ARTICLE How to Cite: Engler, S 2020 Umbanda: Africana or Esoteric? Open Library of Humanities, 6(1): 25, pp. 1–36. DOI: https://doi.org/10.16995/olh.469 Published: 30 June 2020 Peer Review: This article has been peer reviewed through the double-blind process of Open Library of Humanities, which is a journal published by the Open Library of Humanities. Copyright: © 2020 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: Open Library of Humanities is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. Steven Engler, ‘Umbanda: Africana or Esoteric?’ (2020) 6(1): 25 Open Library of Humanities. DOI: https:// doi.org/10.16995/olh.469 ARTICLE Umbanda: Africana or Esoteric? Steven Engler Mount Royal University, CA
[email protected] Umbanda is a dynamic and varied Brazilian spirit-incorporation tradition first recorded in the early twentieth century. This article problematizes the ambiguity of categorizing Umbanda as an ‘Afro-Brazilian’ religion, given the acknowledged centrality of elements of Kardecist Spiritism. It makes a case that Umbanda is best categorized as a hybridizing Brazilian Spiritism. Though most Umbandists belong to groups with strong African influences alongside Kardecist elements, many belong to groups with few or no African elements, reflecting greater Kardecist influence.