April Friges CV 2021 Work
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Cover Title Authors Edition Volume Genre Format ISBN Keywords The Museum of Found Mirjam, LINSCHOOTEN Exhibition Soft cover 9780968546819 Objects: Toronto (ed.), Sameer, FAROOQ Catalogue (Maharaja and - ) (ed.), Haema, SIVANESAN (Da bao)(Takeout) Anik, GLAUDE (ed.), Meg, Exhibition Soft cover 9780973589689 Chinese, TAYLOR (ed.), Ruth, Catalogue Canadian art, GASKILL (ed.), Jing Yuan, multimedia, 21st HUANG (trans.), Xiao, century, Ontario, OUYANG (trans.), Mark, Markham TIMMINGS Piercing Brightness Shezad, DAWOOD. (ill.), Exhibition Hard 9783863351465 film Gerrie, van NOORD. (ed.), Catalogue cover Malenie, POCOCK (ed.), Abake 52nd International Art Ming-Liang, TSAI (ill.), Exhibition Soft cover film, mixed Exhibition - La Biennale Huang-Chen, TANG (ill.), Catalogue media, print, di Venezia - Atopia Kuo Min, LEE (ill.), Shih performance art Chieh, HUANG (ill.), VIVA (ill.), Hongjohn, LIN (ed.) Passage Osvaldo, YERO (ill.), Exhibition Soft cover 9780978241995 Sculpture, mixed Charo, NEVILLE (ed.), Catalogue media, ceramic, Scott, WATSON (ed.) Installaion China International Arata, ISOZAKI (ill.), Exhibition Soft cover architecture, Practical Exhibition of Jiakun, LIU (ill.), Jiang, XU Catalogue design, China Architecture (ill.), Xiaoshan, LI (ill.), Steven, HOLL (ill.), Kai, ZHOU (ill.), Mathias, KLOTZ (ill.), Qingyun, MA (ill.), Hrvoje, NJIRIC (ill.), Kazuyo, SEJIMA (ill.), Ryue, NISHIZAWA (ill.), David, ADJAYE (ill.), Ettore, SOTTSASS (ill.), Lei, ZHANG (ill.), Luis M. MANSILLA (ill.), Sean, GODSELL (ill.), Gabor, BACHMAN (ill.), Yung -
3 Fact Book 2009 10 Teachingacademicsupport
Teaching and Academic Support Table of Contents Teaching and Academic Support Introduction 3.1 Academic Development 3.2 Intercultural Communication Center 3.3 Library Collections and Utilization 3.4 Media Technology Services 3.6 Pittsburgh Council on Higher Education (PCHE) and Pittsburgh Filmmakers 3.7 Units Taught: by College and Student Level 3.8 by Department and Student Level 3.9 Teaching and Academic Support Data Sources: The data used for the teaching and academic support section of this book come from: Academic Development: Academic Development Library Collections and Utilization: University Libraries Media Technology Services: Media Technology Services Pittsburgh Council on Higher Education (PCHE) and Pittsburgh Filmmakers: Units both taught by PCHE schools and taken by PCHE students are collected through the Student Information System (SIS) Intercultural Communication Center: Intercultural Communication Center Units Taught: Student Information System (SIS) Video Collection Viewing Area: University Libraries Definitions: PCHE: Pittsburgh Council on Higher Education - a consortium of the ten accredited colleges and universities in Allegheny County, Pennsylvania. As part of the consortium agreement, full-time graduate or undergraduate students at each PCHE school can cross-register at any other PCHE school at no additional expense to the student. Pittsburgh Filmmakers: Carnegie Mellon students are eligible to take courses at Pittsburgh Filmmakers at no additional expense to the student. Units Taught: Academic Year: Consists of the fall and spring semesters of a given academic year Data Source: All units taught are taken from the Student Information System (SIS) at the completion of each semester Level: Based on the level of the student taking each course Other: Includes units taught to special/non-degree students and students from other colleges attending Carnegie Mellon through the Pittsburgh Council of Higher Education (PCHE) Units: A student earns a specified number of units for each course taken at the university. -
Jacob Koestler
JACOB KOESTLER www.jacobkoestler.com [email protected] • 814-341-2540 Education 2014 MFA, Photography and Integrated Media, Ohio University 2011 BS, Photography, The Art Institute of Pittsburgh Solo & Two-Person Exhibitions 2021 Interrupter, Gallery W, Westlake, OH (Postponed due to COVID-19) 2019 Casual Water, SPACES, Cleveland, OH 2018 Copy of a Copy, The Print Center, Philadelphia, PA 2017 Dream Baby, Kitchen Table Gallery, Philadelphia, PA 2016 Go Away Everywhere, FORUM Art Space, Cleveland, OH 2014 Go Away Everywhere, Ohio University Art Gallery, Athens, OH 2009 Sound Structures, Image Box, Pittsburgh, PA 2008 Sound Structures, 709 Railroad Street, Johnstown, PA Select Group Exhibitions 2020 VARIOUS small FIRES, Emily Davis Gallery, Akron, OH (forthcoming) Enduring Images, Mid-Atlantic Print Conference (forthcoming) 2019 Radial Survey, Silver Eye Center for Photography, Pittsburgh, PA A Room of One’s Own, The Morgan Conservatory, Cleveland, OH Faculty Exhibition, Reinberger Gallery, The Cleveland Institute of Art 2018 Altered Landscapes, SGC International Conference, Las Vegas, NV 2017 THEM, Transformer Station, Cleveland, OH 2016 On the Shelf, Filter Photo, Chicago, IL SCAL3, Cleveland Print Room, Cleveland, OH Emerge: New Photography CLE, 2731 Prospect Gallery, Cleveland OH 2015 Orange River (Road to Nowhere), Ingenuity Fest, Cleveland, OH 2014 FlakPhoto Midwest Print Show, Madison Public Library, Madison, WI Image OHIO, Shot Tower Gallery, Columbus, OH 2012 The Photocopy Club, Beach Gallery, London, England SPE Juried Exhibition, -
2019 State of Downtown Pittsburgh
20 STATE OF DOWNTOWN PITTSBURGH19 TABLE OF CONTENTS For the past eight years, the Pittsburgh Downtown Partnership has been pleased to produce the State of Downtown Pittsburgh Report. This annual compilation and data analysis allows us to benchmark our progress, both year over year and in comparison to peer cities. In this year’s report, several significant trends came to light helping us identify unmet needs and better understand opportunities for developing programs and initiatives in direct response to those challenges. Although improvements to the built environment are evident in nearly every corridor of the Golden Triangle, significant resources are also being channeled into office property interiors to meet the demands of 21st century companies and attract a talented workforce to Pittsburgh’s urban core. More than $300M has been invested in Downtown’s commercial office stock over the 4 ACCOLADES AND BY THE NUMBERS last five years – a successful strategy drawing new tenants to Downtown and ensuring that our iconic buildings will continue to accommodate expanding businesses and emerging start-ups. OFFICE, EMPLOYMENT AND EDUCATION Downtown experienced a 31% growth in residential population over the last ten years, a trend that will continue with the opening 6 of hundreds of new units over the next couple of years. Businesses, from small boutiques to Fortune 500 companies, continued to invest in the Golden Triangle in 2018 while Downtown welcomed a record number of visitors and new residents. HOUSING AND POPULATION 12 Development in Downtown is evolving and all of these investments combine to drive the economic vitality of the city, making Downtown’s thriving renaissance even more robust. -
April Friges Resume 2016
APRIL DAWN FRIGES EDUCATION 2010 University of California, Irvine, California, MFA 2004 University of Akron, Ohio, BFA SELECTED GROUP AND SOLO EXHIBITIONS 2017 (tba), Loyola University, Chicago, IL *(tba), UnSmoke Art Systems, Braddock, PA (solo) 2016 Materials and Processes, Silver Eye Center for Photography, Pittsburgh, PA Darkroom, MoCP, Chicago, IL PGH Photo Fair, Silver Eye Center for Photography Exhibition Booth, Carnegie Museum of Art, Pittsburgh, PA Gallery Tally, Los Angeles Contemporary Exhibitions (LACE), Hollywood, CA Geometry In the Expanded Field, Fine Art Complex 1011, Tempe, AZ John Riegert, SPACE, Pittsburgh, PA Gallery Tally, Center for Contemporary Arts, Santa Fe, NM 2015 From Now, Filter Space, Chicago, IL *Spectator: Selected Works (2012-2014), Pittsburgh Center for the Arts at Filmmakers Gallery, Pittsburgh, PA (solo) Looking Forward, Looking Back, New Mexico Museum of Art, Santa Fe, NM (en)Gendered (in)Equity: The Gallery Tally Project, Matucana 100 Cultural Center, Santiago, Chile PhAb Now (Photography and Abstraction), Pittsburgh Center for the Arts at Filmmakers Gallery, Pittsburgh, PA Radiant Hall Group Show, Three Rivers Film Festival, Pittsburgh, PA No Vacancy, The Mine Factory, Pittsburgh, PA Shaping New Worlds, Sweetwater Center for the Arts, Sewickley, PA As Good as the Guys: 14 Women Photographers in Pittsburgh, Jask Gallery, Pittsburgh, PA Gallery Tally Poster Project, Woman Made Gallery, Chicago, IL 2014 Catastrophe, F+Gallery, Santa Ana, CA 103rd Associated Artists of Pittsburgh Exhibition, Westmoreland -
Miles Coolidge
PETER BLUM GALLERY MILES COOLIDGE Born 1963 in Montreal, Quebec, Canada Lives and works in Los Angeles, CA EDUCATION 1994 Kunstakademie Düsseldorf (class of Bernd Becher), Düsseldorf, Germany 1992 MFA, California Institute of the Arts, Valencia, CA 1986 AB, Harvard University, Cambridge, MA SOLO EXHIBITIONS 2016 Coal Seam redux, Peter Blum Gallery, New York, NY Chemical Pictures, ACME., Los Angeles, CA Photographs and Chemical Pictures, Franz Josef Albers Museum Quadrat, Bochum, Germany 2015 Coal Seam redux, kunstwerden, Essen, Germany Coal Seam, Bergwerk Prosper-Haniel, NADA Art Fair, New York, NY (curated solo booth/ACME) 2014 ACME, Los Angeles Safetyville (selection), ACME, Los Angeles 2011 New Projects, ACME., Los Angeles, CA 2008 Street Furniture, ACME., Los Angeles, CA 2007 Casey Kaplan, New York, NY 2006 Juncture, ACME., Los Angeles, CA 2005 Drawbridges, Galerie Ilka Bree, Bordeaux, France Drawbridges, Galerie Lisa Ruyter, Vienna, Austria Mound Postcard Posters, Harwood Museum of Art, University of New Mexico, Taos, NM 2003 Drawbridges, ACME., Los Angeles, CA Drawbridges, Casey Kaplan Gallery, New York, NY 2002 Traffic, ACME., Los Angeles, CA Majestic Sprawl: Some Los Angeles Photography, Pasadena Museum of California Art, Pasadena, CA Observatory Circle, Galerie Gisela Capitain, Köln, Germany 2001 Miles Coolidge: Central Valley, Ulrich Museum of Art, Wichita State University, Wichita, KS ACME., Los Angeles, CA 2000 Galerie Jennifer Flay, Paris, France Orange County Museum, Newport Beach, CA Mattawa, Casey Kaplan, New York, NY 1998 Central Valley, Casey Kaplan, New York, NY Central Valley, ACME., Los Angeles, CA James Van Damme Gallery, Brussels, Belgium Moundbuilders Golf Course, ACME., Los Angeles, CA 1996 Elevator Pictures, Casey Kaplan, New York, NY Garage Pictures, ACME., Santa Monica, CA Garage Pictures, Casey Kaplan, New York, NY Safetyville, ACME., Santa Monica, CA 1994 Elevator Pictures, Los Angeles Center for Photographic Studies, Hollywood, CA 1992 In Its Place, Main Gallery, California Institute of the Arts, Valencia, CA Blumarts Inc. -
Thomas Demand Roxana Marcoci, with a Short Story by Jeffrey Eugenides
Thomas Demand Roxana Marcoci, with a short story by Jeffrey Eugenides Author Marcoci, Roxana Date 2005 Publisher The Museum of Modern Art ISBN 0870700804 Exhibition URL www.moma.org/calendar/exhibitions/116 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art museumof modern art lIOJ^ArxxV^ 9 « Thomas Demand Thomas Demand Roxana Marcoci with a short story by Jeffrey Eugenides The Museum of Modern Art, New York Published in conjunction with the exhibition Thomas Demand, organized by Roxana Marcoci, Assistant Curator in the Department of Photography at The Museum of Modern Art, New York, March 4-May 30, 2005 The exhibition is supported by Ninah and Michael Lynne, and The International Council, The Contemporary Arts Council, and The Junior Associates of The Museum of Modern Art. This publication is made possible by Anna Marie and Robert F. Shapiro. Produced by the Department of Publications, The Museum of Modern Art, New York Edited by Joanne Greenspun Designed by Pascale Willi, xheight Production by Marc Sapir Printed and bound by Dr. Cantz'sche Druckerei, Ostfildern, Germany This book is typeset in Univers. The paper is 200 gsm Lumisilk. © 2005 The Museum of Modern Art, New York "Photographic Memory," © 2005 Jeffrey Eugenides Photographs by Thomas Demand, © 2005 Thomas Demand Copyright credits for certain illustrations are cited in the Photograph Credits, page 143. Library of Congress Control Number: 2004115561 ISBN: 0-87070-080-4 Published by The Museum of Modern Art, 11 West 53 Street, New York, New York 10019-5497 (www.moma.org) Distributed in the United States and Canada by D.A.P./Distributed Art Publishers, New York Distributed outside the United States and Canada by Thames & Hudson Ltd., London Front and back covers: Window (Fenster). -
100 Years of African American History: a Fiber Art Retrospective by Tina Williams Brewer
100 Years of african american HistorY: a fiber art retrospective by tina Williams Brewer 100 Years of african american HistorY: a fiber art retrospective by tina Williams Brewer This publication was made possible through a generous contribution to Pittsburgh Filmmakers/Pittsburgh Center for the Arts from Alcoa Foundation. It happened... the Courier was there. Rod Doss, Editor and Publisher, New Pittsburgh Courier he Pittsburgh Courier has recorded news affecting The information reported in the Courier had a pro- African-Americans since 1910. My staff and I are found impact on Black politics, world events, civil Thonored to be the “keepers” of what is an incred- rights, sports, entertainment, business and journal- ible and extensive record – both in print and in photo- ism. We are privileged to associate with those giants graphs – of a people’s culture that has had profound who recorded the history of a people’s unwavering impact on American history. march to overcome the many obstacles that withheld The Courier was first published 100 years ago and even- their dignity as a mighty race of people. As the Black tually became the most widely circulated Black news- intellectual W.E.B. DuBois said, “The twentieth century paper in the country with 21 regional editions and an challenge to resolve the issue of color is the greatest international edition. At its height, more than 450,000 challenge America will have to overcome.” His words people received the Courier each week and were were truly prophetic. given the opportunity to read an unvarnished version The series of 10 quilts created by Tina Williams Brewer of cultural and historical events that told the story in this exhibition attempt to provide a broad-based of the Black experience in America. -
Curriculum Vitae
Michael Ashkin www.michaelashkin.com [email protected] EDUCATION 1993 MFA, The School of the Art Institute of Chicago, Painting/Drawing, Full Merit Scholarship 1980 MA, Columbia University, New York, Middle East Languages and Cultures, Honorary President’s Fellowship, Pahlavi Foundation Scholarship 1977 BA, The University of Pennsylvania, Philadelphia, Oriental Studies, magna cum laude SOLO EXHIBITIONS 2020 “were it not for,” Kaktos Gallery, Athens, Greece, January – March 2018 “Horizont,” Bibliowicz Gallery, Cornell Unversity, Ithaca, New York, March 19– April 20 2016 “Dismal Dreaming,” Cathouse Funeral, Brooklyn, New York, March 26– May 5, and Cathouse Proper, Brooklyn, NY, April 22 – June 1 2013 “Architecture is for Creeps,” Milstein Hall Gallery, Cornell University, Ithaca, NY, March 10–April 12 2010 Johnson Museum of Art, Cornell University, Ithaca, New York, curated by Andrea Inselmann, April 3 – July 11 (artist’s book) Weatherspoon Museum of Art, Greensboro, North Carolina, January 17– April 18 2009 Secession, Vienna, Austria, curated by Annette Südbeck, November 20 – January 26, 2010 (monograph) SculptureCenter, Long Island City, New York, In Practice Projects, curated by Sarina Basta, May 10 – August 10 2005 Andrea Rosen Gallery, Gallery 2, New York, May 6– June 28 2002 Andrea Rosen Gallery, New York, November 29 – January 18, 2003 Galerie Otto Schweins, Cologne, Germany, October 30– December 21 Emily Tsingou Gallery, London, September 10 – 30 2000 Andrea Rosen Gallery, New York, January 28 – March 4 1999 Emily Tsingou Gallery, -
Richard A. Sherman Pennsylvania State University 124 Carnegie
Richard A. Sherman Pennsylvania State University 124 Carnegie Building, University Park, PA 16802 (W) 814.865.9208 (C) 814.404.9276 [email protected] EDUCATION M.F.A., Film, Ohio University 1999 B.S., Art, James Madison University 1991 ACADEMIC APPOINTMENTS Associate Professor, Pennsylvania State University 2010-present Assistant Professor, Pennsylvania State University 2004-2010 Assistant Professor, Pittsburgh Filmmakers 2002-2004 Visiting Assistant Professor, Ohio University 1999-2002 Graduate Teaching Assistant, Ohio University 1997 COURSES TAUGHT (Graduate, Undergraduate) (U) Advanced Documentary Production (Abroad) (U) Introductory Film Production (U) Intermediate Documentary Production (U) Advanced Documentary Production (U) Intermediate Experimental Production (U) Advanced Experimental Production (U) Intermediate Narrative Production (U) Advanced Narrative Production (U) Intermediate Cinematography (U) Advanced Cinematography (G) 1st Year Film Production (G) 2nd Year Film Production (G) 3rd Year Thesis Film Production (G) Advanced Cinematography GRANTS AND AWARDS • Institute for the Arts and Humanities, Individual Faculty Grant, 2015-16 • Other Israel Film Fund, Film Finishing Grant, 2012 • Institute for the Arts and Humanities, Individual Faculty Grant, 2010 • Deans’ Excellence Fund, College of Communications, funding support, 2009 • Deans’ Excellence Award for Research & Creative Accomplishments, College of Communications, University Park, PA, 2006-2007 • Don Davis Program in Ethical Leadership, funding support, 2009 • Excellence in Teaching Award, Alumni Society Board, College of Communications, 2007 • President’s Future Fund, Pennsylvania State University, funding support, 2009 • Summer Research Grant, College of Communications, 2005, 2006, 2007, 2008, 2009 • Individual Artist Fellowship Award, Ohio Arts Council, Columbus, OH, 2003 1 • Individual Artist Fellowship Award, Virginia Museum of Fine Arts, Richmond, VA, 1997 FILMOGRAPHY The Saucer That Wasn’t There (2018-19). -
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2/20161 Science & Technology Studies ISSN 2243-4690 Co-ordinating editor Salla Sariola (University of Oxford, UK; University of Turku, Finland) Editors Torben Elgaard Jensen (Aalborg University at Copenhagen, Denmark) Sampsa Hyysalo (Aalto University, Finland) Jörg Niewöhner (Humboldt-Universität zu Berlin, Germany) Franc Mali (University of Ljubljana, Slovenia) Martina Merz (Alpen-Adria-Universität Klagenfurt, Austria) Antti Silvast (University of Edinburgh, UK) Estrid Sørensen (Ruhr-Universitat Bochum, Germany) Helen Verran (University of Melbourne, Australia) Brit Ross Winthereik (IT University of Copenhagen, Denmark) Assistant editor Louna Hakkarainen (Aalto University, Finland) Editorial board Nik Brown (University of York, UK) Miquel Domenech (Universitat Autonoma de Barcelona, Spain) Aant Elzinga (University of Gothenburg, Sweden) Steve Fuller (University of Warwick, UK) Marja Häyrinen-Alastalo (University of Helsinki, Finland) Merle Jacob (Lund University, Sweden) Jaime Jiménez (Universidad Nacional Autonoma de Mexico) Julie Thompson Klein (Wayne State University, USA) Tarja Knuuttila (University of South Carolina, USA) Shantha Liyange (University of Technology Sydney, Australia) Roy MacLeod (University of Sydney, Australia) Reijo Miettinen (University of Helsinki, Finland) Mika Nieminen (VTT Technical Research Centre of Finland, Finland) Ismael Rafols (Universitat Politècnica de València, Spain) Arie Rip (University of Twente, The Netherlands) Nils Roll-Hansen (University of Oslo, Norway) Czarina Saloma-Akpedonu (Ateneo de Manila -
Oral History Collections
Guide to Pennsylvanian Oral Histories Key: AFSIC: Alternative Farming Systems Information Center AHCM: Afro-American Historical and Cultural Museum and the Atwater Kent Museum AIHP: America’s Industrial Heritage Project AIS: Archives of Industrial Society at the University of Pittsburgh CMU: Carnegie Mellon University CUOH: Columbia University Oral History Project DWM: Drake Well Museum ECHS: Erie County Historical Society HARC: House of Representatives Archives and the Record Center (Pennsylvania) HCA: Hershey Community Archive HCLA: Historical Collections and Labor Archives at Penn State HMHPM: Hugh Moore Historical Park and Museums HOHA: Holocaust Oral History Archive at Gratz College HSWP: Historical Society Western Pennsylvania IUP: Indiana University of Pennsylvania JAHA: Johnstown Area Heritage Association LCHS: Leigh County Historical Society MCA: Mercyhurst College Archives PHAC: Pennsylvania Heritage Affairs Commission in Harrisburg PFP: Philadelphia Folklore Project PMM: Philadelphia Maritime Museum or Independence Seaport Museum PSA: Pennsylvania State Archives PSM: Pennsylvania State Museum SHC: Seton Hill College SHCS: Somerset Historical Center in Somerset SHO: Senate Historical Office (United States) SAAAOH: Smithsonian Archives of American Art Oral Histories RMMA: Railroaders Memorial Museum in Altoona 1) Nature Matters/ You can Make a Difference/ Conservationists a) Donora Smog disaster: focuses on life during smog disaster of 1948 (a PHMC grant awarded to Pittsburgh Filmmakers, Inc. for a local history project) b) Robert