YEAR 4: the STUARTS (5 Lessons)
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
The Gunpowder Plot Activity Pack
TTHHEE GGUUNNPPOOWWDDEERR PPLLOOTT The Gunpowder Plot Activity Pack Welcome to Heritage Doncaster’s the Gunpowder Plot activity pack. This booklet is filled with ideas that you can have a go at as a family at home whilst learning about the Gunpowder Plot. Some of these activities will require adult supervision as they require using an oven, a sharp implement, or could just be a bit tricky these have been marked with this warning triangle. We would love to see what you create so why not share your photos with us on social media or email You can find us at @doncastermuseum @DoncasterMuseum [email protected] Have Fun! Heritage Doncaster Education Service Contents What was the Gunpower Plot? Page 3 The Plotters Page 4 Plotters Top Trumps Page 5-6 Remember, remember Page 7 Acrostic poem Page 8 Tunnels Page 9 Build a tunnel Page 10 Mysterious letter Page 11 Letter writing Page 12 Escape and capture Page 13 Wanted! Page 14 Create a boardgame Page 15 Guy Fawkes Night Page 16 Firework art Page 17-18 Rocket experiment Page 19 Penny for a Guy Page 20 Sew your own Guy Page 21 Traditional Bonfire Night food Page 22 Chocolate covered apples Page 23 Wordsearch Page 24 What was the Gunpowder Plot? The Gunpowder Plot was a plan made by thirteen men to blow up the Houses of Parliament when King James I was inside. The Houses of Parliament is an important building in London where the government meet. It is made up of the House of Lords and the House of Commons. -
James VI and I and Rule Over Two Kingdoms: an English View*
JamesBlackwellOxford,HISRHistorical0950-3471©20037621000OriginalConrad Institute VI UKRussellArticle andResearchPublishing of Historical I and rule Ltd Research over two kingdoms2003 VI and I and rule over two kingdoms: an English view* Conrad Russell King’s College London Abstract This article compares English and Scottish responses to the union of the crowns in 1603 following the accession of James VI and I. It examines the reluctance of the English to rethink their ideas on sovereignty, and the problems inherent in an ‘imperfect union’. When King James VI of Scotland inherited the throne of England in March 1603, it meant profound institutional and political changes in the distribu- tion of power in Scotland. Yet paradoxically, because of Scottish views on the nature of power and of the state, it meant a comparatively small intel- lectual adjustment of those views. By contrast, in England, the accession of a Scottish king made little difference to the course of English political life, but it offered a far-reaching challenge to English views about the nature of sovereignty and of the state. Seen from south of the border, the troubles caused by the union were those resulting from the failure of the English to rethink their ideas on sovereignty. This failure prevented them from thinking constructively about the new relationship into which they had entered through the union of the crowns. Indeed, it often prevented them from admitting that they had entered into any relationship at all. In the terminology of the day, the union of the crowns in 1603 was an ‘imperfect union’, between two sovereign states under a common authority. -
Bonnie Prince Charlie and the Jacobites Teacher & Adult Helper
Bonnie Prince Charlie and the Jacobites Teacher & Adult Helper Notes Contents 1 Visiting the Exhibition 2 The Exhibition 3 Answers to the Trail Page 1 – Family Tree Page 2 – 1689 (James VII and II) Page 3 – 1708 (James VIII and III) Page 4 – 1745 (Bonnie Prince Charlie) 4 After your visit 5 Additional Resources National Museums Scotland Scottish Charity, No. SC011130 illustrations © Jenny Proudfoot www.jennyproudfoot.co.uk Bonnie Prince Charlie and the Jacobites Teacher & Adult Helper Notes 1 Introduction Explore the real story of Prince Charles Edward Stuart, better known as Bonnie Prince Charlie, and the rise and fall of the Jacobites. Step into the world of the Royal House of Stuart, one dynasty divided into two courts by religion, politics and war, each fighting for the throne of thethree kingdoms of Scotland, England and Ireland. Discover how four Jacobite kings became pawns in a much wider European political game. And follow the Jacobites’ fight to regain their lost kingdoms through five challenges to the throne, the last ending in crushing defeat at the Battle of Culloden and Bonnie Prince Charlie’s escape to the Isle of Skye and onwards to Europe. The schools trail will help your class explore the exhibition and the Jacobite story through three key players: James VII and II, James VIII and III and Bonnie Prince Charlie. 1. Visiting the Exhibition (Please share this information with your adult helpers) Page Character Year Exhibition sections Important information 1 N/A N/A The Stuart Dynasty and the Union of the Crowns • Food and drink is not permitted 2 James VII 1688 Dynasty restored, Dynasty • Photography is not allowed and II divided, A court in exile • When completing the trail, ensure pupils use a pencil 3 James VIII 1708- The challenges of James VIII and III 1715 and III, All roads lead to Rome • You will enter and exit via different doors. -
William Drummond of Hawthornden and Petrarchan National Sentiment in the Wake of the Union of the Crowns
~ 1 ~ Voglie divise : William Drummond of Hawthornden and Petrarchan national sentiment in the wake of the Union of the Crowns Patrick Hart ([email protected]) This paper brings together two recent developments in early modern literary history: a renewed focus on Petrarchism’s role in the cultivation of national sentiment across Europe (exemplified by William Kennedy’s The Site of Petrarchism (2003)); and the geopolitical turn towards ‘the British problem’ - that is, toward questions of national and regional identity in the North-West Atlantic archipelago around the time of the Union of the Crowns in 1603. In Archipelagic English (2008), a study exemplary of this latter movement, John Kerrigan offers an intimidatingly sophisticated reading of how William Drummond’s work was conditioned by the relative isolation of Scotland within a culturally conflicted regal union. However, he makes barely any mention of the Petrarchan poetry upon which Drummond’s literary reputation rests, beyond noting that it has been ‘misconstrued as a hangover from Elizabethan Petrarchism’. This is surprising. As Kennedy observes, the premise that the Petrarchan sonnet provides a site for the expression and exploration of early modern national sentiment is ‘not controversial’, and, given Scotland’s ambivalent status post-Union we might ESSE 2010 Patrick Hart — Drummond and Petrarchan National Sentiment ~ 2 ~ expect the sonneteering of the ‘Petrarch of the North’ to be the site of particularly intriguing such explorations. But Kennedy, too, in his own study, while mentioning Petrarchism’s role in the shaping of national sentiment in Italy, France, Spain, England, Germany, Eastern Europe and the New World, never touches on the growing fascination of Scottish poets for the Petrarchan sonnet sequence in the wake of the union of the Crowns. -
Who Were the People Behind the Gunpowder Plot?
Who were the people behind the Gunpowder plot? Guy Fawkes Guy Fawkes is the name most associated with the Gunpowder Plot. Guy Fawkes was born in York in 1570. Recruited as the gunpowder expert, he was the one caught red-handed in the basement storeroom under the House of Lords with the barrels of gunpowder on the 5 November 1605. He has become our Bonfire Night 'celebrity'. Who were the other men involved? Robert Catesby Robert Catesby was born around 1572 in Lapworth, Warwickshire. He was the charismatic mastermind behind the Gunpowder Plot. John and Christopher Wright John (born 1568) and Christopher (born 1570) were from Welwick, Yorkshire. These brothers were viewed as dangerous Catholics by the authorities before they had even been drawn into the plot. Thomas Percy Thomas Percy was born around 1560 in Beverley, Yorkshire. Thomas was a violent, wild character. He was married to Christopher and John's sister, Martha and came from a very wealthy, powerful family. Francis Tresham Francis Tresham was born in 1567 in Rushton, Northamptonshire. Francis was perhaps the most reluctant of the conspirators, and he may have sent the Monteagle letter warning his brother-in-law not to attend Parliament on the 5 November 1605. Thomas and Robert Winter Thomas Winter was among the first to be drawn into the plot. His brother Robert was recruited later. It was Thomas who tried to get the conspirators to abandon the plot when he realised that it had been discovered. The Winter brothers were born in Huddington, Worcestershire. Using Maps The Gunpowder Plot conspirators were born all around England. -
Download Booklet
CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer: SIGNUMCLASSICS YELLOW Catalogue No. SIGCD061 BLACK Job Title CD Booklet Page Nos. The king’s singers on signumclassics Six SIGCD056 Gesualdo Tenebrae Responsories SIGCD048 Christmas SIGCD502 Six gents singing six tracks that span the life of The late renaissance Italian Prince, Gesualdo, 24 carols for each day of Advent and a bonus the group so far. Perennial favourites - Neil was the most original, expressive and sensual 25th track which pays homage to one of the Young’s ‘After the Goldrush’, Irving Berlin’s much composer of his time. The programme on this CD King’s Singers famous songs ‘You are the New loved classic ‘Blue Skies’ and the Beatles’ represents part of the liturgy for the Matins Day’. ‘Christmas’ covers five centuries of music, ‘Blackbird’ - are perfectly balanced with new Offices on the final three days of Holy Week, the seven different languages, favourite traditional additions to the songbook. Triduum Sacrum. carols and special arrangements. www.kingssingers.com Available through most record stores and at www.signumrecords.com. For more information call +44 (0) 20 8997 4000 CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer YELLOW Catalogue No. BLACK Job Title Page Nos. 1605: treason & dischord William Byrd and the Gunpowder Plot SARAH BALDOCK 1 John Dowland (1563-1626) George Whitehead’s Almand [1.30] Finalist in the 1998 Calgary International, and prizewinner Academy for six years. She has been involved in education 2 William Byrd (1543-1623) Kyrie from Mass for 4 voices [1.57] at the 2000 Odense and 2002 Dallas International Organ projects at the Royal Festival Hall, London, and 3 William Byrd A Fancie [4.32] Competitions, Sarah Baldock is a popular soloist in the Birmingham Symphony Hall, and is an examiner and 4 William Byrd Gloria from Mass for 4 voices [5.56] UK and abroad. -
Stuart Britain and the Wider World
PART I Stuart Britain and the Wider World CHAPTER ONE The Multiple Kingdoms of Britain and Ireland: The `British Problem' ALLAN I. MACINNES The `British Problem' in the seventeenth century is as much historiographic as historic. The Whig tradition of progressive empiricism, grounded on the `Glorious Revolution' (1688±91), dominated the historiography of Britain and Ireland as multiple kingdoms well into the twentieth century.The recent concerns of the `new British histories' with the Stuart court and baronialism, with religious establishments and with the resolution of divergence through institutional union, have verged not so much on revisionism as neo-Whiggery.Indeed, the primacy accorded to national identities, civil wars and, above all, state formation seriously questions whether the `new British histories' have marked a distinctive shift in focus away from Whiggish concerns with nation building. For the problematic nature of `New British Histories' is rooted in an overwhelmingly insular and introspective historiography. I Within the closed ambit of England, Scotland and Ireland as multiple kingdoms, comparative history has tended towards multifarious discussions on identity.Seem- ingly divergent identities within the multiple kingdoms have been resolved construct- ively by multi-polar or multi-layered approaches (Kidd 1998: 321±42), which carry added resonance when applied to the wider Stuart world of the seventeenth century. But such wider contextualizing must take account of apocalyptic visions as well as baronial politics, commercial -
Rastrick High School Year 8 History History Home Learning: 17Th Century England Information Booklet
Rastrick High School Year 8 History History Home Learning: 17th Century England Information Booklet Y8 History Home Learning: How Bloody and Brutal was 17th Century England? Information booklet Lesson Two: Were witches real? Witches in the 1600s were believed to be usually old poor women with: • birth marks, pocs or warts on their face • Sunken faces with hairy lips • and familiars. Familiars were demons that followed witches that were believed to assume the form of animals, usually cats. These ideas that we hold about what witches look like are stereotypical. Stereotype means an oversimplified image of a person or thing that are usually wrong. In 1597 James I produced a book on witchcraft entitled ‘Daemononlogie’. In the book he explained how to ‘spot’ a witch simply by looking for the previous signs. He also said a witch could be spotted: 1. If they are a friend, neighbour or relative of a witch. 2. If a person dies or has an accident after arguing with the accused. 3. If everybody who lives near the person believes that they are a witch. Why did people believe in witches? Lesson Three: Were witches real? Who was Matthew Hopkins? A bloodthirsty Altofts man was responsible for the deaths of more than 300 women - according to an old legend. Nearly 350 years ago self-styled ‘Witch-finder General’ Matthew Hopkins roamed the counties of eastern England preying on elderly women. His reign of terror began in 1644 when he was employed by towns to seek out and destroy women believed to be witches. Such has been the interest in Matthew Hopkins’ crimes that in 1968 Vincent Price starred in a horror film called The Witch- finder General. -
The Death of Francis Tresham
THE DEATH OF FRANCIS TRESHAM THE account by William Vavasor of Francis Tresham's last hours and death in the Tower of London is here printed by kind permission of George BrudeneIl, Esq. The document lay for three centuries among the' family muniments at Deene Park, Northamptonshire. While cataloguing the collection there in 1925, I was looking casually through one of the boxes with two members of the Brudenell family, when we came upon it in a bundle of papers of the same period relating to the business affairs of the Treshams. These papers must have come to Deene in the time of Thomas Brudenell (later first Earl of Cardigan) when he was helping his mother-in-law, 'Lady Tresham, over business matters after the death of Francis. 1 Brudenell, also a devout Catholic, had married in the summer of 1605, Mary, daughter of Sir Thomas Tresham, Kt., of Rushton Hall, that magnificent house near Kettering about whose fate so much concern is felt today. The Treshams were one of the leading families in the County and had lived at Rushton since the 15th century. Sir Thomas was a prominent Catholic and had suffered heavy fines and long years of imprisonment for his faith, but unlike his brother William who went over to the enemies of his country and became a captain in the service of Spain,2 no stigma of treasonable practices had ever been attached to his name. The English Catholics in the reign of Elizabeth were on. the horns of a dilemma. " They were torn in two bet~een their patriotism as Englishmen and their natural desire to see the return of their country to the old form of the faith. -
The Union of 1707
THE UNION OF 1707 Survey of Events BY VARIOUS WRITERS WITH AN INTRODUCTION BY *" P. HUME BROWN, M.A., LL.D. THE AND , TEXT OF THE ARTICLES OF UNION GLASGOW GEORGE OUTRAM &f CO. LTD. BUCHANAN STREET 1907 Reprinted from the Glasgow Herald CONTENTS PAGE /INTRODUCTION, i By P. Hume Brown. I THE SCOTTISH PARLIAMENT, 10 By Robert S. Rait. II 'THE END OF AN AULD SANG,' 23 By Andrew Lang. Ill N THE COUNTRY PARTY AND THE ACT OF SECURITY, . 32 By James Mackinnon. IV < THE ACT OF SECURITY AND ITS EFFECTS, ... 43 By James Mackinnon. V CHURCH AND THE UNION, 55 By W. Law Mathieson. vi CONTENTS PAGE VI STATESMEN OF THE UNION, 63 By W. Law Mathieson. VII A ROMANTIC PLOT AGAINST THE UNION (i.), . 75 By Andrew Lang. VIII A ROMANTIC PLOT AGAINST THE UNION (n.), . 84 By Andrew Lang. IX SCOTTISH INDUSTRY BEFORE THE UNION, ... 93 By W. R. Scott. X SCOTTISH INDUSTRY AFTER THE UNION, . .102 By W. R. Scott. XI GLASGOW AND THE UNION, no By Robert Renwick. XII SOCIAL LIFE IN EDINBURGH AFTER THE UNION, . 123 By James Colville. XIII IN LITERARY REVIVAL SCOTLAND AFTER THE UNION (i.), 134 By J. H. Millar. CONTENTS vii PAGE XIV LITERARY REVIVAL IN SCOTLAND AFTER THE UNION (n.), 143 By J. H. Millar. XV LITERARY REVIVAL IN SCOTLAND AFTER THE UNION (in.), 152 By J. H. Millar. XVI 4 THE ENGLISH STANDPOINT (i.), 160 By R. Lodge. XVII a THE ENGLISH STANDPOINT (n.), 168 By R. Lodge. XVIII THE SCOTTISH AND THE IRISH UNION, ... 175 By W. -
Gunpowder Plot Gunpowder Plot Here Is a Timeline of Events Surrounding the Gunpowder Plot Atrocity a Very Wicked Or from a 17Th-Century Government Report
Key terms Events leading up to the gunpowder plot Gunpowder plot Here is a timeline of events surrounding the Gunpowder Plot atrocity A very wicked or from a 17th-century government report. It’s worth cruel act remembering this is based on the confessions of the plotters, conspiracy Plotting in secret which were given under torture: Religious tensions after Elizabeth I to do something By the end of Elizabeth I's reign, the Church of England unlawful Robert Catesby had taken part in the Earl of Essex's 1601 was safe, and there was no chance of a war of religion, effigy A model of a rebellion, but was pardoned. but there was still tension between Catholics and the person Protestant government: MPs Members of In 1603, he tried unsuccessfully to persuade the King of Parliament Spain to invade England. • When the Earl of Essex rebelled against Elizabeth in propaganda Information, 1601, he was helped by Catholics. often biased or In 1604 he returned to England, where he recruited other misleading, • The government was becoming steadily more anti- Catholics to join a plot to kill James. One of them was Guy designed to Catholic. Even peaceful Catholics – who only refused to Fawkes. The group planned to blow up the House of persuade people go to the Church of England on Sundays, known Lords when King James came to open Parliament on 5 to accept a point as recusants, were fined £20 a month. November. At first they tried to dig a tunnel from a nearby of view house. When this failed, one of the plotters – Thomas Percy – • When Elizabeth I died in 1603, James VI of Scotland recusants Someone who rented a cellar underneath the House of Lords. -
A Narrative of the Gunpowder Plot
Digitized by the Internet Archive in 2011 with funding from University of Toronto http://www.archive.org/details/narrativeofgunpoOOjard A NARRATIVE GUNPOWDER PLOT. NARRATIVE GUNPOWDER PLOT. BY DAVID JARDINE, Esq. OF TIIE MIDDLE TEUPLE, BAEEISTEH-AT-I/AW. *i hZs^l LONDON: JOHN MURRAY, ALBEMARLE STREET. 1857. The right of Translation is reserved. T34- PREFACE. The substance of the following pages was published many years ago in the " Library of Entertaining Know- ledge," and formed the introduction to the trials of the several persons implicated in the Gunpowder Treason. The obvious objection to the course adopted with respect to the " Criminal Trials," was, that the introduction exceeded its office as an illustration of the judicial proceedings, and became a prominent part of the work, instead of being merely accessary to the main design. Another objection was, that a work, which professed some degree of research and a critical examination of the evidence and effect of disputed facts, was inconsistent with the object of the series to which it belonged, and with the character and capaci- ties of the readers for whose use that series was intended. Notwithstanding these objections, reprints vi PREFACE. of the Criminal Trials have been frequent during twenty-one years, and the consequence is that the stereotype plates, having become completely worn out, have been destroyed, and the work is out of print. Under these circumstances it is now proposed to arrange the materials in the form of a continuous narrative of the facts of the Gunpowder Plot, with such enlargements and corrections as subsequent inquiry and research have suggested.