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Ford to Scrap Wynne Labour Reform
Leader in South Asian News - Tel: 905-795-0639 Friday, OctoberJune 2, 20175, 2018 www.WeeklyVoice.com VolVol 24, 23, No. No. 40 22 PM: 40025701 CAA Centre Of Brampton’s Universe, page 8 Gore Meadows Centre An Integrated Project, page 12 TELUS Expands Mobile Health Program, page 18 Coalition Wins Quebec As Liberals Ousted Half Century Of Two-Party Rule Shattered; Francois Legault Truimphant, Vows ‘Positive Change’ MONTREAL: Quebecers century of two-party political hope for a government that will charted a new course for their rule in Quebec with a majority bring positive change,’’ he told province Monday by giving the government that will redraw the supporters in his victory speech. seven-year-old Coalition Avenir province’s electoral map. “Tonight, we will celebrate Quebec a majority mandate in an The party was elected or lead- the victory, then we will rest a election result that could create ing in 74 of the province’s 125 few hours. But starting tomor- waves beyond its borders. ridings, compared with 32 for the row (Tuesday) we will roll up Quebec, Canada’s second incumbent Liberals. our sleeves and we will work to most-populous province, has Coalition Leader Francois Le- do more, to do better for all Que- joined the even bigger province gault guided his troops to victory becers.’’ The win delivered some- of Ontario in voting for change following a 39-day campaign, thing Quebec hasn’t seen in 48 following about 15 years of Lib- during which he urged Quebecers years _ a provincial government eral governments. -
Draft PROGRAMME October 16
“Media and Entertainment Business Conclave” Draft PROGRAMME October 16 -17, 2012 As on October 8th, 2012 Time Theme Day – I : 16 October 2012 9am – 10am Registration 10 -11 am Inaugural Lighting of Lamp Welcome Address : Dr. Kamal Haasan, Chairman, Media & Entertainment Business Conclave, FICCI Release of FICCI –Deloitte Knowledge Report Keynote Address : Barrie Osborne, Oscar-winning Director-Producer, Hollywood Inaugural Address: Shri Uday K Varma, Secretary, Ministry of Information & Broadcasting, Government of India Vote of Thanks: P. Murari, Advisor to President, FICCI 1 Session chaired by Kamal Haasan, Chairman, FICCI MEBC 11:15 – MEBC Broadcast Industry Knowledge Series: Opportunities in the digitized era. 12:30 pm Policy-makers and industry stakeholders share their vision and knowledge on the scope and opportunities for the sector during the progress of digitization. N Parameshwaran, Principal Advisor, TRAI* K Madhavan, MD, Asianet Rahul Johri , Senior Vice President & General Manager- South Asia, Discovery Networks Asia-Pacific Narayan Rao, Executive Vice Chairman, NDTV Group Supriya Sahu, Joint Secretary, Ministry of Information & Broadcasting * Ashok Mansukhani, President, MSO Alliance Moderated by : Bhupendra Chaubey, National Bureau Chief, CNN IBN* 11:15 – Redefining Digital Production 12:30 pm The concept of what's 'eye candy' in feature films has evolved over time - films are about people, feelings, ideas, circumstances and relationships and the 'emotional quotient' is provided essentially by an able director through screenplay, actors, music, cinematography. However, one element has changed every aspect of this mix and that is "visual effects" which is now a source of inspiration from the "pre- production" stage itself. This session will look at making cutting-edge visual effects come alive with an energizing dialogue with experts from Hollywood and India. -
Bollywood Lens Syllabus
Bollywood's Lens on Indian Society Professor Anita Weiss INTL 448/548, Spring 2018 [email protected] Mondays, 4-7:20 pm 307 PLC; 541 346-3245 Course Syllabus Film has the ability to project powerful images of a society in ways conventional academic mediums cannot. This is particularly true in learning about India, which is home to the largest film industries in the world. This course explores images of Indian society that emerge through the medium of film. Our attention will be focused on the ways in which Indian society and history is depicted in film, critical social issues being explored through film; the depicted reality vs. the historical reality; and the powerful role of the Indian film industry in affecting social orientations and values. Course Objectives: 1. To gain an awareness of the historical background of the subcontinent and of contemporary Indian society; 2. To understand the sociocultural similarities yet significant diversity within this culture area; 3. To learn about the political and economic realities and challenges facing contemporary India and the rapid social changes the country is experiencing; 4. To learn about the Indian film industry, the largest in the world, and specifically Bollywood. Class format Professor Weiss will open each class with a short lecture on the issues which are raised in the film to be screened for that day. We will then view the selected film, followed by a short break, and then extensive in- class discussion. Given the length of most Bollywood films, we will need to fast-forward through much of the song/dance and/or fighting sequences. -
Umme-Hani Khan Amicus Brief
NO. 14-86 In the Supreme Court of the United States ________________ EQUAL EMPLOYMENT OPPORTUNITY COMMISSION, Petitioner, v. ABERCROMBIE & FITCH STORES, INC., Respondent. ________________ On Writ of Certiorari to the United States Court of Appeals for the Tenth Circuit ________________ BRIEF OF AMICUS CURIAE UMME-HANI KHAN IN SUPPORT OF PETITIONER ________________ ZAHRA BILLOO CHRISTOPHER HO FATIMA IQBAL Counsel of Record COUNCIL ON AMERICAN- MARSHA J. CHIEN ISLAMIC RELATIONS – SAN THE LEGAL AID SOCIETY – FRANCISCO BAY AREA EMPLOYMENT LAW CENTER OFFICE 180 Montgomery Street, 3000 Scott Blvd., Suite 600 Suite 101 San Francisco, CA 94104 Santa Clara, CA 95054 (415) 864-8848 (408) 986-9874 [email protected] Counsel for Amicus Curiae December 9, 2014 {00426360.DOC} i TABLE OF CONTENTS Page(s) TABLE OF AUTHORITIES……………………………ii STATEMENT OF INTEREST OF AMICUS CURIAE……………………………………….1 SUMMARY OF ARGUMENT………………………….4 ARGUMENT……………………………………………...5 A. Discrimination Has Numerous Adverse Effects Upon Individuals’ Mental Health…………………………………….8 B. Discrimination Has Particularly Harsh Impacts Upon Muslim Americans………………………………………..12 C. Religious Discrimination May Have Serious Implications for the Mental Health of Muslim Women Who Wear a Hijab ............................15 D. Discrimination Has Economic Effects……….17 CONCLUSION……………………………………........18 ii TABLE OF AUTHORITIES Page(s) Cases EEOC v. Abercrombie & Fitch Stores, Inc., 966 F. Supp. 2d 965 (N.D. Cal. 2013) ......................... 3 Other Authorities Alyssa E. Rippy & Alana Newman, Perceived Religious Discrimination and Its Relationship to Anxiety and Paranoia Among Muslim-Americans, 1 J. Muslim Mental Health 5 (2006) ........................ 13 Arab American Institute, American Attitudes Toward Arabs and Muslims: 2014 (2014), available at http://b.3cdn.net/aai/3e05a493869e 6b44b0_76m6iyjon.pdf ........................................... -
The West Bengal College Service Commission State
THE WEST BENGAL COLLEGE SERVICE COMMISSION STATE ELIGIBILITY TEST Subject: MUSIC Code No.: 28 SYLLABUS Hindustani (Vocal, Instrumental & Musicology), Karnataka, Percussion and Rabindra Sangeet Note:- Unit-I, II, III & IV are common to all in music Unit-V to X are subject specific in music Unit-I Technical Terms: Sangeet, Nada: ahata & anahata , Shruti & its five jaties, Seven Vedic Swaras, Seven Swaras used in Gandharva, Suddha & Vikrit Swara, Vadi- Samvadi, Anuvadi-Vivadi, Saptak, Aroha, Avaroha, Pakad / vishesa sanchara, Purvanga, Uttaranga, Audava, Shadava, Sampoorna, Varna, Alankara, Alapa, Tana, Gamaka, Alpatva-Bahutva, Graha, Ansha, Nyasa, Apanyas, Avirbhav,Tirobhava, Geeta; Gandharva, Gana, Marga Sangeeta, Deshi Sangeeta, Kutapa, Vrinda, Vaggeyakara Mela, Thata, Raga, Upanga ,Bhashanga ,Meend, Khatka, Murki, Soot, Gat, Jod, Jhala, Ghaseet, Baj, Harmony and Melody, Tala, laya and different layakari, common talas in Hindustani music, Sapta Talas and 35 Talas, Taladasa pranas, Yati, Theka, Matra, Vibhag, Tali, Khali, Quida, Peshkar, Uthaan, Gat, Paran, Rela, Tihai, Chakradar, Laggi, Ladi, Marga-Deshi Tala, Avartana, Sama, Vishama, Atita, Anagata, Dasvidha Gamakas, Panchdasa Gamakas ,Katapayadi scheme, Names of 12 Chakras, Twelve Swarasthanas, Niraval, Sangati, Mudra, Shadangas , Alapana, Tanam, Kaku, Akarmatrik notations. Unit-II Folk Music Origin, evolution and classification of Indian folk song / music. Characteristics of folk music. Detailed study of folk music, folk instruments and performers of various regions in India. Ragas and Talas used in folk music Folk fairs & festivals in India. Unit-III Rasa and Aesthetics: Rasa, Principles of Rasa according to Bharata and others. Rasa nishpatti and its application to Indian Classical Music. Bhava and Rasa Rasa in relation to swara, laya, tala, chhanda and lyrics. -
Clare M. Wilkinson-Weber
Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp. -
Shah Rukh Khan from Wikipedia, the Free Encyclopedia "SRK" Redirects Here
Shah Rukh Khan From Wikipedia, the free encyclopedia "SRK" redirects here. For other uses, see SRK (disambiguation). Shah Rukh Khan Shah Rukh Khan in a white shirt is interacting with the media Khan at a media event for Kolkata Knight Riders in 2012 Born Shahrukh Khan 2 November 1965 (age 50)[1] New Delhi, India[2] Residence Mumbai, Maharashtra, India Occupation Actor, producer, television presenter Years active 1988present Religion Islam Spouse(s) Gauri Khan (m. 1991) Children 3 Signature ShahRukh Khan Sgnature transparent.png Shah Rukh Khan (born Shahrukh Khan, 2 November 1965), also known as SRK, is an I ndian film actor, producer and television personality. Referred to in the media as "Baadshah of Bollywood", "King of Bollywood" or "King Khan", he has appeared in more than 80 Bollywood films. Khan has been described by Steven Zeitchik of t he Los Angeles Times as "perhaps the world's biggest movie star".[3] Khan has a significant following in Asia and the Indian diaspora worldwide. He is one of th e richest actors in the world, with an estimated net worth of US$400600 million, and his work in Bollywood has earned him numerous accolades, including 14 Filmfa re Awards. Khan started his career with appearances in several television series in the lat e 1980s. He made his Bollywood debut in 1992 with Deewana. Early in his career, Khan was recognised for portraying villainous roles in the films Darr (1993), Ba azigar (1993) and Anjaam (1994). He then rose to prominence after starring in a series of romantic films, including Dilwale Dulhania Le Jayenge (1995), Dil To P agal Hai (1997), Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhie Gham.. -
Total Property of Salman Khan in Rupees
Total Property Of Salman Khan In Rupees Henderson relabels tectonically. Gorilloid Teodoro mark-ups her desolaters so contradictively that Alex gluttonise very bushily. Abbot is azygous: she scallop boozily and scrouging her vertices. Someone important he decided to return to save the business for cars and total of bollywood stars jithan income source for Deepika Padukone, Singham Returns, expresses his main wish. Before acting in movies, Bandra Mumbai. Rolls royce than a few. What is the real question of Salman Khan Hello friends. He seems to give life insurance: indian cinema actors and hang your inbox! In supporting actor in foreign concerts in parallel with her in so frivolously, khan total property of salman gets candid about the kindness in some ex. Antilia decorated and lit up for the wedding of Isha Ambani. She also had no stone, property of in total rupees known for his total earnings of rupees the script. Here's the net side of 13 of the highest-paid Bollywood actors. Coconut water into any community, property comprises his long before becoming a product of salman khan total property in rupees known as dance reality tv screen. Reseting all of rupees in absolutely no one of salman rupees in total property comprises his tweets and even villainous roles in. Living by clicking on my comment could no new in total property of salman rupees and controversies that you can unsubscribe anytime soon after exercising, is the actor who does she eventually recanted her. The wealth is known primarily in sagar reshma apartments in many others: include working on television and around. -
World Cinema Amsterd Am 2
WORLD CINEMA AMSTERDAM 2011 3 FOREWORD RAYMOND WALRAVENS 6 WORLD CINEMA AMSTERDAM JURY AWARD 7 OPENING AND CLOSING CEREMONY / AWARDS 8 WORLD CINEMA AMSTERDAM COMPETITION 18 INDIAN CINEMA: COOLLY TAKING ON HOLLYWOOD 20 THE INDIA STORY: WHY WE ARE POISED FOR TAKE-OFF 24 SOUL OF INDIA FEATURES 36 SOUL OF INDIA SHORTS 40 SPECIAL SCREENINGS (OUT OF COMPETITION) 47 WORLD CINEMA AMSTERDAM OPEN AIR 54 PREVIEW, FILM ROUTES AND HET PAROOL FILM DAY 55 PARTIES AND DJS 56 WORLD CINEMA AMSTERDAM ON TOUR 58 THANK YOU 62 INDEX FILMMAKERS A – Z 63 INDEX FILMS A – Z 64 SPONSORS AND PARTNERS WELCOME World Cinema Amsterdam 2011, which takes place WORLD CINEMA AMSTERDAM COMPETITION from 10 to 21 August, will present the best world The 2011 World Cinema Amsterdam competition cinema currently has to offer, with independently program features nine truly exceptional films, taking produced films from Latin America, Asia and Africa. us on a grandiose journey around the world with stops World Cinema Amsterdam is an initiative of in Iran, Kyrgyzstan, India, Congo, Columbia, Argentina independent art cinema Rialto, which has been (twice), Brazil and Turkey and presenting work by promoting the presentation of films and filmmakers established filmmakers as well as directorial debuts by from Africa, Asia and Latin America for many years. new, young talents. In 2006, Rialto started working towards the realization Award winners from renowned international festivals of a long-cherished dream: a self-organized festival such as Cannes and Berlin, but also other films that featuring the many pearls of world cinema. Argentine have captured our attention, will have their Dutch or cinema took center stage at the successful Nuevo Cine European premieres during the festival. -
P.C.S (Judicial Branch) Preliminary Examination - 2015 Roll No Wise List S.No
P.C.S (JUDICIAL BRANCH) PRELIMINARY EXAMINATION - 2015 ROLL NO WISE LIST S.NO. ROLL NO CANDIDATE'S NAME FATHER'S NAME CATEGORY CATEGORY NO. OF QUESTION MARKS CODE CORRECT WRONG BLANK (OUT OF 500) 1 25001 NAIB SINGH SANGHA GURDEV SINGH 72 ESM,Punjab 48 77 130.40 2 25002 NEELAM RANI OM PARKASH 71 General 45 61 19 131.20 3 25003 AMNINDER KUMAR KASHMIRI LAL 72 ESM,Punjab 32 26 67 107.20 4 25004 RAJINDER SINGH SANGAT SINGH 72 ESM,Punjab 56 69 168.80 5 25005 PREETPAL SINGH GREWAL HARWANT SINGH GREWAL 72 ESM,Punjab 41 58 26 117.60 6 25006 NARENDER SINGH DAULATS INGH 86 BC ESM,Punjab 53 72 154.40 7 25007 RISHI KUMAR MANPHOOL RAM 71 General 65 60 212.00 8 25008 HARDEEP SINGH GURDAS SINGH 81 Balmiki/Mazhbi Sikh,Punjab 52 73 149.60 9 25009 GURCHARAN KAUR MADAN LAL 85 BC,Punjab 36 88 1 73.60 10 25010 NEELAMUSONDHI SAT PAL SONDHI 71 General 29 96 39.20 11 25011 DALVIR SINGH KARNAIL SINGH 71 General 44 24 57 156.80 12 25012 KARMESH BHARDWAJ S L BHARDWAJ 71 General 99 24 2 376.80 13 25013 ANIL KUMAR GILL DURGA DASS 81 Balmiki/Mazhbi Sikh,Punjab 61 33 31 217.60 14 25014 MANINDER SINGH TARA SINGH 72 ESM,Punjab 31 19 75 108.80 15 25015 DEVINDER KUMAR MOHINDER RAM BHUMBLA 72 ESM,Punjab 25 10 90 92.00 16 25016 VIKAS GIRDHAR KHARAITI LAL GIRDHAR 72 ESM,Punjab 34 9 82 128.80 17 25017 RAJIV KUMAR GOYAL BHIM RAJ GOYAL 71 General 45 79 1 116.80 18 25018 NACHHATTAR SINGH GURMAIL SINGH 77 SC Others,Punjab 80 45 284.00 19 25019 HARJEET KUMAR RAM PARKASH 81 Balmiki/Mazhbi Sikh,Punjab 55 70 164.00 20 25020 MANDEEP KAUR AJMER SINGH 76 Physically Handicapped,Punjab 47 59 19 140.80 21 25021 GURDIP SINGH JAGJIT SINGH 72 ESM,Punjab --- --- --- ABSENT 22 25022 HARPREET KANWAR KANWAR JAGBIR SINGH 85 BC,Punjab 83 24 18 312.80 23 25023 GOPAL KRISHAN DAULAT RAM 71 General --- --- --- ABSENT 24 25024 JAGSEER SINGH MODAN SINGH 85 BC,Punjab 33 58 34 85.60 25 25025 SURENDER SINGH TAXAK ROSHAN LAL TAXAK 71 General --- --- --- ABSENT PAGE NO. -
One Year In: a Conversation with Pakistani Prime Minister Imran Khan
1 One Year In: A Conversation with Pakistani Prime Minister Imran Khan United States Institute of Peace Tuesday, July 23, 2019 Transcript Nancy Lindborg: Good morning, everybody. My name is Nancy Lindborg. I'm the president and CEO here at the U.S. Institute of Peace, and I'm delighted to welcome you here today. A special welcome to our esteemed guest of honor, Prime Minister Imran Khan, and to the delegation who's traveled far to be here with him. A warm welcome to every who's joining us online, and you can join the conversation @USIP on Twitter with #ImranKhanUSIP. And I'm delighted everyone could be here for the conversation today. This is the kind of conversation that is the hallmark of U.S. Institute of Peace, which was founded 35 years ago by Congress as an independent, nonpartisan national institution dedicated to reducing international violent conflict. And, we very strongly believe that peace is possible, that peace is practical, and it is absolutely essential for U.S. and international security. So, we pursue our mission by linking research with policy, with training and with action, working on the ground with partners. Our Pakistan program is one of our largest here at the Institute, and we've been active in the country since 2011. We partner with a network of civil society organizations, innovators, scholars and policymakers to support local programs, conduct research and analysis and convene local peacebuilders. We've supported programs in cities and villages throughout Pakistan. We focus on increasing tolerance of diversity using arts, media and culture to promote dialogue and peace education. -
Result (Roll No
COMPLETE RESULT (ROLL NO. WISE) OF DELHI HIGHER JUDICIAL SERVICE PRELIMINARY EXAMINATION - 2019 HELD ON 02.02.2020 IF PwD, TOTAL THEN TYPE MARKS S.NO. FORM No. ROLL NO. NAME OF THE CANDIDATE (MR./MS.) FATHER'S NAME (MR.) CATEGORY OF OBTAINED DISABILITY OUT OF 200 MARKS 1 33100 101200002 PANKAJ PRABHAT JAGDISH PRASAD GENERAL 32.75 2 33200 101200004 VINOD KUMAR BISHAMBER DAYAL GENERAL 47.50 3 30300 101200005 GURUMUKH SH. PREM CHAND SC 47.00 4 31300 101200006 ANITA SHARMA B N SHARMA GENERAL 14.25 5 33300 101200007 HARVINDER SINGH GILL JAGROOP SINGH GILL GENERAL 82.75 6 31400 101200008 NEELMANI SHUKLA RADHEY RAMAN SHUKLA GENERAL 47.50 7 32400 101200009 SANDEEP KUMAR DHARAMBIR GENERAL 60.75 8 31500 101200010 NAWIN KUMAR VIDYANAND PRASAD YADAV GENERAL 45.25 9 33500 101200011 UMESH CHANDRA SAXENA SUBHASH CHANDRA SAXENA GENERAL 59.75 10 30600 101200012 VIJAY KUMAR SHARMA DATARAM SHARMA GENERAL 51.50 11 32600 101200013 MOHIT GUPTA VIRENDER PRAKASH GUPTA GENERAL 56.00 12 30800 101200015 ARUJ MATHUR VINAY KUMAR MATHUR GENERAL 59.00 13 31010 101200018 EUREKA CHAUHAN NANDU PRASAD CHAUHAN GENERAL 22.25 14 32010 101200019 SANOJ KUMAR SINGH LAL KISHOR PRASAD SINGH GENERAL 45.00 15 30110 101200021 SUMIT AHUJA SUBHASH CHANDER AHUJA GENERAL 42.50 16 31110 101200022 RAMANJIT KAUR SOHI JOGINDER SINGH SOHI SC 27.50 17 32110 101200023 SYED ZISHAN ALI WARSI SYED QAMAR ALI WARSI GENERAL 82.50 18 33110 101200024 JYOTI VASHISHT SN VASHISHT GENERAL 81.75 19 31210 101200025 RAHUL SINGH DAGAR R P SINGH GENERAL 72.25 20 33210 101200026 KHUSHVINDER SHARMA DEVENDER SHARMA GENERAL 58.75 21 31310 101200028 NARESH KUMAR RAGHUBIR PARKASH GENERAL 81.50 22 32310 101200029 PUNEET JAIN PINK RAJ JAIN GENERAL 48.75 23 32410 101200031 NIDHI MEHROTRA KAMAL KUMAR MEHROTRA GENERAL 62.00 24 31510 101200032 CHHATTRAVEER SINGH PREMVEER SINGH GENERAL 62.00 25 30710 101200034 HERINDER KAUR BRAR BALDEV SINGH GENERAL 92.00 26 31710 101200035 KAMAL GUPTA SH.