Sheet Music Collection Denver Public Library – WHG
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Www. Dosado. Com/Music
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Christopher A. Reynolds Collection of Women's Song
http://oac.cdlib.org/findaid/ark:/13030/kt1t1nf085 No online items Inventory of the Christopher A. Reynolds Collection of Women's Song Sara Gunasekara & Jared Campbell Department of Special Collections General Library University of California, Davis Davis, CA 95616-5292 Phone: (530) 752-1621 Fax: (530) 754-5758 Email: [email protected] © 2013 The Regents of the University of California. All rights reserved. Inventory of the Christopher A. D-435 1 Reynolds Collection of Women's Song Collector: Reynolds, Christopher A. Title: Christopher A. Reynolds Collection of Women's Song Date (inclusive): circa 1800-1985 Extent: 15.3 linear feet Abstract: Christopher A. Reynolds, Professor of Music at the University of California, Davis, has identified and collected sheet music written by women composers active in North America and England. This collection contains over 3000 songs and song publications mostly published between 1850 and 1950. The collection is primarily made up of songs, but there are also many works for solo piano as well as anthems and part songs. In addition there are books written by the women song composers, a letter written by Virginia Gabriel in the 1860s, and four letters by Mrs. H.H.A. Beach to James Francis Cooke from the 1920s. Physical location: Researchers should contact Special Collections to request collections, as many are stored offsite. Repository: University of California, Davis. General Library. Dept. of Special Collections. Davis, California 95616-5292 Collection number: D-435 Language of Material: Collection materials in English Biography Christoper A. Reynolds received his PhD from Princeton University. He is Professor of Music at the University of Californa, Davis and author of Papal Patronage and the Music of St. -
Rocky Mountain Bluegrass Band
1 / 5 Rocky Mountain Bluegrass Band Aug 27, 2020 — In 1997 he was named the Rocky Mountain Region Banjo Player of the Year. He formed a western swing and bluegrass “side” band called .... Apr 24, 2021 — Nuts aside, the festival will also feature red dirt country music. Best described as a mix of folk, rock, country, bluegrass, blues and honky-tonk .... Aug 9, 2017 — To celebrate 50 years of Rocky Top, the Tennessee bluegrass band ... some people suspect that the song refers to Rocky Top mountain, .... Rocky Mtn. Bluegrass (RMBG) is unparalleled among wedding and event bluegrass bands in Colorado, offering a great selection of traditional bluegrass and .... Rocky Mountain Jewgrass is what you get by blending the Bluegrass world of ... and white cookie – a new and tasty brand of Jewish music we call JEWGRASS. A recent review by LA's The Bluegrass Situation hailed her a “goose-bump-instigating talent.” Rachel's love for folk and acoustic music inspired a move to .... With this progressive approach to bluegrass music, they steadily built up a sizeable following. They played at the Rocky Mountain Bluegrass Festival (later called .... Rock Inn Mountain Tavern, Estes Park Picture: Bluegrass band - Check out Tripadvisor members' 193 candid photos and videos of Rock Inn Mountain Tavern.. 5 days ago — "The Rocky Mountain region's only professional period-instrument ... bluegrass and folk musicians playing entertaining arrangements of holiday favorites ... Led by keyboardist/composer and Boulder native Lao Tizer, the band .... 3 days ago — The Rocky Mountain Antique Festival will take place at 9 a.m.-5 p.m. -
Jazz Upand Down
Volume 39 • Issue 8 September 2011 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Guitarist Jim Hall warms up for his performance in the Eastman School of Music’s stately Kilbourn Hall at the 10th Xerox Rochester International Jazz Festival in June. Photo by Mitchell Seidel. Jazz Up and Down By Mitchell Seidel f you were going to use two upstate New York jazz festivals in June A week after Rochester shuttered for the year, Saratoga Springs played I as an example of the summer music scene, you’d be hard-pressed to host to its 34th annual jazz festival, sponsored in recent years by come away with a consensus. On one hand, it was robust and getting Freihofer’s. Started as a part of the Newport Jazz Festival in exile by better. On the other hand, it was losing strength. It all depends on George Wein in 1978 before his return to Rhode Island, in its early your venue and point of view. years it could draw about 17,000 people a day for a weekend at the Saratoga Performing Arts Center (SPAC). You can only guess at what The Xerox Rochester International Jazz Festival celebrated its tenth they draw now, because SPAC officials, who used to announce such edition with throngs of street minglers, sold-out concert halls and a figures the day of the event, were still withholding their statistics in sense of optimism that’s rare in these tough economic times. Just a August. Judging from previous figures and the lighter crowd this year, few blocks from the festival site, the city was eagerly tearing down the 5,500 people a day would be a generous guess. -
Eddie Rabbitt the Best of Eddie Rabbitt Mp3, Flac, Wma
Eddie Rabbitt The Best Of Eddie Rabbitt mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: The Best Of Eddie Rabbitt Country: US Released: 1979 Style: Vocal MP3 version RAR size: 1373 mb FLAC version RAR size: 1294 mb WMA version RAR size: 1819 mb Rating: 4.4 Votes: 604 Other Formats: RA XM ASF AIFF DMF AAC FLAC Tracklist Hide Credits Drinkin' My Baby (Off My Mind) A1 2:23 Written-By – Eddie Rabbitt, Even Stevens Rocky Mountain Music A2 3:33 Written-By – Eddie Rabbitt Do You Right Tonight A3 2:30 Written-By – Eddie Rabbitt, Even Stevens Two Dollars In The Jukebox A4 2:22 Written-By – Eddie Rabbitt I Can't Help Myself A5 3:10 Written-By – Eddie Rabbitt, Even Stevens We Can't Go On Living Like This B1 3:29 Written-By – Eddie Rabbitt, Even Stevens Hearts On Fire B2 2:34 Written-By – Dan Tyler , Eddie Rabbitt, Even Stevens You Don't Love Me Anymore B3 3:19 Written-By – Alan Ray, Jeff Raymond I Just Want To Love You B4 4:01 Written-By – David Malloy, Eddie Rabbitt, Even Stevens Every Which Way But Loose B5 2:48 Producer – Snuff GarrettWritten-By – M. Brown*, T. Garrett*, S. Dorff* Companies, etc. Phonographic Copyright (p) – Elektra/Asylum Records Phonographic Copyright (p) – Elektra Records Copyright (c) – Elektra/Asylum Records Pressed By – Specialty Records Corporation Credits Art Direction – Johnny Lee , Ron Coro Management – Stan Moress Photography By – Lynn Goldsmith Producer – David Malloy Notes Promotional issue. Black text on white label stock. States "PROMOTION COPY NOT FOR SALE" on labels. -
"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas. -
New Mexico Musician Vol 10 No 3 (May 1963)
New Mexico Musician Volume 10 | Number 3 Article 1 5-1-1963 New Mexico Musician Vol 10 No 3 (May 1963) Follow this and additional works at: https://digitalrepository.unm.edu/nm_musician Part of the Music Education Commons Recommended Citation . "New Mexico Musician Vol 10 No 3 (May 1963)." New Mexico Musician 10, 3 (2019). https://digitalrepository.unm.edu/ nm_musician/vol10/iss3/1 This Full Issue is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in New Mexico Musician by an authorized editor of UNM Digital Repository. For more information, please contact [email protected]. SPRING 'Heov Utexica ISSUE MUSICIAN Aay 1963 Albuquerque, New Mexico Vol. X No. 3 CARL CRAMER— MUSIC PIONEER CARL CRAMER MEMORIAL Carl Cramer, a pioneer of music for A memorial to honor Carl Cramer hildren in the schools of New Mexico, will be established in the form of a lied April 9, 196.3 following a concert band scholarship fund. This fund will vhere he heard the Albuquerque High be arranged with the University of New Ichool Band, the band he had directed Mexico to provide scholarships for or more than 27 years. Carl represents students in the University Band and he. beginning of music and especially will be published as the Carl Cramer >ands in the schools of New Mexico. Band Scholarship Fund. This type of )r. E. R. Harrington of the Albuquer- memorial was decided upon to perpetu ue Public Schools had this to say about ate the memory of Carl’s contribution lari: “ Life to young Cramer still meant to the profession and to do it in a man nusic. -
Lone Star Brewing: Beer, Progressive
LONE STAR BREWING: BEER, PROGRESSIVE COUNTRY MUSIC, AND THE TEXAS MYSTIQUE By Joseph R. Fox, B.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Masters of Arts with a Major in History December 2016 Committee Members: Gary Hartman, Chair Jason Mellard Dan K. Utley COPYRIGHT By Joseph R. Fox 2016 VI FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Joseph R. Fox, authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. VII DEDICATION In Memory of Curtis L. Englebright VIII ACKNOWLEDGEMENTS: I would like to thank my family for supporting me in my studies and checking on me to make sure I was keeping my sanity. I would like to thank Jerry Retzloff for sharing his story with me and making sure I got it right. It is not every day a historian is given a story from a living trailblazer. Texas historian James Evetts Haley had the good fortune of interviewing Charles Goodnight while I had the good fortune of interviewing Jerry Retzloff. To Gary P. Nunn, Hector Guerra, Sam Yeates, Jimmy Boeck, Roger “One Knite” Collins, and Jim Franklin, my thanks for sitting down and sharing their experiences with me. -
James W. Phillips Collection
JAMES W. PHILLIPS COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Processed by Gigi Monacchino, spring 2013 Revised by Gail E. Lowther, winter 2019 1 TABLE OF CONTENTS Description of Collection . 3 Description of Series . 5 INVENTORY Sub-Group I: Composer Subdivision Series 1: Irving Berlin . 7 Series 2: George Gershwin, Victor Herbert, and Jerome Kern . 35 Series 3: Jerome Kern and Cole Porter . 45 Series 4: Cole Porter and Richard Rodgers . 60 Series 5: Richard Rodgers . 72 Series 6: Richard Rodgers and Sigmund Romberg . 86 Sub-Group II: Individual Sheet Music Division . 92 Sub-Group III: Film and Stage Musical Songs . 214 Sub-Group IV: Miscellaneous Selections . 247 2 DESCRIPTION OF COLLECTION Accession no. 2007/8/14 Shelf location: C3B 7,4–6 Physical extent: 7.5 linear feet Biographical sketch James West Phillips (b. August 11, 1915; d. July 2, 2006) was born in Rochester, NY. He graduated from the University of Rochester in 1937 with distinction with a Bachelor of Arts in Mathematics; he was also elected to the academic honors society Phi Beta Kappa. In 1941, he moved to Washington, DC, to work in the Army Ordnance Division of the War Department as a research analyst. He left that position in 1954 to restore a house he purchased in Georgetown. Subsequently, in 1956, he joined the National Automobile Dealers Association as a research analyst and worked there until his retirement in 1972. He was an avid musician and concert-goer: he was a talented pianist, and he composed music throughout his life. -
Ella Fitzgerald Collection of Sheet Music, 1897-1991
http://oac.cdlib.org/findaid/ark:/13030/tf2p300477 No online items Ella Fitzgerald collection of sheet music, 1897-1991 Finding aid prepared by Rebecca Bucher, Melissa Haley, Doug Johnson, 2015; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2002 The Regents of the University of California. All rights reserved. Ella Fitzgerald collection of sheet PASC-M 135 1 music, 1897-1991 Title: Ella Fitzgerald collection of sheet music Collection number: PASC-M 135 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 13.0 linear ft.(32 flat boxes and 1 1/2 document boxes) Date (inclusive): 1897-1991 Abstract: This collection consists of primarily of published sheet music collected by singer Ella Fitzgerald. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. creator: Fitzgerald, Ella Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
Rysinglesreviews/Album Reviews
) RYSINGLES REVIEWS/ALBUM REVIEWS CHET ATKINS RCA JH 10614 CONWAY TWITTY - Now And Then - MCA 2206 7. Same man. same talent — different Frog Kissin 3:1 ' Ahab — BMI ( Kalb) showcase Music Co. ) Buddy rhe flavor of fairytales and minstrel shows. Chet Atkins sings this clever novel- This is also true of the background musicians .vhich we predict will be the hottest single since "The Streak." Produced and ar- who have contributed to and made "The Nash- " ranged by Ray Stevens, the surprise is not that Chet sings, it’s that he hasn't done it ville Sound A Conway Twitty collector's item. sooner "Then" is pure rock — "Now" is pure country. GEORGE JONES & TAMMY WYNETTE (Epic 8-50235) The "Then" selections are “It's Only Make " Golden Ring '3:01 'Tree Pub Co — BMP 'B Braddock, R Van Hoy) Believe." "I'll Try "Danny Boy. "Lonely Blue Back together — on record — Tammy and George vocalize in solid country style Boy" and "Mona Lisa." and the "Now" side in- about a wedding ring. Sounds like a lot of box and air action cludes "After All The Good Is Gone." "I Got A TOMMY OVERSTREET l ABC Dot DOA1 7630) Good Thing Going." There's More Love In Here Comes That Girl Again (2:54) ^Chappell & Co. — ASCAP) (R. Bourke. G. Dob- These Arms You Push Away." "At Least One bins. J. Wilson’, Time" and "I Don't Feel Like Lovin' You." We Tommy's back with a new producer. Ron Chancey. and a new rock/blues flavored loved him then and we love him now! sound about saying yes and no. -
Read the Full Liner Notes
During a 2004 concert at the Steinway-Haus Hunter (1895-1984), and Ida Cox (1896- from Jones included having Rose trade scat- horns and strings, but arranger Burr gives the You Are Near Me), and Stanley Adams gave “CAN’T WE BE FRIENDS,” by in Düsseldorf, Germany, jazz and blues singer 1967)—were full-time singers who wrote ted fours with drummer Allison Miller on “I’M present version a George Shearing flavor English lyrics and a new title and meaning George Gershwin associate Kay Swift Pamela Rose performed eight songs in a row some of their own material. And carrying IN THE MOOD FOR LOVE” (something with his piano-vibes-guitar voicings. (Another to it in 1934, the year the Dorsey Brothers and her lyricist husband, prominent New by women composers. Although she hadn’t the tradition into the present century instrumentalists, not vocalists, usually do with Fisher-Roberts composition, “You Always Hurt Orchestra (with singer Bob Crosby) first made York banker James Paul Warburg, was first consciously planned the set that way, it with three original compositions is Rose drummers). Rose and Jones the One You Love,” it a hit. Rose takes the tune at a relaxed tempo performed in 1929 by Libby Holman in The wasn’t entirely by happenstance, as the herself. She also has launched a web handpicked the players for was a hit in 1945 for and really lets it breathe. Little Show on Broadway. Rose learned it San Francisco vocalist had long held a keen site—www.wildwomenofsong.com—filled each selection, drawing producer Jones’s late from Ella Fitzgerald and Louis Armstrong’s “AND THEN SOME,” by the team of Vee interest in women songwriters, particularly with fascinating details about the women on musicians who often father, bandleader Spike classic 1956 duet recording.