Victorian Literature Jonathan Grossman Alfred, Lord Tennyson

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Victorian Literature Jonathan Grossman Alfred, Lord Tennyson, "The Lotus Eaters" (1832), "The Lady of Shalott" (1833, 1842), "Locksley Hall" (1842), "Ulysses" (1842), "The Palace of Art" (1842), In Memoriam A.HH (1850), "The Charge of the Light Brigade" (1854), "The Coming of Arthur" (from Idylls ofthe King 1859-1885) Elizabeth Barrett Browning, "The Runaway Slave at Pilgrim's Point" (1848), Selections from Sonnets from the Portuguese (1850), Aurora Leigh (1856) Robert Browning, "Porphyria's Lover" (1836), "My Last Duchess" (1842), "Love among the Ruins" (1855), "Fra Lippo Lippi" (1855), "Childe Roland to the Dark Tower Came" (1855), "An Epistle Containing the Strange Medical Experience of Karshish, the Arab Physician" (1855) Matthew Arnold, "The Buried Life" (1852), "Lines Written in Kensington Gardens" (1852), "Revolutions" (1852), "Self-Dependence" (1852), "To Marguerite: Continued" (1852), Sohrab and Rustum (1853), "The Scholar Gypsy" (1 "Philomela" (1853), Tristram and Iseult (1 (1867) Gabriel (1 Jane Eyre (1 The Tenant of Wildfell Hall (1 William Thackeray, Vanity Fair ( 1 Elizabeth Gaskell, North and South (1 Wilkie Collins, The Woman in White (1 Charles Dickens, Great Expectations (1861) George Eliot, Middlemarch (1871-1872) Anthony Trollope, The Way We Live Now (1 Arthur Conan Doyle, "J. Habakuk Jephson's Statement" (1884); The Sign ofFour (1890); "Man with the Twisted Lip" (1891); "The Yellow (1893) Robert Louis Stevenson, The Strange Case of Dr. Jekyll and Mr. Hyde (1 Oscar Wilde, The Picture of Dorian Gray (1891) Bram Stoker, Dracula (1897) Rudyard Kipling, (1900-1901) Oscar Wilde, The Importance of Being Earnest (1895) George Bernard Shaw, Candida (1898) Thomas Carlyle, Sartor Resartus (1834), Past and Present (1843) John Ruskin, "Ofldeas of Beauty" from Modern Painters (1843), "Sesame and Lilies" (1865), "The Nature of the Gothic" (1892) John Stuart Mill, "On Liberty" (1859), "What is Poetry?" (1860), "The Subjection of Women" (1869) Charles Darwin, Selections (Various) , Matthew Arnold, "The Function of Criticism at the Present Time" ( 1865), Culture and Anarchy (1869) Karl Marx, selections from Capital (first pub. 1867) Walter Pater, The Renaissance (1873) Frances Power Cobbe, Selections from The duties ofwomen,· a course of lectures (1881) Touching Feeling: Affect, Pedagogy, Performativity (2003), Between Men: English Literature and Male Homosocial Desire published 1 Thirtieth Edition, 2016) Schor, Curious Subjects: Women and the Trials ofRealism (2013) .

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Symbol and Mood in Tennyson's Nature Poetry Margery Moore Taylor
University of Richmond UR Scholarship Repository Master's Theses Student Research 1971 Symbol and mood in Tennyson's nature poetry Margery Moore Taylor Follow this and additional works at: https://scholarship.richmond.edu/masters-theses Part of the English Language and Literature Commons Recommended Citation Taylor, Margery Moore, "Symbol and mood in Tennyson's nature poetry" (1971). Master's Theses. 1335. https://scholarship.richmond.edu/masters-theses/1335 This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. SYJYIBOL AND MOOD IN TENNYSON•S NATURE POETRY BY MA1"1GERY MOORE TAYLOR A THESIS SUBI.'IITTED TO THE GRADUATE FACULTY OF THE UNIVERSITY OF RICHMOND IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS JUNE, 1971 Approved for the Department of English and the Graduate School by: Cha rman of the Department of English c:;Dean ofJ'.� the (JG�e . � School CONTENTS INTRODUCTION CHAPTER I: NATURE AND SYMBOLISM CHAPTER II: NATURE AND MOOD CONCLUSION BIBLIOGRAPHY INTRODUCTION The purpose of this paper is to show Tennyson's preoccupation with nature in his poetry, his use of her as a projector of moods and s.ymbolism, the interrelation of landscape with depth of feeling and narrative or even simple picturesqueness. Widely celebrated as the supreme English poet and often called the Victorian Oracle,1 Tenny son may well be considered the best exemplar of the nine teenth century.
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The Scientific Age As Reflected in Tennyson
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1945 The Scientific Age as Reflected inennyson T Rose Francis Joyce Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation Joyce, Rose Francis, "The Scientific Age as Reflected inennyson T " (1945). Master's Theses. 232. https://ecommons.luc.edu/luc_theses/232 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1945 Rose Francis Joyce THE SCIENTIFIC AGE AS REFLECTED IN TENNYSON BY SISTER ROSE FRANCIS JOYCE 0. P. A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS F'OR THE DEGREE OF MASTER OF' ARTS IN LOYOLA UNIVERSITY JUNE 1945 TABLE OF CONTENTS CHAPTER PAGE I. TENNYSON REFLECTS HIS AGE •••••••• • • • • • 1 II. TEJ:rnYSON AND THE NEW SCIENTIF'IC MOVE:MENT • • • • • 15 III. THE SPIRIT OF MODERN SCIENCE IN TENNYSON • • • • • 43 IV. CONFJ.. ICT OF FAITH AND DOUBT IN TENNYSON • • • • • 65 v. TENNYSON THE MAN • • • • • • • • • • • • • • • • • 93 CF...APTER I TENNYSON REFLECTS HIS AGE This poet of beauty and of a certain magnificent idleness, lived at a time when all men had to wrestle and to decide. Tennyson walked through the lowlands of life, and in them met the common man, took.him by the hand, and showed him the unsuspected loveliness of many a common thing.
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Tennyson As a Representative Victorian Poet
Tennyson as a representative Victorian poet Course: B.A. English Hons. Part I Paper: I (sub-section I), Group A Title of e-content: - Tennyson as a representative Victorian poet e-Content by Dr Rohini Department of English, P.U. Email id: [email protected] Mob: 9708723599 Alfred Lord Tennyson was one of the Early Victorian poets along with Mathew Arnold and Robert Browning. Most of us have heard his famous lines: The old order changeth, yielding place to new And God fulfils himself in many ways, Lest one good custom should corrupt the world (The Passing of Arthur) Life: Tennyson was born at Somersby, Lincolnshire. Tennyson met Arthur Henry Hallam whose death he lamented in the poem ‘In Memoriam’(1850). Hallam was engaged to Tennyson’s sister. When Tennyson’s father died, he left the university without a degree and published Poems, chiefly Lyrical. His poetry is a record of the intellectual and spiritual life of the time. Tennyson was made poet Laureate in 1850. Tennyson’s early work is Mariana. Tennyson’s selected works: Poems, Chiefly Lyrical (1830) The Lady of Shalott and other poems (1832) The Princess : A Medly( 1847) In memoriam A.H.H. (1850) Maud, and Other Poems (1855) The idylls of the king (1842-88) Enoch Arden (1864) Tiresias and other poems(1855) Locksley Hall Sixty Years After (1886) The Lotus- Eaters was inspired by his trip to Spain with his close friend Arthur Hallam. The story of The Lotus- Eaters comes from Homer’s ‘The Odyssey.’ In memoriam A.H.H. is a poem by Tennyson.
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Ralph Waldo Emerson and the Dial
EMPORIA STATE r-i 'ESEARCH -GhL WATE PUBLICATION OF THE KANSAS STATE TEACHERS COLLEGE, EMPORIA Ralph Waldo Emerson and The Dial: A Study in Literary Criticism Doris Morton 7hetjnporia State Re~earchStudie~ KANSAS STATE TEACHERS COLLEGE EMPORIA, KANSAS 66801 J A Ralph Waldo Emerson and The Dial: A Study in Literary Criticism Doris Morton *- I- I- VOLUME XVIII DECEMBER, 1969 NUMBER 2 THE EMPORIA STATE RESEARCH STUDIES is published in September, December, March, and June of each year by the Graduate Division of the Kansas State Teachers College, 1200 Commercial St., Emporia, Kansas, 66801. Entered as second-class matter September 16, 1952, at the post office at Em- poria, Kansas, under the act of August 24, 1912. Postage paid at Emporia, Kansas. S)+s, ,-/ / J. r d Ll,! - f> - 2 KANSAS STATE TEACHERS COLLEGE EMPORIA, KANSAS JOHN E. VISSER President of the College THE GRADUATE DIVISION TRUMANHAYES, Acting Dean EDITORIAL BOARD WILLIAMH. SEILER,Professor of Social Sciencesand Chairmunof Divisfon CHARLESE. WALTON,Professor of English and Head of Department GREEND. WYRICK,Professor of English Editor of thh Issue: GREEND, WYRICK Papers published in the periodical are written by faculty members of the Kansas State Teachers College of Emporia and by either undergraduate or graduate students whose studies are conducted in residence under the supervision of a faculty member of the college. ,,qtcm @a"1* a**@ 432039 2 3 ?9fl2 ytp, "Stabement required by the Act of October, 1962; Section 4389, Title a, United Mates Code, showing Ownership, Management and Circulation." The bporh, Sate Ittseuch Studies is pubLished in September, December, March and June of each year.
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Studies in Tennyson Poems of Tennyson
1920. COPTBIGHT, 1889. 1891. 1892. 1897, 1898. BY CHARLES SCRIBNEB's SONS Published February, 1920 PR. 558% V4 THE 8CRBNER PRESS BY HENRY VAN DYKE The Valley of Vision Fighting for Peace The Unknown Quantity The Ruling Passion The Blue Flower Out-of-Doors in the Holy Land Days Off Little Rivers Fisherman's Luck Poems, Collection in one volume Golden Stars The Red Flower The Grand Canyon, and Other Poems The White Bees, and Other Poems The Builders, and Other Poems Music, and Other Poems The Toiling of Felix, and Other Poems The House of Rimmon Studies in Tennyson Poems of Tennyson CHARLES SCRIBNER'S SONS STUDIES IN TENNYSON <J / A YOUNG WOMAN OF AN OLD FASHION WHO LOVES ABT NOT ONLY FOE ITS OWN SAKE BUT BECAUSE IT ENNOBLES LIFE WHO READS POETRY NOT TO KILL TIME BUT TO FILL IT WITH BEAUTIFUL THOUGHTS AND WHO STILL BELIEVES IN GOD AND DUTY AND IMMORTAL LOVE I DEDICATE THIS BOOK PREFACE 1 HIS volume is intended to be a companion to my Select Poems of Tennyson. I have put it second in the pair because that is its right place. Criticisms, com^ ments, interpretations, are of comparatively little use until you have read the poetry of which they treat. Like photographs of places that one has not seen, they lack the reviving, realizing touch of remembrance. The book contains a series of essays, written at dif- ferent times, printed separately in different places, and collected, substantially, in a book called The Poetry of Tennyson, which was fortunate enough to find many friends, and has now, I believe, gone out of print.
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Tennyson's Poems
Tennyson’s Poems New Textual Parallels R. H. WINNICK To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/944 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. TENNYSON’S POEMS: NEW TEXTUAL PARALLELS Tennyson’s Poems: New Textual Parallels R. H. Winnick https://www.openbookpublishers.com Copyright © 2019 by R. H. Winnick This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work provided that attribution is made to the author (but not in any way which suggests that the author endorses you or your use of the work). Attribution should include the following information: R. H. Winnick, Tennyson’s Poems: New Textual Parallels. Cambridge, UK: Open Book Publishers, 2019. https://doi.org/10.11647/OBP.0161 In order to access detailed and updated information on the license, please visit https://www.openbookpublishers.com/product/944#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/by/4.0/ Digital material and resources associated with this volume are available at https://www.openbookpublishers.com/product/944#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher.
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The World's Best Poetry, Volume 8
The World's Best Poetry, Volume 8 Various - Edited by Bliss Carman Project Gutenberg's The World's Best Poetry, Volume 8, by Bliss Carman This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The World's Best Poetry, Volume 8 Author: Various Edited by Bliss Carman Release Date: July 17, 2004 [EBook #12924] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE WORLD'S BEST POETRY, VOLUME 8 *** Produced by Charles Aldarondo, Leonard Johnson, and the Online Distributed Proofreading Team. _THE WORLD'S BEST POETRY_ _I Home: Friendship II Love III Sorrow and Consolation IV The Higher Life V Nature VI Fancy: Sentiment VII Descriptive: Narrative VIII National Spirit IX Tragedy: Humor X Poetical Quotations_ THE WORLD'S BEST POETRY IN TEN VOLUMES, ILLUSTRATED Editor-in-Chief BLISS CARMAN Associate Editors John Vance Cheney Charles G.D. Roberts Charles F. Richardson Francis H. Stoddard Managing Editor John R. Howard 1904. _The World's Best Poetry Vol. VIII NATIONAL SPIRIT_ THE STUDY OF POETRY. BY FRANCIS HOVEY STODDARD. Clever men of action, according to Bacon, despise studies, ignorant men too much admire them, wise men make use of them. "Yet," he says, "they teach not their own use, but that there is a wisdom without them and above them won by observation." These are the words of a man who had been taught by years of studiousness the emptiness of mere study.
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Carlile and Tennyson: Relations
CARLILE AND TENNYSON: RELATIONS BETWEEN A PROPHET AND A POET by JOHANNES ALLGAIER B.A., University of British Columbia, 1963 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April, 1966 In presenting this thesis in partial fulfilment of. the requirements for an advanced degree at the University of . British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that per• mission for extensive copying of this thesis for scholarly - purposes may be granted by the Head of my Department or by his representatives,. It is understood that copying, or publi• cation of this thesis for financial gain shall not be allowed without my written permission. JOHANNES ALLGAIER Department of ENGLISH The University of British Columbia, Vancouver 8, Canada. Date April ^0, 1966 CARLYLE AND TENNYSON: RELATIONS BETWEEN A PROPHET AND A POET ABSTRACT Carlyle was much, more popular and influential in the nineteenth century than he is in the twentieth. Many critics "believe that he exerted an influence over Tennyson, but there is very little direct evidence to support such an opinion. However, circumstantial evidence shows that Tennyson must have been interested in what Carlyle had to offer; that Carlyle and Tennyson were personal friends; and that there are many parallels between the works of Carlyle and Tennyson. Carlyle is essentially a romantic. His attitude toward art is ambivalent, a fact which is indicative of the conflict between Carlyle's longing for beauty, goodness, and truth on the one hand, and, on the other, his realization of the difficulty in reaffirming these absolutes within the spirit of his age.
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Doubt and Faith in Tennyson's Poetry Martha Wright Western Kentucky University
Western Kentucky University TopSCHOLAR® Masters Theses & Specialist Projects Graduate School 7-1-1972 Doubt and Faith in Tennyson's Poetry Martha Wright Western Kentucky University Follow this and additional works at: http://digitalcommons.wku.edu/theses Part of the Literature in English, North America Commons Recommended Citation Wright, Martha, "Doubt and Faith in Tennyson's Poetry" (1972). Masters Theses & Specialist Projects. Paper 1015. http://digitalcommons.wku.edu/theses/1015 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Masters Theses & Specialist Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. "D0U3T" AND "FAITH" IN TENNYSON'S POETRY A Thesis Presented to the Faculty of the Department of English Western Kentucky University Bowling Green, Kentucky In Partial Fulfillment of the Requirements for the Degree Master of Arts by Martha Belle Wright July 1972 'DOUBT" AND "FAITH" IN TENNYSON'S POETRY /APPROVED (Date) Director of Thesis nJ Veah 6t the Graduate School ACKNOWLEDGMENTS Nearly forty years ago, as a student at Auburn High School, I became interested in the poetry of Alfred Tennyson. And six years ago, as a senior at Western Kentucky University, I became interested in the poet, as well as his poetry. To the teacher of that class six years ago, I owe a deep debt of gratitude. For without his knowledge and his inspiration that directed the class of "Tennyson and Browning," I would not have desired to do a thorough study of the British poet laureate whose poetry ranges from superior to mediocre.
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Religion in Alfred Lord Tennyson's Poetry
Ministry of Higher Education And Scientific Research University of Al-Qadisiyh College of Education Department of English Religion in Alfred Lord Tennyson’s Poetry Submitted By Fatima Saleem Guhfran Jumaa Supervised By Mr. Ali Abdul Jalil Dedication All my gratitude to who taught me all my steps and be my supporter when I stumble, never left me alone until that day came, the angels of the lord arrested him and raised him by there wings. He was in deep sleep with a smile of pride near to Imam Hussain in paradise. He warble with corral of martyrs: If Allah's legion came.. Saw men paces after death in troops.. Between mills tone there are braves race to martyrdom... To my father Martyr.Salim Kadhim Algaraw ii Acknowledgements We would like to thank our supervisor, Mr. Ali Abdul Jalil for his insightful comments, motivating responses, and giving us the confidence to complete this paper. Many thanks are due to our parents, who have been an invaluable source of inspiration. Also ,we owe them thanks for patiently enduring support. iii Contents Dedication ii Acknowledgements iii Contents iv Abstract v Chapter One 1.1 Alfred Lord Tennyson’s Life and Career 1 1.2 Religion in Victorian Era 5 Notes 8 Chapter Two: Analysis The Selected Poems 2.2 Religion in "In Memoriam" 10 2.1 Religion in"The Two Voices" 17 2.3 Religion in"Locksley Corridor" 20 Notes 23 Conclusion 25 Bibliography 27 iv Abstract The Victorian age was an age where many changes occurred socially, economically, and industrially. People began to explore into areas such as the earth, the human body, and how to benefit the daily lives of individuals.
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Alfred, Lord Tennyson 1 Alfred, Lord Tennyson
Alfred, Lord Tennyson 1 Alfred, Lord Tennyson The Right Honourable Lord Tennyson FRS 1869 Carbon print by Julia Margaret Cameron Born 6 August 1809 Somersby, Lincolnshire, England United Kingdom Died 6 October 1892 (aged 83) [] Lurgashall, Sussex, England United Kingdom Occupation Poet Laureate Alma mater Cambridge University Spouse(s) Emily Sellwood (m. 1850–w. 1892) Children • Hallam Tennyson (b. 11 August 1852) • Lionel (b. 16 March 1854) Alfred Tennyson, 1st Baron Tennyson, FRS (6 August 1809 – 6 October 1892) was Poet Laureate of Great Britain and Ireland during much of Queen Victoria's reign and remains one of the most popular British poets.[1] Tennyson excelled at penning short lyrics, such as "Break, Break, Break", "The Charge of the Light Brigade", "Tears, Idle Tears" and "Crossing the Bar". Much of his verse was based on classical mythological themes, such as Ulysses, although In Memoriam A.H.H. was written to commemorate his best friend Arthur Hallam, a fellow poet and fellow student at Trinity College, Cambridge, who was engaged to Tennyson's sister, but died from a brain haemorrhage before they could marry. Tennyson also wrote some notable blank verse including Idylls of the King, "Ulysses", and "Tithonus". During his career, Tennyson attempted drama, but his plays enjoyed little success. A number of phrases from Tennyson's work have become commonplaces of the English language, including "Nature, red in tooth and claw", "'Tis better to have loved and lost / Than never to have loved at all", "Theirs not to reason why, / Theirs but to do and die", "My strength is as the strength of ten, / Because my heart is pure", "To strive, to seek, to find, and not to yield", "Knowledge comes, but Wisdom lingers", and "The old order changeth, yielding place to new".
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Alfred Lord Tennyson: His Two Voices and Divided Will
Volume II, Issue VIII, December 2014 - ISSN 2321-7065 Alfred Lord Tennyson: His Two Voices and divided will Goutam Karmakar Assistant Teacher, Department of English Bhagilata High School (H.S) Raiganj Uttar Dinajpur West Bengal Abstract: Alfred Lord Tennyson was one of the major poets of Victorian era. He was such a poet who could take criticism in his style and he was neither weak nor wayward. Weighed in the balance, he was not found wanting but steadily growing. He would not abandon his art at the voice of censure, but correct and perfect it. But in his poetry we find some kind of dualism, two worlds or rather two voices with conflict, comparisons, dilemma and he throughout his poetic career tried to make a good balance between them. Actually he was not only a man and a poet, but he wanted to become the voice of the whole people, and many others kinds of excellence that are the characteristic of present day writing could be illustrated from Tennyson. In this paper, I have attempted to show the dualism, two voices or divided will with some of his everlasting eternal verse. KEY WORDS: Dualism, Divided will, complexity, conflict http://www.ijellh.com 450 Volume II, Issue VIII, December 2014 - ISSN 2321-7065 Introduction: “An infant crying in the night, An infant crying for the light And with no language but a cry.” -- Tennyson (In Memorium, A.H.H: 54) The Victorian poetry, which marks the transition from the Romantic to the Modern, attempted with fair success in experimentation with respect to subject matter.
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