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Quilmark Sports LLC AGE/DIVISION Hollywood All Stars CLASSIFICATION Movies DATE 8/23/15 TIME 4:00 PM GAME # ARENA Blue Field SURFACE Cartoons HOME TEAM VISITING TEAM NO. NO. HOME TEAM SCORING BY PERIODS REFEREE (sign) VISITING TEAM 51 Ben Affleck REFEREE John Roberts Level 23 Bugs Bunny 1 2 3 OT TOTAL 4 Antonio Banderas REFEREE Ruth Bader Level 4 Sylvester Cat 6 Nicolas Cage VISITING TEAM SCOREKEEPER Sonia Sotomayer 7 Wile E. Coyote LINE JUDGE 1 Samuel Alito Level 16 Matt Damon HOME TEAM 52 Scooby Doo LINE JUDGE 2 Elena Kagan Level 42 Clint Eastwood 12 Daffy Duck SCORING PENALTIES 13 Tom Hanks 30 Donald Duck PER TEAM GOAL ASSIST ASSIST TYPE TIME PER TEAM NO. INFRACTION LENGTH TIME 12 Michael Keaton 34 Foghorn Leghorn 27 Jude Law 15 Buzz Lightyear 46 Jack Nicholson 3 Mickey Mouse 25 Al Pacino 11 Pink Panther 35 Robert Redford 22 Porky Pig 2 Arnold Schwarzenegger 8 Homer Simpson 17 John Travolta 1 Woody Woodpecker HEAD COACH (print) HEAD COACH (print) HEAD COACH (sign) HEAD COACH (sign) CEP # CEP # CEP LEVEL YEAR ATTAINED CEP LEVEL YEAR ATTAINED ASST. COACH (print) ASST. COACH (print) CEP # CEP # CEP LEVEL YEAR ATTAINED CEP LEVEL YEAR ATTAINED ASST. COACH (print) ASST. COACH (print) CEP # CEP # CEP LEVEL YEAR ATTAINED CEP LEVEL YEAR ATTAINED MANAGER (print) MANAGER (print) PHONE ( ) PHONE ( ) HOME GOALKEEPER(S) -- SAVES VISITING GOALKEEPER(S) -- SAVES HOME GOALKEEPER(S) -- MINUTES PLAYED WHITE - League Officers VISITING GOALKEEPER(S) -- MINUTES PLAYED 1 2 3 OT TOTAL YELLOW - Home Team 1 2 3 OT TOTAL 1 2 3 OT TOTAL 1 2 3 OT TOTAL PINK - Visiting Team GOLDENROD - Referee Powered by TCPDF (www.tcpdf.org).

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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
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Pulp Fiction © Jami Bernard the a List: the National Society of Film Critics’ 100 Essential Films, 2002
Pulp Fiction © Jami Bernard The A List: The National Society of Film Critics’ 100 Essential Films, 2002 When Quentin Tarantino traveled for the first time to Amsterdam and Paris, flush with the critical success of “Reservoir Dogs” and still piecing together the quilt of “Pulp Fiction,” he was tickled by the absence of any Quarter Pounders with Cheese on the European culinary scene, a casualty of the metric system. It was just the kind of thing that comes up among friends who are stoned or killing Harvey Keitel (left) and Quentin Tarantino attempt to resolve “The Bonnie Situation.” time. Later, when every nook and cranny Courtesy Library of Congress of “Pulp Fiction” had become quoted and quantified, this minor burger observation entered pop (something a new generation certainly related to through culture with a flourish as part of what fans call the video games, which are similarly structured). Travolta “Tarantinoverse.” gets to stare down Willis (whom he dismisses as “Punchy”), something that could only happen in a movie With its interlocking story structure, looping time frame, directed by an ardent fan of “Welcome Back Kotter.” In and electric jolts, “Pulp Fiction” uses the grammar of film each grouping, the alpha male is soon determined, and to explore the amusement park of the Tarantinoverse, a the scene involves appeasing him. (In the segment called stylized merging of the mundane with the unthinkable, “The Bonnie Situation,” for example, even the big crime all set in a 1970s time warp. Tarantino is the first of a boss is so inexplicably afraid of upsetting Bonnie, a night slacker generation to be idolized and deconstructed as nurse, that he sends in his top guy, played by Harvey Kei- much for his attitude, quirks, and knowledge of pop- tel, to keep from getting on her bad side.) culture arcana as for his output, which as of this writing has been Jack-Rabbit slim.
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Smörgåsbord: Award Show Scandals
Smörgåsbord: Award Show Scandals Every year, media award shows like the Grammys, Emmys, and Oscars recognize the hard work put into a wide array of diverse movies, TV shows, songs, and albums. However, no event is perfect, and the mass anticipation for each show ensures that every rare on-stage slip-up is bound to make headlines is made that much more memorable when it occurs. With the 2018 Academy Awards having just recently passed, here’s a quick highlight reel of some of the most famous fumbles forever enshrined in award show history. La La Land Smörgåsbord: Award Show Scandals graphic by Amanda Shi An Oscar is one of the highest honors possible for a work of media. And of course, the more serious the award, the more shocking the slip-up, and there can be no greater (and thus unforgettable) mistake in an Oscars award show than presenting the wrong winner. In an absolutely unprecedented, history-making moment at the 89th Academy Awards, La La Land Smörgåsbord: Award Show Scandals was mistakenly called as winner of Best Picture. An envelope mix-up was to blame for starting the misunderstanding; the Best Actress in a Leading Role envelope had somehow been swapped with the Best Picture envelope. Warren Beatty had known something was wrong when he opened the card and read ‘Emma Stone, La La Land’, but he hadn’t known how to respond to such an unexpected scenario. In his confusion, he attempted to stall for time by pausing in between words, but both the audience and his co-presenter Faye Dunaway interpreted it as him deliberately building suspense.
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View Annual Report
2016 ANNUAL REPORT CONTENT MESSAGES FROM THE SUPERVISORY BOARD AND THE MANAGEMENT BOARD 02 1 4 Profile of the Group and its Businesses | Financial Report | Statutory Auditors’ Report Financial Communication, Tax Policy on the Consolidated Financial Statements | and Regulatory Environment | Risk Factors 05 Consolidated Financial Statements | 1. Profi le of the Group and its Businesses 07 Statutory Auditors’ Report on 2. Financial Communication, Tax policy and Regulatory Environment 43 the Financial Statements | Statutory 3. Risk Factors 47 Financial Statements 183 Selected key consolidated fi nancial data 184 I - 2016 Financial Report 185 II - Appendix to the Financial Report: Unaudited supplementary fi nancial data 208 2 III - Consolidated Financial Statements for the year ended December 31, 2016 210 Societal, Social and IV - 2016 Statutory Financial Statements 300 Environmental Information 51 1. Corporate Social Responsibility (CSR) Policy 52 2. Key Messages 58 3. Societal, Social and Environmental Indicators 64 4. Verifi cation of Non-Financial Data 101 5 Recent Events | Forecasts | Statutory Auditors’ Report on EBITA forecasts 343 1. Recent Events 344 2. Forecasts 344 3 3. Statutory Auditors’ Report on EBITA forecasts 345 Information about the Company | Corporate Governance | Reports 107 1. General Information about the Company 108 2. Additional Information about the Company 109 3. Corporate Governance 125 6 4. Report by the Chairman of Vivendi’s Supervisory Board Responsibility for Auditing the Financial Statements 347 on Corporate Governance, Internal Audits and Risk 1. Responsibility for Auditing the Financial Statements 348 Management – Fiscal year 2016 172 5. Statutory Auditors’ Report, Prepared in Accordance with Article L.225-235 of the French Commercial Code, on the Report Prepared by the Chairman of the Supervisory Board of Vivendi SA 181 ANNUAL REPORT 2016 ANNUAL REPORT 2016 The Annual Report in English is a translation of the French “Document de référence” provided for information purposes.
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Church of Scientology Statement Andrew Morton’S Unauthorized Biography of Tom Cruise
CHURCH OF SCIENTOLOGY INTERNATIONAL 14 January 2008 For further information contact: Karin Pouw, Public Affairs Director (323) 960-3500 CHURCH OF SCIENTOLOGY STATEMENT ANDREW MORTON’S UNAUTHORIZED BIOGRAPHY OF TOM CRUISE For the last two years, the Church of Scientology requested to be interviewed or be presented with any allegations so we could respond. Morton refused despite our insistence in offering our cooperation. At no time did he request interviews nor did he attempt to get any information from us. Accuracy and truth were not on Morton’s agenda. While making all sorts of bizarre and false allegations about Mr. Miscavige, the Church’s ecclesiastical leader, Morton at no time ever attempted to contact, speak to or interview him. As a result his book is a bigoted, defamatory assault replete with lies. Morton comes from a tabloid background and his book reads like British tabloid journalism at its worst. British publishers rejected the book because of Morton’s inability to prove the truth of his allegations, something the laws of the UK require and of which Morton is well aware. Notwithstanding his US publisher’s knowledge that his British publishing house refused publication of Morton’s diatribe due to his inability to substantiate his claims, they still steadfastly refused to present any of the allegations for either refutations or response. Furthermore, scandalous falsehoods attributed to Morton appeared in the UK press 2 months ago. The Church demanded he correct these falsehoods which he and his publisher refused to do. However, the newspaper that published Morton’s lies did take responsibility—printing a full retraction when presented with the facts by the Church.
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Base SAS® Tips, Tricks and Techniques
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A Hands-On Tour Inside the World of PROC SQL® Kirk Paul Lafler, Software Intelligence Corporation, Spring Valley, California
NESUG 2007 Hands-On Workshops A Hands-on Tour Inside the World of PROC SQL® Kirk Paul Lafler, Software Intelligence Corporation, Spring Valley, California Abstract Structured Query Language (PROC SQL) is a database language found in the base-SAS software. It enables access to data stored in SAS® data sets or tables using a powerful assortment of statements, clauses, options, functions, and other language features. This hands -on workshop presents core concepts of this powerful language as well as its many applications, and is intended for SAS users who desire an overview of the capabilities of this exciting procedure. Attendees will explore the construction of SQL queries, ordering and grouping data, the application of case logic for data reclassification, the creation and use of views, and the construction of simple inner and outer joins. Introduction The SQL procedure is a wonderful tool for querying and subsetting data; restructuring or regrouping data by specifying case expressions ; constructing and using virtual tables known as views; joining two or more tables (up to 32) to explore data relationships . Occasionally, a problem comes along where the SQL procedure is either better suited or easier to use than other more conventional DATA and/or PROC step methods. As each situation presents itself, PROC SQL should be examined to see if its use is warranted for the task at hand. Many SAS users prefer the power and coding simplicity of the SQL procedure in perform ing data analysis and routine everyday tasks rather than using other DATA or PROC step approaches and methods . Whatever the nature of the requirements or SQL usage, this paper is intended to present an overview of some of the most exciting features found in PROC SQL.
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What's on an Annotator's Mind? Analysis of Error Typologies to Highlight Machine Translation Quality Assessment Issue
What’s on an annotator’s mind? Analysis of error typologies to highlight machine translation quality assessment issue Emmanuelle Esperança-Rodier To cite this version: Emmanuelle Esperança-Rodier. What’s on an annotator’s mind? Analysis of error typologies to highlight machine translation quality assessment issue. Translating and the Computer - TC42, Nov 2020, London, United Kingdom. hal-03198126 HAL Id: hal-03198126 https://hal.archives-ouvertes.fr/hal-03198126 Submitted on 14 Apr 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. What's on an annotator's mind? Analysis of error typologies to highlight machine translation quality assessment issue Emmanuelle Esperança-Rodier Univ. Grenoble Alpes, CNRS, Grenoble INP1, LIG, 38000 Grenoble, France [email protected] Abstract 1. Introduction At the era of Artificial Intelligence, billions of words are needed to train, fine-tune and test Neural Machine Translation systems (Koehn and Knowles, 2017; Linzen, 2020). Quality assessment of the models therefore requires the creation of a lot of annotated corpora. Several studies questioned the quality of those corpora, in terms of reliability and reproducibility in Bregeon et al. (2019), comparability in Echart et al.
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The Talented Mr. Ripley
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Club of Amsterdam the future of Film January 2012 In collaboration with the Freelance Factory Supporters Freelance Factory India House Amsterdam Most Hollywood mind confections are cotton candy that reverts back into sugar and coloring as it enters your mouth. What’s missing is any substance that you take away after the movie. There’s no nutrition there. When the movie is over, you’re left with nothing. We need to take back the powerful media of film – the media should be teaching us valuable lessons about how to survive, keep the earth clean and healthy. There are so many important discussions, new philosophies, concepts, ways to living, so many valuable ways the media could function, instead of focusing only on killing, wealth and excess. Who will teach us how to survive the coming ecological and economic storms? The one idea that Hollywood movies strive to suppress more than any other is the idea of an egalitarian society. We are constantly reminded of how bad we are, how criminal, how bloody, how deadly. In a psychological test, 70% of us seem to readjust our brains to believe what a peer group says happened, rather than what we actually witnessed ourselves in real life. Movies and media dictate people’s consciousness by glorifying the lives of the rich and criminal, simplifying our stratified social order and making the unspeakable norm. Do we accept the rule of the 1% over the 99%? Thoughts by Dimitri Devyatkin – an American filmmaker, writer that specializes in social documentaries, historical feature films. Eline Flipse, Independent Motion Pictures and Film Professional 'What is actually a documentary?' It sounds simple, but there are some misunderstandings about the meaning of the concept.
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Play, Literacy, and Youth
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Film Schedule Summary Governors Crossing 14 1402 Hurley Drive Report Dates: Friday, March 22, 2019 - Thursday, March 28, 2019 Sevierville, TN 37862, (865) 366-1752
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