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Aiello Calabro (CS) Italy
Dr. Francesco Gallo OUTSTANDING FAMILIES of Aiello Calabro (CS) Italy from the XVI to the XX centuries EMIGRATION to USA and Canada from 1880 to 1930 Padua, Italy August 2014 1 Photo on front cover: Graphic drawing of Aiello of the XVII century by Pietro Angius 2014, an readaptation of Giovan Battista Pacichelli's drawing of 1693 (see page 6) Photo on page 1: Oil painting of Aiello Calabro by Rosario Bernardo (1993) Photo on back cover: George Benjamin Luks, In the Steerage, 1900 Oil on canvas 77.8 x 48.9 cm North Carolina Museum of Art, Raleigh. Purchased with funds from the Elizabeth Gibson Taylor and Walter Frank Taylor Fund and the North Carolina State Art Society (Robert F. Phifer Bequest), 98.12 2 With deep felt gratitude and humility I dedicate this publication to Prof. Rocco Liberti a pioneer in studying Aiello's local history and author of the books: "Ajello Calabro: note storiche " published in 1969 and "Storia dello Stato di Aiello in Calabria " published in 1978 The author is Francesco Gallo, a Medical Doctor, a Psychiatrist, a Professor at the University of Maryland (European Division) and a local history researcher. He is a member of various historical societies: Historical Association of Calabria, Academy of Cosenza and Historic Salida Inc. 3 Coat of arms of some Aiellese noble families (from the book by Cesare Orlandi (1734-1779): "Delle città d'Italia e sue isole adjacenti compendiose notizie", Printer "Augusta" in Perugia, 1770) 4 SUMMARY of the book Introduction 7 Presentation 9 Brief History of the town of Aiello Calabro -
Italian Fashion & Innovation
Italian Fashion & Innovation Derek Pante Azmina Karimi Morgan Taylor Russell Taylor Introduction In Spring 2008, the Italia Design team researched the fashion industry in Italy, and discussed briefly how it fits into Italy’s overall innovation. The global public’s perception of Italy and Italian Design rests to some degree on the visibility and success of Fashion Design. The fashion and design industries account for a large percentage of Milan’s total economic output— as Milan goes economically, so goes Italy (Foot, 2001). Fashion Design clearly contributes to “brand Italia,” as well as to Italian culture generally. Yet, fashion is not our focus in this study: innovation and design is. Fashion’s goals are not the same as design. For one, fashion operates on “style,” design works on “language,” and style to a serious designer is usually the opposite of good design. Yet to ignore the area possibly creates a blind spot. With the resource this year of some students with great interest in this area it was decided that we should begin to investigate how fashion in Italy contributes to innovation, and how fashion in Milan and other centers in the North of Italy sustain “Creative Centers” where measurable agglomeration (a sign of innovation) occurs. Delving into Italian Fashion allowed us to rethink certain paradigms. For one, how we look at Florence as a design center. Florence has very little Industrial Design and, because of the city’s UNESCO World Heritage designation, has very little contemporary architectural culture. This reality became clear after four years of returning to the Renaissance city. -
LORENZO RENZI ARCHITECTURAL WORKS Lorenzo Renzi
LORENZO RENZI ARCHITECTURAL WORKS Lorenzo Renzi Mobile | +39 3338075996 Email | [email protected] Facebook | Lorenzo Renzi Address | Via Toscana 7 63900 Fermo (FM) Italy lr_EDUCATION 2008 | Secondary school diploma: Scientific Certificate (100/100) 2014 | Master degree in Building Engineering and Architecture: (110/110 cum laude) at Marche Polytechnic University 2015 | Abilitazione alla professione e iscrizione all’Albo degli Ingegneri della Provincia di Fermo 2015 | HO.RE.CA DESIGN Advanced training course at Polytechnic University of Milan 2018 | BIM SPECIALIST Revit advanced master at Università di Camerino _LANGUAGES SPOKEN AND WRITTEN FLUENTLY ITALIAN (mothertongue) ENGLISH _WORK Autodesk Autocad Nov.2014-Dec.2014 | Battistelli-Roccheggiani Architetti (Ancona Italy)_Intern Autodesk Revit Dec. 2014-Aug. 2015 | Mondaini-Roscani Architetti Associati (Ancona Italy)_Junior Architect-Engineer Autodesk 3ds Max Nov. 2015-Sep. 2016 | Akka Architects (Amsterdam The Netherlands)_ Junior Architect-Engineer Mc Neel Rhinoceros Feb. 2017-October 2018 | APTO Architects (Amsterdam|Netherlands)_Junior Architect VRay for Rhino Adobe Oct. 2016-Present | Studio Renzi Ingegneria-Architettura (Fermo Italy)_Architect-Engineer Photoshop Adobe Illustrator _EXHIBITIONS Adobe Indesign Microsoft Office Cityscape 2015 Ancona, Italy Sketchup _VOLUNTEERING _PUBLICATIONS Namirial Termo CSI Sap 2000 Structural Engineer during - Mappe n.7 Luoghi percorsi nelle Marche Mac OS Earthquake emergency in Central Italy - Il resto del Carlino “La città del futuro” Microsoft Windows MOXY HOTELS: INTERIOR DESIGN (Milan, Glasgow, Edinburgh, Bristol, Birmingham, London, Paris, Nice, Utrecht, Copenhagen, Stuttgart, Essen, Berlin, Southampton, The Hague, Plymouth) _APTO Architects (Amsterdam) MOXY is Marriott’s brand focused on the rapidly growing 3-star-tier seg- ment. MOXY’s focus is on the millennial traveler, who understands that style can be deliverd at attractive prices. -
Executive Master in Manufacturing Automation and Digital Transformation
Executive Master in Manufacturing Automation and Digital Transformation DESIGNING TOMORROW BERLIN LONDON MADRID PARIS TURIN WARSAW table of contents ESCP Europe & COMAU ESCP Europe Quick Facts 4 6 Urban Campuses 5 Comau Quick Facts 6 Ranking & Accreditations 8 ESCP Europe & Comau Welcome 9 Comau Academy Quick Facts 10 ESCP Europe Faculty & Expertise 12 Chairs & Professorships 13 Research Centres & Institutes 13 Executive Master in Manufacturing Automation and Digital Automation At a Glance 15 Study Locations 16 Programme Objectives 21 Programme Overview 22 Curriculum 24 Participant Experience 26 COMAU Professional Experts 28 Meet the Faculty 30 Alumni Association & Network 32 UK Business School of the Year 35 Admission Requirements 36 How to Apply 37 Fees, Scholarships & Financing 38 Contact & Social Media 39 ESCP Europe quick facts The World’s ST urban international campuses6 accreditations:3 AACSB, Business1 School EQUIS and AMBA (est. 1819) A full portfolio: research-active155 academic130 Bachelor, Masters, MBAs, professors alliances PhDs and Executive representing worldwide Education 20 nationalities 6,000+ 5,000 60,000 students representing high-level participants alumni in in customised 150 countries training and executive worldwide nationalities100 education 6 urban campuses BERLIN The Berlin campus is situated in the western part of the city centre, near the Charlottenburg Palace and its splendid gardens. Berlin is a fast-growing city characterised by a rich multifaceted economic structure and culture. LONDON Located in West Hampstead in northwest London, this campus offers students state-of-the-art facilities in a traditional Victorian building. MADRID Located only a couple of metres away from the National Park of Monte del Pardo, the Madrid campus is an ideal place for students to focus on their professional development. -
Italy Creates. Gio Ponti, America and the Shaping of the Italian Design Image
Politecnico di Torino Porto Institutional Repository [Article] ITALY CREATES. GIO PONTI, AMERICA AND THE SHAPING OF THE ITALIAN DESIGN IMAGE Original Citation: Elena, Dellapiana (2018). ITALY CREATES. GIO PONTI, AMERICA AND THE SHAPING OF THE ITALIAN DESIGN IMAGE. In: RES MOBILIS, vol. 7 n. 8, pp. 20-48. - ISSN 2255-2057 Availability: This version is available at : http://porto.polito.it/2698442/ since: January 2018 Publisher: REUNIDO Terms of use: This article is made available under terms and conditions applicable to Open Access Policy Article ("["licenses_typename_cc_by_nc_nd_30_it" not defined]") , as described at http://porto.polito. it/terms_and_conditions.html Porto, the institutional repository of the Politecnico di Torino, is provided by the University Library and the IT-Services. The aim is to enable open access to all the world. Please share with us how this access benefits you. Your story matters. (Article begins on next page) Res Mobilis Revista internacional de investigación en mobiliario y objetos decorativos Vol. 7, nº. 8, 2018 ITALY CREATES. GIO PONTI, AMERICA AND THE SHAPING OF THE ITALIAN DESIGN IMAGE ITALIA CREA. GIO PONTI, AMÉRICA Y LA CONFIGURACIÓN DE LA IMAGEN DEL DISEÑO ITALIANO Elena Dellapiana* Politecnico di Torino Abstract The paper explores transatlantic dialogues in design during the post-war period and how America looked to Italy as alternative to a mainstream modernity defined by industrial consumer capitalism. The focus begins in 1950, when the American and the Italian curated and financed exhibition Italy at Work. Her Renaissance in Design Today embarked on its three-year tour of US museums, showing objects and environments designed in Italy’s post-war reconstruction by leading architects including Carlo Mollino and Gio Ponti. -
Tuscany an Excellence in Italian Robotics
copertina robotica 23-09-2013 15:30 Pagina 1 Dedicated to the memory of Georges Giralt, for its effort in support of the international cooperation in robotics, for strong determination in increasing the governmental links through the IARP organisation, for its personnel and precious friendship that he conceded to me. With sincere friendship, Claudio Moriconi ROBOTICS IN ITALY Education, Research, Innovation and Economics outcomes Silvia Bossi, Angelo Cipollini, Ramiro dell’Erba, Claudio Moriconi 2014 ENEA Agenzia per le Nuove tecnologie, l’Energia e lo sviluppo economico sostenibile Lungotevere Thaon di Revel, 76 00196 Rome ISBN 978-88-8286-303-6 Revised edition: March 2014 First edition: November 2013 Cover pictures 1. Astromobile, SSSA, 2012, Photo by Massimo Brega/The Lighthouse 2. Mascot, ENEA, 1987 Foreword by the ENEA Commissioner Introducing the result of this new initiative of the Agency, I cannot help recalling the early stage of the automation and robotics technology ENEA has contributed to build up in Italy. ENEA was the first research body in Italy and in Europe to develop in 1959, when it was called CNRN, what is perhaps the pioneer of modern robots: the Mascot teleoperator. Designed as a manipulator controlled by a human operator from a very remote control console, Mascot allowed to manage the very dangerous fissile materials, avoiding man’s exposition to nuclear radiation. The performance in sensitivity of operation reached by the Mascot family remains unsurpassed yet, after 60 years and after all the technological progress that the robotics community has been able to build up. I am therefore proud to present this volume, which demanded a detailed and long preparation; and it is not by chance that, in these days of competitiveness, ENEA is still in charge of analyzing the scenario of the Italian research centers’ network, that is working at the highest levels in the whole world. -