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The Blue Review Literature Drama Art Music
Volume I Number III JULY 1913 One Shilling Net THE BLUE REVIEW LITERATURE DRAMA ART MUSIC CONTENTS Poetry Rupert Brooke, W.H.Davies, Iolo Aneurin Williams Sister Barbara Gilbert Cannan Daibutsu Yone Noguchi Mr. Bennett, Stendhal and the ModeRN Novel John Middleton Murry Ariadne in Naxos Edward J. Dent Epilogue III : Bains Turcs Katherine Mansfield CHRONICLES OF THE MONTH The Theatre (Masefield and Marie Lloyd), Gilbert Cannan ; The Novels (Security and Adventure), Hugh Walpole : General Literature (Irish Plays and Playwrights), Frank Swinnerton; German Books (Thomas Mann), D. H. Lawrence; Italian Books, Sydney Waterlow; Music (Elgar, Beethoven, Debussy), W, Denis Browne; The Galleries (Gino Severini), O. Raymond Drey. MARTIN SECKER PUBLISHER NUMBER FIVE JOHN STREET ADELPHI The Imprint June 17th, 1913 REPRODUCTIONS IN PHOTOGRAVURE PIONEERS OF PHOTOGRAVURE : By DONALD CAMERON-SWAN, F.R.P.S. PLEA FOR REFORM OF PRINTING: By TYPOCLASTES OLD BOOKS & THEIR PRINTERS: By I. ARTHUR HILL EDWARD ARBER, F.S.A. : By T. EDWARDS JONES THE PLAIN DEALER: VI. By EVERARD MEYNELL DECORATION & ITS USES: VI. By EDWARD JOHNSTON THE BOOK PRETENTIOUS AND OTHER REVIEWS: By J. H. MASON THE HODGMAN PRESS: By DANIEL T. POWELL PRINTING & PATENTS : By GEO. H. RAYNER, R.P.A. PRINTERS' DEVICES: By the Rev.T. F. DIBDIN. PART VI. REVIEWS, NOTES AND CORRESPONDENCE. Price One Shilling net Offices: 11 Henrietta Street, Covent Garden, W.G. JULY CONTENTS Page Post Georgian By X. Marcel Boulestin Frontispiece Love By Rupert Brooke 149 The Busy Heart By Rupert Brooke 150 Love's Youth By W. H. Davies 151 When We are Old, are Old By Iolo Aneurin Williams 152 Sister Barbara By Gilbert Cannan 153 Daibutsu By Yone Noguchi 160 Mr. -
The Edinburgh Gazette, February 9, 1926. 201
THE EDINBURGH GAZETTE, FEBRUARY 9, 1926. 201 THE BANKRUPTCY ACT, 1914. Win. George Dear, 20 Maiden Hill, New Maiden,. Surrey, works manager. FROM THE LONDON GAZETTE. Vlarsden Rayner, residing at 40 Devon Road, Bagby Fields, and carrying on business at Back Green- mount Terrace, Lady Pit Lane, Beeston Hill, both RECEIVING OKDERS. in the city of Leeds, motor body and coach builder. Thomas Stephen Bowen, 37 West Kensington Man- Samuel Edge Cluff, residing at 7 Souberie Avenue,. sions, W., London. Letchworth, in the county of Hertford, and carry- F. A. Copland, 26 Victoria Road, Kilburn, London. ing on business at 40 Station Road, Letchworth David Garfield, 143 Wardour Street, London, and aforesaid, hardware merchant. lately carrying on business at Triumph House, 189 William Charles Broomhead, residing at 21 Galbraith Regent Street, London, merchant. Road, Didsbury, in the city of Manchester, and Morris Isaacson, 50 Grand Avenue, Muswell Hill, carrying on business at 1 Norton Street, Ancoa'ts,. Middlesex, leather goods manufacturer, and Victor Manchester aforesaid, metal merchant. Isaacson, of Victoria Mansions, 13 Queens Club Harriett Hands (widow), residing at 9 Cambridge- Gardens, Kensington, London, leather goods manu- Avenue, Whalley Range, Manchester, formerly re- facturer, lately carrying on business in copartner- siding and carrying on business at 64 Preston ship at 1 to 3 Leonard Street, Finsbury, London, Street, Hulme, Manchester aforesaid, fried fish under the style of Isaacson Brothers (a firm). and chip potato dealer. Sidney Jacobs, 39 Cricklewood Broadway, London. Morris Kelly, 12 Jackson's Row, Manchester, radio Edward John Thomas Beales Ollett, engineer, 16 apparatus dealer. Craven Walk, Stamford Hill, N.16, lately residing Catherine M'Mahon (widow), residing at 22 May- at 10 Cadzow Drive, Cambuslang, N.B. -
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University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/59427 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. THESIS INTRODUCTION The picture of themselves which the Victorians have handed down to us is of a people who valued morality and respectability, and, perhaps, valued the appearance of it as much as the reality. Perhaps the pursuit of the latter furthered the achievement of the former. They also valued the technological achievements and the revolution in mobility that they witnessed and substantially brought about. Not least did they value the imperial power, formal and informal, that they came to wield over vast tracts of the globe. The intention of the following study is to take these three broad themes which, in the national consciousness, are synonymous with the Victorian age, and examine their applicability to the contemporary theatre, its practitioners, and its audiences. Any capacity to undertake such an investigation rests on the reading for a Bachelor’s degree in History at Warwick, obtained when the University was still abuilding, and an innate if undisciplined attachment to things theatrical, fostered by an elder brother and sister. Such an attachment, to those who share it, will require no elaboration. My special interest will lie in observing how a given theme operated at a particular or local level. -
Hackney Archives - History Articles in Hackney Today by Subject
Hackney Archives - History Articles in Hackney Today by Subject These articles are published every fortnight in Hackney Today newspaper. They are usually on p.25. They can be downloaded from the Hackney Council website at http://www.hackney.gov.uk/w-hackneytoday.htm. Articles prior to no.158 are not available online. Issue Publication Subject Topic no. date 207 11.05.09 125-130 Shoreditch High Street Architecture: Business 303 25.03.13 4% Industrial Dwellings Company Social Care: Jewish Housing 357 22.06.15 50 years of Hackney Archives Research 183 12.05.08 85 Broadway in Postcards Research Methods 146 06.11.06 Abney Park Cemetery Open Spaces 312 12.08.13 Abney Park Cemetery Registers Local History: Records 236 19.07.10 Abney Park chapel Architecture: Ecclesiastical 349 23.02.15 Activating the Archive Local Activism: Publications 212 20.07.09 Air Flight in Hackney Leisure: Air 158 07.05.07 Alfred Braddock, Photographer Business: Photography 347 26.01.15 Allen's Estate, Bethune Road Architecture: Domestic 288 13.08.12 Amateur sport in Hackney Leisure: Sport 227 08.03.10 Anna Letitia Barbauld, 1743-1825 Literature: Poet 216 21.09.09 Anna Sewell, 1820-1878 Literature: Novelist 294 05.11.12 Anti-Racism March Anti-Racism 366 02.11.15 Anti-University of East London Radicalism: 1960s 265 03.10.11 Asylum for Deaf and Dumb Females, 1851 Social Care 252 21.03.11 Ayah's Home: 1857-1940s Social Care: Immigrants 208 25.05.09 Barber's Barn 1: John Okey, 1650s Commonwealth and Restoration 209 08.06.09 Barber's Barn 2: 16th to early 19th Century Architecture: -
THE UNIVERSITY of HULL (Neo-)Victorian
THE UNIVERSITY OF HULL (Neo-)Victorian Impersonations: 19th Century Transvestism in Contemporary Literature and Culture being a Thesis submitted for the Degree of PhD in the University of Hull by Allison Jayne Neal, BA (Hons), MA September 2012 Contents Contents 1 Acknowledgements 3 List of Illustrations 4 List of Abbreviations 6 Introduction 7 Transvestites in History 19th-21st Century Sexological/Gender Theory Judith Butler, Performativity, and Drag Neo-Victorian Impersonations Thesis Structure Chapter 1: James Barry in Biography and Biofiction 52 ‘I shall have to invent a love affair’: Olga Racster and Jessica Grove’s Dr. James Barry: Her Secret Life ‘Betwixt and Between’: Rachel Holmes’s Scanty Particulars: The Life of Dr James Barry ‘Swaying in the limbo between the safe worlds of either sweet ribbons or breeches’: Patricia Duncker’s James Miranda Barry Conclusion: Biohazards Chapter 2: Class and Race Acts: Dichotomies and Complexities 112 ‘Massa’ and the ‘Drudge’: Hannah Cullwick’s Acts of Class Venus in the Afterlife: Sara Baartman’s Acts of Race Conclusion: (Re)Commodified Similarities Chapter 3: Performing the Performance of Gender 176 ‘Let’s perambulate upon the stage’: Dan Leno and the Limehouse Golem ‘All performers dress to suit their stages’: Tipping the Velvet ‘It’s only human nature after all’: Tipping the Velvet and Adaptation 1 Conclusion: ‘All the world’s a stage and all the men and women merely players’ Chapter 4: Cross-Dressing and the Crisis of Sexuality 239 ‘Your costume does not lend itself to verbal declarations’: -
Lyrics and Music
Soundtrack for a New Jerusalem Lyrics and Music By Lily Meadow Foster and Toliver Myers EDITED by Peter Daniel The 70th Anniversary of the National Health Service 1 Jerusalem 1916 England does not have a national anthem, however unofficially the beautiful Jerusalem hymn is seen as such by many English people. Jerusalem was originally written as a preface poem by William Blake to his work on Milton written in 1804, the lyrics were added to music written by Hubert Parry in 1916 during the gloom of WWI when an uplifting new English hymn was well received and needed. Blake was in- spired by the mythical story Jesus, accompanied by Joseph of Arimathea, once came to England. This developed its major theme that of creating a heaven on earth in En- galnd, a fairer more equal country that would abolish the exploitation of working people that was seen in the ‘dark Satin mills’ of the Industrial revolution. The song was gifted by Hubert Parry to the Suffragette movement who were inspired by this vi- sion of equality. 2 Jerusalem William Blake lyrics Hubert Parry Music 1916 And did those feet in ancient time Walk upon England's mountains green? And was the holy Lamb of God On England's pleasant pastures seen? And did the countenance divine Shine forth upon our clouded hills? And was Jerusalem builded here Among those dark Satanic Mills? Bring me my bow of burning gold! Bring me my arrows of desire! Bring me my spear! O clouds, unfold! Bring me my chariot of fire! I will not cease from mental fight Nor shall my sword sleep in my hand Till we have built Jerusalem In England's green and pleasant Land Hubert Parry 1916 Words by William Blake 1804 3 Jerusalem 1916 4 Jerusalem 1916 5 Jerusalem 1916 William Blake imagined a time when Britain would be a fairer more equal society. -
A Variety Show from Tagora
Roll-call La Belle Époque is created, directed and performed by: V David Adamson, Joceline Adamson, Ian Bennett, Maimu Berg, Yucel Biricik, David Bousquet, Angela Brewer, David Crowe, Grégoire de Victor, Isabelle Dousset, Catherine Dreyfus, Imogen Hattenville, Louis Hattenville, Nell Hattenville, Paula Hinchy, Pelin Iscan, Banu Karamanoğlu, Selina Kenny, Julia Laffranque, Oscar Laffranque, Tobias Laffranque, Elena Malagoni, Roger Massie, Ann Meyer, Tina Mul- cahy, Bridget O’Loughlin, Maria Oreshkina, Louise Palmer, Simon Palmer, Edmond Perrier, Edouard Per- rier, Lucy Perrier, Maria Psarrou, Sabine Rinck, Milica Sajin, Doris Schaal, Mónica Soler-Pérez, Martin Swit- zer, Janis Symons, Martyn Symons, Andrew Tattersall, Richard Thayer, François Thouvenin, William Valk, Julie Vauboin, Armelle Weber, Julia Whitham, Andrew Wright, Jonah Wright, Liam Wright, Marie- Anne Wright, Martin Wright, Owen Wright. Backstage V Morgane Agez, Dianne Bartsch, Hazel Bastier, Lois Ceredig, Sara Rekar. Wardrobe V Marie-Claude Leroux, with the help of Janis Symons and Julie Vauboin. A variety show Décor V Martyn Symons. from Tagora Technical team V Albin Bernard, Richard Cruse, Hal d’Arpini, Carlos Hernández, Jeannine O’Kane, Rob Simmons. Cube noir Front-of-house/bar Koenigshoffen, V Guido Brockmann, Pelin Iscan, Marloes Kerstens, Michèle Lotz, Claire Massie, Lourd McCabe, Dave Strasbourg Parrott, Milica Sajin. 13-15 December 2013 Acknowledgements Grateful thanks to: Michèle Adamson, Amicale du per- 18-20 December 2013 sonnel du Conseil de l’Europe; Albert Ashok; Pierre Charpilloz; CREPS; Finnish National Gallery, Hel- sinki; Ann and Christopher Grayson; Adrienne and Michael Ingledow; David-Michel Muller; Xavier Schmaltz; Marie-José Schneider; Collectif Trois 14; Ville de Strasbourg V uProgramme The music hall tradition u Tagora asked J.R. -
Tamarkan Convalescent Camp Sears Eldredge Macalester College
Macalester College DigitalCommons@Macalester College Book Chapters Captive Audiences/Captive Performers 2014 Chapter 5. "The aT markan Players Present ": Tamarkan Convalescent Camp Sears Eldredge Macalester College Follow this and additional works at: http://digitalcommons.macalester.edu/thdabooks Recommended Citation Eldredge, Sears, "Chapter 5. "The aT markan Players Present ": Tamarkan Convalescent Camp" (2014). Book Chapters. Book 17. http://digitalcommons.macalester.edu/thdabooks/17 This Book is brought to you for free and open access by the Captive Audiences/Captive Performers at DigitalCommons@Macalester College. It has been accepted for inclusion in Book Chapters by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. 152 Chapter 5: “The Tamarkan Players Present” Tamarkan Convalescent Camp It was early December 1943 when Brigadier General Arthur Varley and the first remnants of A Force from Burma arrived at their designated convalescent camp in Tamarkan, Thailand, after a long journey by rail. As their train traversed the wooden bridges and viaducts built by their counterparts, they passed the construction camps where the POWs in Thailand anxiously awaited their own redeployment back to base camps. When they entered Tamarkan, they found a well-ordered camp with a lean-to theatre left by the previous occupants. Backstory: October 1942–November 1943 Tamarkan was “the bridge camp”—the one made famous by David Lean’s film The Bridge on the River Kwai, based on the novel by Pierre Boulle.i There were, in fact, two bridges built at Tamarkan: first a wooden one for pedestrian and motor vehicle traffic that served as a temporary railway trace until the permanent concrete and steel railway bridge could be completed just upriver of it. -
The Limehouse Golem’ by
PRODUCTION NOTES Running Time: 108mins 1 THE CAST John Kildare ................................................................................................................................................ Bill Nighy Lizzie Cree .............................................................................................................................................. Olivia Cooke Dan Leno ............................................................................................................................................ Douglas Booth George Flood ......................................................................................................................................... Daniel Mays John Cree .................................................................................................................................................... Sam Reid Aveline Mortimer ............................................................................................................................. Maria Valverde Karl Marx ......................................................................................................................................... Henry Goodman Augustus Rowley ...................................................................................................................................... Paul Ritter George Gissing ................................................................................................................................ Morgan Watkins Inspector Roberts ............................................................................................................................... -
Lazarsfeld AJVS Final-Layout
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals online The English Warner Brother triumphs over religious hegemony on the road to celebrity and dynasty Ann Lazarsfeld-Jensen In late Victorian England, music halls were often besieged by fanatical Christians who wanted to shut them down. Evangelicals manipulated justifiable public concerns about alcohol abuse to conflate popular entertainment with social erosion. The complex legislation surrounding places of entertainment began in the 1830s with concerns about limelight and sawdust, but by the 1880s it was firmly focused on morality (Victorian Music Halls 63) The music hall wars were an alarming threat for the predominantly Jewish artists and hall managers barely one generation beyond refugee poverty. It was unwise for them to oppose anything rooted in the national religious hegemonies, and they could not find a moral high ground to protect their livelihood. In this context, the fin de siècle Jewish theatrical agent, Dick Warner, began to use networks of men’s clubs and newspaper publicity to redefine the industry. The peaceful assimilation of Jews with its concomitant benefits for the pursuit of profit (Jews of Britain 77-79) was not a cynical ambition. Warner subscribed to the Victorian Anglo-Jewish world view of judicious assimilation and restrained observance, and he embraced it as the way forward for theatrical entrepreneurs who were losing ground to what Kift refers to as the “sour-faced, austere and ascetic” social reformers (157). The themes of Warner’s publicity campaign are recognisable today. -
Christopher Brookes, His Own Man. the Life of Neville Cardus. (Book
Christopher Brookes, His Own Man. The Life of Neville Cardus. Methuen, Loneon, 1985, pp.280. $45. Neville Cardus is cricket's most outstanding writer. He trans- formed cricket and sports journalism from mundane reporting into a literary genre. While his style has been aped by many, and only equalled by John Arlott and C.L.R. James, its rich, indulgent 79 quality has never been surpassed. The essence of Cardus was that he understood that 'a cricket- er, like anybody else, is what his period and environment make of him, and he acts or plays accordingly'. Neville Cardus was born in Manchester in 1889 and this fact had a crucial influence on his subsequent writing. He grew up in the Edwardian era, the so-called Golden Age of cricket; a period which is now grossly over- romanticised as one of flourishing, carefree amateurs, as opposed to dour professionals. Cardus never knew his father. He was brought up by his mother and his aunt Beatrice, both of whom worked as high-class prosti- tutes, and by his grandparents, who took in washing. In Autobiography Cardus wishes us to believe that he was 'an uneducated boy from an illiterate home' but in this excellent new biography that Cardus- created myth is carefully examined and refuted. Brookes concludes that it is a legend that has been 'authenticated by default and sanctified in absentia'. Poverty was certainly part of Cardus family life but Brookes demonstrates that these were enlightened working class people who strove hard to avoid penury and instilled into Fred, as Neville was then called, a fierce determination to avoid the drudgery of a pro- letarian existence. -
GEORGE BERNARD SHAW by GILBERT K
GEORGE BERNARD SHAW By GILBERT K. CHESTERTON NEW YORK JOHN LANE COMPANY MCMIX COPYRIGHT, 1909, BY JOHN LANE COMPANY THE PLIMPTON PRESS, NORWOOD, MASS. Introduction to the First Edition Most people either say that they agree with Bernard Shaw or that they do not understand him. I am the only person who understands him, and I do not agree with him. G. K. C. The Problem of a Preface A peculiar difficulty arrests the writer of this rough study at the very start. Many people know Mr. Bernard Shaw chiefly as a man who would write a very long preface even to a very short play. And there is truth in the idea; he is indeed a very prefatory sort of person. He always gives the explanation before the incident; but so, for the matter of that, does the Gospel of St. John. For Bernard Shaw, as for the mystics, Christian and heathen (and Shaw is best described as a heathen mystic), the philosophy of facts is anterior to the facts themselves. In due time we come to the fact, the incarnation; but in the beginning was the Word. This produces upon many minds an impression of needless preparation and a kind of bustling prolixity. But the truth is that the very rapidity of such a man's mind makes him seem slow in getting to the point. It is positively because he is quick-witted that he is long-winded. A quick eye for ideas may actually make a writer slow in reaching his[Pg 8] goal, just as a quick eye for landscapes might make a motorist slow in reaching Brighton.