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Beat Ecopoetry and Prose in Stewart Brand's Whole Earth Publications
UNIVERSITY OF CALIFORNIA Los Angeles Sustainable Gardens of the Mind: Beat Ecopoetry and Prose in Stewart Brand's Whole Earth Publications A dissertation submitted in partial satisfaction of the requirements for the degree in Doctor of Philosophy in English by Susan Elizabeth Lewak 2014 © Copyright by Susan Elizabeth Lewak 2014 ABSTRACT OF THE DISSERTATION Sustainable Gardens of the Mind: Beat Ecopoetry and Prose in Stewart Brand's Whole Earth Publications By Susan Elizabeth Lewak Doctor of Philosophy in English University of California, Los Angeles, 2014 Professor Michael A. North, Chair Stewart Brand’s Whole Earth publications (The Whole Earth Catalog, The Supplement to the Whole Earth Catalog, CoEvolution Quarterly, The Whole Earth Review, and Whole Earth) were well known not only for showcasing alternative approaches to technology, the environment, and Eastern mysticism, but also for their tendency to juxtapose radical and seemingly contradictory subjects in an “open form” format. They have also been the focus of notable works of scholarship in the social sciences. Areas of exploration include their relationship to the development of the personal computer, the environmental movement and alternative technology, the alternative West Coast publishing industry, Space Colonies, and Nanotechnology. What is perhaps less well known is Brand’s interest in the Beat poetry of Jack Kerouac, Gary Snyder, Allen Ginsberg, Michael McClure, Lawrence Ferlinghetti, Gregory Corso, Robert Creeley, David Meltzer, and Peter Orlovsky beginning with CoEvolution Quarterly in 1974. Brand’s decision to include ecologically based free-verse Beat poems is also indicative of ii a particular way of seeing science and technology. The term “coevolution” itself is biological in origin and refers to the evolutionary relationship between predator and prey: a lizard may turn green to fade into the grass, but an eagle, with its highly developed vision, will be able to spot the lizard hiding among the green blades. -
Ca Quarterly of Art and Culture Issue 40 Hair Us $12 Canada $12 Uk £7
c 1 4 0 5 6 6 9 8 9 8 5 3 6 5 US Issue 40 a quarterly of art and culture $12 c anada $12 ha I r u K £7 “Earthrise,” photographed by Apollo 8 on 12 December 1968. According to NASA, “this view of the rising Earth … is displayed here in its original orientation, though it is more commonly viewed with the lunar surface at the bottom of the photo.” FroM DIsc to sphere a permit for the innovative shell, which was deemed Volker M. Welter to be a fire risk, and so the event took place instead in a motel parking lot in the city of Hayward. there, a In october 1969, at the height of the irrational fears four-foot-high inflatable wall delineated a compound about the imminent detonation of the population within which those who were fasting camped. the bomb, about one hundred hippies assembled in the press and the curious lingered outside the wall, joined San Francisco Bay area to stage a “hunger show,” by the occasional participant who could no longer bear a week-long period of total fasting. the event was the hunger pangs, made worse by the temptations of a inspired by a hashish-induced vision that had come to nearby Chinese restaurant. the founder of the Whole Earth Catalog, Stewart Brand, Symbolically, the raft also offered refuge for planet when reading Paul ehrlich’s 1968 book The Population earth. A photograph in the Whole Earth Catalog from Bomb. the goal was to personally experience the bodi- January 1970 shows an inflated globe among the ly pain of those who suffer from famine and to issue a spread-out paraphernalia of the counter-cultural gather- warning about the mass starvations predicted for the ing, thus making the hunger show one of the earliest 1970s. -
Whole Earth Catalog
WHOLE EARTH CATALOG access to tools h^y' Spring 1969 #'?' amH •'"v; * : WHOLE EARTH CATALOG FUNCTION The WHOLE EARTH CA TALOG functions as an evaluation and access device. With it, the user should know better what is worth getting and where and how to do the getting. An item is listed in the CA TALOG if it is deemed: 1) Useful as a tool, 2) Relevant to independent education, 3) High quality or low cost, 4) Easily available by mail. CA TA L OG listings are continually revised according to the experience and suggestions of CAT A L OG users and staff. PURPOSE We are as gods and might as well get good at it. So far, remotely done power and glory--as via government, big business, formal education, church-has succeeded to the point where gross defects obscure actual gains. In response to this dilemma and to these gains a realm of intimate, personal power is developing-power of the individual to conduct his own education, find his own inspiration, shape his own environment, and share his adventure with whoever is interested. Tools that aid this process are sought and promoted by the WHOLE EARTH CATALOG. RETAINING SUBSCRIBERS Mark Albert San Francisco, California John Doss San Francisco, California Edmund Scientific Company Barrington, New Jersey Henry Jacobs & Associates Sausalito, California Edward Rosenfeld New York, New York St. George Bryan Maui, Hawaii Geoffrey Gates New York. New York Peter Cornell Berkeley, California Second Printing August 1969 © 1969 Portola Institute, Inc. All rights reserved under Pan-American and International copyright -
A Slice of Life in My Virtual Community Howard Rheingold
A Slice of Life in My Virtual Community Howard Rheingold I'm a writer, so I spend a lot of time alone in a room with my words and my thoughts. On occasion, I venture outside to interview people or to find information. After work, I reenter the human community, via my family, my neighborhood, my circle of acquaintances. But that regime left me feeling isolated and lonely during the working day, with few opportunities to expand my circle of friends. For the past seven years, however, I have participated in a wide-ranging, intellectually stimulating, professionally rewarding, sometimes painful, and often intensely emotional ongoing interchange with dozens of new friends, hundreds of colleagues, thousands of acquaintances. And I still spend many of my days in a room, physically isolated. My mind, however, is linked with a worldwide collection of like-minded (and not so like-minded) souls: My virtual community. Virtual communities emerged from a surprising intersection of humanity and technology. When the ubiquity of the world telecommunications network is combined with the information-structuring and storing capabilities of computers, a new communication medium becomes possible. As we've learned from the history of the telephone, radio, television, people can adopt new communication media and redesign their way of life with surprising rapidity. Computers, modems, and communication networks furnish the technological infrastructure of computer-mediated communication (CMC); cyberspace is the conceptual space where words and human relationships, data and wealth and power are manifested by people using CMC technology; virtual communities are cultural aggregations that emerge when enough people bump into each other often enough in cyberspace. -
EH9.3 JULYL04 Gallery.Pmd
gallery NEIL MAHER ON SHOOTING THE MOON ON 22 APRIL 1970, the first Earth Day, citizens paraded, rallied, and protested for the environment with drawings, paintings, and illustrations—but not with photographs—of the entire Earth. No such photograph existed. In 1970, the reigning iconic image of the Earth from space was the first picture shown here, Earthrise, taken by Apollo 8 in late December of 1968. On 7 December 1972, an Apollo 17 astronaut snapped the second photograph below, which quickly replaced Earthrise as the image of Earth from space for an American public ready to “Think Globally, Act Locally.” This essay explores the connections between technology, nature, and narrative in the production and reception of these two popular NASA photographs. While both these pictures are familiar to Americans today, the stories they tell are less well known, surprisingly divergent, and indicate that whether we are hiking close to home with map and compass or rocketing toward the Moon, technology mediates our contact with the environment and in doing so shapes the stories we tell about nature. As important, these extraterrestrial tales also suggest how the relationship between nature and technology in American culture shifted during four of the most turbulent years of the postwar period.1 The technology used to create and publicize these two photographs was nearly identical. Both the Apollo 8 and Apollo 17 missions depended on three-stage Saturn 5 rockets, developed by NASA’s Wernher Von Braun, to transport astronauts far enough from Earth—approximately 240,000 nautical miles—to peer back at the entire planet. -
Rethinking the Participatory Web: a History of Hotwired's “New Publishing Paradigm,” 1994–1997
University of Groningen Rethinking the participatory web Stevenson, Michael Published in: New Media and Society DOI: 10.1177/1461444814555950 IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2016 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Stevenson, M. (2016). Rethinking the participatory web: A history of HotWired's 'new publishing paradigm,' 1994-1997. New Media and Society, 18(7), 1331-1346. https://doi.org/10.1177/1461444814555950 Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). The publication may also be distributed here under the terms of Article 25fa of the Dutch Copyright Act, indicated by the “Taverne” license. More information can be found on the University of Groningen website: https://www.rug.nl/library/open-access/self-archiving-pure/taverne- amendment. Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. -
HL90 Prospective Syllabus
Wired In: Computers and Post-45 American Culture History & Literature 90, Harvard University Instructor: J. Schnepf Course Description This course explores digital culture in the United States after 1945. In the span of only a few decades, the role of computers in society dramatically transformed from a complicated tool serving bureaucratic and militaristic aims during World War II to a children’s toy found in the domestic space of the American home by the 1980s. Against this backdrop, we will draw on a diverse set of cultural sources ranging from classic midcentury novels by Kurt Vonnegut and Thomas Pynchon, to Looney Tunes cartoons and DC Comics to examine the many ways these digital devices help us think about labor, gender, sexuality, and national identity in the information age. Course Requirements and Breakdown of Grades Research Scavenger Hunt* 5 Close-Reading Short Essay 15 Final Essay Proposal* 5 Show and Tell Assignment* 5 Final Essay Draft* 10 Final Essay 35 Participation 25 *You will receive full marks for completing the Research Scavenger Hunt, Show and Tell Assignment, Final Essay Proposal, and Final Essay Draft 1 Course Schedule Week 1 Computers Before Computers In class Look up definitions of “Computer” in the Oxford English Dictionary Ada Augusta, Countess of Lovelace, “Notes,” October 1842 Alan Turing, “Computing Machinery and Intelligence,” MIND, October 1950 View The Machine that Changed the World, Part I (1992, documentary film) Week 2 Building a Better Brain: Harvard’s History of Computers To read and view for class today Kurt Vonnegut, The Player Piano (1952), Chapter 1 - 18 “Robot Works Problems Never Before Solved,” Popular Mechanics, October 1944 “The Thinking Machine” Time. -
The Internet and Engaged Citizenship
The Internet and Engaged Citizenship David Karpf american academy of arts & sciences The Internet and Engaged Citizenship David Karpf © 2019 by the American Academy of Arts & Sciences. All rights reserved. ISBN: 0-87724-128-7 This publication is available online at www.amacad.org /project/practice-democratic -citizenship. Suggested citation: David Karpf, The Internet and Engaged Citizenship (Cambridge, Mass.: American Academy of Arts and Sciences, 2019). This paper is part of the American Academy’s Commission on the Practice of Democratic Citizenship. The statements made and views expressed in this publication are those held by the author and do not necessarily represent the views of the Officers and Members of the American Academy of Arts & Sciences. Please direct inquiries to: American Academy of Arts & Sciences 136 Irving Street Cambridge, MA 02138 Telephone: 617-576-5000 Fax: 617-576-5050 Email: [email protected] Web: www.amacad.org Contents 1 Introduction 2 Why Understanding the Digital Citizen Proves So Difficult 3 The Pace of Internet Time 7 The Proprietary Data Gap 10 The Internet and Engaged Citizenship, Circa 2019 10 The Internet and Political Polarization 14 Digital Pathways for Participation 17 The Earnest Internet Versus the Ambivalent Internet 20 The Quiet Demise of Web 2.0 23 Digital Democracy and the Field of Dreams Fallacy 26 Conclusion 26 The Upside of Internet Time 27 Bridging the Proprietary Data Gap 28 New Policy Challenges for the Platform Era 29 About the Author Introduction The Internet is everywhere. Years ago, it was limited to desktop comput- ers, synonymous with the static and whir of a connecting modem. -
Mapping Notions of Cyberspace
MAPPING NOTIONS OF CYBERSPACE: OPTIMISM, SKEPTICISM, AND THE ISSUES OF IDENTITY AND SPIRITUALITY A thesis presented to the faculty of the College of Communication of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Putut Widjanarko June 2005 This thesis entitled MAPPING NOTIONS OF CYBERSPACE: OPTIMISM, SKEPTICISM, AND THE ISSUES OF IDENTITY AND SPIRITUALITY BY PUTUT WIDJANARKO has been approved for the School of Telecommunications and the College of Communication by Drew McDaniel Professor of Telecommunications Greg Shepherd Interim Dean, College of Communication WIDJANARKO, PUTUT. M.A. June 2005. Telecommunications Mapping Notions of Cyberspace: Optimism, Skepticism, and the Issues of Identities and Spirituality (151 pp.) Director of Thesis: Drew McDaniel This is a literature survey on concepts of the Internet and cyberspace and their influence, both on society at large and at the individual level. On society, it discusses the optimistic and skeptic views on the impact of the Internet. At the personal level, it discusses issues of self and identity, and spirituality and religiosity. Except for spirituality and religiosity issues of the Internet, this work chose one author to represent each category: Howard Rheingold for the optimistic view, Clifford Stoll for the skeptic view, and Sherry Turkle for the issues of self and identity. The author’s critiques on those notions are offered in the last chapter. The author argues that the diversity of notions on the Internet can be put in a broader historical and social context. These notions reflect the ever-present questions about the relationship between human and its technologies. Approved: Drew McDaniel Professor of Telecommunications To Elin, Faikar, Hanum and Ranti ACKNOWLEDGEMENTS Praise be to Allah, the Cherisher and Sustainer of the Worlds. -
THE CLOCK of the LONG NOW - a Talk by Stewart Brand
THE CLOCK OF THE LONG NOW - A Talk by Stewart Brand http://www.edge.org/3rd_culture/brand/ The Third About Edge Edge Home Features Press Subscribe Culture Edge Editions Search THE CLOCK OF THE LONG NOW A Talk by Stewart Brand [11.24.98] Introduction by John Brockman When Danny Hillis first started talking about his 10,000 year clock, many of his friends worried that he was going through some kind of mid-life crisis. I was one of them. But eventually we all started listening. A group of Danny's friends, led by Stewart Brand, got together and created "The Long Now Foundation" (http://www.longnow.org/) to build the clock, and also to begin to address the bigger issue involved: how to get people to think in a longer term, how to stretch out their sense of time. It's fitting that Stewart Brand got behind Danny's project. When I met him in 1965 he was sporting a button on which was printed: "America Needs Indians." His next conceptual piece was his 1968 campaign for a picture of "The Whole Earth", which led, in no small part, to the creation of the ecology movement. In the 1983 he urged me to get involved with something called "online conferencing." This led to "The WELL," (the Whole Earth 'Lectronic Link"), a precursor of the radical changes that our use of the Internet is bringing to human communications. Stewart is the king of initially obscure, ultimately compelling conceptual art. Call it reality. A couple of years ago he was featured on the cover of The Los Angeles Times Magazine: "Always two steps ahead of others.....(he) is the least recognized, most influential thinker in America." No question about it. -
Jason Sussberg
WE ARE AS GODS “WE ARE AS GODS and might as well get good at it” Stewart Brand wrote in ‘68. A legendary pioneer of LSD, cyberspace, futurism, and modern environmentalism now urges people to use our god-like powers to fight extinction by reviving lost species, but his former allies in the environmental movement vow to stand in his way. A Film By DAVID ALVARADO & JASON SUSSBERG 4k cinema Dolby 5.1 [Press Contact] SYLVIA DESROCHERS [email protected] [Sales Contact] JOSH BRAUN [email protected] Submarine WE ARE AS GODS AND MIGHT AS WELL GET GOOD AT IT. FILM SYNOPSIS THE WHOLE EARTH BUTTON WE ARE AS GODS offers a deep dive into the many sides of Stewart Brand— creator of The Whole Earth Catalog, an influential member of Ken Kesey’s I’m sitting around March of 1966, and it’s kind of a tedious afternoon in my apartment “The Merry Pranksters,” and founder of the modern environmental in North Beach. Maybe I’ll just go up on the roof and see what LSD movement. Brand’s approach to his work and life influenced does for the afternoon. So I’m looking out at San Francisco many, including Steve Jobs, who have gone on to with my LSD-enhanced, fisheye lens. I imagined that shape our modern world. Now in his 80’s, the buildings that are parallel downtown are not he looks to leave a legacy for the long-term quite parallel. They’re actually slightly diverged future with his efforts to rewild ecosystems because they’re on the curved surface of the Earth. -
Volume 11, Number 8
Eastern Illinois University The Keep The Post Amerikan (1972-2004) The Post Amerikan Project 12-1982 Volume 11, Number 8 Post Amerikan Follow this and additional works at: https://thekeep.eiu.edu/post_amerikan Part of the Gender, Race, Sexuality, and Ethnicity in Communication Commons, Journalism Studies Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons BULK RATE ""' .. ADDRESS COR RECTION REQUESTED POST-AMERIKAN U.S. POSTAGE PAID POST OF FICE BOX 3452 BLOOMINGTON, IL 61701 PERMIT NO. 168 BLOOMINGTON, IL 61701 ... � "��i-.\.; .... · � Q] :t.>J10d :lo I .al'If,.,., . 1-. I .... \. :\\( j N I \7� V �l'llf':IJJVH �J.I '::l�JH-;J :>SZ 1nm.ION:·1UOl�U!W00{8 sdeJt uoa6!d '�neJ dJ'1'1N 'wJeM 6u!daa}t 'sa!nnq s,po� ..... page 2 Post-Amerikan December 1982-January 1983 Post Sellers Vol. 11, No . 8 About us BLOOMINGTON The Post-Amerikan is a worker con all stories and tips for stories, trolled collective that puts out this which you can mail to our office. The Amtrak station , 1200 W. Front paper. If you'd like to help, give The Back Porch , 402� N. Main deadline for the next issue is January 20. us a call and leave your name with our Biasi 's Drugstore , 217 N. Main wonderful answering machine . Then Bus Depot , 523 East We like to print your letters •. Try to N. we 'll call you back and give you the be brief. If you write a short The Coffee Shop, s. Main, Blm. rap about the Post. You start work at ab usive letter , it's likely to get in Common Ground , 516 N.