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Widescreen Weekend 2007 Brochure
The Widescreen Weekend welcomes all those fans of large format and widescreen films – CinemaScope, VistaVision, 70mm, Cinerama and Imax – and presents an array of past classics from the vaults of the National Media Museum. A weekend to wallow in the best of cinema. HOW THE WEST WAS WON NEW TODD-AO PRINT MAYERLING (70mm) BLACK TIGHTS (70mm) Saturday 17 March THOSE MAGNIFICENT MEN IN THEIR Monday 19 March Sunday 18 March Pictureville Cinema Pictureville Cinema FLYING MACHINES Pictureville Cinema Dir. Terence Young France 1960 130 mins (PG) Dirs. Henry Hathaway, John Ford, George Marshall USA 1962 Dir. Terence Young France/GB 1968 140 mins (PG) Zizi Jeanmaire, Cyd Charisse, Roland Petit, Moira Shearer, 162 mins (U) or How I Flew from London to Paris in 25 hours 11 minutes Omar Sharif, Catherine Deneuve, James Mason, Ava Gardner, Maurice Chevalier Debbie Reynolds, Henry Fonda, James Stewart, Gregory Peck, (70mm) James Robertson Justice, Geneviève Page Carroll Baker, John Wayne, Richard Widmark, George Peppard Sunday 18 March A very rare screening of this 70mm title from 1960. Before Pictureville Cinema It is the last days of the Austro-Hungarian Empire. The world is going on to direct Bond films (see our UK premiere of the There are westerns and then there are WESTERNS. How the Dir. Ken Annakin GB 1965 133 mins (U) changing, and Archduke Rudolph (Sharif), the young son of new digital print of From Russia with Love), Terence Young West was Won is something very special on the deep curved Stuart Whitman, Sarah Miles, James Fox, Alberto Sordi, Robert Emperor Franz-Josef (Mason) finds himself desperately looking delivered this French ballet film. -
The Goon Show: Forog
THE GOON SHOW: FOROG First broadcast on December 21, 1954. Script by Eric Sykes and Spike Milligan. Produced by Peter Eton. Announced by Wallace Greenslade. Orchestra conducted by Wally Stott. Transcribed by Mark Wallace, corrections by Peter Olausson. Greenslade: This is the BBC. Secombe: The wretched man was about to refer to the highly ignored Goon Show. FX: [Huge cheers and whistles] Secombe: Stop! [stops] Greenslade? Greenslade: Sir? Secombe: Leave your toys for a moment, and lets have some words. Greenslade: Yes big brother. Ladies and gentlepong this week the Goons present a science-fiction fantasy play in a cunning attempt to take the place of the horror comics. This masterpiece of mediocrity is entitled... Orchestra: [Horror and suspense chord] Secombe: Forog! [Inane laughter] Orchestra: [Clarinet playing a very low sinister piece] Peter: [Low, sinister voice] It was one of those days that follow the night. London was blanketed by a thick swirling pea-soup fog. All was still as Ned Seagoon put on his hat and coat. Seagoon: Yes, I decided to go out for a breath of fresh air. Milligan: Let him go! Seagoon: I hadn't realised it was so foggy, but indeed it was so thick that I had to walk in front of myself with a blazing torch. Eccles: You're not the only one! Seagoon: As I walked long a stream of buses and cars followed in my wake. Strange how men recognise a leader. I hurried them along when suddenly... 1 Minnie Bannister: Ooooooh no, please! ...Oooooh no, oooh! Seagoon: ...I bumped into someone. -
HATTIE JACQUES Born Josephine Edwina Jacques on February 7" 1922 She Went on to Become a Nationally Recognised Figure in the British Cinema of the 1950S and 60S
Hattie Jacaues Born 127 High St 1922 Chapter Twelve HATTIE JACQUES Born Josephine Edwina Jacques on February 7" 1922 she went on to become a nationally recognised figure in the British cinema of the 1950s and 60s. Her father, Robin Jacques was in the army and stationed at Shorncliffe Camp at the time of her birth. The Register of Electors shows the Jacques family residing at a house called Channel View in Sunnyside Road. (The register shows the name spelled as JAQUES, without the C. Whether Hattie changed the spelling or whether it was an error on the part of those who printed the register I don’t know) Hattie, as she was known, made her entrance into the world in the pleasant seaside village of Sandgate, mid way between Folkestone to the east and Hythe to the west. Initially Hattie trained as a hairdresser but as with many people of her generation the war caused her life to take a different course. Mandatory work saw Hattie first undertaking nursing duties and then working in North London as a welder Even in her twenties she was of a generous size and maybe as defence she honed her sense of humour after finding she had a talent for making people laugh. She first became involved in show business through her brother who had a job as the lift operator at the premises of the Little Theatre located then on the top floor of 43 Kings Street in Covent Garden. At end of the war the Little Theatre found itself in new premises under the railway arches below Charing Cross Station. -
The Nation's Matron: Hattie Jacques and British Post-War Popular Culture
The Nation’s Matron: Hattie Jacques and British post-war popular culture Estella Tincknell Abstract: Hattie Jacques was a key figure in British post-war popular cinema and culture, condensing a range of contradictions around power, desire, femininity and class through her performances as a comedienne, primarily in the Carry On series of films between 1958 and 1973. Her recurrent casting as ‘Matron’ in five of the hospital-set films in the series has fixed Jacques within the British popular imagination as an archetypal figure. The contested discourses around nursing and the centrality of the NHS to British post-war politics, culture and identity, are explored here in relation to Jacques’s complex star meanings as a ‘fat woman’, ‘spinster’ and authority figure within British popular comedy broadly and the Carry On films specifically. The article argues that Jacques’s star meanings have contributed to nostalgia for a supposedly more equitable society symbolised by socialised medicine and the feminine authority of the matron. Keywords: Hattie Jacques; Matron; Carry On films; ITMA; Hancock’s Half Hour; Sykes; star persona; post-war British cinema; British popular culture; transgression; carnivalesque; comedy; femininity; nursing; class; spinster. 1 Hattie Jacques (1922 – 1980) was a gifted comedienne and actor who is now largely remembered for her roles as an overweight, strict and often lovelorn ‘battle-axe’ in the British Carry On series of low- budget comedy films between 1958 and 1973. A key figure in British post-war popular cinema and culture, Hattie Jacques’s star meanings are condensed around the contradictions she articulated between power, desire, femininity and class. -
Anti -Apartheid News' Anti
ANTI -APARTHEID NEWS' ANTI -APARTHEID NEWS' The newspaper of the Anti-Apartheid Movement Support M ajority~10 - - .- , In this issue: rule in Zimbabwe Rhodesia'swite rule ~n Z~mbaikeminority- up S THE Sth~l regime has once more refused to accept majority ruleandi negotiations Afican ioal Council delegainld yJsu Nkomo I vso~taotaprofound crssfr thwitbe myiawity., aeffeeie respose is requiredinl <ein and inn~aiontally from Foallosuort of malornt rule Already sympthisers with the white I mipritY hvspare no efforts in hatt toevokeracial nsentlref to seure British intervefiton on the side of theSmith I,111D S latecrsis for the white mino. rity in Rhodesia is more profound than anything it has previously experienced. On all fronts it faces isolation and a new determination by the Zimbabwean people to assume power and start the difficulit tatk of building a non-racial and democratic Zimbabwe. The closure of the border with Morambique must inevitably inten sify the economic problems which have ben particularly sharp since the border closure with Zambia in January 1973. Now, with the failure of the negotiations between Ian Smith and an African National Council delegation led by Joshua Nkomso. the liberation struggle will also intensify. The people of Africa are united behindIhe liberation movement and recent reports reaching London indicate that a new basis for unity is developing within the guerrilla camp. Recent statements by prominent Western spokesmen including Kissinger and Callaghan also indicate that Smith has little chanceo ningopen aid *vr, there are powerful interests Britain and in other Western countries who are attempt, sstoevoke racial wntiments in their attempts to secure f reegn int rvention on the side of the hite minority. -
Gb 1456 Thomas
GERALD THOMAS COLLECTION GERALD THOMAS COLLECTION SCOPE AND CONTENT Documents relating to the career of director GERALD THOMAS (Born Hull 10/12/1920, died Beaconsfield 9/11/1993). When Gerald Thomas died, his producer partner of 40 years Peter Rogers said: ‘His epitaph will be that he directed all the Carry On films.’ Indeed, for an intense 20-year period Thomas directed the Carry On gang through their innuendo laden exploits, and became responsible, along with Rogers, for creating one of the most enduring and endearing British film series, earning him his place in British popular culture. Thomas originally studied to become a doctor, before war service with the Royal Sussex Regiment put paid to his medical career. When demobilised in 1946, he took a job as assistant in the cutting rooms of Two Cities Films at Denham Studios, where he took Assistant Editor credits on Laurence Olivier’s Hamlet (1948) and the John Mills thriller The October Man (1947). In 1949, he received his first full credit as editor, on the Margaret Lockwood melodrama Madness of the Heart (1949). During this time Peter Rogers had been working as associate producer with his wife, producer Betty Box, on such films as It’s Not Cricket (1949) and Don’t Ever Leave Me (1949). It was Venetian Bird in 1952 that first brought Thomas and Rogers together; Thomas employed as editor by director brother Ralph, and Rogers part of the producer team with Betty Box. Rogers was keen to form a director/producer pairing (following the successful example of Box and Ralph Thomas), and so gave Gerald his first directing credit on the Circus Friends (1956), a Children’s Film Foundation production. -
T H E S L a R B U R S T I N T E R V I E W T E R R Y N a T I
The Slarburst Interview TERRY NATION -creator-writer of BLAKE'S 7, The DALEKS and The SURVIVORS erry Nation is best-known for his fantasy Parnell's Startime and the Elsie and Doris the world". At which point, "the BBC came up writing: as creator of the Daleks and now Waters' Floggits series. In all, he wrote more with this idea for this crazy doctor who travelled TBlake's 7. But it wasn't always that way. than 200 radio comedy shows. But, by that time, through time and space. They called my agent, He originally wanted to get up on a stage and he had decided his comedy writing "wasn't really my agent called me, Hancock said Don't write be laughed at. very good". for flippiri' kids and I told my agent to turn it Born in Cardiff, Wales, he grew up during So he turned down the chance to write four tv down." Luckily, Hancock and Nation had a World War II. His father was away in the army episodes of The Army Game (ironically starring "dispute", parted company and Nation agreed and his mother was an air-raid warden, so there the first Dr. Who, William Hartnell). Instead, he to work on Dr Who. But then Eric Sykes offered were times when he would sit alone in the air-raid him a comedy writing assignment in Sweden, so shelter as German planes bombed Cardiff. He he wrote the seven episodes of the first Dalek says he believes in the only child syndrome: story (The Dead Planet) in seven days and left to "Being an only child (as he was), you have to join Sykes. -
L-G-0003552750-0006830598.Pdf
GATHERED FROM COINCIDENCE __________________________________________ A singular history of Sixties’ pop by Tony Dunsbee Copyright © Tony Dunsbee 2014. All Rights Reserved An M-Y Books Production m-ybooks.co.uk Take what you have gathered from coincidence “It’s All Over Now, Baby Blue” – Bob Dylan (© 1965 Warner Bros. Inc., renewed 1993 by Special Rider Music) To my wife Nicky, with love and thanks for her patience and belief in my ability to give at least this much semblance of form and meaning to a lifetime’s obsession. Contents Chapter 1 The Intro … 5 Chapter 2 1960 14 Chapter 3 1961 36 Chapter 4 1962 61 Chapter 5 1963 95 Chapter 6 1964 158 Chapter 7 1965 246 Chapter 8 1966 355 Chapter 9 1967 464 Chapter 10 1968 560 Chapter 11 1969 615 Chapter 12 … and The Outro 678 Acknowledgements 684 Bibliography 686 Index 711 5 Chapter 1 The Intro … This may or may not turn out to be the book in my head but I’m still driven, even now in retirement, to write it by my undimmed passion for the music of the Sixties and a desire to set – no pun intended – the record straight. The one and only record? Well, all right then, by no means, but informed by my ambition to set down my record of the interweaving of the events of those tumultuous years and the impact of the music made in parallel to them, as I lived through the decade then and as I recall it now. Make no mistake, then: this is unashamedly a highly selective rather than a comprehensive account, dictated wholly by my own personal tastes and interests as they were shaped and developed by the consecutive twists and turns of the era. -
A New President for Mexi- Manchester United Picks NYSE for U.S. Public
27English ALANBAA Sunday, 8 July, 2012 Technology International Site Blocked in China A new president for Mexi- Days After Xi Family (Reuters) - A recount on bought,” said Lopez Obra- Thursday showed Mexico’s dor, who trailed Pena Ni- Wealth Story Enrique Pena Nieto as the eto by more than 3.3 mil- clear winner of Sunday’s lion votes. BEIJING (Reuters) - Bloomberg’s news web- presidential election, but The fiery orator could Mike sites remained blocked in China five days after it the runner-up still refused still challenge the recount issued a story about the finances of the extended to concede, alleging Pena with the country’s elector- Sorrentino family of the country’s vice president, highlight- Nieto’s party bought mil- al tribunal, even though ing how Beijing is trying to shape public opinion lions of votes. electoral officials all but Happy Birthday, Mike “The ahead of a leadership transition. The results set up a re- ruled out any changes in Situation” Sorrentino! Jersey Bloomberg said it believes its English-language turn to power for the In- the outcome. Shore Star Turns 30 http://eon- website and its Business Week site were blocked stitutional Revolutionary “There is no reason not li.ne/O41RuW on Friday by Chinese authorities after it published Party, or PRI, which gov- to fully recognize the vot- details about the multi-million dollar fortunes of erned Mexico from 1929 ing results,” said Leonar- Vice President Xi Jinping’s extended family. to 2000, when it was fre- do Valdes, president of the Beijing will hold a once-a-decade leadership quently accused of vote- IFE board. -
Movie Museum MAY 2009 COMING ATTRACTIONS
Movie Museum MAY 2009 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! LAST CHANCE HARVEY Buddha Day Mother's Day THIRD MAN ON THE THREE MEN IN A BOAT (2008-UK/US) TRAVELLERS AND LAST CHANCE HARVEY MOUNTAIN (1956-UK) in widescreen MAGICIANS (2008-UK/US) (1959) (2003-Australia/Bhutan) in widescreen with Laurence Harvey, Jimmy with Dustin Hoffman, Emma in Dzongkha with English with Dustin Hoffman, Emma with Michael Rennie, James Edwards, David Tomlinson, Thompson, Eileen Atkins, subtitles & in widescreen Thompson, Eileen Atkins, MacArthur, Janet Munro, with Tsewang Dandup, Shirley Eaton, Lisa Gastoni, Kathy Baker, Liane Balaban, Kathy Baker, Liane Balaban, James Donald, Herbert Lom, James Brolin, Richard Schiff. Sonam Lhamo, Lhakpa Dorji, James Brolin, Richard Schiff. Laurence Naismith. Jill Ireland, Martita Hunt. Deki Yangzom, Sonam Kinga. Written and Directed by Directed by Directed by Written and Directed by Written and Directed by Joel Hopkins. Ken Annakin. Ken Annakin. Joel Hopkins. Khyentse Norbu. 12:30, 2:30, 4:30, 6:30 12:30, 2:30, 4:30, 6:30 12:30, 2:30, 4:30, 6:30 12:30, 2:30, 4:30, 6:30 12:30, 2:30, 4:30, 6:30 & 8:30pm 7 & 8:30pm 8 & 8:30pm 9 & 8:30pm 10 & 8:30pm 11 QUARTET TRAVELLERS AND THE CURIOUS CASE OF TAKEN Hawaii Premiere! (1948-UK) MAGICIANS BENJAMIN BUTTON (2008-France) ACROSS THE BRIDGE (1957-UK) hosted by W. Somerset (2003-Australia/Bhutan) (2008) in English & in widescreen Maugham, with Dirk Bogarde, in Dzongkha with English in widescreen in widescreen George Cole, Honor Blackman, subtitles & in widescreen with Brad Pitt, Julia Ormond, with Liam Neeson, Famke with Rod Steiger, David Mai Zetterling, Basil Radford, with Tsewang Dandup, Sonam Cate Blanchett, Elias Koteas, Janssen, Leland Orser, Knight, Marla Landi, Noel Naunton Wayne, Cecil Parker, Lhamo, Lhakpa Dorji, Tilda Swinton, Taraji P. -
The Goon Show: the Goons and More Guests Volume 18 Pdf, Epub, Ebook
THE GOON SHOW: THE GOONS AND MORE GUESTS VOLUME 18 PDF, EPUB, EBOOK Spike Milligan | 1 pages | 30 Nov 2000 | BBC Audio, A Division Of Random House | 9780563553427 | English | London, United Kingdom The Goon Show: The Goons and More Guests Volume 18 PDF Book Who dats behind dat bush? Wot you a doin' of then. Although my home is smoke-free , I don't know the origins of most of the items I sell. Retrieved February 18, Unfortunately our dinner is at the menders. Back to home page Return to top. See all condition definitions - opens in a new window or tab. Books Video icon An illustration of two cells of a film strip. George Orwell Trilogy. The Fear of Wages [11]. This part was also played by Ray Ellington e. Software Images icon An illustration of two photographs. To celebrate the th anniversary of Burns, Cuts and Bruises, we go over to the Krutty-Crab ridden seashore of the Scotland. MAX : What about me boy? They lay there kipping Row after row and Archived from the original on May 27, The following is a List of The Goon Show episodes. These were usually the subject of complaints by, surprisingly, elderly ladies. Relevant discussion may be found on the talk page. Volume 2. This item can be requested from the shops shown below. The following list of episodes of The Goon Show includes any "specials" and all episodes made for the BBC Transcription Service unaired domestically at the time and therefore listed at the date of their recording. August Learn how and when to remove this template message. -
The Goon Show: the Fireball of Milton Street
THE GOON SHOW: THE FIREBALL OF MILTON STREET First broadcast on February 22, 1955. Script by Spike Milligan and Eric Sykes. Produced by Peter Eton. Announced by Wallace Greenslade. The orchestra was conducted by Wally Stott. Transcribed by anon, corrections by Peter Olausson. Greenslade: This is the BBC Peter (American cool cat): All right, cats, let's creep Orchestra: [Tea dance music] Harry: Stop! [stops immediately] Stop this madness! You sinful people! Now Mr. Greenslade - Greenslade: Sir? Harry: Unlace that rubber farthing ale, gurd up your poor old loins and give the listeners the old posh chat there, give them the old posh wireless talk Wal, go on boy Greenslade: Ladies and gentlemen, a story translated from a yet unwritten story that was found embedded in an uncooked Russian sock. We proudly present - Orchestra: [Drum rule over speech] Milligan (theatrical): Oooh! "The Fireball of Milton Street", or "What's become of that crispy bacon we had before the war, ey?" What's become of it? So brown! So crisp! With that lovely firm layer of white fat. Ooooh! What's become of it, ey? Answer me! What's become of that crisp bacon we had before the war? Don't laugh, answer me! What's become - FX: [Pistol shot] Orchestra: [Funeral march music] Harry: We regret to announce the sudden death of the well-known athletic thespian and actor Sir Jim Nasium. Peter (another theatrical voice): Yes! In his absence we give you The Fireball Of Milton Street. Orchestra: [Dramatic link, ending in lone harp] Sellers: Mid the rolling hills of Sussex in the county of Somerset lies the little Kentish village of Milton Street, Pride of Essex.