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GEOFREY HILDREW, ACE EDITOR TELEVISION PAINKILLER (Limited Series) Netflix Prod: Eric Newman, Micah Fitzerman-Blue Dir: Peter Berg Noah Harpster TRUE STORY (Limited Series) Netflix Prod: Charles Murray, Eric Newman Dir: Stephen Williams CARNIVAL ROW (Season 2) Amazon Prod: Erick Oleson, Alex Shevchenko Dir: Various AMAZING STORIES (Season 1) Universal TV/Apple Prod: Adam Horowitz, Edward Kitsis Dir: Various Steven Spielberg FOR THE PEOPLE (Season 2) ABC Prod: Paul Davies, Donald Todd, Dir: Various Shonda Rhimes THE TICK (Seasons 1-2) Sony TV/Amazon Prod: Ben Edlund, Barry Josephson Dir: Various ONCE UPON A TIME (Seasons 1-7) ABC Studios/ABC Prod: Adam Horowitz, Edward Kitsis Dir: Various Steve Pearlman DEAD OF SUMMER (Season 1) ABC Studios/Freeform Prod: Adam Horowitz, Edward Kitsis Dir: Various Ian B. Goldberg, Steve Pearlman EXTANT (Season 2) Amblin Ent./CBS Prod: Elizabeth Kruger, Craig Shapiro Dir: Various Mickey Fisher ONCE UPON A TIME: ABC Studios/ABC Prod: Adam Horowitz, Edward Kitsis Dir: Ralph Hemecker IN WONDERLAND (Pilot) Zack Estrin, Steve Pearlman UNDEREMPLOYED (Pilot) Dakota Films/MTV Prod: Craig Wright, Troy Miller Dir: Troy Miller BEAUTY AND THE BEAST: ABC Studios/ABC Prod: Jonathan Steinberg, Gary Fleder Dir: Yves Simoneau A DARK TALE (Pilot) Mary Beth Basile IDENTITY (Pilot) ABC Studios/ABC Prod: Mark Gordon, Gary Fleder Dir: Gary Fleder John Glenn, Deborah Spera V (Seasons 1-2) Warner Bros. TV/ABC Prod: Jeffrey Bell, Scott Rosenbaum Dir: Various Scott Peters, Steve Pearlman DIRTY SEXY MONEY (Seasons 1-2) ABC Studios/ABC Prod: Greg Berlanti, Craig Wright, Josh Reims Dir: Various Matthew Gross, Jon Feldman DAY BREAK (Season 1) Touchstone/ABC Prod: Jeffrey Bell, Paul Zbyszewski Dir: Various (Editor / Assistant Editor) Matthew Gross, Rob Bowman MONK (Season 5) Touchstone/NBC Prod: Andy Breckman, Craig Zisk Dir: Various (Assistant Editor) NIGHT STALKER (Season 1) Touchstone/ABC Prod: Frank Spotnitz, Daniel Sackheim Dir: Various (Assistant Editor) DIRECTOR ONCE UPON A TIME ABC Studios/ABC Prod: Adam Horowitz, Edward Kitsis (Episodes 509, 705, & 718) Steve Pearlman FEATURES CAREFUL WHAT YOU WISH FOR Hyde Park Ent./Starz Prod: Ashok Amritraj, Kirk D’Amico Dir: Elizabeth Allen Rosenbaum Bradley Gallo, Michael Helfant Robert Stein THINGS NEVER SAID Code Black Films/Lionsgate Prod: Charles Murray, Brian Lewis Dir: Charles Murray (Executive Producer/Editor) X-FILES 2: I WANT TO BELIEVE 20th Century Fox Prod: Chris Carter, Frank Spotnitz Dir: Chris Carter (Assistant Editor) 405 S Beverly Drive, Beverly Hills, California 90212 - T 310.888.4200 - F 310.888.4242 www.apa-agency.com .

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DAN HILAND Re-Recording Mixer
DAN HILAND Re-Recording Mixer RE-RECORDING MIXER | SELECT TELEVISION CREDITS & AWARDS CATCH-22 David Michod Paramount Television INSATIABLE Lauren Gussis CBS Television Studios BATWOMAN Caroline Dries WBTV Gary Dauberman/Mark SWAMP THING Verheiden DC Universe THE RED LINE Cairlin Parrish WBTV ALL AMERICAN April Blair WBTV LOVE IS Mara Brock Akil OWN SABRINA THE TEENAGE WITCH Jonathan Schmock Viacom Productions TITANS Greg Berlanti DC Entertainment THE LEFTOVERS Damon Lindelof HBO THE FLASH Greg Berlanti WBTV EMPIRE Lee Daniels Imagine Television CINNAMON GIRL (TV Movie) Gavin O'Connor Fox 21 WITCHES OF EAST END Maggie Friedman Lifetime ARROW Greg Berlanti WBTV RAY DONOVAN (Pilot) Ann Biderman Showtime Networks MOB CITY Frank Darabont TNT Originals POLITICAL ANIMALS Greg Berlanti WBTV HOUSE OF LIES Matthew Carnahan Showtime Networks HART OF DIXIE Leila Gerstein WBTV THE WALKING DEAD Frank Darabont (2010) (2012/2014/2015/2016) AMC DARK BLUE Danny Cannon/Doug Jung TNT Originals IN PLAIN SIGHT David Maples USA Network CHASE Jennifer Johnson WBTV NO ORDINARY FAMILY (Pilot) Greg Berlanti ABC Studios THE WHOLE TRUTH Tom Donaghy WBTV J.J. Abrams FRINGE (Pilot) (2009) WBTV Warner Bros. Post Production Creative Services | 4000 Warner Blvd. | Burbank, CA 91522 | 818.954.7825 Award Key: W for Win | N for Nominated OSCAR | BAFTA | EMMY | MPSE | CAS LIMELIGHT (Pilot) David Semel, WBTV HUMAN TARGET Jonathan E. Steinberg WBTV EASTWICK Maggie Friedman WBTV V (Pilot) Kenneth Johnson WBTV TERMINATOR: THE SARAH CONNER Josh Friedman CHRONICLES WBTV CAPTAIN
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L'équipe Des Scénaristes De Lost Comme Un Auteur Pluriel Ou Quelques Propositions Méthodologiques Pour Analyser L'auctorialité Des Séries Télévisées
Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées Quentin Fischer To cite this version: Quentin Fischer. Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées. Sciences de l’Homme et Société. 2017. dumas-02368575 HAL Id: dumas-02368575 https://dumas.ccsd.cnrs.fr/dumas-02368575 Submitted on 18 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License UNIVERSITÉ RENNES 2 Master Recherche ELECTRA – CELLAM Lost in serial television authorship : L'équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l'auctorialité des séries télévisées Mémoire de Recherche Discipline : Littératures comparées Présenté et soutenu par Quentin FISCHER en septembre 2017 Directeurs de recherche : Jean Cléder et Charline Pluvinet 1 « Créer une série, c'est d'abord imaginer son histoire, se réunir avec des auteurs, la coucher sur le papier. Puis accepter de lâcher prise, de la laisser vivre une deuxième vie.
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Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business.
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Zach-Woodlee-Choreo
zach woodlee director / choreographer selected credits contact: (818) 509-0121 FILM The Boys in the Band (*to be released) Choreographer Netflix Productions, LLC. Love, Simon Choreographer Dir. Greg Berlanti / Fox 2000 Dumplin’ Choreographer Dir. Anne Fletcher / Netflix Productions LLC. Peter Rabbit Choreographer Dir. Will Gluck / Columbia Pictures Drive She Said (*to be released) Choreographer Dir. Joey Syracruse Annie Choreographer Dir. Will Gluck / Sony Pictures Hot Pursuit Choreographer Dir. Anne Fletcher/MGM Glee: The 3D Concert Movie Choreographer Dir. Kevin Tancharoen / 20th Century Fox Real Steel Choreographer Dir. Shawn Levy / Walt Disney Pictures Life as We Know It Choreographer Dir. Greg Berlanti / Josephson Entertainment Eat Pray Love Choreographer Dir. Ryan Murphy / Columbia Pictures Starstruck Choreographer Dir. Michael Grossman / Disney The Back- Up Plan Choreographer Dir. Alan Poul / CBS Films Bedtime Stories Choreographer Dir. Adam Shankman / Gunn Films The Proposal Assistant Choreographer Dir. Anne Fletcher / Touchstone Pictures Fired Up Choreographer Dir. Will Gluck / Screen Gems 17 Again Assistant Choreographer Dir. Burr Steers / New Line Cinema 27 Dresses Choreographer Dir. Anne Fletcher / Spy Glass Get Smart Choreographer Dir. Pete Segal / Warner Bros. Marc Pease Experience Choreographer Dir. Todd Louiso / Paramount Vantage Hairspray Assistant Choreographer Dir. Adam Shankman / New Line Step Up Assistant Choreographer Dir. Anne Fletcher / Buena Vista 40-Year-Old Virgin Assistant Choreographer Dir. Judd Apatow / Disney Stuck on You Assistant Choreographer Dir. Farrelly Bros. / 20th Century Fox TELEVISION High School Musical: The Musical Choreographer Disney + A Christmas Story Live Choreographer Dir. Scott Ellis / FOX The Flash Choreographer The CW Girl Boss Choreographer Netflix Grease: Live Co-Producer / Choreographer FOX / Paramount Television Glee (Season 6) Co-Producer / Choreographer FOX / Ryan Murphy Productions Bones Choreographer Dir.
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Behind the Scenes: Monk's Final Case
lot, the gushing well-wishers and co- workers moving towards him, the gauntlet of handshakes and bear hugs, people drinking champagne November 23, 2009 straight out of bottles, eating red velvet cake with their bare hands, crying, embracing; a seething mass Behind The of humanity, slowly closing in. But Tony Shalhoub isn’t Scenes: Adrian Monk. Not any more. After eight years of Monk’s obsessive-compulsive hand-wiping, pole-touching and mystery-solving “Monk.” the often under-appreciated Final Case show that re-vitalized USA Network, made Shalhoub into an Emmy- By Joe Rhodes winning star and spawned a wave of quirkily-observant tv detective imitators, has finally come to an end. The final episode, because this is “Monk,” will put everything in its place. Before it ends – with a Randy Newman song written especially for the finale – loyal viewers will have the answers they’ve been waiting for: Who killed Monk’s wife, Trudy, the crime that sent him into a catatonic state and has hung over the series from the very first episode? Will he be reinstated as a San Francisco detective? Will he ever unbutton that top shirt button? Is that Captain Mr. Monk would not have enjoyed Stottlemeyer’s real hair? (Ok, not the this; the way things ended after the last one). 25th and final take of the final shot of the final season of the show that There will, of course, be bears his name. Adrian Monk, complications along the way, not the germophobic, claustrophobic, least of which is that Monk will be emotion-phobic, would have been told he has only three days to live.
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Rise of the Empire 1000 Bby-0 Bby (2653 Atc -3653 Atc)
RISE OF THE EMPIRE 1003-980 B.B.Y. (2653-2653 A.T.C.) The Battle of Ruusan 1,000 B.B.Y.-0 B.B.Y. and the Rule of Two (2653 A.T.C. -3653 A.T.C.) 1000 B.B.Y. (2653 A.T.C.) “DARKNESS SHARED” Bill Slavicsek Star Wars Gamer #1 Six months prior to the Battle of Ruusan. Between chapters 20 and 21 of Darth Bane: Path of Destruction. 996 B.B.Y. (2657 A.T.C.) “ALL FOR YOU” Adam Gallardo Tales #17 Volume 5 The sequence here is intentional. Though I am keeping the given date, this story would seem to make more sense placed prior to the Battle of Ruusan and the fall of the Sith. 18 PATH OF DESTRUCTION with the Sith). This was an issue dealt with in the Ruusan Reformations, marking the Darth Bane beginning of the Rule of Two for the Sith, and Drew Karpyshyn the reformation of the Republic and the Jedi Order. This has also been borne out by the fact that in The Clone Wars, the members of the current Galactic Republic still refer to the former era as “The Old Republic” (an error that in this case works in the favor of retcons, I The date of this novel has been shifted around believe). The events of this graphic novel were somewhat. The comic Jedi vs. Sith, off of which adapted and overwritten by Chapters 26- it is based, has been dated 1032 B.B.Y and Epilogue of Darth Bane: Path of Destruction 1000 B.B.Y.
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By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible.
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ALLISA SWANSON Costume Designer
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STEVEN WOLFF Production Designer Wolffsteven.Com
STEVEN WOLFF Production Designer wolffsteven.com PROJECTS DIRECTORS PRODUCERS/STUDIOS THE PURGE Various Directors Alissa Kantrow / Blumhouse Television Season 2 USA THE FINEST Regina King Linda Berman, Pam Veasey Pilot Lincoln Square Productions / ABC TAKEN Various Directors Lena Cordina, Matthew Gross, Greg Plageman Season 2 Universal TV / NBC ONCE UPON A TIME Various Directors Edward Kitsis, Adam Horowitz, Steve Pearlman Season 5-6 Kathy Gilroy / Disney / ABC GRIMM Various Directors Jim Kouf, David Greenwalt, Norberto Barba Season 2-6 Steve Oster / NBC RINGER Various Directors Pam Veasey, Eric Charmelo, Nicole Snyder Season 1 CBS GCB Alan Poul Darren Star, Alan Poul, Rob Harling Pilot ABC BODY OF PROOF Various Directors Matt Gross, Christopher Murphy Season 1-2 ABC DEADLY HONEYMOON Paul Shapiro Stanton W. Kamens, Angela Laprete MOW Lifetime / Island Film Group DARK BLUE Various Directors Jerry Bruckheimer, Danny Cannon, Kelly Van Horn Season 1 - 5 Episodes TNT DIRTY SEXY MONEY Various Directors Greg Berlanti, Craig Wright, Matt Gross Season 1-2 ABC / Berlanti Television 52 FIGHTS Luke Greenfield Alex Taub, Peter Traugott MOW ABC WATERFRONT Ed Bianchi Jack Orman, Peter R. McIntosh, Gregori J. Martin Series Warner Bros. / CBS RELATED Various Directors Marta Kauffman, Steve Pearlman Season 1 Warner Bros. DR. VEGAS Various Directors Jack Orman / Warner Bros. Season 1 CBS BOSTON PUBLIC Various Directors David E. Kelley / Fox Series FREAKYLINKS Various Directors David Simkins / Fox Season 1 GET REAL Various Directors Clyde Phillips / Fox Season 1 ACTION Ted Demme Chris Thompson, Robert Lloyd Lewis Pilot Fox PARTY OF FIVE Various Directors Amy Lippman, Chris Keyser / Fox Season 1 PLAYERS Various Directros Dick Wolf / NBC Season 1 TALES FROM THE CRYPT Various Directors Joel Silver, Dick Donner, David Giler, Walter Hill Season 1 HBO SLEDGE HAMMER! Various Directors Alan Spencer, Thomas John Kane Season 1 ABC .
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Brian Murray
Brian Murray FILM Nightmare on Elm St (2011) The Would-Be-Warrior Dir. Samuel Bayer, Dir. David Twahy, Nickelodeon Platinum Dunes Movies Tim Burton's Alice in Redline Wonderland Dir. Andy Cheng, Chicago Dir. Tim Burton, Walt Disney Releasing Studios Motion Pictures Torque Green Lantern Dir. Joseph, Warner Brothers Dir. Greg Berlanti, Warner Pictures Brothers Below 300 Dir. David Twahy, Miramax Films Dir. Zack Snyder, Warner Brothers What Is Love Pitch Black Dir. Mars Callahan, Big Sky Dir. David Twahy, USA Films Motion Pictures Rollerball Mortal Kombat: Annihilation Dir. John McTiernan, MGM Home Dir. John R. Leonetti, New Line Entertainment Cinema Perfect Getaway Air Force One Dir. David Twahy, Rogue Pictures Dir. Peter Schnall, Warner Home Vide TELEVISION Entourage Producer: Mark Wahlberg, Ugly Betty Home Box Office (HBO) Producer: Salma Hayek, ABC Los Angeles 310.642.2721 New York 212.980.7979 [email protected] Brian Murray CSI Monk Producer: Jerry Bruckheimer Producer: Andy Breckman, ABC Television, CBS Studios CSI: Miami Eli Stone (pilot) Producer: Jerry Bruckheimer Producer: Greg Berlanti, ABC Television, CBS Studios CSI: New York Sliders Producer: Ann Donahue, CBS Producer: Tracy Tormé, Fox Network Grey’s Anatomy Producer: Betsy Beers, ABC Babylon 5 Star Trek: Enterprise Producer: John Copeland, Prime Producer: Rick Berman, UPN Time Entertainment Network THEME PARK Terminator 2: 3D Location: Universal Studios Hollywood MUSIC VIDEO Madonna Madonna “You Must Love Me” “Ray Of Light” Dir. Alan Parker, Culver Dir. Jonas Åkerlund, Raleigh Studios Studios Los Angeles 310.642.2721 New York 212.980.7979 [email protected] .
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Tracing Fairy Tales in Popular Culture Through the Depiction of Maternity in Three “Snow White” Variants
University of Louisville ThinkIR: The University of Louisville's Institutional Repository College of Arts & Sciences Senior Honors Theses College of Arts & Sciences 5-2014 Reflective tales : tracing fairy tales in popular culture through the depiction of maternity in three “Snow White” variants. Alexandra O'Keefe University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/honors Part of the Children's and Young Adult Literature Commons, and the Comparative Literature Commons Recommended Citation O'Keefe, Alexandra, "Reflective tales : tracing fairy tales in popular culture through the depiction of maternity in three “Snow White” variants." (2014). College of Arts & Sciences Senior Honors Theses. Paper 62. http://doi.org/10.18297/honors/62 This Senior Honors Thesis is brought to you for free and open access by the College of Arts & Sciences at ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in College of Arts & Sciences Senior Honors Theses by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. O’Keefe 1 Reflective Tales: Tracing Fairy Tales in Popular Culture through the Depiction of Maternity in Three “Snow White” Variants By Alexandra O’Keefe Submitted in partial fulfillment of the requirements for Graduation summa cum laude University of Louisville March, 2014 O’Keefe 2 The ability to adapt to the culture they occupy as well as the two-dimensionality of literary fairy tales allows them to relate to readers on a more meaningful level.
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68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively.
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