OF PROPHECY Warburton, Victoria, January II, 1937
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St. Ignatius Collegian, Vol. 4 (1904-1905) Students of St
Loyola University Chicago Loyola eCommons St. Ignatius Collegian University Archives & Special Collections 1905 St. Ignatius Collegian, Vol. 4 (1904-1905) Students of St. Ignatius College Recommended Citation Students of St. Ignatius College, "St. Ignatius Collegian, Vol. 4 (1904-1905)" (1905). St. Ignatius Collegian. Book 2. http://ecommons.luc.edu/st_ignatius_collegian/2 This Article is brought to you for free and open access by the University Archives & Special Collections at Loyola eCommons. It has been accepted for inclusion in St. Ignatius Collegian by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. m '•c\<e:?^m^^^>; NON ^'^'ir ^ikm %;MiU»>^ >v. ; t. Jgnatius Collegkn Vol. IV Chicago, 111., Nov., 1904 No. 1 Ci)e (tontetnplation of Autumn. BOUNTEOUS nature has given to mortals a soulful love for A what is beautiful. The faculty exists in every human being, whether civilized or savage; but the degree of its develop- ment in any man may be said to determine the culture, in fact, the very civilization of the individual in question. It is born in every- one ; but in some, it is destined like the seed of the Scriptural para- ble, to die for want of nourishment. In others, it reaches, not per- fect maturity—for such an outcome is beyond the dwarfed capa- bility of humanity—but a sufficient degree of development to render its possessors genial and broad-minded men—a bulwark of morality and a credit to society in general. -
A Rhetorical Analysis of Eugene O'neill's Strange Interlude
This dissertation has been 61-4507 microfilmed exactly as received WINCHESTER, Otis William, 1933- A RHETORICAL ANALYSIS OF EUGENE O'NEILL'S STRANGE INTERLUDE. The University of Oklahoma, Ph.D., 1961 Speech-Theater University Microfilms, Inc., Ann Arbor, Michigan THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE A RHETORICAL ANALYSIS OF EUGENE O'NEILL'S STRANGE INTERLUDE A DISSERTATION SUBMITTED TO THE ŒADUATE FACULTY in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY BY OTIS WILLIAM WINCHESTER Tulsa, Oklahoma 1961 A RHETORICAL ANALYSIS OF EUGENE O'NEILL'S STRANGE INTERLUDE APPROVEDB^ DISSERTATION COMMITTEE PREFACE Rhetoric, a philosophy of discourse and a body of theory for the management of special types of discourse, has been variously defined. Basic to any valid definition is the concept of persuasion. The descrip tion of persuasive techniques and evaluation of their effectiveness is the province of rhetorical criticism. Drama is, in part at least, a rhe torical enterprise. Chapter I of this study establishes a theoretical basis for the rhetorical analysis of drama. The central chapters con sider Eugene O'Neill's Strange Interlude in light of the rhetorical im plications of intent, content, and form. Chapter II deals principally with O'Neill's status as a rhetor. It asks, what are the evidences of a rhetorical purpose in his life and plays? Why is Strange Interlude an especially significant example of O'Neill's rhetoric? The intellectual content of Strange Interlude is the matter of Chapter III. What ideas does the play contain? To what extent is the play a transcript of con temporary thought? Could it have potentially influenced the times? Chapter IV is concerned with the specific manner in which Strange Interlude was used as a vehicle for the ideas. -
The Eastern Mail (Vol. 10, No. 10): September 18, 1856
Colby College Digital Commons @ Colby The Eastern Mail (Waterville, Maine) Waterville Materials 9-18-1856 The Eastern Mail (Vol. 10, No. 10): September 18, 1856 Ephraim Maxham Daniel Ripley Wing Follow this and additional works at: https://digitalcommons.colby.edu/eastern_mail Part of the Agriculture Commons, American Popular Culture Commons, Journalism Studies Commons, and the United States History Commons Recommended Citation Maxham, Ephraim and Wing, Daniel Ripley, "The Eastern Mail (Vol. 10, No. 10): September 18, 1856" (1856). The Eastern Mail (Waterville, Maine). 477. https://digitalcommons.colby.edu/eastern_mail/477 This Newspaper is brought to you for free and open access by the Waterville Materials at Digital Commons @ Colby. It has been accepted for inclusion in The Eastern Mail (Waterville, Maine) by an authorized administrator of Digital Commons @ Colby. T itttgcdlattL). peaceable Insirttmenlalilics gudrflntied by tha Const lution nnd tho laws of the land. In onf judgment, therefore, this, afld Ihi* almost ex. THE MY-STIO BELL. cldsively, Is the question which the hundreds 61 thousands of honest voters shotlld, in (he TBK OP AKDBESIW. present crisis, answer by their ballots, viz Toward err.ning, in the narrow streets of a How can the free principles and the fm msti* iargtt town, just as the sun was sinking, and the iiiiions—the true IJeraocrncy of the Nbrtli— elouds used to glitter Uke gold between the nut the geugrnpliicnl, sectional Nol'lh, btll the cbimflieti, a singular sound, like that of a church North iliflt t-cpt-csents the national AiM^oan bell, was often heard—sometimes by one, ilome- iih-a—be best sustained and extended t Clear times by another; but it only lasted a minute, ly that idea is in perj], Thcreis ho danger of for there was such a rumbling of carts, and’ a dissolution of the Union, biit there is dawger such a din of voicdKt thht slighter noises were I l.at liberty—without which the form hf • fft- drowned. -
Eight Views of the Xiao and Xiang
1 College of Arts at the University of Canterbury Art History and Theory in the School of Humanities ARTH 690 Masters Thesis Title of Thesis: The Eight Views: from its origin in the Xiao and Xiang rivers to Hiroshige. Jennifer Baker Senior Supervisor: Dr. Richard Bullen (University of Canterbury). Co-Supervisor: Dr. Rachel Payne (University of Canterbury). Thesis Start Registration Date: 01 March 2009. Thesis Completion Date: 28 February 2010. Word Count: 30, 889. 2 Abstract This thesis focuses upon the artistic and poetic subject of the Eight Views of the Xiao and Xiang, from its origin in the Xiao-Xiang region in the Hunan province of China throughout its dispersal in East Asian countries such as Korea and Japan. Certain aesthetics and iconography were retained from the early examples, throughout the Eight Views’ transformation from the eleventh to the nineteenth century. The subject‟s close associations with poetry, atmospheric phenomena and the context of exile were reflected in the imagery of the painting and the accompanying verses. This thesis will discuss the historic, geographic and poetic origins of the Eight Views, along with a thorough investigation into the artistic styles which various East Asian artists employed in their own interpretations of the series. Furthermore, the dispersal and diaspora of the subject throughout East Asia are also investigated in this thesis. The work of Japanese artist Andô Hiroshige will serve as the concluding apogee. The Eight Views of the Xiao and Xiang is an important East Asian artistic subject in both poetry and painting and contains many pervasive East Asian aesthetics. -
Drama Teachers Association of Southern California Event Number Event Name Room Round
Section H Appendices H1 Lists of Plays 1. 1950s Tony Award Nominated Plays 2. 1960s Plays 3. Musical Americana 4-5. Oscar Winning Screenplays (thru 2003) 6. Shakespeare’s Contemporaries 7. Suggested List of Absurdist Playwrights 8. Modern Plays Based on Shakespeare 9. Shakespeare’s Flowers & Herbs—Alpha by Flower 10. Shakespeare’s Flowers & Herbs—Alpha by Play 11. Irish Playwrights 12. American Experience Musicals 13-14 Pulitzer Prize Winning Plays (thru 2010) 15. Science Fiction Plays H2 Sample Score Sheets 1. Acting Share Sheet 2. Acting Round Ballot 3. Set/Lights Share Sheet—Fall 4. Set/Lights Ballot—Fall 5. Set/Lights/Graphics Share Sheet—Shakespeare 6. Set/Lights/Graphics Ballot—Shakespeare 7. Costume Share Sheet 8. Costume Ballot 9. Graphics/Publicity Share Sheet—Fall 10. Graphics/Publicity Ballot—Fall 11. Tabulations Key 12. Sweepstakes Points continued DTASC Handbook September 2015 TOC H — 1 http://www.cetoweb.org/dtasc_pages/handbook.html Section H — Table of Contents — Continued H3 DTASC Computer Information H4 Certificates 1. Community Service Certificate—Fall 2. Community Service Certificate—Shakespeare 3. Participation Certificate—Fall 4. Participation Certificate—Shakespeare H5 Forms 1. Membership 2. Associate Membership 3. Judge Submissions – Please submit Judges’ names on the web site only 4. Rules Submissions 5. Event Submissions 6. Nomination of Officers H6 Sample Letters — all available on CD as Word Documents (host letters are in section C1 and also on the CD) 1. Letterhead 2. Sample Letter to Administrator of Participating School 3. Sample Letter to Administrator of Participating School 4. Sample Thank You Letter to Festival Host 5. Sample Thank You Letter for Salute to the Winners H7 Other Items of Interest 1. -
Drama Winners the First 50 Years: 1917-1966 Pulitzer Drama Checklist 1966 No Award Given 1965 the Subject Was Roses by Frank D
The Pulitzer Prizes Drama Winners The First 50 Years: 1917-1966 Pulitzer Drama Checklist 1966 No award given 1965 The Subject Was Roses by Frank D. Gilroy 1964 No award given 1963 No award given 1962 How to Succeed in Business Without Really Trying by Loesser and Burrows 1961 All the Way Home by Tad Mosel 1960 Fiorello! by Weidman, Abbott, Bock, and Harnick 1959 J.B. by Archibald MacLeish 1958 Look Homeward, Angel by Ketti Frings 1957 Long Day’s Journey Into Night by Eugene O’Neill 1956 The Diary of Anne Frank by Albert Hackett and Frances Goodrich 1955 Cat on a Hot Tin Roof by Tennessee Williams 1954 The Teahouse of the August Moon by John Patrick 1953 Picnic by William Inge 1952 The Shrike by Joseph Kramm 1951 No award given 1950 South Pacific by Richard Rodgers, Oscar Hammerstein II and Joshua Logan 1949 Death of a Salesman by Arthur Miller 1948 A Streetcar Named Desire by Tennessee Williams 1947 No award given 1946 State of the Union by Russel Crouse and Howard Lindsay 1945 Harvey by Mary Coyle Chase 1944 No award given 1943 The Skin of Our Teeth by Thornton Wilder 1942 No award given 1941 There Shall Be No Night by Robert E. Sherwood 1940 The Time of Your Life by William Saroyan 1939 Abe Lincoln in Illinois by Robert E. Sherwood 1938 Our Town by Thornton Wilder 1937 You Can’t Take It With You by Moss Hart and George S. Kaufman 1936 Idiot’s Delight by Robert E. Sherwood 1935 The Old Maid by Zoë Akins 1934 Men in White by Sidney Kingsley 1933 Both Your Houses by Maxwell Anderson 1932 Of Thee I Sing by George S. -
Download 2012–2013 Catalogue of New Plays
Cover Spread 1213.ai 7/24/2012 12:18:11 PM Inside Cover Spread 1213.ai 7/24/2012 12:14:50 PM NEW CATALOGUE 12-13.qxd 7/25/2012 10:25 AM Page 1 Catalogue of New Plays 2012–2013 © 2012 Dramatists Play Service, Inc. Dramatists Play Service, Inc. A Letter from the President Fall 2012 Dear Subscriber, This year we are pleased to add over 85 works to our Catalogue, including both full length and short plays, from our new and established authors. We were particularly fortunate with nominations and awards that our authors won this year. Quiara Alegría Hudes won the Pulitzer Prize with WATER BY THE SPOONFUL, and the two runners-up were John Robin Baitz’s OTHER DESERT CITIES and Stephen Karam’s SONS OF THE PROPHET. The Play Service also represents three of the four 2012 Tony nominees for Best Play, including the winner, Bruce Norris’ CLYBOURNE PARK, Jon Robin Baitz’s OTHER DESERT CITIES and David Ives’ VENUS IN FUR. All four of the Tony nominations for Best Revival are represented by the Play Service: DEATH OF A SALESMAN (the winner), THE BEST MAN, MASTER CLASS and WIT. Other new titles include Rajiv Joseph’s BENGAL TIGER AT THE BAGHDAD ZOO, David Henry Hwang’s CHINGLISH, Katori Hall’s THE MOUNTAINTOP, Nina Raines’ TRIBES and Paul Weitz’s LONELY, I’M NOT. Newcomers to our Catalogue include Simon Levy, whose masterful adaptation of THE GREAT GATSBY is the only stage version to be authorized by the Fitzgerald Estate; Erika Sheffer, with her vivid portrait of an immigrant family in RUSSIAN TRANSPORT; Sarah Treem, with her absorbing and thought-provoking THE HOW AND THE WHY; and Tarell Alvin McCraney, with the three plays of his critically acclaimed BROTHER/SISTER TRILOGY. -
1 INTRODUCTION Accounts of Taiwan and Its History Have Been
INTRODUCTION Accounts of Taiwan and its history have been profoundly influenced by cultural and political ideologies, which have fluctuated radically over the past four centuries on the island. Small parts of Taiwan were ruled by the Dutch (1624-1662), Spanish (1626-1642), Zheng Chenggong (Koxinga)1 and his heirs (1662-1683), and a large part by Qing Dynasty China (1683-1895). Thereafter, the whole of the island was under Japanese control for half a century (1895-1945), and after World War II, it was taken over by the Republic of China (ROC), being governed for more than four decades by the authoritarian government of Chiang Kai-shek and the Kuomintang (KMT), or Chinese Nationalist Party,2 before democratization began in earnest in the late 1980s. Taiwan’s convoluted history and current troubled relations with the People’s Republic of China (PRC), which claims Taiwan is “a renegade province” of the PRC, has complicated the world’s understanding of Taiwan. Many Western studies of Taiwan, primarily concerning its politics and economic development, have been conducted as an 1 Pinyin is employed in this dissertation as its Mandarin romanization system, though there are exceptions for names of places which have been officially transliterated differently, and for names of people who have been known to Western scholarship in different forms of romanization. In these cases, the more popular forms are used. All Chinese names are presented in the same order as they would appear in Chinese, surname first, given name last, unless the work is published in English, in which case the surname appears last. -
Tope and T Opos the Leifeng Pagoda and the Discourse of the Demonic
Tope and Topos Tope and T opos The Leifeng Pagoda and the Discourse of the Demonic Eugene Y. Wang Fig. 11.1 Huang Yanpei, Lafeng Pagoda at Sunset. Photograph. 1914. After Zhongguo mingshen (Scenic China), no. 4: West La/u, Hangchow [HangzhouJ, ed. Huang Yanpei ec aI., 2.: 19 A site is often a topos in that it both marks a locus and serves as a topic. It is a (Shanghai: Commercial Press, 1915). common place that can be traversed or inhabited by a public and a rhetorical commonplace familiar to both its ~uthor and his audience.l Although there quently its topographiC features and its landmarks become a secondary and 4 is no exact equivalent in Chinese to the Greek word topos that conveniently tangential matter. Cycles of decay and repair may render the landmark into collapses the dual senses of locus and topic, the notion ofji ~ (site, trace, something widely different from the original. That matters little. The only vestige) comes close. A ji is a site that emphasizes "vestiges" and "traces." It is function of the landmark, after all, is to stand as a perceptual cue or synec a peculiar spatial-temporal construct. Spatially, a landmark, such as a tower, doche for the proverbial construct called a "site," a somewhat deceptive no a terrace, a pavilion, or simply a stele, serves as its territorial signpost or per tion premised on the primacy of physical place, topographic features, and ceptual cue, and it is perceived to be a terrain distinct ftom the humdrum prominence of landmarks. In reality, a site is a topos etched in collective environment. -
Idiot's Delight
ROBERT E. SHERWOOD: PLAYWRIGHT AND POLITICAL ARCHITECT ———— THEATER, PROPAGANDA, AND THE SHAPING OF POLITICS THROUGH ART Lily Pipkin E369H Special Honors in the Department of English Submitted to Fulfill Plan II Honors Program Thesis Requirement The University of Texas at Austin 4 May 2017 ________________________________ Dr. James Loehlin Department of English Supervising Professor ________________________________ Dr. Michael Stoff Department of History Second Reader Pipkin !i Abstract Author: Lily Pipkin Title: Robert E. Sherwood, Playwright and Political Architect: Theater, Propaganda, and the Shaping of Politics through Art Supervising Professors: Dr. James Loehlin, Dr. Michael B. Stoff Robert Sherwood’s politicized writing focuses on the American reaction to war in Europe and the rise of European political movements like Communism and Fascism in a time when most Americans felt deeply isolationist and unconcerned with global events. Most of the criticism available on Sherwood approaches his work in terms of his political opinion shifting from pacifism to interventionism. Instead, I take a revisionist stance against these critics in order to examine how the consistencies in his rhetoric shape both his plays and his speechwriting for President Roosevelt during World War II. Looking at the attempts of a playwright to influence public political beliefs helps define the American position on the eve of war and the function that art and theater play in crafting public opinion, particularly in this period of the twentieth century. I argue that despite the contradictory political messages across Sherwood’s career, underneath the propaganda is an appeal to American optimism and human connection that goes unnoticed by theater scholars today. -
There Shall Be No Night, 1950
University of Montana ScholarWorks at University of Montana Montana Masquers Event Programs, 1913-1978 University of Montana Publications 1-31-1950 There Shall Be No Night, 1950 Montana State University (Missoula, Mont.). Montana Masquers (Theater group) Follow this and additional works at: https://scholarworks.umt.edu/montanamasquersprograms Let us know how access to this document benefits ou.y Recommended Citation Montana State University (Missoula, Mont.). Montana Masquers (Theater group), "There Shall Be No Night, 1950" (1950). Montana Masquers Event Programs, 1913-1978. 116. https://scholarworks.umt.edu/montanamasquersprograms/116 This Program is brought to you for free and open access by the University of Montana Publications at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Masquers Event Programs, 1913-1978 by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Montana State University Theatre and Montana Masquers present ROBERT SHERWOOD'S There Shall Be No Night SIMPKINS LITTLE THEATRE January 31, February 1, 2, 3, 4, 1950 LeRoy W. Hinze, Director A. Wollock, Technical Director CAST (In order of appearance Dr. Kaarlo Valkonen _________ --------------- R. Don Lichtwardt Miranda Valkonen ___________ -------------------Bonne Lu Perry Dave Corween ____________ _—:---------------Richard Haag Photographer____________ -—------------ Gerald Navratil Uncle Waldemar____________ — ---------------- Jesper Jensen Gus Shuman_____ -
Catalogue1516.Pdf
Catalogue of New Plays 2015–2016 © 2015 Dramatists Play Service, Inc. Dramatists Play Service, Inc. A Letter from the President Dear Subscriber: Once again, the Play Service is delighted to have all of this year’s Tony nominees for Best Play. The winner, Simon Stephens’ THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, based on Mark Haddon’s best-selling novel, is a thrilling and emotional journey into the mind of an autistic boy. We acquired Ayad Akhtar’s Pulitzer Prize- winning play DISGRACED after its run at Lincoln Center, and we are also publishing his plays THE WHO & THE WHAT and THE INVISIBLE HAND. Robert Askins’ subversive, hilarious play HAND TO GOD introduced this young American writer to Broadway, and the Play Service is happy to be his first publisher. Rounding out the nominess are Mike Poulton’s dazzling adaptations of Hilary Mantel’s WOLF HALL novels. THIS IS OUR YOUTH by Kenneth Lonergan and perennial favorite YOU CAN’T TAKE IT WITH YOU by Kaufman and Hart were nominated for Best Revival of a Play. We have our 45th Pulitzer Prize winner in the moving, profane, and deeply human BETWEEN RIVERSIDE AND CRAZY, by Stephen Adly Guirgis, which is under option for Broadway production next season. Already slated for Broadway is Mike Bartlett’s “future history” play, KING CHARLES III, following its hugely successful production in the West End. Bess Wohl, a writer new to the Play Service, received the Drama Desk Sam Norkin Off-Broadway Award. We have her plays AMERICAN HERO and SMALL MOUTH SOUNDS.