 × 1080 and 4096 × 2160 respectively. (4.3.1 euros) The video content resolution inside complies with the SMPTE 428-1 standard, which sets the following resolutions for the distribution of 4K ×: 256∶135 or ≈1.90∶1 side ratio) 3996 × 2160 (flat culture, flat culture, 1.85∶1 side ratio) 4096 × 1716 (Culture CinemaScope, ≈2.39∶1 side ratio) 2K distributions can have a frame rate of 24 or 48 FPS, while 4K distributions must have a frame rate of 24 FPS.