Studies in Scottish Literature Volume 45 Issue 2 Article 14 12-15-2019 The Poetry of William Forbes of Disblair (1661-1740) William Donaldson Massachusetts Institute of Technology Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Literature in English, British Isles Commons Recommended Citation Donaldson, William (2019) "The Poetry of William Forbes of Disblair (1661-1740)," Studies in Scottish Literature: Vol. 45: Iss. 2, 121–137. Available at: https://scholarcommons.sc.edu/ssl/vol45/iss2/14 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact
[email protected]. THE POETRY OF WILLIAM FORBES OF DISBLAIR (1661-1740) William Donaldson William Forbes of Disblair is a name well-known to students of Scottish vernacular music during the first half of the eighteenth century. The name “Disblair” is not infrequently found in important manuscript collections of the period, and his arrangements of classic Scots airs like “John Anderson, my jo,” “My Dearie an thou die,” and “Willie was a Wanton Wag” have remained in circulation, and in print, down to the present day.1 From the family circle of William Forbes also came one of the most powerful strands of oral tradition to be recorded during the period. His daughters Lilias and Anne, the “Ladies of Disblair,” were the chief informants of his granddaughter, Anna Gordon (Mrs. Brown of Falkland), easily pre- eminent amongst the named ballad-sources of eighteenth century Britain.2 William Forbes was also a poet, whose social and political satires mark him as one of the most distinctive voices in early eighteenth-century Scotland, yet his literary reputation has received little recognition.