Laurence Connor Represented by Michael Garrett

Total Page:16

File Type:pdf, Size:1020Kb

Laurence Connor Represented by Michael Garrett 23 Haymarket London SW1Y 4DG United Kingdom Phone: 020 7839 4888 Email: [email protected] Website: www.globalartists.co.uk Laurence Connor Represented by Michael Garrett Director: Miss Saigon US Tour 2019 Cameron Mackintosh CHESS ENO 2018 English National Opera School of Rock US Tour 2018 Really Useful Group Miss Saigon UK Tour 2018 Cameron Mackintosh Miss Saigon Broadway Theatre 2017 Cameron Mackintosh Les Misérables Brazil 2017 Cameron Mackintosh School of Rock Winter Garden Theatre 2016 Really Useful Group Miss Saigon Prince Edward Theatre 2014 Cameron Mackintosh Les Misérables Imperial Theatre 2014 Cameron Mackintosh Les Misérables Capitol Theatre Australia 2014 Cameron Mackintosh Phantom of the Opera US Tour 2013 Cameron Mackintosh Les Misérables Prince of Wales Theatre 2013 Cameron Mackintosh Les Misérables National Tour, Spain 2013 Cameron Mackintosh Jesus Christ Superstar Arena Tour, Australia 2013 RUG and AEG Les Misérables Japan 2013 Cameron Mackintosh Les Misérables Korea 2013 Cameron Mackintosh Jesus Chris Superstar UK Arena Tour 2011 RUG and AEG Phantom of the Opera Royal Albert Hall 2011 Cameron Mackintosh Michael Garrett Associates Ltd. t/a Global Artists | Registration No. 4404385 | VAT No. 796 1383 89 Reg Office: 23 Haymarket, London, SW1Y4 DG | Tel: 020 7839 4888 | Fax: 020 7839 4555 [email protected] | globalartists.co.uk | twitter.com/GlobalArtistsUK Any offer contained within this letter does not constitute a contract | Member of the PMA Les Misérables 02 Arena 2010 Cameron Mackintosh Oliver! UK Tour 2011 Cameron Mackintosh Miss Saigon Netherlands 2011 Cameron Mackintosh Les Misérables 02 Arena 2010 Cameron Mackintosh Les Misérables UK/US/European Tour 2010 Cameron Mackintosh Miss Saigon Korea 2010 Michael Cheung Miss Saigon Australia 2007 Cameron Mackintosh Miss Saigon Korea 2006 Cameron Mackintosh Miss Saigon UK Tour 2004 Cameron Mackintosh A Slice Of Saturday Night Liverpool Empire 1999 Laurence Connor Associate Director: Oliver! Theatre Royal Drury Lane 2008 Cameron Mackintosh Phantom of the Opera Her Majesty’s Theatre 2005 Cameron Mackintosh Resident Director: The King and I London Palladium/UK Tour DVD/Recordings: Les Misérables O2 Arena concert; Phantom of the Opera (Royal Albert Hall) and Jesus Christ Superstar (Arena Tour). Awards: ‘Best Direction’ Miss Saigon (London) - What’s On Stage Awards ‘Best Direction’ Miss Saigon (London) Broadway World – West End Awards ‘Best Direction of a Musical’ Miss Saigon (Australia) – Green Awards ’Best Touring Musical’ Miss Saigon (UK Tour) – Manchester Evening Awards ‘Best New Foreign Production’ Miss Saigon (Korea) ‘Best Musical’ Les Misérables (UK Tour) – Manchester Evening Awards ‘Best Director of a Musical’ – Les Misérables (Korea) ‘Director of ‘Best Musical Revival’ Les Miserables 25th Anniversary UK Tour – Men Theatre Awards Director of ‘Best Musical Revival’ Les Misérables – 25th Anniversary production at the Barbican Nominee for ‘Best Director’ Miss Saigon, Green Room Nominee for ‘Best Director’ Miss Saigon, Helpmann Awards Director of ‘Best Musical’ Miss Saigon, Manchester Evening Awards A former actor, Laurence appeared in national productions of Les Misérables, A Slice of Saturday Night, Me and My Girl and West Side Story. .
Recommended publications
  • The Old Vic Season 4: Part 2
    PRESS RELEASE FRIDAY 14 SEPTEMBER THE OLD VIC SEASON 4: PART 2 Matthew Warchus’ fourth season as Artistic Director of The Old Vic completes with an Arthur Miller double-bill, a World Premiere by Lucy Prebble and a special One Voice performance. These productions form Part 2 of the season, and follow the previously announced Part 1 consisting of ZooNation: The Kate Prince Company’s production of SYLVIA; Annie-B Parson’s 17c; Emma Rice’s Wise Children; and A Christmas Carol – for which today we also announce further casting. • Visionary director Rachel Chavkin makes her Old Vic debut directing Arthur Miller’s The American Clock from 4 February • Jeremy Herrin directs Sally Field, Bill Pullman, Jenna Coleman and Colin Morgan in Arthur Miller’s American classic All My Sons in a co-production with Headlong from 15 April • Closing the season is A Very Expensive Poison – a new play by Lucy Prebble based on the book by Luke Harding • A special One Voice performance to mark 100 years since the Armistice, Remembrance curated by Arinzé Kene and directed by Annabel Bolton • Further casting is announced for Jack Thorne’s version of A Christmas Carol directed by Matthew Warchus and starring Stephen Tompkinson as Ebenezer Scrooge. Coming soon: • A musical adaptation of the hit 1983 film, Local Hero, adapted by David Greig and Bill Forsyth, directed by John Crowley and with music and lyrics by Mark Knopfler, will come to The Old Vic in June 2020 following its world premiere at the Royal Lyceum Theatre Edinburgh in 2019. From The Old Vic: • Girl from the North Country opens on 1 October at the Public Theater, New York, and performances have been extended until 9 December.
    [Show full text]
  • The-Music-Of-Andrew-Lloyd-Webber Programme.Pdf
    Photograph: Yash Rao We’re thrilled to welcome you safely back to Curve for production, in particular Team Curve and Associate this very special Made at Curve concert production of Director Lee Proud, who has been instrumental in The Music of Andrew Lloyd Webber. bringing this show to life. Over the course of his astonishing career, Andrew It’s a joy to welcome Curve Youth and Community has brought to life countless incredible characters Company (CYCC) members back to our stage. Young and stories with his thrilling music, bringing the joy of people are the beating heart of Curve and after such MUSIC BY theatre to millions of people across the world. In the a long time away from the building, it’s wonderful to ANDREW LLOYD WEBBER last 15 months, Andrew has been at the forefront of have them back and part of this production. Guiding conversations surrounding the importance of theatre, our young ensemble with movement direction is our fighting for the survival of our industry and we are Curve Associate Mel Knott and we’re also thrilled CYCC LYRICS BY indebted to him for his tireless advocacy and also for alumna Alyshia Dhakk joins us to perform Pie Jesu, in TIM RICE, DON BLACK, CHARLES HART, CHRISTOPHER HAMPTON, this gift of a show, celebrating musical theatre, artists memory of all those we have lost to the pandemic. GLENN SLATER, DAVID ZIPPEL, RICHARD STILGOE AND JIM STEINMAN and our brilliant, resilient city. Known for its longstanding Through reopening our theatre we are not only able to appreciation of musicals, Leicester plays a key role make live work once more and employ 100s of freelance in this production through Andrew’s pre-recorded DIRECTED BY theatre workers, but we are also able to play an active scenes, filmed on-location in and around Curve by our role in helping our city begin to recover from the impact NIKOLAI FOSTER colleagues at Crosscut Media.
    [Show full text]
  • Theater Souvenir Programs Guide [1881-1979]
    Theater Souvenir Programs Guide [1881-1979] RBC PN2037 .T54 1881 Choose which boxes you want to see, go to SearchWorks record, and page boxes electronically. BOX 1 1: An Illustrated Record by "The Sphere" of the Gilbert & Sullivan Operas 1939 (1939). Note: Operas: The Mikado; The Goldoliers; Iolanthe; Trial by Jury; The Pirates of Penzance; The Yeomen of the Guard; Patience; Princess Ida; Ruddigore; H.M.S. Pinafore; The Grand Duke; Utopia, Limited; The Sorcerer. 2: Glyndebourne Festival Opera (1960). Note: 26th Anniversary of the Glyndebourne Festival, operas: I Puritani; Falstaff; Der Rosenkavalier; Don Giovanni; La Cenerentola; Die Zauberflöte. 3: Parts I Have Played: Mr. Martin Harvey (1881-1909). Note: 30 Photographs and A Biographical Sketch. 4: Souvenir of The Christian King (Or Alfred of "Engle-Land"), by Wilson Barrett. Note: Photographs by W. & D. Downey. 5: Adelphi Theatre : Adelphi Theatre Souvenir of the 200th Performance of "Tina" (1916). 6: Comedy Theatre : Souvenir of "Sunday" (1904), by Thomas Raceward. 7: Daly's Theatre : The Lady of the Rose: Souvenir of Anniversary Perforamnce Feb. 21, 1923 (1923), by Frederick Lonsdale. Note: Musical theater. 8: Drury Lane Theatre : The Pageant of Drury Lane Theatre (1918), by Louis N. Parker. Note: In celebration of the 21 years of management by Arthur Collins. 9: Duke of York's Theatre : Souvenir of the 200th Performance of "The Admirable Crichton" (1902), by J.M. Barrie. Note: Oil paintings by Chas. A. Buchel, produced under the management of Charles Frohman. 10: Gaiety Theatre : The Orchid (1904), by James T. Tanner. Note: Managing Director, Mr. George Edwardes, musical comedy.
    [Show full text]
  • Colonial Concert Series Featuring Broadway Favorites
    Amy Moorby Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] For Immediate Release, Please: Berkshire Theatre Group Presents Colonial Concert Series: Featuring Broadway Favorites Kelli O’Hara In-Person in the Berkshires Tony Award-Winner for The King and I Norm Lewis: In Concert Tony Award Nominee for The Gershwins’ Porgy & Bess Carolee Carmello: My Outside Voice Three-Time Tony Award Nominee for Scandalous, Lestat, Parade Krysta Rodriguez: In Concert Broadway Actor and Star of Netflix’s Halston Stephanie J. Block: Returning Home Tony Award-Winner for The Cher Show Kate Baldwin & Graham Rowat: Dressed Up Again Two-Time Tony Award Nominee for Finian’s Rainbow, Hello, Dolly! & Broadway and Television Actor An Evening With Rachel Bay Jones Tony, Grammy and Emmy Award-Winner for Dear Evan Hansen Click Here To Download Press Photos Pittsfield, MA - The Colonial Concert Series: Featuring Broadway Favorites will captivate audiences throughout the summer with evenings of unforgettable performances by a blockbuster lineup of Broadway talent. Concerts by Tony Award-winner Kelli O’Hara; Tony Award nominee Norm Lewis; three-time Tony Award nominee Carolee Carmello; stage and screen actor Krysta Rodriguez; Tony Award-winner Stephanie J. Block; two-time Tony Award nominee Kate Baldwin and Broadway and television actor Graham Rowat; and Tony Award-winner Rachel Bay Jones will be presented under The Big Tent outside at The Colonial Theatre in Pittsfield, MA. Kate Maguire says, “These intimate evenings of song will be enchanting under the Big Tent at the Colonial in Pittsfield.
    [Show full text]
  • Curran San Francisco Announces Cast for the Bay Area Premiere of Soft Power a Play with a Musical by David Henry Hwang and Jeanine Tesori
    FOR IMMEDIATE RELEASE Curran Press Contact: Julie Richter, Charles Zukow Associates [email protected] | 415.296.0677 CURRAN SAN FRANCISCO ANNOUNCES CAST FOR THE BAY AREA PREMIERE OF SOFT POWER A PLAY WITH A MUSICAL BY DAVID HENRY HWANG AND JEANINE TESORI JUNE 20 – JULY 10, 2018 SAN FRANCISCO (March 6, 2018) – Today, Curran announced the cast of SOFT POWER, a play with a musical by David Henry Hwang (play and lyrics) and Jeanine Tesori (music and additional lyrics). SOFT POWER will make its Bay Area premiere at San Francisco’s Curran theater (445 Geary Street), June 20 – July 8, 2018. Produced by Center Theatre Group, SOFT POWER comes to Curran after its world premiere at the Ahmanson Theatre in Los Angeles from May 3 through June 10, 2018. Tickets for SOFT POWER are currently only available to #CURRAN2018 subscribers. Single tickets will be announced at a later date. With SOFT POWER, a contemporary comedy explodes into a musical fantasia in the first collaboration between two of America’s great theatre artists: Tony Award winners David Henry Hwang (M. Butterfly, Flower Drum Song) and Jeanine Tesori (Fun Home). Directed by Leigh Silverman (Violet) and choreographed by Sam Pinkleton (Natasha, Pierre, & the Great Comet of 1812), SOFT POWER rewinds our recent political history and plays it back, a century later, through the Chinese lens of a future, beloved East-meets-West musical. In the musical, a Chinese executive who is visiting America finds himself falling in love with a good-hearted U.S. leader as the power balance between their two countries shifts following the 2016 election.
    [Show full text]
  • Hw Biography 2021
    HUGH WOOLDRIDGE Director and Lighting Designer; Visiting Professor Hugh Wooldridge has produced, directed and devised theatre and television productions all over the world. He has taught and given master-classes in the UK, Europe, the US, South Africa and Australia. He trained at the London Academy of Music and Dramatic Art (LAMDA) and made his West End debut as an actor in The Dame of Sark with Dame Celia Johnson. Subsequently he performed with the London Festival Ballet / English National Ballet in the world premiere production of Romeo and Juliet choreographed by Rudolph Nureyev. At the age of 22, he directed The World of Giselle for Dame Ninette de Valois and the Royal Ballet. Since this time, he has designed lighting for new choreography with dance companies around the world including The Royal Ballet, Dance Theatre London, Rambert Dance Company, the National Youth Ballet and the English National Ballet Company. He directed the world premieres of the Graham Collier / Malcolm Lowry Jazz Suite Under A Volcano and The Undisput’d Monarch of the English Stage with Gary Bond portraying David Garrick; the Charles Strouse opera, Nightingale with Sarah Brightman at the Buxton Opera Festival; Francis Wyndham’s Abel and Cain (Haymarket, Leicester) with Peter Eyre and Sean Baker. He directed and lit the original award-winning Jeeves Takes Charge at the Lyric Hammersmith; the first productions of the Andrew Lloyd Webber and T. S. Eliot Cats (Sydmonton Festival), and the Andrew Lloyd Webber / Don Black song-cycle Tell Me 0n a Sunday with Marti Webb at the Royalty (now Peacock) Theatre; also Lloyd Webber’s Variations at the Royal Festival Hall (later combined together to become Song and Dance) and Liz Robertson’s one-woman show Just Liz compiled by Alan Jay Lerner at the Duke of York’s Theatre, London.
    [Show full text]
  • Elevating Voices Across Stage and Screen
    Elevating voices across stage and screen clients include beginners, aspiring singers Based in London, Fiona continued to coach and performing arts students as well as singers and, in 2010, started working for top-tier professionals. Passionate about Andrew Lloyd Webber and his production vocal health and technique, Fiona believes company, the Really Useful Group. She that anyone can sing and tailors each worked on her first major international lesson to the client’s needs. She works production in 2012, as the vocal coach on remotely via Skype and in person from her Lloyd Webber’s Jesus Christ Superstar, studio at the London Palladium. and has since worked on dozens of major shows across television, film and theatre Fiona grew up on a farm outside around the world. Edinburgh where she immersed herself in music from a young age, initially training Fiona is always at the leading edge of in dance. In 2006, she left Scotland to vocal education. She travels globally to FIONA study Music at the Paul McCartney conferences that are advancing the field Liverpool Institute for Performing Arts, of vocal science and is supported by MCDOUGAL where her vocal coach inspired her to a network of exceptional ENT doctors, study voice education alongside her speech and language therapists, and degree. When she graduated with a first physiotherapists. She is considered a Fiona has worked with some of the biggest class honours degree in 2010, she already valuable link between singers and industry names in the entertainment industry, from had three years of coaching experience. representatives and consults for record Glenn Close to Taylor Swift, Judi Dench to She was the lead singer in a pop duo labels, agents, managers, performing Jennifer Hudson – but her busy studio also called Untouched (along with songwriting arts colleges, choreographers, directors, embraces people who sing for pleasure partner David Wilson), which later signed songwriters, film studios, musicians and and want to improve their voice.
    [Show full text]
  • A Midsummer Night's Dream
    Thursday 26 November, 7.30pm Friday 27 November, 2pm & 7.30pm Saturday 28 November, 7.30pm A Midsummer Night’s Dream By William Shakespeare Suba Das director Guildhall School of Music & Drama Milton Court Founded in 1880 by the Situated across the road from Guildhall City of London Corporation School’s Silk Street building, Milton Court offers the School state-of-the-art Chairman of the Board of Governors performance and teaching spaces. Milton Vivienne Littlechild Court houses a 608-seat Concert Hall, a 223-seat theatre, a Studio theatre, three Principal major rehearsal rooms and a TV studio suite. Lynne Williams Students, staff and visitors to the School experience outstanding training spaces as Vice-Principal & Director of Drama well as world-class performance venues. Orla O’Loughlin Please visit our website at gsmd.ac.uk Photographs of the final year acting company are by: David Buttle (Charlie Beck, Lily Hardy, Hope Kenna, Isla Lee, Noah Marullo, Umi Myers, Felix Newman, Jidé Guildhall School is part of Culture Mile: Okunola, Sonny Pilgrem, Alyth Ross), Samuel Black (Dan culturemile.london Wolff), Harry Livingstone (Nia Towle), Wolf Marloh (Zachary Nachbar-Seckel), Clare Park (Grace Cooper Milton), Phil Sharp (Kitty Hawthorne, Sam Thorpe-Spinks), Michael Shelford (Levi Brown, Sheyi Cole, Aoife Gaston, Guildhall School is provided by the City of London Brandon Grace, Conor McLeod, Hassan Najib, Millie Smith, Corporation as part of its Tara Tijani, Dolly LeVack), David Stone (Justice Ritchie), contribution to the cultural life Faye Thomas (Caitlin Ffion Griffiths, Genevieve Lewis) of London and the nation A Midsummer Night’s Dream by William Shakespeare Suba Das director Grace Smart designer Ed Lewis composer Lucy Cullingford movement director Jack Stevens lighting designer Thomas Dixon sound designer Thursday 26, Friday 27, Saturday 28 November 2020 Live performances broadcast from Milton Court Theatre Recording of this performance by any means whatsoever is strictly prohibited.
    [Show full text]
  • Charlie Stemp and Danielle Hope to Play the Prince and Snow White in S N O W W H I T E at T H E L O N D O N P a L L a D I U M
    CHARLIE STEMP AND DANIELLE HOPE TO PLAY THE PRINCE AND SNOW WHITE IN S N O W W H I T E AT T H E L O N D O N P A L L A D I U M Qdos Entertainment today (12 October 2018) announced that Charlie Stemp will return to the London Palladium to play The Prince in this year’s Pantomime, Snow White at the London Palladium along with Danielle Hope who will play the title role of Snow White. They join the previously announced Dawn French as The Wicked Queen, Julian Clary as The Man in The Mirror, Paul Zerdin as Muddles, Nigel Havers as The Understudy, Gary Wilmot as Mrs Crumble with Vincent and Flavia as The King and The Queen for this strictly limited 5 week run. They are joined by Josh Bennett, Simeon Dyer, Craig Garner, Ben Goffe, Jamie John, Blake Lisle and Andrew Martin as The Magnificent Seven and ensemble members Faye Best, Myles Brown, Darragh Cowley, Ivan De Freitas, Scott English, Liz Ewing, Ross Finnie, Diana Girbau, Matt Holland, Abigayle Honeywill, Stevie Hutchinson, Jemima Loddy, Megan Louch, Mollie McGugan, James Paterson, Leanne Pinder, Oliver Roll, Jordan Rose, Aaron J Smith, Lucie-Mae Sumner, Carrie Sutton, Grant Thresh and Charlotte Wilmot along with The Palladium Pantoloons. Performances of Snow White at the London Palladium begin on Saturday 8 December 2018 with Gala Night on 12 December with the run concluding on Sunday 13 January 2019. Produced by the Olivier Award-winning team behind last year’s Dick Whittington, Snow White at the London Palladium will again be directed by Michael Harrison, with choreography by Karen Bruce, scenery designed by Ian Westbrook, costumes designed by Hugh Durrant, speciality costumes designed by Mike Coltman, visual special effects by The Twins FX, lighting by Ben Cracknell, sound design by Gareth Owen, video and projection design by Duncan McLean, and original music by Gary Hind.
    [Show full text]
  • Miss Saigon: the Asian Experience in the Perspective of the White Man
    Miss Saigon: The Asian Experience in the Perspective of the White Man Miss Saigon: The Asian Experience in the Perspective of the White Man Stacey Jung Abstract Stuart Hall defines stereotyping as a way in which mediamakers separate and exclude groups of people, a hegemonic practice that works to maintain a social order (Hall, 1997). The producers and writers of the musical film Miss Saigon aim to show a tragic love story between a Vietnamese woman and a white GI soldier during the Vietnam War; however, the mediamaker’s narrow perspective on the war causes the musical to feel limited in showing and understanding various experiences of Asian immigration. While mediamakers believe that Miss Saigon encourages Asian representation, by framing the immigrant experience through the perspective of white male producers, the musical film depicts Asians as exotic and inferior and creates lasting stereotypes. This form of “othering” creates and maintains fixed differences between the “insiders” and “outsiders” as the experiences of minorities are told by people in positions of power. ** Mediamakers as a part of the creative process believe that the musical does encapsulate a true experience during the Vietnam War; however, many Vietnamese Americans continuously protest against the show and its stereotypes. Lea Salonga, the actress who starred as the role of Kim in the original debut of the show in 1989, responded to the controversial nature of the show in an interview. She believes that the musical is not necessarily an inaccurate portrayal of Asian relationships with GI soldiers based on her own observations when she was growing up in the Asian American Research Journal.
    [Show full text]
  • How to Host a Geography Quiz Night
    NATIONAL GEOGRAPHIC EDUCATION Geography Awareness Week How to Host a Geography Quiz Night Quiz or Trivia nights have been a pastime for people all over the world and been used as a fun fundraising tool for many groups. These can be at home, in a bar or restaurant, at a student union, lounge, church hall… really anywhere! Celebrating Geography Awareness Week can be really fun, but also stressful if you are unsure how to start. Use this guide to plan a quiz night to spread awareness where you are. 1. Establish a planning team: Seek support for the event from your principal/ adviser/ other key leaders. Form a team with volunteers or other interested organizations. Clearly define and divide roles and responsibilities among a few team members, and meet regularly for event planning. Consider the following team member roles: • Event Leader: Oversees events activities and timeline; organizes communication among team members; coordinates volunteers to help before, during and after the event. Will be the venue liaison and may need to be the mediator should play get out of hand. • Host: Should be well-spoken, personable, enjoys public speaking, can get a crowd excited and having a good time but will also be organized and able to ensure that everyone is being fair and friendly. • Promotions Coordinator: Places Geography Awareness Week posters in and around schools and throughout communities; coordinates invitations; connects with event partners and sponsors; contacts local and national TV, radio stations, and newspapers. 2. Plan your event: Allow about two months or more to plan the event. Consult with school administrators or other appropriate officials when selecting a time and place for your event.
    [Show full text]
  • Edition 5 | 2019-2020
    SHUBERT THEATRE 2019–2020 SEASON CATS | 5 CATS Title Page | 7 CATS Cast | 9 CATS Scenes & Musical Numbers | 13 CATS Who’s Who | 15 CATS Staff | 26 Shubert Supporters | 28 The Shubert Theatre is located at 247 College Street, New Haven BOX OFFICE HOURS: Mon–Fri 9:30am–5:30pm and during all performances Call 203-562-5666 or 888-736-2663 www.shubert.com ADVERTISING Onstage Publications Advertising Department 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com This program is published in association with Onstage Publications, 1612 Prosser Ave., Dayton, Ohio 45409. This program may not be reproduced in whole or in part without written permission from the publisher. Onstage Publications is a division of Just Business!, Inc. Contents © 2020. All rights reserved. Printed in the U.S.A. Shubert Theatre | 2019–2020 3 THE SHUBERT ORGANIZATION JAMES L. NEDERLANDER THE REALLY USEFUL GROUP CAMERON MACKINTOSH ROY FURMAN JOHN GORE STELLA LA RUE GROVE ENTERTAINMENT BURNT UMBER PRODUCTIONS INDEPENDENT PRESENTERS NETWORK/AL NOCCIOLINO PETER MAY PRESENT MUSIC BY ANDREW LLOYD WEBBER BASED ON “OLD POSSUM’S BOOK OF PRACTICAL CATS” BY T. S. ELIOT THE “CATS” COMPANY: ZACHARY S. BERGER JORDAN BETSCHER CAITLIN BOND ELYSE COLLIER ERIN CHUPINSKY MAURICE DAWKINS GIOVANNI DiGABRIELE PJ DiGAETANO ALEX DORF CAMERON EDRIS DANI GOLDSTEIN TIMOTHY GULAN DEVIN HATCH BRETT MICHAEL LOCKLEY McGEE MADDOX MADISON MITCHELL NATHAN PATRICK MORGAN ADRIANA NEGRON BRAYDEN NEWBY CHARLOTTE O’DOWD ALEXA RACIOPPI AUSTIN JOSEPH REYNOLDS ADAM RICHARDSON NEVADA RILEY ANNEMARIE ROSANO MELODY ROSE BEN SEARS ZACHARY TALLMAN TRICIA TANGUY ADAM VANEK DONNA VIVINO AND LORETTA WILLIAMS MUSIC SUPERVISION BY KRISTEN BLODGETTE MUSIC DIRECTOR ERIC KANG MUSIC COORDINATOR TALITHA FEHR CASTING BY TARA RUBIN CASTING / LINDSAY LEVINE, CSA AND XAVIER RUBIANO, CSA TOUR BOOKING, MARKETING AND PUBLICITY DIRECTION BOND THEATRICAL GROUP TOUR MANAGEMENT TROIKA ENTERTAINMENT PRODUCTION MANAGEMENT GREGG DAMANTI GENERAL MANAGEMENT KAREN BERRY PRODUCTION STAGE MANAGER J.
    [Show full text]