Bassoon Audition Repertoire and Orchestral Excerpts Master of Music (Orchestral Performance)

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bassoon audition repertoire and orchestral excerpts Master of Music (Orchestral Performance) Audition Work: Mozart: Bassoon Concerto in B flat major, K.191/186e, first movement with cadenza Composer Work Page berlioz Symphonie Fantastique Excerpt 1 3 Excerpt 2 3 brahms Violin concerto in D Excerpt 1 4 dukas L’Apprenti sorcier Excerpt 1 5 Excerpt 2 6 mozart Le nozze di Figaro: Sinfonia Excerpt 1 7 Excerpt 2 7 tchaikovsky Symphony no. 6 Excerpt 1 8 rimsky-korsakov Scheherazade Excerpt 1 9 Excerpt 2 9 Contrabassoon excerpts*: brahms Symphony no. 1 Excerpt 1 10 Excerpt 2 10 mahler Symphony no. 9 Excerpt 1 11 Excerpt 2 11 Ravel Piano concerto for the left hand Excerpt 1 12 Excerpt 2 12 Excerpt 3 12 * Contrabassoon excerpts are not compulsory. However, candidates may opt to strengthen their application by performing all of the excerpts associated with a secondary instrument. Page intentionally blank 2 berlioz Symphonie Fantastique, op. 14 Bassoon 1 & 2 IV. Marche au Supplice excerpt 1 Allegro ma non troppo (h = 72) v. Songe d’une nuit du Sabbat excerpt 2 Allegro ( = 104) 3 brahms Violin concerto in D, op. 77 Bassoon 2 Second movement excerpt 1 Adagio 4 dukas L’Apprenti sorcier Bassoon 1 & 2 excerpt 1 Vif 5 excerpt 2 (same tempo) 6 mozart Le nozze di Figaro, KV.492 Bassoon 1 Sinfonia excerpt 1 Presto excerpt 2 (same tempo) 7 tchaikovsky Symphony no. 6 in B minor, op. 74 (Pathétique) Bassoon 2 First movement excerpt 1 Moderato mosso 8 rimsky-korsakov Scheherazade, op. 35 Bassoon 1 Second movement excerpt 1 Andantino [ ] excerpt 2 Recit. Moderato assai [ ] 9 brahms Symphony no. 1 in C minor, op. 68 Contrabassoon First movement excerpt 1 [ ] excerpt 2 (same tempo) [ ] 10 mahler Symphony no. 9 in D Contrabassoon Second movement excerpt 1 Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb. Fourth movement excerpt 2 ] 11 ravel Piano concerto for the left hand Contrabassoon excerpt 1 Lento (q = 44) [ ] excerpt 2 (same tempo) excerpt 3 (same tempo) end of orchestral excerpts 12 .

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Loose Adaptation for Chamber Orchestra (2013, Commissioned by Festival Berlioz) by Arthur Lavandier (Born in 1987)
LE BALCON SYMPHONIE FANTASTIQUE Loose adaptation for chamber orchestra BERLIOZ | LAVANDIER Le Balcon New Label — Le Balcon French national release : September 20th, 2016 CD BOX : TRANSAURAL VERSION – 3D SURROUND MIX FOR LOUDSPEAKERS- DOWNLOAD CODE INCLUDED FOR BINAURAL VERSION -3D SURROUND MIX FOR HEADPHONES Concerts : Théâtre de l’Athénée Sep 24 & 25, 2016 — Festival de Pâques de Deauville Apr 15, 2017 Teatro Mayor Jun 9, 2017 — Théâtre de Carcassonne Dec 8, 2017 — Opéra de Lille Mar 25, 2018 press [at] lebalcon.com PRESENTATION Hector Berlioz (1803-1869) Symphonie fantastique op. 14 (1830) Loose adaptation for chamber orchestra (2013, commissioned by Festival Berlioz) by Arthur Lavandier (born in 1987) In commissioning the Balcon ensemble for an ‘interpretation’ of the Symphonie Fantastique, the Festival Berlioz took a considerable risk. Given the size of the orchestra, a ‘transcription’, an ‘adaptation’ was necessary or in Arthur Lavandier’s words a ‘recreation’ – a term that we will retain since it was he who undertook this hazardous task. It is not a case of Berlioz against Lavandier, and the contrary even less so. It is an ‘encounter of a third kind’, a mosaic challenge, an open-minded tribute, an orchestral game, and shared laughter despite the centuries that divide them both. We could also say that it was like a fan- tasy film re-make. LE BALCON CONDUCTOR, MAXIME PASCAL PRODUCTION AND EDITORIAL CONCEPT, FLORENT DEREX SOLO VIOLIN, YOU JUNG HAN FLUTE, CLAIRE LUQUIENS OBOE, YE CHANG JUNG CLARINET, IRIS ZERDOUD BASSOON, JULIEN ABBES
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Hector Berlioz Harold in Italy, Op. 16
PROGRAM NOTES by Phillip Huscher Hector Berlioz Born December 11, 1803, Côte-Saint-André, France. Died March 8, 1869, Paris, France. Harold in Italy, Op. 16 Berlioz composed Harold in Italy in 1834. The first performance was given on November 23 of that year in Paris. The score calls for solo viola and an orchestra consisting of two flutes and piccolo, two oboes and english horn, two clarinets, four bassoons, four horns, two cornets and two trumpets, three trombones and tuba, timpani, snare drum, triangle, cymbals, harp, and strings. Performance time is approximately forty-two minutes. The Chicago Symphony Orchestra's first performances of Berlioz's Harold in Italy were given on subscription concerts at the Auditorium Theatre on March 11 and 12, 1892 with August Junker as soloist and Theodore Thomas conducting. At one of the first performances of his blockbuster Symphonie fantastique, Hector Berlioz noticed that a man stayed behind in the empty concert hall after the ovations had ended and the musicians were packing up to go home. He was, as Berlioz recalls in his Memoirs, "a man with long hair and piercing eyes and a strange, ravaged countenance, a creature haunted by genius, a Titan among giants, whom I had never seen before, the first sight of whom stirred me to the depths." The man stopped Berlioz in the hallway, grabbed his hand, and "uttered glowing eulogies that thrilled and moved me to the depths. It was Paganini." Paganini, is, of course, Italian-born Nicolò Paganini, among the first of music's one-name sensations. In 1833, the year he met Berlioz, Paganini was one of music's greatest celebrities, known for the almost superhuman virtuosity of his violin playing as well as his charismatic, commanding presence.
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Berlioz's Orchestration Treatise
Berlioz’s Orchestration Treatise A Translation and Commentary HUGH MACDONALD published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge CB2 2RU, UK 40 West 20th Street, New York, NY 10011-4211, USA 477 Williamstown Road, Port Melbourne, VIC 3207, Australia Ruiz de Alarc´on 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Cambridge University Press 2002 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2002 Printed in the United Kingdom at the University Press, Cambridge Typeface New Baskerville 11/13 pt. System LATEX2ε [TB] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data Berlioz, Hector, 1803–1869. [Grand trait´e d’instrumentation et d’orchestration modernes. English] Berlioz’s orchestration treatise: a translation and commentary/[translation, commentary by] Hugh Macdonald. p. cm. – (Cambridge musical texts and monographs) Includes bibliographical references and index. ISBN 0 521 23953 2 1. Instrumentation and orchestration. 2. Conducting. I. Macdonald, Hugh, 1940– II. Title. III. Series. MT70 .B4813 2002 781.374–dc21 2001052619 ISBN 0 521 23953 2 hardback Contents List of illustrations
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Harold En Italie Les Nuits D'été
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Season 2013-2014
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University of Cincinnati
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Holst's the Planets Land of the Living Dead Hansel & Gretel7:30 Pm An
tBuildh youre own l series!ov Choosee alll aconcertsn dor get ao flexpassrc andh attende whenst your wanta Northern Colorado’s best entertainment value is only getting better ... and with performances this thrilling, you’ll be on the edge of your seat at every concert! expand your horizons berlioz, rachmaninov, ives holiday magic 18th century elegance midsummer night’s dream family fun holst’s land of the hansel an evening dreams harry the planets7:30 pm living 7:30dead pm & gretel7:30 pm of mozart7:30 pm & deja7:30 vu pm potter7:30 pm FRIDAY, SEPTEMBER 13 FRIDAY, OCTOBER 25 FRIDAY, DECEMBER 13 FRIDAY, JANUARY 31 FRIDAY, APRIL 17 FRIDAY, MAY 15 GOOD SHEPHERD CHURCH • LOVELAND GOOD SHEPHERD CHURCH • LOVELAND GOOD SHEPHERD CHURCH • LOVELAND GOOD SHEPHERD CHURCH • LOVELAND GOOD SHEPHERD CHURCH • LOVELAND GOOD SHEPHERD CHURCH • LOVELAND Masterpiece Concert #1 • Pre-concert talk at 7 pm Masterpiece Concert #2 • Pre-concert talk at 7 pm Masterpiece Concert #3 • Pre-concert talk at 7 pm Masterpiece Concert #4 • Pre-concert talk at 7 pm Masterpiece Concert #5 • Pre-concert talk at 7 pm Masterpiece Concert #6 • Pre-concert talk at 7 pm ELGAR IVES TCHAIKOVSKY ALL-MOZART MENDELSSOHN PROKOFIEV Dream Children Gong on the Hook & Ladder Suites No. 1 and 2 Serenata Notturna, K. 239 Overture and Peter and the Wolf from The Nutcracker Incidental music from MOZART RACHMANINOV Sinfonia concertante, POULENC Symphony No. 41, HUMPERDINCK for flute, oboe, bassoon his setting of Shakespeare’s Isle of the Dead A Midsummer Night’s Dream Babar, The Little Elephant K. 551 “Jupiter” Selections from and horn, K.
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