Philomena Gratis Epub, Ebook

Total Page:16

File Type:pdf, Size:1020Kb

Philomena Gratis Epub, Ebook PHILOMENA GRATIS Auteur: Martin Sixsmith Aantal pagina's: 377 pagina's Verschijningsdatum: 2014-01-30 Uitgever: Xander Uitgevers B.V. EAN: 9789401601849 Taal: nl Link: Download hier Philomena (film) Het vormt bovendien een prachtig tegenwicht voor de afschuwelijke, treurige geschiedenis die in Philomena schuilgaat. Hoe eenvoudig deze film ook lijkt, Stephen Frears My Beautiful Laundrette, The Queen schakelt ontzettend knap tussen aanklacht, drama en komedie. Coogan en Dench zijn fenomenaal. Net als The Magdalene Sisters slaat Philomena een van de zwartste bladzijden open over het Ierse katholicisme, maar hier overwint gelukkig de troost. De Sisters of the Sacred Heart waren uitstekende spindokters, maar de ontroerende vriendschap tussen Philomena Lee en haar journalist is sterker. Live verzorgt in januari en februari inleidingen bij Philomena : Cinecitta Tilburg 7 januari Raadpleeg ook de agenda van uw filmtheater Voor meer in formatie en boekingen filmkrant. Vanaf 4 december op Amazon: immersief drama over een drummer die doof wordt, met Riz Ahmed in een ingetogen explosieve Nu te zien op Netflix: sterke zevendelige serie over een jonge Amerikaanse vrouw die schaakgrootmeester wordt. Woendag 25 november lanceren streamingdienst Picl en distributeur Full Color Entertainment een nieuw online platform waar films van makers van Te zien vanaf Barend de Voogd. Andere recensies. Sound of Metal Vanaf 4 december op Amazon: immersief drama over een drummer die doof wordt, met Riz Ahmed in een ingetogen explosieve Test Pattern Woendag 25 november lanceren streamingdienst Picl en distributeur Full Color Entertainment een nieuw online platform waar films van makers van Filmjournalist Noa Johannes vroeg 14 filmliefhebbers naar hun persoonlijke favorieten. Een van onze favorieten: de hartverwarmende roadmovie Philomena. Vanaf zondag 12 februari zendt de VPRO de documentaireserie Made in Europe uit, over de kunst en cultuur die ons continent bindt. VPRO Cinema speurt elke week het filmaanbod van streamingsdienst Netflix af en vist de spreekwoordelijke krenten uit de pap. Van nieuwkomers tot klassiekers, van arthouse tot de betere blockbuster. Met deze week: drie moderne topfilms en twee klassiekers. Met het op ware gebeurtenissen gebaseerde Philomena, een komisch drama over de zoektocht naar een door kwaadaardige nonnen weggenomen zoon, is de regisseur terug in topvorm. Met grote dank aan de geweldig acterende Judi Dench en Steve Coogan. U bent hier: cinema Films. VPRO Cinema. Trailer: Philomena van Stephen Frears. De nieuwste bioscoopfilms 9 januari Netflix: filmtips voor Made in Europe De kunst en cultuur die ons continent bindt 10 februari Laatste reviews Je account geeft ook toegang tot de instellingen voor persoonlijke diensten op websites en apps van de VPRO. Drama van Stephen Frears. Met o. Het op ware gebeurtenissen gebaseerde Philomena gaat over de zoektocht van een journalist en een oude dame naar haar door kwaadaardige nonnen weggenomen zoon. Frears vindt de perfecte balans tussen ernst, humor en de spanning van het onderzoek. Het sprankelende samenspel van Judi Dench en Steve Coogan levert veel komische momenten op, zonder daarbij aan emotionele diepgang in te boeten. Een vertederende en verbijsterende road trip van een ongewoon stel. Philomena is deze week niet op televisie. Log in om een abonnement aan te maken. Tijdens de Filmweek op NPO 2 Extra worden tussen 24 en 31 december zo'n veertig topfilms uitgezonden. Filmjournalist Noa Johannes vroeg 14 filmliefhebbers naar hun persoonlijke favorieten. Een van onze favorieten: de hartverwarmende roadmovie Philomena. Vanaf zondag 12 februari zendt de VPRO de documentaireserie Made in Europe uit, over de kunst en cultuur die ons continent bindt. Bezorgopties We bieden verschillende opties aan voor het bezorgen of ophalen van je bestelling. Welke opties voor jouw bestelling beschikbaar zijn, zie je bij het afronden van de bestelling. Ga naar zoeken Ga naar hoofdinhoud Door drukte bij de bezorgdiensten kan de bezorging van je pakketje langer duren. Bekijk video. Artiest en : Movie Documentary. Regisseur: Stephen Frears. Productbeschrijving Philomena Lee raakt als tiener in zwanger in Ierland. Ze wordt naar een klooster gestuurd om verzorgd te worden. Wanneer haar kind een peuter is wordt hij door de nonnen voor adoptie naar Amerika gestuurd. Philomena gaat de daaropvolgende 50 jaar op zoek naar hem. Wanneer ze Martin Sixsmith, een vermoeide, cynische journalist, ontmoet vertrekken ze samen naar Amerika om hem te zoeken. Cijfers en feiten Productiejaar Toon meer Toon minder. Bekijk dit product. Reviews Schrijf een review. Aantal reviews: Batsheba 18 juli Mooi gefilmd Pakkend verhaal goed geacteerd Boeiende personages indrukwekkend. Vond je dit een nuttige review? Verrekijker Venlo 1 september Ik raad dit product aan. Boeiende personages goed geacteerd Mooi gefilmd Pakkend verhaal. Geschreven bij Philomena Blu-ray Deze film is gebaseerd op waargebeurde feiten. Mooi gefilmd Pakkend verhaal goed geacteerd Boeiende personages. KathleenvanGent Gent België 19 september Ik raad dit product aan. Rapenlander Eindhoven 13 augustus Ik raad dit product aan. Pakkend verhaal goed geacteerd Boeiende personages. Mooi gefilmd Pakkend verhaal goed geacteerd. Boeiende personages goed geacteerd Mooi gefilmd Pakkend verhaal geweldig mooi!!!! Boeiende personages goed geacteerd Mooi gefilmd Pakkend verhaal onverwacht plot aanvaarding en vergeving. VanDam Noordwijk aan zee 3 december Ik raad dit product aan. Voordelige koop duurzaam. Kies je drager. Blu-ray Dvd. Let op, bijna uitverkocht! Voor uur besteld, dinsdag in huis Levertijd We doen er alles aan om dit artikel op tijd te bezorgen. Verkoop door bol. Gratis verzending door bol. Andere verkopers 5. Bekijk en vergelijk alle verkopers. Anderen bekeken ook. The Lady in the Van My Old Lady The Hundred Foot Journey Still Alice Night Train To Lisbon The Intern La Famille Belier [Pathé Thuis Beste Aangepast Scenario. Beste Film. Je hebt misschien ook interesse in. Verwacht Words on Bathroom Walls. Verwacht Drunk. Verwacht Red Sandra. Verwacht Without Remorse. Verwacht Morbius. Ze tekent een wettelijke verklaring nooit meer achter haar zoontje aan te gaan en kijkt machteloos toe terwijl hij naar Amerika vertrekt. In ontmoet ze Sixsmith Steve Coogan en probeert ze haar eerstgeborene alsnog op te sporen. Speelduur: 95 minuten Jaar: Dat de rooms-katholieke kerk bepaald geen schone handen heeft is inmiddels algemeen bekend. Je moet wel erg naïef zijn om de vele schandalen en rechtszaken die het Vaticaan omgeven, weg te wuiven. Er is ontzettend veel aandacht voor kindermisbruik en de beerput lijkt nog maar op een kiertje open te staan. Veel minder bekend, maar net zo weerzinwekkend was de positie van jonge, ongehuwde zwangere vrouwen in het katholieke Ierland tot ver in de twintigste eeuw. Het was het onderwerp in onder andere The Magdalene Sisters uit Zwangerschap was voor deze aanstaande moeders een grote zonde. Ze werden in kloosters gestopt, waar ze aan de zware arbeid werden gezet. Daarvoor is de film ook te kalm en bedeesd. Maar als open, eerlijke en lichte karakterstudie behoort Philomena tot de beste in zijn soort. Om u deze content te kunnen laten zien, hebben wij uw toestemming nodig om cookies te plaatsen. Open uw cookie-instellingen om te kiezen welke cookies u wilt accepteren. Voor een optimale gebruikservaring van onze site selecteert u "Accepteer alles". U kunt ook alleen de sociale content aanzetten: vink hiervoor "Cookies accepteren van sociale media" aan. Tip hier onze journalisten. Op alle verhalen van de Volkskrant rust uiteraard copyright. Linken kan altijd, eventueel met de intro van het stuk erboven. Wil je tekst overnemen of een video fragment , foto of illustratie gebruiken, mail dan naar copyright volkskrant. De Gids. Hier zou content moeten staan van bijv. Twitter, Facebook of Instagram Om u deze content te kunnen laten zien, hebben wij uw toestemming nodig om cookies te plaatsen. Inloggen Log in of maak een account aan. Mijn account Uw gegevens en de bezorg-, vakantie- en verhuisservice. https://cdn.starwebserver.se/shops/mimmilundqvistmm/files/college-study-skills-becoming-a-strategic-learner-983.pdf https://files8.webydo.com/9583729/UploadedFiles/27216B9F-921C-9596-A96C-954C908E68DD.pdf https://files8.webydo.com/9583592/UploadedFiles/11E656B2-50EF-EEF5-02B3-AA4F467B9AAA.pdf https://files8.webydo.com/9583697/UploadedFiles/681B8433-E95F-7D7D-36E0-C5B4A099CDF8.pdf.
Recommended publications
  • Stephen Frears Par Eithne O'neill
    STEPHEN FREARS PAR EITHNE O'NEILL Collection dirigée par Francis Bordat RIVAGES Du même auteur: Lubitsch ou la satire romanesque, en collaboration avec Jean-Loup Bourget, Stock, 1987; rééd. Flammarion, coll. «Champs Contre-Champs », 1990. Crédits photographiques : British Film Institute (pages 15, 17, 26, 28, 29, 35, 37, 39, 41, 43, 77, 79, 81, 84, 87, 90, 92, 103 haut, 105, 109, 135), archives Cahiers du cinéma (couverture, pages 47, 50, 101, 129), collection Michel Ciment (pages 12, 14, 16, 18, 20, 21, 23, 25, 31, 44, 45, 52, 55, 57, 58, 59, 60, 62, 64, 65, 66, 67, 69, 70, 71, 72, 97, 99, 102, 103 bas, 104, 106, 107, 108 bas, 111, 116, 126, 128, 131, 134, 136, 137, 164, 166, 167, 178, 182, 184, 187, 190, 191, 199, 204, 208, 209, 211), ITC Entertainment (pages 82, 83), Neville Smith (pages 108 haut, 143). © Éditions Payot & Rivages, 1994 106, bd Saint-Germain 75006 PARIS ISBN: 2 - 86930 - 844 - 2 ISSN: 0298 - 0088 A Joëlle Pour leur aide et leur collaboration, je tiens à remercier les personnes suivantes: Neville Smith, romancier, scénariste, acteur et musicien ; Hanif Kureishi, qui m'a autorisée à reproduire son «Intro- duction à My Beautiful Laundrette » ; Christian Bourgois, qui m'a autorisée à reproduire le texte de Hanif Kureishi dans sa traduction française; Patrick O'Byrne, sans qui ce livre n'aurait pas pu être écrit; Reinbert Tabbert; Michael Dwyer, critique de cinéma, The Irish Times ; Michel Ciment ; Hubert Niogret ; Jon Keeble (ITC), qui a organisé pour moi une projection de Bloody Kids ; Maria Stuff, independent film resear- cher, Londres ; Kathleen Norrie ; Maeve Murphy ; Kate Lenehan; Jacques Bover; et Neville Smith, qui a bien voulu me prêter les photos prises par lui.
    [Show full text]
  • Multiculturalism and Creative British South Asian Films Denise Tsang1,A
    2017 3rd Annual International Conference on Modern Education and Social Science (MESS 2017) ISBN: 978-1-60595-450-9 Multiculturalism and Creative British South Asian Films Denise Tsang1,a,* and Dahlia Zawawi2,b 1Henley Business School, University of Reading, Whiteknights, Reading, UK 2Department of Management and Marketing, Universiti Putra Malaysia,Serdang, Malaysia [email protected], [email protected] *Corresponding author Keywords: Multiculturalism, Creativity, Competitiveness, British South Asian Films Abstract. Globalization has enabled countries such as the UK to attain multiculturalism; however, there is no investigation in relation to the advantages of multiculturalism at the film industry level. Multiculturalism is related to the Commonwealth immigration after the Second World War period. The introduction of new cultures into the UK has enabled the growth and development of successful global industries such as the British Urban Music and British Asian Film, which have prospered over time and have now become mainstream export-led industries. Why is cultural diversity significant towards the generation of competitive advantages within the British South Asian film sector? We will explore the country specific advantage of multiculturalism in the UK and their impact on creativity of screenwriters that has contributed to successful films in the industry. Introduction Multiculturalism has been defined by Libretti as a ‘careful attention to and respect for a diversity of cultural perspectives’ [1]. Berry explained the concept in terms of the maintenance of cultural heritage and the relationships sought among cultural groups as shown in the following figure [2]. Figure 1 shows that if a society enables individuals from cultural minority groups to maintain their cultural uniqueness while establishing relationships with the core cultural groups, multiculturalism is achieved.
    [Show full text]
  • 1,000 Films to See Before You Die Published in the Guardian, June 2007
    1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation.
    [Show full text]
  • MY BEAUTIFUL LAUNDRETTE London W1J 9LN Followed by a Q&A with STEPHEN FREARS and HANIF KUREISHI Cbe Hosted by LESLIE FELPERIN
    BAFTA HERITAGE SCREENING Thursday 16 April 2O15 BAFTA 195 Piccadilly MY BEAUTIFUL LAUNDRETTE London W1J 9LN Followed by a Q&A with STEPHEN FREARS and HANIF KUREISHI CBE Hosted by LESLIE FELPERIN My Beautiful Laundrette exploded onto our screens thirty years ago and cemented the reputation of director Stephen Frears as one of our most original and distinguished film makers. The film’s screenplay, by Hanif Kureishi, was a landmark debut that received a BAFTA nomination and established Kureishi as a major screenwriting talent. The film became an international success and received wide critical acclaim. The film critic Roger Ebert reviewed the film on its US release and is reproduced here in an edited version. Release yeaR: 1985 Runtime: 97 mins DiRectoR: Stephen Frears PRoDUCERs: Sarah Radclyffe, Tim Bevan scReenwRiteR: Hanif Kureishi hen people told me laundry. It is the story of two kinds outside and bares her breasts to Omar they’d seen My Beautiful of outsiders (Omar and Johnny) in through the French doors. Laundrette and it was modern London. The movie is not concerned with a good movie, I had My Beautiful Laundrette refuses to plot, but with giving us a feeling for the Wa tendency to believe them, for who commit its plot to any particular agenda, society its characters inhabit. Modern would dare to make a bad movie with and I found that interesting. It’s not about Britain is a study in contrasts, between such an uncommercial title? The laundry whether Johnny and Omar will remain rich and poor, between upper and lower in question is a storefront operation in lovers or about whether the laundry classes, between native British and the one of the seedier areas of London, and will be a success.
    [Show full text]
  • Realism and Formalism Even Before 1900, Movies Began to Develop in Two ­Major Directions: the Realistic and the For- Malistic
    Realism and Formalism Even before 1900, movies began to develop in two major directions: the realistic and the for- malistic. In the mid‑1890s in France, the Lumière brothers delighted audiences with their short movies dealing with everyday occurrences. Such films as The Arrival of a Train (4–4a) fascinated viewers precisely because they seemed to capture the flux and spontaneity of events as they were viewed in real life. At about the same time, Georges Méliès (pronounced mel‑yez) was creating a number of fantasy films that emphasized purely imagined events. Such movies as A Trip to the Moon (4–4b) were typical mixtures of whimsical narrative and trick photogra‑ phy. In many respects, the Lumières can be regarded as the founders of the realist tradition of cinema, and Méliès of the formalist tradition. Realism and formalism are general rather than absolute terms. When used to suggest a tendency toward either polarity, such labels can be helpful, but in the end they’re just labels. Few films are exclusively formalist in style, and fewer yet are completely realist. There is also an important difference between realism and reality, although this distinction is often forgot‑ ten. Realism is a particular style, whereas physical reality is the source of all the raw materials of film, both realistic and formalistic. Virtually all movie directors go to the photographable world for their subject matter, but what they do with this material—how they shape and ma‑ nipulate it—is what determines their stylistic emphasis. Generally speaking, realistic films attempt to reproduce the surface of reality with a mini‑ mum of distortion.
    [Show full text]
  • Queer Intimacy and the Impasse: Reconsidering My Beautiful Laundrette Vinh Nguyen
    ariel: a review of international english literature Vol. 48 No. 2 Pages 155–166 Copyright © 2017 The Johns Hopkins University Press and the University of Calgary Perspectives Queer Intimacy and the Impasse: Reconsidering My Beautiful Laundrette Vinh Nguyen Abstract: This essay reconsiders the queer interracial relationship in Hanif Kureishi and Stephen Frears’ seminal film My Beautiful Laundrette (1985). Rather than analyze the romance between the main protagonists as a national and personal union that resolves complex racial issues, I argue that Omar and Johnny’s relation- ship makes room for the possibility of connection and contact, however fraught and tenuous, without denying histories of racial violence or flattening out forms of difference. As an “impasse” (Berlant), their queer relationship suggests the potential for coex- istence that does not offer reconciliation between the nation and racialized subjects. Through a reading of the film, I suggest that intimacy is not broken by the accommodation of past and present racial injury within its plane of desire. Instead, queer desire defers interracial resolution but does not deny the possibility of intimacy, of something yet to come. Keywords: Black British cinema, South Asian diaspora, queer sexuality, interracial relations, affect Hanif Kureishi and Stephen Frears’ My Beautiful Laundrette (1985) concludes with a scene of queer sensuality in which Omar lathers soap on Johnny’s bare chest before the two playfully splash each other with water in the back room of the laundrette they operate together. The distinctive bubbling music of the movie’s soundtrack is heard before a door closes to conceal the lovers from our prying eyes.
    [Show full text]
  • Bend It Like Beckham
    Bend It Like Beckham Dir. Gurinder Chadha, UK/Germany 2002, Certificate 12A Introduction Bend It Like Beckham was one of the surprise hits of 2002, making over £11,000,000 at the UK Box Office and hitting a chord with a range of audiences at cinemas. A vibrant and colourful British comedy about a young girl from a Sikh family who desperately wants to play football against the wishes of her traditional parents, the film can be seen to follow the path of other recent British-Asian films such as Bhaji on the Beach, Anita and Me and East Is East in its examination of culture clashes and family traditions. Bend It Like Beckham takes these themes and adds extra ingredients to the dish – football, Shakespearean confusions over identity and sexuality, in-jokes about both British pop culture and the Sikh way of life, and a music soundtrack mixing a range of East/West sounds and musical styles. It is also useful to look at Bend It Like Beckham within a wider context of the British Asian experience in popular culture and media, such as portrayal of Asian culture on television including Ali G, Goodness Gracious Me, families in soaps such as Coronation Street and EastEnders – even the new Walkers Crisps advert has Gary Lineker in a mini-Bollywood musical - and the Asian language, music and fashion that has now flowed into the mainstream. © Film Education 2003 1 Film Synopsis Jesminder (known as Jess) is a Sikh teenager living in Hounslow, who loves to play football. Her parents disapprove, wanting her to settle down, get a job as a lawyer and marry a nice Indian boy.
    [Show full text]
  • Mensonge, Pouvoir Et Quelques Mots Latins / Dangerous Liaisons De Stephen Frears]
    Document generated on 10/02/2021 3:06 a.m. 24 images Mensonge, pouvoir et quelques mots latins Dangerous Liaisons de Stephen Frears Maurice Tourigny Jeune cinéma québécois Number 42, Spring 1989 URI: https://id.erudit.org/iderudit/22829ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this review Tourigny, M. (1989). Review of [Mensonge, pouvoir et quelques mots latins / Dangerous Liaisons de Stephen Frears]. 24 images, (42), 74–74. Tous droits réservés © 24 images inc., 1989 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ DANGEROUSLIAISON S DE STEPHEN FREARS POUVOIR ET QUELQUES MOTS LATINS par Maurice Tourigny La marquised eMerteui l (Glenn Close),l evicomt e de Valmont(Joh nMalkovich ) et lavertueus e madame deTourvel . n 1782,Pierr e Choderlos deLaclos , dide Dangerous Liaisons. chaque affectation de ses personnages un militaire parisien, publiait un Frearss'attaqu e à u ngenr ee nvoi ed e magnifiquement rendus par une Glenn E roman,Le sliaison s dangereuses, disparition (sil'o n exceptequelque socca ­ Close brillante en marquise glaciale,désil ­ collection de lettres que s'échangent la sionnelles extravagances) parce qu'habi­ lusionnée, en quelque sorte déchue, marquise de Merteuil et levicomt e de Val- tuellement trop coûteux: le film d'épo­ réduite à s'amuser de la déchéance des mont, ex-amantsdevenu s complices.
    [Show full text]
  • Belonging to The
    ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| BELONGING TO THE BSC Leading cinematographers reveal what being a member of the BSC means to them, and how they’d ROGER DEAKINS CBE BSC ASC like to see their art and craft unfold in the future. Fargo, O Brother Where Art Thou, Jarhead, Skyfall, Blade Runner 2049 Joined: 1999… I can’t recall how I managed to become a board member, nor eventually the BSC president (2014-17). Doesn’t seem |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| possible, but it was. Joined: 1986… I was blown away when I was asked to join by Alex Thomson BSC, just after I shot 1984. Your BSC inspirations? This one is easy… Chris Menges BSC ASC. I Your BSC inspirations? was always inspired by his documentaries and, Oswald Morris OBE BSC and Chris Menges BSC ASC of course, he shot the film Kes, which literally were the two most inspiring BSC members as I began change my life. He also, in his own quiet way, my life as a cinematographer. Ossie’s body of work led me on to my career as a cinematographer is unsurpassed. The Spy Who Came In From The Cold and introduced me to Ken Loach. remains the greatest B/W photography out there. Chris, a gentleman and a true inspiration, brings quiet Your thoughts about cinematography today? dignity to his images and hence to the subjects that he I’m certain that it’s the art of cinematography has trained his camera on. The subject comes first, not that makes cinema so special. I see new talent the cinematography. coming along all the time.
    [Show full text]
  • FICTION EXPERTS ANNUAL MEETING Fontainebleau (France), 27 June 2018 in Partnership with Série Series
    FICTION EXPERTS ANNUAL MEETING Fontainebleau (France), 27 June 2018 In partnership with Série Series AGENDA (13.06.2018) SERIES SERIES DISCUSSION - Fontainebleau Theatre For professionals pass-holders only. 8:30 - 10:00 A CONVERSATION WITH STEPHEN FREARS Stephen Frears is one of the most famous and emblematic British directors, and has directed several feature films (My Beautiful Laundrette, Dangerous Liaisons, High Fidelity, The Queen, Philomena, Florence Foster Jenkins and Victoria & Abdul). He has also directed many pieces for television since the 1970s (Fail Safe, The Deal, Muhammad Ali’s Greatest Fight…). He will be in Fontainebleau to present A Very English Scandal. He will talk about his work and share his experience during a conversation / Q&A session PUBLIC SERVICE DRAMA SPECIAL - Fontainebleau Theatre 10:00 - 11:30 PUBLIC SERVICE BROADCASTING IN EUROPE, A BEACON IN THE HEART OF A STORM? Joint introduction about the EBU (European Broadcasting Union) and its activities in the field of fiction by Liselott Forsman, YLE and Head of the EBU Fiction Experts Group and Jeroen Depraetere, EBU, Head of TV followed by a debate. In a pivotal year for numerous public European channels, Série Series is joining forces with the EBU to discuss their distinctiveness in an ultra-competitive landscape. In a world governed by images, where communication plays a predominant role and where financial investments are on the rise, where do public broadcasters stand? What content, what stories can and should they tell? Does drama have a cultural role? A responsibility? If so, what is it? What audience should it be aimed at? Do public television services have the necessary weapons to continue to attract talent, to remain appealing to their public and to face the challenges of a globalised economy? A debate that involves the broadcasters in question, but also creators, and will put the French frame of mind into perspective.
    [Show full text]
  • Victoria & Abdul Simulacra & Simulation
    The past is never dead. It's not even past NOT EVEN PAST Search the site ... Victoria & Abdul: Simulacra & Simulation Like 0 Tweet by Gajendra Singh University of Exeter Posted in partnership with the History Department at the University of Exeter and The Imperial and Global Forum. One of the earliest lms to be shot and then screened throughout India were scenes from the Delhi Durbar between December 29, 1902 and January 10, 1903 The Imperial Durbar, created to celebrate the accession of Edward VII as Emperor of India following the death of Victoria, was the most expensive and elaborate act of British Imperial pageantry that had ever been attempted. Nathaniel Curzon, as Viceroy of India, oversaw the construction of a tent city housing 150,000 guests north of Delhi proper and what occurred in Delhi was to be replicated (on a smaller scale) in towns and cities across India. The purpose of the Durbar was to contrast British modernity with Indian tradition. Europeans at the Durbar were instructed to dress in contemporary styles even when celebrating an older British Imperial past (as with veterans of the ‘Mutiny’). Indians, however, were to wear Oriental (perceptibly Oriental) costumes as motifs of their Otherness. This construction of an exaggerated sense of Imperial difference, and through it Imperial order and Imperial continuity, was signicant. It was a statement of the permanence of Empire, of Britain’s Empire being at the vanguard of modernity even as the Empire itself was increasingly anxious about nascent nationalist movements and rocked by perpetual Imperial crises. It’s unlikely that Stephen Frears watched these lms from 1902 or 1903 upon nalising the screenplay and then shooting Victoria & Abdul.
    [Show full text]
  • Hanif Kureishi: My Beautiful Laundrette
    Europa Universität Viadrina Fakultät für Kulturwissenschaften B.A Kulturwissenschaften Sommersemester 2005 Seminar: Migration und Film Leitung: Frau Goel Name: Sara Merdian Datum: 26.04.05 Hanif Kureishi: My beautiful laundrette 1. Migration in Britain • 1948 British Nationality Act: permission for citizens of all Commonwealth members to settle down and work in Britain • late 1940s: beginning of the post-war-wave of black migration to Britain • 1950s strenghtened migration and first considerations of the UK government to control black immigration for “race reasons” ¾ Migration from the West Indies, India, Pakistan, Bangladesh and Africa occurred in varying flows due to policies of the UK aswell as the sending countries • 1955 – 1965 Migrants from the West Indies are recruited for economic reasons (→ at the same time the UK government wants the West Indies to restrict emigration) • 1954 the Indian government restricts emigration (aswell as the Pakistani and the Bangladeshi government) • 1962 Commonwealth Immigrants Act is meant to reduce immigration (strenghtened flow of immigrants before the coming into power) no immigration without work permit • 1967/1968 and 1972 Asian immigrants from East Africa (UK passport holders) arrive in Britain ¾ 1968 Commonwealth Immigrants Act restriction of entry for non-patrials with UK passports (especially Asians from Kenya) • 1971 Immigration Act: distinction of classes of Commonwealth citizens • 70s/80s stable immigration flows partly offset by the emigration → stricter immigration laws during the 80s 2. British Society during the Thatcher period → My Beautiful Laundrette was shot in 1985 when Margaret Thatcher got her second term in office “Thatcherism” • Reversion of the trends of the 60s • Return to traditional moral values • Financial reward for hard work and enterprise: “Making money became a virtue” (Mitchell/p.
    [Show full text]