Kathleen Hanna
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
January/February 2014 Vol
The Gainesville Iguana January/February 2014 Vol. 28, Issue 1/2 CMC SpringBoard fundraiser March 21 by Joe Courter The date for the Civic Media Center’s annual SpringBoard fundraiser is Friday evening, March 21. There will be a new location this year after last year’s venture at Prairie Creek Lodge, and that is in the heart of Down- town Gainesville at the Wooly, 20 N. Main St., a new event venue in what is the old Woolworth building next to and run by The Top restaurant. There will be food from various area restaurants, a si- lent auction and raffle items, and awards. The speaker this year is an old friend of McDonald’s workers and allies strike on July 31, 2013 in Chicago. Photo by Steve Rhodes. the CMC, David Barsamian, the founder and main man with Alternative Radio, who said he is “honored to follow in No- 2013 in review: Aiming higher, am’s footsteps.” labor tries new angles and alliances That is fitting because Alternative Ra- by Jenny Brown ment that jobs that once paid the bills, dio has made a special effort to archive from bank teller to university instructor, Noam Chomsky talks since its founding This article originally appeared in the now require food stamps and Medicaid to in 1989. David’s radio show was a staple January 2014 issue of LaborNotes. You supplement the wages of those who work See SPRINGBOARD, p. 2 can read the online version, complete with informative links and resources, at www. every day. labornotes.org/2013/12/2013-review- California Walmart worker Anthony INSIDE .. -
The Problematic Westernization of Pussy Riot
Macalester College DigitalCommons@Macalester College Gateway Prize for Excellent Writing Academic Programs and Advising 2020 The Riot Continues: The Problematic Westernization of Pussy Riot Adam Clark Macalester College Follow this and additional works at: https://digitalcommons.macalester.edu/studentawards Part of the Music Commons Recommended Citation Clark, Adam, "The Riot Continues: The Problematic Westernization of Pussy Riot" (2020). Gateway Prize for Excellent Writing. 16. https://digitalcommons.macalester.edu/studentawards/16 This Gateway Prize for Excellent Writing is brought to you for free and open access by the Academic Programs and Advising at DigitalCommons@Macalester College. It has been accepted for inclusion in Gateway Prize for Excellent Writing by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Adam Clark Victoria Malawey, Gender & Music The Riot Continues: The Problematic Westernization of Pussy Riot “We’re gonna take over the punk scene for feminists” -Kathleen Hanna Although they share feminist ideals, the Russian art collective Pussy Riot distinguishes themselves from the U.S.-based Riot Grrrl Movement, as exemplified by the band Bikini Kill, because of their location-specific protest work in Moscow. Understanding how Pussy Riot is both similar to and different from Riot Grrrl is important for contextualizing the way we think about diverse, transnational feminisms so that we may develop more inclusive and nuanced ways in conceptualizing these feminisms in the future. While Pussy Riot shares similar ideals championed by Bikini Kill in the Riot Grrrl movement, they have temporal and location-specific activisms and each group has their own ways of protesting injustices against women and achieving their unique goals. -
Shogun's Local Legacy Kathleen Hanna True Widow
Vol. 24 • Issue 297 • September 2013 • slugmag.com • Always Free Shogun’s Local Legacy Kathleen Hanna True Widow slugmag.com 1 2 SaltLakeUnderGround slugmag.com 3 SaltLakeUnderGround • Vol. 24 • Issue #297 • September 2013 • slugmag.com facebook.com/SLUG.Mag @SLUGMag @SLUGMag youtube.com/user/SLUGMagazine Publisher: Eighteen Percent Gray Marketing Manager: Editor: Angela H. Brown Karamea Puriri Managing Editor: Esther Meroño Marketing Team: Ischa B., Sabrina Costello, Editorial Assistant: Alexander Ortega Kristina Sandi, Brooklyn Ottens, Angella Luci- Office Coordinator:Gavin Sheehan sano, Nicole Roccanova, Raffi Shahinian, Vic- Digital Content Coordinator: Cody Kirkland toria Loveless, Zac Freeman, Cassie Anderson, Copy Editing Team: Esther Meroño, Alexan- Cassie Loveless, Shley Kinser, Matt Brunk, Robin der Ortega, Mary E. Duncan, Cody Kirkland, Sessions, Carl Acheson, Chandler Hunt Johnathan Ford, Alex Cragun, Rachel Miller, Ka- Social Media Coordinator: Catie Weimer tie Bald, Liz Phillips, Allison Shephard, Laikwan Waigwa-Stone, Shawn Soward Distribution Manager: Eric Granato Distro: Eric Granato, Tommy Dolph, Tony Cover Designer: Joshua Joye Bassett, Nancy Burkhart, Adam Okeefe, Ryan Lead Designer: Joshua Joye Worwood, John Ford, Matt Pothier, Phil Cannon, Design Team: Eleanor Scholz, BJ Viehl, Lenny Tim Kronenberg, Justin Nelson-Carruth, Xkot Riccardi, Chad Pinckney, Mason Rodrickc Toxsik, Nancy Perkins Ad Designers: Kent Farrington, Sumerset Bivens, Christian Broadbent, Kelli Tompkins, Eric Senior Staff Writers: Mike Brown, Mariah Sapp, Brad Barker, Paden Bischoff, Maggie Mann-Mellus, James Orme, Lance Saunders, Zukowski, Thy Doan, KJ Jackett, Nicholas Dowd, Bryer Wharton, Peter Fryer, James Bennett, Ricky Nick Ketterer Vigil, Gavin Hoffman, Esther Meroño, Rebecca Website Design: Kate Colgan Vernon, Jimmy Martin, Ben Trentelman, Princess Office Interns: Carl Acheson, Robin Sessions, Kennedy, Sean Zimmerman-Wall, Cody Hudson, Alex Cragun, Chandler Hunt Shawn Mayer, Dean O. -
Katalog Zur Ausstellung
ARCHIV DER JUGENDKULTUREN (HRSG.) DER Z/WEITE BLICK JUGENDKULTUREN UND DISKRIMINIERUNGEN Archiv der Jugendkulturen (Hrsg.) DER Z/WEITE BLICK JUGENDKULTUREN UND DISKRIMINIERUNGEN Ausstellungseröffnung im Archiv der Jugendkulturen e.V., Berlin, 2017, Foto: Boris Geilert IMPRESSUM Archiv der Jugendkulturen e. V. Fidicinstraße 3 10965 Berlin Tel. 030–6942934 Fax 030–6913016 E-Mail: [email protected] Web: www.jugendkulturen.de Autor*innen / Redaktion: DJ Freshfluke, Jule Naima Fröhlich, Martin Gegenheimer, Florian Hofbauer, Tino Kandal, Edyta Kopitzki, Svetla Koynova, Bianca Loy, Gabriele Rohmann, Lisa Schug, Farina Wäcker Illustrationen: Gabriel S Moses, www.gabsmoses.com Lektorat: Berlin Lektorat und Nadine Marcinczik © Archiv der Jugendkulturen e. V. 2018 Die Veröffentlichung stellt keine Meinungsäußerung des BMFSFJ bzw. des BAFzA dar. Für inhaltliche Aussagen trägt der Autor/die Autorin bzw. tragen die Autoren/Autorinnen die Verantwortung. VORWORT Jugendkulturen sind wichtige Orte für (überwiegend) junge Sexismus und Homo- und Transfeindlichkeit – aber auch Menschen, an denen sie ihren Gedanken, Einstellungen, Hal- positive Aspekte wie jugendkulturelle Initiativen oder Pop- tungen, Reflexionen über sich und die Welt in Kleidung, Spra- Künstler*innen, die sich gegen Diskriminierungen in ihren che, Musik und Medien kreativen Ausdruck verleihen können. Szenen oder im Mainstream wehren und sich auf diese Weise Sie bieten Heranwachsenden Möglichkeiten, künstlerisch, zivilgesellschaftlich für die Gleichwertigkeit von Menschen ein- gesellschaftlich -
For the Love of It?: Zine Writing and the Study Of
FOR THE LOVE OF IT?: ZINE WRITING AND THE STUDY OF CONTEMPORARY AMATEUR WORK A Dissertation by EMILY SARA HOEFLINGER Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Chair of Committee, Mary Ann O’Farrell Committee Members, Sally Robinson Giovanna Del Negro Joan Wolf Head of Department, Maura Ives May 2016 Major Subject: English Copyright 2016 Emily Sara Hoeflinger ABSTRACT In this project, I am examining zines in relation to the question of contemporary amateurism. With the onset of Web 2.0 came a space for new forms of amateur work, but this new work hasn’t been addressed as “amateur,” which has revealed a problem between what theorists know the amateur to be and what has been embraced by mainstream culture. This oversimplification of the definition of amateurism seems to threaten the integrity of amateur work in general. I analyze the concepts “transparency” and “distance” and show that both highlight the need for preserving the amateur. I confront the notion of “for the love it” by interrogating the boundaries that zine writers have established and the misperception that zine work somehow remains on the fringe of capitalist culture. Moreover, I identify the Pro Am (professional amateur) as the most significant contemporary amateur figure because it directly challenges not only what it means to be professional, but also what it means to be amateur. By examining perzines and glossies, I argue that while “for the love of it” has been downplayed or even ignored, internal rewards are still an important factor in what makes an act amateur and that external rewards don’t always have to be monetary. -
18 Transgender CON by Chris Angel Murphy 18 Alcoholism, the Thinking Disease by G-O Digillio TENTS 32 Living out by Sally Sheklow
1 TWO MOTHERS – Germany – Director, Anne Zohra Berrached REACHING FOR THE MOON – Brazil - Director, Bruno Barreto Enjoy a great line-up of LGBT films, including our annual celebration of diversity in cinema, the GAY!La screenings - for HIM and for HER - and party! Palm Springs International Film Festival features eleven unforgettable days of screenings, tributes and special events in the gorgeous desert setting of Palm Springs. With more than 185 films from over 70 different countries, it’s a singular celebration of the best of international and American cinema. Box Office Opens December 26, 2013 Special hotel rates available at psfilmfest.org/participate/travel/ Reel-Deal Six Packs & Special Event tickets NOW on sale online at: psfilmfest.org or call (760) 778-8979 title SPONSOR major SPONSORS is a proud sponsor of the Palm Springs International Film Festival Lesbian News Magazine | December 2013 | www.LesbianNews.com Subscribe To Lesbian News NOW With every 1 year subscription receive this LN perk. Subscribe to Lesbian News on your iPad & iPhone and access the magazine as well as LN digital extras each month. Advertise in LN 1.800.458.9888 3 December 2013 Features 14 Theorhetorically Speaking By Nikki McCauley 18 Transgender CON By Chris Angel Murphy 18 Alcoholism, The Thinking Disease By G-O Digillio TENTS 32 Living Out By Sally Sheklow 33 Positive Reflections Inside LN By Dian Katz, MS 42 Words That Make Sense 11 POETRY By Toni Hart 13 MUSIC 19 LIFE COACH’S CORNER 19 QUEERLY QUESTIONING Lifestyles 20 MOVIES EYE C 22 LOLs 10 Politically -
The Art Worlds of Punk-Inspired Feminist Networks
! The Art Worlds of Punk-Inspired Feminist Networks ! ! ! ! ! ! A social network analysis of the Ladyfest feminist music and cultural movement in the UK ! ! ! ! ! ! A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities ! ! ! 2014 ! ! Susan O’Shea ! ! School of Social Sciences ! ! Chapter One Whose music is it anyway? 1.1. Introduction 12 1.2. Ladyfest, Riot Girl and Girls Rock camps 14 1.2.1. Ladyfest 14 1.2.2. Riot Grrrl 16 1.2.3. Girls Rock camps 17 1.3. Choosing art worlds 17 1.4. The evidence: women’s participation in music 20 1.5. From the personal to the political 22 1.6. Thesis structure 25 Chapter Two The dynamics of feminist cultural production 2.1. Introduction 27 2.2. Art Worlds and Becker’s approach 29 2.3. Punk, Riot Grrrl and Ladyfest 32 2.3.1. Punk 33 2.3.2. Riot Grrrl 34 2.3.3. Ladyfest 40 2.4. The political economy of cultural production 41 2.5. Social movements, social networks and music 43 2.6. Women in music and art and the translocal nature of action 48 2.6.1. Translocality 50 2.7. Festivals as networked research sites 52 2.8. Conclusion 54 Chapter Three Methodology 3.1. Introduction 56 !2 ! 3.2. Operationalising Art Worlds, research aims and questions 57 3.3. Research philosophy 58 3.4. Concepts and terminology 63 3.5. Mixed methods 64 3.6. Ethics 66 3.6.1. Ethics review 68 3.6.2. -
Generation X and the Invention of a Third Feminist Wave
GENERATION X AND THE INVENTION OF A THIRD FEMINIST WAVE by ELIZABETH ANN BLY Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Advisor: Dr. Renée Sentilles Department of History CASE WESTERN RESERVE UNIVERSITY January, 2010 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of _____________________________________________________ candidate for the ______________________degree *. (signed)_______________________________________________ (chair of the committee) ________________________________________________ ________________________________________________ ________________________________________________ ________________________________________________ ________________________________________________ (date) _______________________ *We also certify that written approval has been obtained for any proprietary material contained therein. Copyright © 2009 by Elizabeth Ann Bly All rights reserved iii For Gabe, Kristin, and Xoe And in memory of Judith Northwood (1964-2009) iv TABLE OF CONTENTS LIST OF ILLUSTRATIONS viii ACKNOWLEDGEMENTS ix ABSTRACT xiii INTRODUCTION 1 White Grrrls 7 ―We Don‘t Need Another Wave‖ 11 Generation X, Feminism, and Contemporary History 19 ―The Order of Things‖ 25 CHAPTER ONE: “Generation X and the 1970s Pop Cultural Discourse on „Women‟s Lib‟” 32 ―Women‘s Lib‖: The Media‘s ―Charred Bra‖ Revolution 35 A Day in the Life: ―Women‘s Lib‖ as Spectacle 38 ―And Then There‘s Maude‖: ―Women‘s Lib‖ and Adult TV 46 Women‘s Lib -
LIGHTBOX FILM CENTER at INTERNATIONAL HOUSE PHILADELPHIA to SCREEN LAURA PARNES’ ‘TOUR WITHOUT END.’ Wednesday, September 12 at 7Pm
LIGHTBOX FILM CENTER AT INTERNATIONAL HOUSE PHILADELPHIA TO SCREEN LAURA PARNES’ ‘TOUR WITHOUT END.’ Wednesday, September 12 at 7pm Press Contact: [email protected] Philadelphia, PA–Lightbox Film Center at International House Philadelphia is pleased to announce the screening of Laura Parnes’ Tour Without End on Wednesday, September 12 at 7pm. This screening is part of Lightbox Film Center’s monthly Subversive Elements series dedicated to experimental film and moving image art. Parnes, a Philadelphia native and notable Tyler School of Art alumni, will be in attendance. The film features members of Gang Gang Dance, Julie Ruin, MEN, Eartheater, MGMT, Light Asylum and more. An official selection of the 2018 Sarasota Film Festival, Tour Without End is an experimental narrative comedy/documentary hybrid film. Casting real-life musicians, artists, and actors as fictional bands on tour, the film evolves into a cross-generational commentary on contemporary culture and politics in the Trump era. Shot over the course of 4 years between 2014-2018, at over 15 DIY music spaces in and around NYC, Tour Without End functions as a time capsule made more apparent by the shuttering of many of the films’ locations due to NYC’s rapid gentrification. The film’s multitude of characters are legendary performers in the downtown NYC arts scene including Wooster Group founder Kate Valk, Jim Fletcher (The NYC Players), musicians Lizzi Bougatsos, (Gang Gang Dance), Kathleen Hanna (The Julie Ruin), Brontez Purnell (The Younger Lovers), Eileen Myles, Alexandra Drewchin (Eartheater), Nicole Eisenman, K8 Hardy, Johanna Fateman (Le Tigre) Shannon Funchess (Light Asylum), JD Samson (MEN), Gary Indiana, Kembra Pfahler, (Voluptuous Horror of Karen Black), Rachel Mason, Tom McGrath, Matthew Asti (MGMT), Becca Blackwell, Christen Clifford, Alessandra Genovese (Crush), Rogelio Ramos (Love Pig), Kenya Robinson (Cheeky LaShae) and Neon Music (Youth Quake). -
ORDER FORM FULL Pdfcd
JAZZ ARTIST TITLE LABEL RETAIL BILK, ACKER STRANGER ON THE SHORE-BEST OF GNP CRESCENDO RM59.00 CAINE, ELLIOTT - SEXTET HIPPIE CHICKS ON ACID (LIVE AT ALVA WONDERCAP RM63.00 DJ BONEBRAKE TRIO THE OTHER OUTSIDE WONDERCAP RM63.00 GRADY, KRAIG BEYOND THE WINDOWS PERHAPS AMONG TH TRANSPARENCY RM48.00 HARLEY, RUFUS BAGPIPES OF THE WORLD TRANSPARENCY RM61.00 HARLEY, RUFUS RE-CREATION OF THE GODS TRANSPARENCY RM61.00 JONES, NORAH COME AWAY WITH ME (BONUS DISC) BLUE NOTE RM132.00 LEONARDSON, ERIC & STEVE BARSOTTI RAREBIT TRANSPARENCY RM48.00 LOS ANGELES FREE MUSIC SOCIETY THE BLORP ESETTE GAZETTE VOL.1 (FAL TRANSPARENCY RM61.00 LOS ANGELES FREE MUSIC SOCIETY THE BLORP ESETTE GAZETTE VOL.2 (WIN TRANSPARENCY RM61.00 MINGUS, CHARLES THE LEAVES JAZZ CAT RM67.00 MONK, THELONIOUS SOULVILLE JAZZ CAT RM67.00 MORGAN, LEE AFTER THE LIGHTS JAZZ CAT RM67.00 OMER, PIERRE - SWING REVUE SWING CREMONA VOODOO RHYTHM RM78.00 PATCHEN, KENNETH READS HIS POETRY WITH JAZZ TWO-BEAT BEATNK RM61.00 PUSSYWARMERS, THE THE CHRONICLES OF... VOODOO RHYTHM RM78.00 ROACH, MAX & CLIFFORD BROWN IN CONCERT GNP CRESCENDO RM59.00 ROYAL CROWN REVUE KINGS OF GANGSTER BOP BYO RM53.00 SUN RA DANCE OF THE LIVING IMAGE (L.R. 4) TRANSPARENCY RM61.00 SUN RA LIVE AT THE ELECTRIC CIRCUS/NEWPORT TRANSPARENCY RM62.00 SUN RA THE CREATOR OF THE UNIVERSE TRANSPARENCY RM61.00 SUN RA THE ROAD TO DESTINY (LOST REEL 6) TRANSPARENCY RM55.00 SUN RA THE SHADOWS TOOK SHAPE (LOST REEL 3 TRANSPARENCY RM61.00 SUN RA THE UNIVERSE SENT ME (LOST REEL 5) TRANSPARENCY RM55.00 SUN RA UNTITLED RECORDINGS TRANSPARENCY -
The Untold Stories of Riot Grrrl Critics and Revolutionists
“Wait a Minute, There’s a Sister in There?” The Untold Stories of Riot Grrrl Critics and Revolutionists by Katherine Ross Thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts (Sociology) Acadia University Spring Convocation 2018 © by Katherine Ross, 2017 This thesis by Katherine Ross was defended successfully in an oral examination on 17th November 2017. The examining committee for the thesis was: ________________________ Dr. Anna Redden, Chair ________________________ Dr. Riley Chisholm, External Examiner ________________________ Dr. Sarah Rudrum, Internal Reader ________________________ Dr. Saara Liinamaa, Supervisor _________________________ Dr. Jesse Carlson, Acting Head This thesis is accepted in its present form by the Division of Research and Graduate Studies as satisfying the thesis requirements for the degree Master of Arts (Sociology). …………………………………………. ii I, Katherine Ross, grant permission to the University Librarian at Acadia University to reproduce, loan or distribute copies of my thesis in microform, paper or electronic formats on a non-profit basis. I, however, retain the copyright in my thesis. _________________________________ Author _________________________________ Supervisor _________________________________ Date iii Table of Contents ABSTRACT ...................................................................................................................... vi ACKNOWLEDGEMENTS ........................................................................................... vii CHAPTER -
Anarchism, Hardcore Music, and Counterculture
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2016 Don't Let the World Rot: Anarchism, Hardcore Music, and Counterculture Pearson Bolt University of Central Florida Part of the Critical and Cultural Studies Commons, and the Ethnomusicology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Bolt, Pearson, "Don't Let the World Rot: Anarchism, Hardcore Music, and Counterculture" (2016). Electronic Theses and Dissertations, 2004-2019. 5128. https://stars.library.ucf.edu/etd/5128 DON’T LET THE WORLD ROT: ANARCHISM, HARDCORE, AND COUNTERCULTURE by PEARSON L. BOLT B.A. University of Central Florida, 2013 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2016 Major Professor: Anthony Grajeda © Pearson Bolt 2016 ii ABSTRACT Hardcore music is intrinsically anarchistic. The hardcore music scene represents a radical departure from contemporary society. Rejecting the materialism, militarism, and hedonism of the mainstream music scene—and, by extension, modern culture—hardcore music presents an alternative lifestyle rooted in solidarity, equality, and liberty. Indeed, the culture of the hardcore scene approaches a transitive, nomadic model of an anarchistic commune built on resistance as a way of life.