FLORENCE FAIERS Repertoire for the Playhouse
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DKA-02-23-1966.Pdf
Mr. Bernard R. Kantor Department of Cinema University of Southern California University Park Los Angeles, California 90007 .JAMES STEWART 9 2 01 WILSHIRE: BOULEVARD BEVERLY HILLS, C AL I FORNI A December 8, 1966 Mr. Bernard R. Kantor Department of Cinema University of Southern California University Park Los Angeles, California 90007 Dear Mr. Kantor: I would like very much to attend the banquet planned by the Cinema Department on January 15, 1967 and appear on the panel for Frank Capra. I am just starting a picture but I am quite sure that our location work will be finished before January 15th. Sincerely, lm .., JAMES STEWART -=--~ - 9201 WILSHIRE BOULEVARD___. BEVERLY HILLS, CALIFORNIA - . --~ Delta Kappa Alpha National Honorary Cinema Fraternity HONORARY AWARDS BANQUET honoring Lucille Ball Gregory Peck Hal Wallis January 30, 1966 TOWN and GOWN University of Southern California PROGRAM I. Opening Dr. Norman Topping, President of USC II. Representing Cinema Dr. Bernard R. Kantor, Chairman, Cinema Ill. Representing DKA Howard A. Myrick Presentation of Associate Awards to Barye Collen, Art Jacobs, Howard Jaffe, Anne Kramer, Robert Knutson, Jerry Wunderlich IV. Presentation of Film Pioneer Award to Frances Marion and Sol Lesser V. Master of Ceramonies Bob Crane VI. Tribute to honorary members of DKA VII. Presentation of Honorary Awards to: Hal Wallis Gregory Peck Lucille Ball VIII. In closing Dr. Norman Topping Banquet Committee of USC Friends and Alumni Mr. Edward Anhalt Mr. Paul Nathan Mr. and Mr. Jim Backus Mr. Tony Owen Mr. Earl Bellamy Mr. Marvin Paige Miss Shirley Booth Miss Mary Pickford Mrs. Harry Brand Miss Debbie Reynolds Mr. -
The Story of the Association for the Help of Retarded Children, New York City 1948 - 1998
AAND NOW LET'S BUILD A BETTER WORLD@: THE STORY OF THE ASSOCIATION FOR THE HELP OF RETARDED CHILDREN, NEW YORK CITY 1948 - 1998 DAVID GOODE CITY UNIVERSITY OF NEW YORK DECEMBER, 1998 1 DEDICATION To Anne Kraus, a founding member of AHRC who passed away during the period of this writing. To Anne, to all the founding parents who have gone before her, and to those time has not yet claimed, I dedicate these pages. Through her life and those of the others, through what they achieved by extraordinary dedication to their children, let us all be reminded that we are but temporary residents here with a basic responsibility to help build a better world. 2 ACKNOWLEDGMENTS I want to especially thank Shirley Berenstein and her assistant Dana Bilsky without whose cooperation this document would never have been completed. In addition, my gratitude to Gunnar Dybwad, former Executive Director of the National Association for Retarded Children and currently Director of the Samuel Gridley Howe Library on the grounds of the Fernald School in Boston, who provided access to his historical files and to those of Elizabeth Boggs. I would also like to acknowledge the role of Michael Goldfarb in helping to conceive this project, in considering and hiring me, and for the many hours of stimulating conversations that were a side-benefit of this writing. Finally my appreciation to all those who were interviewed, both formally and informally, and who contributed to my understanding of AHRC and of the parents' movement in the field of mental retardation. 3 "Faithfulness to the truth of history involves far more than a research, however patient and scrupulous, into special facts. -
Film Children Earn Fortunes
Film Children Earn Fortunes Youngaterl of .. Our Gang" comedy troupe enJoy an Ea.ter party. Left to right: ••Spanky" McFarland. Carl ••AUalfa" Swit.er. Darla Hood. and Billie ••Buckwheat" Thoma.. But Relatives Big Money for Little Stars • Topping the list of the juvenile stars of Hollywood is none other than 8-year-old Shirley Temple, whose income is a half mil- Row Over lion dollars a year. She's the pri:ed performer of Twentieth Cen- tury-Fox. In his suit for an accounting in October, 1936, Jack Hays, her former director, estimated the chiId's earnings iince 1932 .Money, had been one million from films and another million from royal- Mrs. Martha Holt with her two children. David and Betty. the firlt of ties. In 193<1·she was getting $1,000 a week and her mother was whom hal found a place in the filmL (ConuDued from page one.) getting an added $250 a week. "The studios are to blame," .agatnst another. It goes with- she says, ••only because they Reverberations of the battle Others in the big money are: out saying that the court bat- need children in pictures and over dollars still go on, as you tles' are the result of attempts pay the boys and girls large know it you have been reading VIRGINIA WEIDLER: Par- SYBIL JASON: Warner amount. Ten. Court approved Brothers. Nine years old. Court by one party or the other to salaries. The money attracts the recent Taylor murder Inves- gain control of the child's earn- parents with eligible children tigations. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Disruptive Convergence: The Struggle Over the Licensing and Sale of Hollywood's Feature Films to Television Before 1955 Permalink https://escholarship.org/uc/item/14h0461n Author Porst, Jennifer Anne Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Disruptive Convergence: The Struggle Over the Licensing and Sale of Hollywood’s Feature Films to Television Before 1955 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Film and Television by Jennifer Anne Porst 2014 © Copyright by Jennifer Anne Porst 2014 ABSTRACT OF THE DISSERTATION Disruptive Convergence: The Struggle Over the Licensing and Sale of Hollywood’s Feature Films to Television Before 1955 by Jennifer Anne Porst Doctor of Philosophy in Film and Television University of California, Los Angeles, 2014 Professor John T. Caldwell, Chair This project is located at the intersection of television and film studies and examines the causes and effects of disruption and convergence in the media industries through a case study of the struggle over Hollywood’s feature films on television before 1955. Since television began broadcasting in earnest in 1948, two years after Hollywood saw its box-office revenues decline precipitously from their all-time high in 1946, the important question to ask becomes: why did it take seven years for Hollywood’s features to make their way to television? Through an investigation of the efforts made by the film and television industries in the 1940s and 1950s to work towards feature films appearing on television, this project concludes that Hollywood’s feature films did not appear on television until 1956, not because of the long held assumptions that the film industry was either apathetic or hostile to the nascent television industry, but rather ii as a result of a complex combination of industrial, social, legal, and governmental forces. -
1937-07-04 [P F-3]
■ ■ -t ■ v •« ^ x jc^j 1 mi x x uuu, ~ * ~ 4 ----- ■■■ __r— Mutual a Forges Ahead Singers Sandwich Feminine Commentator Syracuse Dean Advised In Third Chain Role Bonelli to Tr&in Voice Avoiding Pitfalls of Predecessors, Newest Metropolitan Star Held Network Expanding Programs and Many Jobs Before Serious Listener Ranks. Training Began—Smalle Trained “Revelers.” By Chris Mathisen. Richard Bonelli be in y'“'>ONVINCED. and with ample reason, that its in might charge of position the industry an automotive 1* engineering plant today if the dean of Syracuse Uni- I secure, that its future is of the brightest. Mutual Broadcasting Sys- versity's College of Pine Arts had not. heard him at tern announces plans for continued both in sing a university j expansion, number of club concert. MECHANICALLY-INCLINED,glee Impressed immediately, the dean advised the now- network-affiliated stations and in program service. Although hardly famous baritone to abandon and a close-knit as engineering cultivate his voice. The organization, are its competitors. Mutual, operating on a co- glamor- ous life of a professional singer seemed a mirage to operative basis, has prospered, risen to a in Bonelli, whose youth position which it is able to offer was nnt. snpnt in pasp onrl KpciHpc ho/._ coast-to-coast coverage even at the*-—-- was interested in automobiles and state of present development. young vaudevillian went on to Barrymore carries on for N. B C, with wanted to devote his time to learning suc- Third chain maneuvers have been cess. Hus name, for the sake Columbia announcing the signing of everything about of the many, the repeated failures were oc- record, was Eddie Cantor. -
ROCHESTER TV GUIDE Rochester's Official TV Program and News Guide
SUPER GIVE-AWAY!!! Page 6 TEB 15c GuideOct. 20-26, 1951 ROCHESTER'S Official TVTV Win $50.00--Page 9 PROGRAM & NEWS GUIDE BOSTON BLACKIE Page 16 VAL & IRENE MATES DANCING on a DIME THOSE COLORFUL, graceful, expert- you're constantly keeping one ey peel d ly-staged dance routines that have be- on chalk marks that limit your dancing come such an integral part of TV today area." --oh, the problems they involve! Then there are the added obstacles of According to Val Mates, proprietor of picking up the sound of tap dancers who the Val Mates School of Dance at 62 have the habit of rocketing across the East Avenue, choreographing intricate stage. On a large runway this presents a dance numbers for the television medium dandy spectacular routine, but in TV is the No. 1 problem of most dancing the poor Boom Microphone operator instructors today. And this, despite the tears his hair out trying to follow the fact that Val and practically every other dancer's flying feet. choreographer believe "television is the Rehearsal times are generall y short, greatest boon that ever happened to the due to the high cost of production; only dancing profession." certain costumes may be worn ~ "no What are some of the problems pecul- spangles, they refl ect too much light and iar to tripping the li ght fantastic before studio engineers object" --and because of the hungry eye of the studio cameras? the intimacy of TV itself, close-up shots ''I'd say that the limited area we must oftentimes obscure the meaning a dancer work in is the biggest hurdle," Mr. -
MS Coll 00359
MS Gardner (David) Coll. Papers 359 Collection of material relating to Canadian theatre history and to Gardner’s acting and directing career. It includes theatre programmes, articles and press clippings concerning the history of theatre in Canada, especially for the Toronto area (1974 to 1999); audio tapes of Association for Canadian Theatre Research conferences; videotapes of ten television productions directed by him, and more than fifty production photographs; tapes of his television and film performances; scrapbooks, 1935-1955, that document his career on stage (Hart House Theatre, Straw Hat Players, Crest Theatre, New Play Society, Jupiter Theatre, Stratford Festival) and in radio and television; other papers and photographs; other directors’ prompt books; diaries; correspondence; playbills and broadsides. John Holden’s collection of 19th and 20th century playscripts as well as Holden’s production scripts for Canadian theatres, mainly in the 1950s and early 1960s, are also in the collection. Extent: 48 metres (88 cartons and items) Dates: 500-1999, bulk 1950-1999 Note: Located at Downsview Offsite Storage. DAVID GABD~ER CANADIAN THEATRE HISTORY ijESEARCH COLLECJJ.QN (approximately 30 file drawers and 1826 vertical files: prehistory to 1999) PRE-HISTORY 1. Origins: TVO Series to 1867 (1988-89) 2. Formation of the Universe; Beginnings of Life-forms 3. Primal and Prehistorical Speculation; Beginnings of Mankind 4. Canadian and North I South American Archaeology 4a. World Archeology 5. Evolution (includes Bigfoot I Sasquatch) 6. Dinosaurs - Early Animal Life 7. The Brain 8. Development of the Various Senses (Starting of Music, Dance, Speech and Mimesis) Spirituality in Theatre; Spiritual Philosophy of the Native Peoples Rites, Rituals and Petroglyphs Shamanism Healing (Shamanistic,etc.) Masks and Costumes Trances, Dreams, Magic, Supernatural (Shamanistic) Indian I Eskimo Games and Special Activities Indian I Eskimo Make-Up . -
1 Scms Chicago 2017 Conference Program
SCMS CHICAGO 2017 CONFERENCE PROGRAM PRELIMINARY DRAFT Please review the preliminary draft of the 2017 Chicago Conference Program and send your minor corrections or changes (affiliation, order of presentations, formatting issues or spelling corrections) to scms- [email protected] by Monday, January 2, 2017 at 5 pm CST. To look up author names select the Find button on the toolbar and enter the author's name in the search box and return. You can also use Ctrl + F to locate the author's name. NOTE: • SCMS cannot accommodate requests for changes to the scheduled day or time of any panel or workshop. • Corrections will not be made to the preliminary draft. Corrections will be included in the final printed program that will be available at the conference. • Open-call panel chair assignments are not final. • Due to possible changes in room assignments, room numbers will only be included in the final program. REGISTRATION Conference presenters who have not become members and paid the conference registration fee by Tuesday, January 31, 2017 at 5 pm CST will be deleted from the final printed program. To register, please visit http://www.cmstudies.org/?page=conf_registration Members (who are not presenting) and guests are also welcome to register on-site for the conference. The registration desk will be open Tuesday, March 21: 4 pm - 6 pm Wednesday, March 22: 8 am - 5 pm Thursday, March 23: 8 am - 5 pm Friday, March 24: 8 am - 10:45 am; 12:15 pm - 4 pm Saturday, March 25: 8 am - 5 pm Sunday, March 26: 8:30 am - 12:00 noon NOTE: On Friday, March 24, the registration desk will be closed from 10:45 am to 12:15 pm for the Members’ Business Meeting, and will close at 4 pm for the Awards Ceremony and Reception. -
Torrance Herald
Drama » Art Pre-War Film Masterpiece Returns Cinema * Music Coming Events A Pat O'Brien City Park "Birth of a Nation" IT'S HIS SUBCONSCIOUS! Tells Tall Ones August 20 With Original Cast, Complete Masons, all day picnic and ba "Story conferences" took place game. , ' Sound Effects at Plaza daily on tho set of "Public Enc Mexican Independence Da; my's Wife," during the filming period in American history, the ture, tho actor who had held With the most vital of the Warner Bros, picture Civil war, as its background, D. W. Griffith's 21-year-old most often got It for keeps. showing at the Torranco Thea masterpiece, "The Birth of a Nation," supplemented by tre Wednesday only. But these , Pat O'Brien, a raconteur sound, and with tha original cast, comes to the Plaza conferences worn not to revise sorts, won the cup, with Arm Theatre, Hawthorne, beginning Sunday, Aug. 2iJ. the script. strong second and Foran third » Again and again this film Wife" is The conferees, Pat O'Brien, "Public Enemy's and "ro Robert Armstrong and Dick For powerful drama of a beautifu filled with the drama an took turns telling stories in girl's struggle to escape th Bobby Breen mance of America's great strug competition for a. battered tro toils of the law and also he gle for unity, has been brough phy which tho property man maniacal husband, who ha to the screen by the demand o exhumed from a drawer In his eauscd her to be unjustly im Reaps Reward the public. -
Poverty Row Films of the 1930S by Robert J Read Department of Art History and Communication Studies
A Squalid-Looking Place: Poverty Row Films of the 1930s by Robert J Read Department of Art History and Communication Studies McGill University, Montreal August 2010 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy All rights reserved. This work may not be reproduced in whole or in part, by photocopy or by other means, without permission of the author. Robert J Read, 2010. ii Abstract Film scholarship has generally assumed that the low-budget independent film studios, commonly known as Poverty Row, originated in the early sound-era to take advantage of the growing popularity of double feature exhibition programs. However, the emergence of the independent Poverty Row studios of the 1930s was actually the result of a complex interplay between the emerging Hollywood studios and independent film production during the late 1910s and 1920s. As the Hollywood studios expanded their production, as well as their distribution networks and exhibition circuits, the independent producers that remained outside of the studio system became increasingly marginalized and cut-off from the most profitable aspects of film exhibition. By the late 1920s, non-Hollywood independent film production became reduced to the making of low-budget action films (westerns, adventure films and serials) for the small profit, suburban neighbourhood and small town markets. With the economic hardships of the Depression, the dominant Hollywood studios were forced to cut-back on their lower budgeted films, thus inadvertently allowing the independent production companies now referred to in the trade press as Poverty Row to expand their film practice. -
Mar-Ken Annual 1940
MAR-KEN ANNUAL 1940 EL CAMINO INTRODUCTION * * Let this book, these facts, these reminders of the past year, ever bring fresh memories to your minds of the friends made, the knowledge received, and those honors which were alone acquired in the Mar-Ken High School in the year 1940. ANNUAL STAFF EDITORS-IN-CHIEF Betty Jean Hainey ’40 Georgia Shattuck ’41 Jeanne Johnston ’42 Betty Shattuck ’43 BIBLIOGRAPHY EDITORS Buddy McCallister Mary Alice Dill Billy Cook Bobbie Allert ART EDITORS Luba Meroff Jimmy Zaner Kenneth Fisher CARTOONS Joe E. Brown Jr. FACULTY SECTION Ray Sperry PHOTOGAPHY Richard Kurtze Joan Allen Sheila Matier Rae Bouett Harvey Dack Buddy McCallister Martin Spellman FACULTY EDITOR Miss Mary Barbul Assisted by – James Fox DEDICATION **** To the President and Manager of Mar-Ken High School, Mrs. M. Ethel Bessire, Who, by her untiring energy, strove to make our school life more pleasant and instructive, We, The Senior Class of 1940, Lovingly dedicate this, Our first volume Of El Camino An energetic and ambitious educator, who believes “Labor is the price which the gods set on anything worth having”’ yet withal not losing an innate sense of humor and a fine degree of tolerant sympathy, is the admirable characteristic of M. Ethel Bessire. Having received her early education at Chicago University and Chicago Musical College, having had many years of educational work with the professional child, and being in regular attendance with all California State Executive conferences, Mrs. Bessire is well qualified to be the director of an expanding school such as Mar-Ken. Majoring in the field of Psychology, believing in the leadership of vision, the ambition of the individual makes M. -
Freddie Bartholomew
Freddie Bartholomew Titles: 0 Sources: 6 Stills: 75 Born: Frederick Llewellyn; London; 28th March 1924 Died: Sarasota, Florida; 23rd January 1992 Just the sort of boy to make a maiden aunt come over all unnecessary. He seemed to emblemise for American palates all that is quintessentially British. Source: Classic Movie Kids website Left: and here is the maiden aunt in question, pictured centre, with Bartholomew’s mother. Source: Classic Movie Kids Below left: Naughty Freddie tries to blow up child star hopeful Joanna Quigley… Below right: Avoid so-called “colourised” prints of 1930s black & white classics. No film looks the better for it. Left: “CAPTAINS COURAGEOUS” was certainly his best performance. Spencer Tracy gagged at the prospect of donning a curly wig to sing Portuguese sea shanties, but they gave him an Oscar for the role just the same. Studio caption to promotional still right: "HE'S A BRITISH COWBOY: Freddie Bartholomew, who rocketed to fame with his portrayal of the child hero of "DAVID COPPERFIELD”, returns to Hollywood from New York wearing chaps and a five-gallon hat, determined to become a silent man of the great open spaces. But first he's to go into Metro- Goldwyn-Mayer's forthcoming "ANNA KARENINA”, starring Greta Garbo. He plays Garbo's son." Halliwell’s Filmgoer’s Companion entry: behind him he will be a performer with a wide range and a sure dramatic touch. “”Impeccably well-bred British child actor whose success in Hollywood films of the The rivals of his youth, the sensitive Freddie thirties delighted elderly aunts the world Bartholomew and the forthright Jackie Cooper, over.