DOCSLIB.ORG

SCHOOL of ENGLISH and MEDIA STUDIES NEWSLETTER Welcome

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

SCHOOL OF ENGLISH AND MEDIA STUDIES NEWSLETTER Issue 1.1 Thom Conroy, Editor Welcome to the School of English and Media Studies Community Welcome to the first edition of the first School of English and Media Studies Newsletter. Those of us who take and teach papers in the School of English and Media Studies belong to a diverse and exciting community. With all the new changes, growth, and opportunities happening in the School of late, all of us in English and Media Studies decided it was high time to celebrate and chronicle the accomplishments of our community. As you’ll see in looking over this first edition of the School Newsletter, there is much to celebrate in the School itself. We’d also like to hear what you have to share as a student in the School of English and Media Studies, and we invite readers of this newsletter to email us with news of their Massey- related accomplishments and milestones at [email protected]. We’d also welcome any comments you have on the newsletter itself. This publication is a celebration of the community we share, and your input is a valuable part of that community. New People, New Papers We are fortunate to begin 2008 with a clutch of new staff members and the approved proposals for two new and exciting papers in 2009. Dr Ian Huffer is our new lecturer in Media Studies in Palmerston North. Ian specialises in film and has come to us from the University of Sussex in the UK. He is currently teaching in 154.222 The Art of the Film, and in Semester Two he will be teaching 154.303 Hollywood Cinema. Dr Jane Simon is also new in Media Studies. Jane has come from the University of Sydney, and many of you will already have come across her in 154.101 Introduction to Media Studies. In Semester Two she will be teaching 154.311 Working with New Media: Histories, Technologies, Practices. Dr Rebecca Bishop has moved from Palmerston North to a lectureship in Media Studies on our Wellington Campus. Those of you based in Wellington will have come across Rebecca in 154.101 Introduction to Media Studies. We are also delighted to welcome Dr Kim Worthington, who is already familiar to a number of you, to a permanent lectureship in Palmerston North. Kim is teaching in 139.139 Introduction to English Studies, our 100- and 200-level fiction papers, and in Semester Two this year she will be teaching 139.352 Postcolonial Literature. Two new paper offerings have been added to the internal teaching schedule for Semester Two on the Wellington campus: 154.202 Advertising and Society and 154.311 Working with New Media: Histories, Technologies, Practices. We also have two brand new papers coming on stream in 2009. Plan ahead now so that you can enrol in these exciting new offerings! In Semester Two of 2009, Professor Dick Corballis will offer 139.254 Irish Literature extramurally and internally at Palmerston North. Semester Two of 2009 will also see the introduction of 139.327 Creative Non-fiction by Dr Ingrid Horrocks. This paper will be offered internally in Wellington only in 2009. Check the English and Media Studies website later in the year for more details on these new papers http://ems.massey.ac.nz. The Manawatu International One-Act Playwriting Competition 2008 This year the first Manawatu International One-Act Playwriting Competition was sponsored by the Massey Arts Committee and the School of English and Media Studies. The competition, which accepts scripts from all over the world, will run every other year and award cash and performance prizes to the top six one-act scripts. The performances will take place at the biennial Festival of New Arts, a series of performances showcasing new art at various venues in Palmerston North. The playwright Stuart Hoar judged the 2008 Manawatu International One-Act Playwriting Competition. Hoar was struck by the range of subjects and the diversity of the plays that he read. Playwrights were asked to write under the theme of ‘New World’ and to present material that had an experimental edge. Hoar, who also teaches 139.323 Media Scriptwriting in Massey’s School of English and Media Studies, said that the winning six were all of completely different tone and structure, yet they all came to grips with the ‘New World’ theme in their different ways. Despite the fact that this is the first time that the playwriting competition has run, it attracted 33 entries from New Zealand and overseas. Writers from Britain and Australia are represented in the final selection. The six prizewinners were: First place, Div Collins; Second Place, Denis Edwards; Third Place, Jan Watts; Fourth Place, Peta Tait; Fifth Place, Renee Liang; Sixth Place, Lesley Martin. Hear New Zealand’s Finest Authors at Writers Read Every year the School of English and Media Studies holds an exciting series of literary readings entitled Writers Read. This year the series will be held at two venues – the Palmerston North City Library and on the Wellington Massey campus. Writers Read is a series of readings featuring some of New Zealand’s best writers. Past readers include Bill Manhire, Elizabeth Knox, Owen Marshall, Fiona Farrell, and Vincent O’Sullivan. The 2008 series was kicked off in late April with a reading at the Palmerston North City Library by The School of English and Media Studies Visiting Literary Artist. This year we’re proud to have Christchurch poet, short-fiction and young adult novelist, James Norcliffe, in residence. The series will continue with a reading in Wellington on 22 May by novelist Mary McCallum, author of The Blue (Penguin, 2007). Mary is currently tutoring for Massey, both internally in Wellington, and extramurally on the first year creative writing paper. The other readers in this year’s series will be poet Elizabeth Smith, Sydney-based writer of creative nonfiction, Martin Edmond, and Maori novelist James George. For a full description of all Writers Read events, including venues details and times, please see: http://ems.massey.ac.nz/massey/depart/cohss/schools/school-of-english-and-media-studies/school- news/writers-read.cfm Staff in the Spotlight An Interview with Dr John Muirhead Q: John, you’ve been teaching in the School of English and Media Studies for thirty-one years now. What would you say has changed the most about students in that time? A: When I first began with the School of English and Media Studies in 1977, the majority of my students were internal; now the majority are extramural. Many of these students enrol in papers in the School of English and Media Studies as part of a career change or for personal fulfilment. I think they bring a high level of commitment to their studies. That is also true, I think, of our smaller internal classes; with the extra cost of study, the majority are here because they choose positively to study with us, not as a deferral of entry to the world of work. Q: What defines your approach to teaching online? What do you think is most important when teaching in an extramural environment? A: When I started teaching at Massey, nobody had computers. Now we must think carefully about the delivery of our papers online, especially to students with whom we have limited opportunity for face- to-face contact. An online environment offers the potential to do more than just create a virtual learning community for our classes through the use of discussion forums and so on; we’re beginning to look at how we might actually teach students through this medium. Q: If you could give one piece of advice to students beginning their studies this year, what would it be? A: Be patient. I think studying literature – which is my main area of teaching – is like watching a photograph being developed. The picture emerges slowly; the effect and meaning of a poem is not always to be absorbed at first glance. Look again. That’s my one piece of advice, but here’s a second. Keep an open mind. I remember having to take an Old English paper in university. I dreaded the thought of it, but in the end, I was fascinated. For me, the texts we encounter in English and Media Studies have our common humanity as their subject, whatever the differences in period, cultures, and expressive forms. That’s a subject it’s impossible to tire of, I think. Semester Two Papers If you haven’t made your decisions about Semester Two, here’s what’s available (for more information see our website http://ems.massey.ac.nz): Extramural 139.105 Fiction 139.229 Writing Poetry: Love, Loss and Looking Around 139.251 Mid-Twentieth Century Aotearoa/NZ Literature 139.361 The Literature of Women 154.103 Seeing Through the Media 154.201 Television Studies 154.205 Popular Music Studies 154.228 Media History 154.303 Hollywood Cinema 154.311 Working with New Media: Histories, Technologies, Practices Internal – Palmerston North 139.104 Drama in Performance 139.105 Fiction 139.107 Written Communication 139.201 Love and Revenge in Shakespeare’s England 139.209 Speaking: Theory and Practice 139.229 Writing Poetry: Love, Loss and Looking Around 139.352 Postcolonial Literature 139.361 The Literature of Women 154.103 Seeing Through the Media 154.201 Television Studies 154.228 Media History 154.303 Hollywood Cinema 154.304 Media Practice II 154.311 Working with New Media: Histories, Technologies, Practices Internal – Wellington 139.107 Written Communication 139.226 Life Writing 139.326 Travel Writing 154.202 Advertising and Society 154.203 Popular Culture and the Media 154.205 Popular Music Studies 154.311 Working with New Media: Histories, Technologies, Practices Survey Question For extramural students, and internal students who take some papers in the extramural mode: do you prefer single- or double-semester extramural papers? Let us know (with a brief reason, if you wish) by hitting reply or emailing [email protected] .
Recommended publications
  • Newsletter – 15 April 2010 ISSN: 1178-9441

    Newsletter – 15 April 2010 ISSN: 1178-9441

    INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 15 April 2010 ISSN: 1178-9441 This is the 154th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email [email protected]. 1. Second trimester writing courses at the IIML ................................................... 2 2. Our first PhD ........................................................................................................ 2 3. Legend of a suicide author to appear in Wellington .......................................... 2 4. The Godfather comes to town .............................................................................. 3 5. From the whiteboard ............................................................................................ 3 6. Glyn Maxwell’s masterclass ................................................................................ 3 7. This and That ........................................................................................................ 3 8. Racing colours ....................................................................................................... 4 9. New Zealand poetry goes Deutsch ...................................................................... 4 10. Phantom poetry ................................................................................................. 5 11. Making something happen ..............................................................................
  • Katherine Mansfield Menton Fellowship Application Form 2019

    Katherine Mansfield Menton Fellowship Application Form 2019

    The Art Foundation Katherine Mansfield Menton Fellowship 2019 The Katherine Mansfield Menton Fellowship is for an established creative writer to spend three months or more in Menton in southern France to work on a project or projects. Tihe Mauriora, e nga iwi o te motu, anei he karahipi whakaharahara. Ko te Katherine Mansfield Menton Fellowship tenei karahipi. Kia kaha koutou ki te tonohia mo tenei putea tautoko. Mena he tangata angitu koe i tenei karahipi, ka taea e koe haere ki te Whenua Wiwi ki te whakamahi to kaupapa, kei te mohio koe, ko te manu i kai i te matauranga nona te ao. Ko koe tena? Amount $35,000 (includes travel and accommodation) Application closing date 5:00pm, Monday 1 July, 2019 The successful applicant will become an Arts Foundation Laureate. What can you write? The residency is open to creative writers across all genres including fiction, children's fiction, poetry, creative non-fiction and playwriting. What do we cover? The residency provides: • a grant of $35,000 to cover all costs including travel to Menton, insurance, living and accommodation costs. $15,000 is paid when your itinerary and insurance is confirmed, with $10,000 payments usually made in month two and three of the residency, assuming the Fellow remains in residency through this period. • a room beneath the terrace of Villa Isola Bella is available for use as a study. Accommodation is not available at the villa. Fellows make their own accommodation arrangements, often with advice from a previous Fellow. Katherine Mansfield spent long periods at Villa Isola Bella in 1919 and 1920 after she contracted tuberculosis.
  • Seeing Ourselves on Stage

    Seeing Ourselves on Stage

    Seeing Ourselves on Stage: Revealing Ideas about Pākehā Cultural Identity through Theatrical Performance Adriann Anne Herron Smith Thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy University of Otago 2010 Acknowledgements Thanks to my Kaitiaki Rangimoana Taylor My Supervisors: Henry Johnson, Jerry Jaffe, Erich Kolig (2004-July 2006), Martin Tolich (July 2007 onwards) Thanks to my children Ruth Kathryne Cook and Madeline Anne Hinehauone Cook for supporting me in this work. Thanks also to Hilary Halba and Alison East for their help, encouragement and invigorating discussion; to friend and poet Roma Potiki who offered the title for this thesis and also engaged in spirited discussion about its contents; to Monika Smith, Adrienne Jansen, Geesina Zimmermann, Annie Hay Mackenzie and to all of my friends who have supported this project; Thanks to Louise Kewene, Trevor Deaker, Martyn Roberts and Morag Anne Baillie for technical support during this project. Thanks to all of the artists who have made this work possible: Christopher Blake, Gary Henderson, Lyne Pringle, Kilda Northcott, Andrew London and to Hilary Norris, Hilary Halba, Alison East and Lisa Warrington who contributed their time, experience and passion for the work of Aotearoa/New Zealand to this endeavour. ii Abstract This is the first detailed study of New Zealand theatrical performance that has investigated the concepts of a Pākehā worldview. It thus contributes to the growing body of critical analysis of the theatre Aotearoa/New Zealand, and to an overall picture of Pākehā New Zealander cultural identity. The researcher‘s experience of being Pākehā has formed the lens through which these performance works are viewed.
  • Frank Sargeson [Norris Frank Davey], 1903 – 1982

    Frank Sargeson [Norris Frank Davey], 1903 – 1982

    157 Frank Sargeson [Norris Frank Davey], 1903 – 1982 Lawrence Jones ‘It is not often a writer can be said to have become a symbol in his own lifetime. It is this quality of your achievement that has prompted us to remember this present occasion’. So Frank Sargeson’s fellow New Zealand fiction-writers ended ‘A Letter to Frank Sargeson’, published in Landfall in March 1953 to mark his fiftieth birthday. They were affirming his status as the most significant writer of prose fiction to emerge from that generation that began in the 1930s to create a modern New Zealand Literature. They were celebrating him first as the creator of the New Zealand critical realist short story and short novel, the writer who provided the literary model with which most of those signing the letter had started. But they were also celebrating him as a symbol and a model not only for what he wrote but for where and how he wrote it. In the editorial ‘Notes’ to that same issue of Landfall Charles Brasch stated of Sargeson that ‘by his courage and his gifts he showed that it was possible to be a writer and contrive to live, somehow, in New Zealand, and all later writers are in his debt’. Not only did he show by his example that it was possible to be a serious New Zealand writer without becoming an expatriate, but as mentor and encourager he fostered the careers of a whole generation of fiction writers. At least two of those who signed the letter (Janet Frame and Maurice Duggan) had even lived or were to live in the army hut behind his cottage for a time when they needed the place of refuge and the encouragement, Duggan in 1950 and again in 1958, Frame in 1955-1956.
  • The Robert Burns Fellowship 2019

    The Robert Burns Fellowship 2019

    THE ROBERT BURNS FELLOWSHIP 2019 The Fellowship was established in 1958 by a group of citizens, who wished to remain anonymous, to commemorate the bicentenary of the birth of Robert Burns and to perpetuate appreciation of the valuable services rendered to the early settlement of Otago by the Burns family. The general purpose of the Fellowship is to encourage and promote imaginative New Zealand literature and to associate writers thereof with the University. It is attached to the Department of English and Linguistics of the University. CONDITIONS OF AWARD 1. The Fellowship shall be open to writers of imaginative literature, including poetry, drama, fiction, autobiography, biography, essays or literary criticism, who are normally resident in New Zealand or who, for the time being, are residing overseas and who in the opinion of the Selection Committee have established by published work or otherwise that they are a serious writer likely to continue writing and to benefit from the Fellowship. 2. Applicants for the Fellowship need not possess a university degree or diploma or any other educational or professional qualification nor belong to any association or organisation of writers. As between candidates of comparable merit, preference shall be given to applicants under forty years of age at the time of selection. The Fellowship shall not normally be awarded to a person who is a full time teacher at any University. 3. Normally one Fellowship shall be awarded annually and normally for a term of one year, but may be awarded for a shorter period. The Fellowship may be extended for a further term of up to one year, provided that no Fellow shall hold the Fellowship for more than two years continuously.
  • Archifacts October 1993

    Archifacts October 1993

    ARCHIFACT S Published by the Archives and Records Association of New Zealand October ARCHIFACT S Editor: Susan Skudder Editorial Committee: David Green Michael Hoare Gavin McLean Bruce Ralston Reviews Editor: David Green Archifacts is published twice-yearly, in April and October. Articles and correspondence should be addressed to the Editor at: National Archives P.O. Box J2050 Wellington Intending contributors should obtain a style sheet from the Editor. Printed by Otago University Printing Department Copyright ARANZ 1993 ISSN 0303-7940 Contents Editoria l Business and Archives Brad Patterson Board Rooms and Balance Sheets 1 S.R. Strachan Business Archives in New Zealand 5 Joanna Newman Precedents and Public Relations 21 PR. Miller From Minute BooL· to Ledgers 27 Brian Easton Why we Need Business Histories 32 Gavin McLean Commissioned Business Histories — Pitfalls and Prospects . 44 M.M. Roche Business History in Wider Context: a View From Historical Geography 49 S.R.H. Jones The Role of the Centre For Business History 61 Tomorrow' s History Ellen Ellis Preserving Ourstory 65 Jane Tucker Ôá Keita I Mahi AilWhat Katy Did 69 Belinda Battley Suffrage Year in the North 72 Dorothy Page Suffrage Year in the South 77 Book Reviews 79 Accessions 100 Archives and Records Association of New Zealand Inc. P.O. Box 11-553, Manners Street, Wellington, New Zealand. Patron Her Excellency Dame Catherine Tizard, GCMG, DBE, Governor-General of New Zealand Council President Brad Patterson 20 Khyber Road, Seatoun, Wellington. Vice Peter Miller 114 Evans Street, Presidents Opoho, Dunedin. Sheryl Morgan Massey University Library, Private Bag, Palmerston North. Secretary Thérèse Angelo Royal NZ Airforce Museum, RNZAF Base Wigram, Private Bag, Christchurch.
  • Katherine Mansfield on the French Riviera

    Katherine Mansfield on the French Riviera

    Katherine Mansfield on the French Riviera Menton, France 24–25 September 2020 An international symposium organised by the Katherine Mansfield Society, celebrating the 50th anniversary of the Katherine Mansfield Menton Fellowship Hosted by the Town Hall of Menton, and supported by the Katherine Mansfield Menton Fellowship The Symposium will feature a keynote panel of prestigious New Zealand authors, all former Mansfield Menton Fellows CALL FOR ABSTRACTS The New Zealand short story writer Katherine Mansfield (1888–1923) spent all her adult life in Europe, of which approximately three years in total were spent in France, where she later died. For much of this time she was on the French Riviera, firstly in Bandol and subsequently in Menton during the spring of 1920, and then staying at the Villa Isola Bella from September 1920 to May 1921. Both Bandol and Menton proved fertile ground for Mansfield’s creativity. During two sojourns in Bandol (1916 and 1918), she completed ‘The Aloe’ and wrote ‘Je ne parle pas français’, ‘Sun and Moon’, and ‘Bliss’. The time she spent at the Villa Isola Bella in Menton resulted in ‘The Singing Lesson’, ‘The Young Girl’, ‘The Stranger’, ‘Miss Brill’, ‘Poison’, ‘The Lady’s Maid’, ‘The Daughters of the Late Colonel’, and ‘Life of Ma Parker’. Mansfield’s life in the south of France also engendered comments in her notebooks and diaries, as well as in her letters. For example, near the end of a letter to her husband, John Middleton Murry, written from Menton, she wrote, ‘You will find ISOLA BELLA in poker work on my heart’.
  • Final Draft Newsletter December 2009.Pub

    Final Draft Newsletter December 2009.Pub

    ISSN 2040-2597 (Online) NNEEWSLETTEREEWSLETTERWSLETTERWSLETTER Issue 4 December 2009 Inside: KMS News and Competition Results Page 2 ‘A Memory of Place’ by Riemke Ensing Pages 3-6 ‘Celebrating Katherine Mansfield’ Symposium Report Pages 7-10 ‘Enough to know— she’s there’ By Kathryn MacLean Pages 11-12 ‘Katherine Mansfield, the Underworld and the Blooms Berries’ Page 13 ‘Katherine Mansfield in Picton’ by Julie Kennedy Pages 14-16 New Board Member Page 17 Villa Isola Bella, Menton ‘Finding Katherine Mansfield’ by Susannah Fullerton Photo courtesy of Mary Gaudin Pages 18-20 Please visit http://www.marygaudin.com to see more of Announcements Mary Gaudin’s photography Pages 21-22 Issue 4 December 2009 Page 2 KMS News The Katherine Mansfield Society recently celebrated its first anniversary. What a year it has been, and there’s much more in the pipeline for 2010! The ‘Celebrating Katherine Mansfield’ Symposium in September was a wonderful success, bringing together scholars and enthusiasts from all over the world to reflect on Mansfield in the glorious Men- ton scenery. Those who couldn’t be there can read all about it on pages 7-12, and might like to con- sider making the trip to Melbourne in June 2010 for a symposium on the theme of ‘Katherine Mans- field, the Underworld and the Blooms Berries’. Check out the call for papers on page 13. You will by now have received your copy of the first issue of Katherine Mansfield Studies, which unites scholarly articles with visual arts and creative writing pieces. The Editors are already planning the 2010 edition on the theme of ‘Mansfield and Modernism’.
  • Backchat Volume 34-3 June 2011

    Backchat Volume 34-3 June 2011

    News from The New Zealand Theatre Federation Inc. www.theatrenewzealand.co.nz B A C K C H More details about our weekend in Nelson on page 5 A T Volume 34 Issue 3 June 2011 President’s Column Dear Members, Festival time is here again and it is very pleasing To all the teams participating in the various to report that there will be 37 presentations rounds of this year’s Festival of Community performed over the next six weeks, the largest Theatre may I wish you all well and may you all number for many years.. It is particularly pleasing get out of the Festival as to see 9 entries in Invercargill and 9 also in much as you put in. Christchurch. We welcome the Bay of Plenty Festival of Community Theatre with 4 presentations. Let’s hope this generates further interest for another Ewen D Coleman Festival there next year. See details page 4-5. National President Read about the National Final weekend in sunny Nelson 5/6 August on page 5. The AGM will be the first under the new constitution with officers and executive of NZTF elected from member groups New Members and where proxy votes will be allowed. I hope that all members (groups, schools, individuals and We welcome the following new members Life Members) have given consideration to the nominations with the possibility of nominating Groups: someone from their area and if unable to attend Kaiapoi High School the AGM they will give their proxy vote to another Katikati Theatre Inc member who is attending.
  • Drama Resources (Cont.) Scripts

    Drama Resources (Cont.) Scripts

    Drama resources (cont.) Scripts Junior scripts Once Upon a Stormy Night Joyce Rowland Five Finger Discount Denise Walsh Ash girl Timberlake Wertenbaker On stage series Longman Paul Choices Longman Paul Play Bureau scripts These are suitable for junior classes (levels 7–10, but more likely levels 9–10): Every seventeen minutes the crowd goes crazy Paul Zindel Anne of Green Gables Joseph Robinette Charlotte's web Joseph Robinette An Alien stole my Skateboard Randell Lewton (who also wrote Sweeney Todd and Shock and roll show) Stone Soup Paul Thain Uncool Vin Morreale Jnr Anne Frank and me Cherie Bennett This is a test Stephen Gregg Useful New Zealand playwrights for years 7–11 Susan Battye Denise Walsh Bruce Goodman David Hill Patrick Spillane Kerry Lynch Senior scripts Blue vein Duncan Sarkies Blast off Michelanne Forster (for a junior audience) New Zealand lamb Angie Farrow HOD Handbook Secondary Drama – Resources: Scripts page 1 Accessed from Te Kete Ipurangi, www.tki.org.nz/arts/hod_handbook/index_e.php Audition For life Denise Walsh Black is a Shade of Grey Elizabeth Fow Blind Date Sarah Delahunty Waiting for the Principal Stuart Hoar New Connections Faber & Faber(two editions) Playlunch (1996) ed Christine Prentice & Lisa Warrington. University of Otago Press. Scripts available to borrow The New Zealand Theatre Federation Library is a source for the following texts: Passengers Fiona Farrell The bellbird Stephen Sinclair Akaroa Jean Lawrence Act of faith Jean Lawrence Clay Eric Bradwell Dynamite Roger Hall The land of the moa George
  • Finding the Right Words Writers Lead the Creative Charge

    Finding the Right Words Writers Lead the Creative Charge

    www.massey.ac.nz SUMMER 2009/10 Finding the right words Writers lead the creative charge Hamish McKay – “that guy who came up the stairs” Simple advice for Christmas shoppers Rocking the New Zealand Music Awards MASSEY UNIVERSITY | definingnz | SUMMER 09/10 | 1 75-1428 BEFORE THE BIRDS • REALITY AND ROBOTS • THE YEAR AHEAD ISSN 11 ISSN 1175-1606 (Web) vice-chancellor Outside the box It is a cliché to say that we live in a changing world. But the implications of living with so much change are not always fully understood. Too often the response is to reassert old traditions or work harder on more of the same. The better response is to promote creativity, innovation and flexibility. There are some outstanding examples of where this is beginning to happen. The words are in constant use and people who have these capabilities are widely sought after. But the fact is that not enough is being done to promote creativity and innovation as central to the future success of communities, businesses and New Zealand. Massey University is determined to change this situation. Already we have the nation’s leading College of Creative Arts based in Wellington and Albany. The college is ranked first in the Performance-Based Research Fund, is the first choice for arts and design students, routinely wins national and international awards, has staff who are known throughout the world and leads the creativity charge through such events as its annual BLOW festival of the arts. The students who graduate from the College of Creative Arts each year go into New Zealand’s growing creative industries.
  • The 2012 Festival Sponsors And

    The 2012 Festival Sponsors And

    SPONSORS WELCOME AND GRANTMAKERS TO THE 2012 THE AUCKLAND WRITERS & READERS FESTIVAL CHARITABLE TRUST IS ENORMOUSLY GRATEFUL FOR THE SUPPORT OF: FESTIVAL CONTENTS Gold Sponsors THE POWER 4 Contact Details 5 Support the Festival & Annual Patrons 10 International Artist Biographies OF STORY 18 New Zealand Artist Biographies 33 Booking Information Silver Sponsors 34 Festival Information A WORD We are also introducing two new 37 Booking Form programming strands, away from 42 Thursday 12 May the main venue but close enough to 44 Friday 13 May FROM THE allow audiences to mix and match. 48 Saturday 14 May As part of our partnership with The 55 Sunday 15 May ARTISTIC University of Auckland we present Bronze Sponsors 60 Workshops four contemporary sessions – on war, 70 Index social media, performance poetry DIRECTOR and powerful fiction – at the Business VENUES School on Saturday. And on Sunday we partner with the Auckland Art Aotea Centre, THE EDGE Publisher Sponsors Gallery to present a series of three Fisher & Paykel Auditorium visual sessions on art, music and University of Auckland fashion in the Gallery auditorium. Business School This year’s Auckland Writers & The Auckland Art Gallery Readers Festival programme is a true Auditorium collaborative effort, combining the Foundations, Trusts and Grantmakers The Langham, Auckland work of outgoing Artistic Director Jill From the big bang to Armageddon, Rawnsley, writer and founding trustee Soul Bar & Restaurant Africa to Ireland, comedy to tragedy, Stephanie Johnson who acted as Artistic Montecristo Room, Toto Restaurant the 2012 Auckland Writers & Readers Director for three months in 2011, and Festival once again brings you the me as incoming Artistic Director from Strategic Partners Hotel Partner very best of fine fiction, history, late 2011.