Middle School Summer Reading List 2018
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Digital Commons@WOU Luminance
Western Oregon University Digital Commons@WOU Honors Senior Theses/Projects Student Scholarship 6-1-2018 Luminance Ella Young Western Oregon University, [email protected] Follow this and additional works at: https://digitalcommons.wou.edu/honors_theses Part of the Creative Writing Commons Recommended Citation Young, Ella, "Luminance" (2018). Honors Senior Theses/Projects. 158. https://digitalcommons.wou.edu/honors_theses/158 This Undergraduate Honors Thesis/Project is brought to you for free and open access by the Student Scholarship at Digital Commons@WOU. It has been accepted for inclusion in Honors Senior Theses/Projects by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected], [email protected], [email protected]. Luminance a novel By Ella Young An Honors Thesis Submitted in Partial Fulfillment of the Requirements for Graduation from the Western Oregon University Honors Program Dr Henry Hughes, Thesis Advisor Dr. Gavin Keulks, Honors Program Director June 2018 !1 Table of Contents Abstract 2 Plot Summary 3 Acknowledgements 50 Bibliography 51 Luminance Chapter One 4 Chapter Two 19 Artistic Reflection In the Beginning 35 Of Solar Flares and Shifting Poles 39 The Nitty Gritty 42 Fiction Becomes Reality 44 What the Future Holds 47 Only the first and second chapters have been included here. If you would like to read this work in its entirety, please visit Amazon.com to purchase the full novel. !2 Abstract For my thesis I decided to go the creative route and write a novel. There is a definite lack of LGBTQ+ genre fiction for young adults being written, and so I wanted to add to this slowly growing literary niche. -
Doctor Strange Comics As Post-Fantasy
Evolving a Genre: Doctor Strange Comics as Post-Fantasy Jessie L. Rogers Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts in English Karen Swenson, Chair Nancy A. Metz Katrina M. Powell April 15, 2019 Blacksburg, Virginia Keywords: Fantasy, Comics Studies, Postmodernism, Post-Fantasy Copyright 2019, Jessie L. Rogers Evolving a Genre: Doctor Strange Comics as Post-Fantasy Jessie L. Rogers (ABSTRACT) This thesis demonstrates that Doctor Strange comics incorporate established tropes of the fantastic canon while also incorporating postmodern techniques that modernize the genre. Strange’s debut series, Strange Tales, begins this development of stylistic changes, but it still relies heavily on standard uses of the fantastic. The 2015 series, Doctor Strange, builds on the evolution of the fantastic apparent in its predecessor while evidencing an even stronger presence of the postmodern. Such use of postmodern strategies disrupts the suspension of disbelief on which popular fantasy often relies. To show this disruption and its effects, this thesis examines Strange Tales and Doctor Strange (2015) as they relate to the fantastic cornerstones of Tolkien’s The Hobbit and The Lord of the Rings and Rowling’s Harry Potter series. It begins by defining the genre of fantasy and the tenets of postmodernism, then it combines these definitions to explain the new genre of postmodern fantasy, or post-fantasy, which Doctor Strange comics develop. To show how these comics evolve the fantasy genre through applications of postmodernism, this thesis examines their use of otherworldliness and supernaturalism, as well as their characterization and narrative strategies, examining how these facets subvert our expectations of fantasy texts. -
Defense Research Agency Seeks to Create Supersoldiers, by Bruce
The following is mirrored from its source at: http://www.govexec.com/dailyfed/1103/111003nj1.htm Defense research agency seeks to create supersoldiers by Bruce Falconer National Journal / Government Executive Magazine 10 November 2003 Critics maligned the idea as "unbelievably stupid," "bizarre and morbid," and even "an incentive" for someone to actually "commit acts of terrorism." Once members of Congress and the media in July got wind of FutureMAP -- a plan by the Pentagon’s Defense Advanced Research Projects Agency (DARPA) to create online futures markets where traders could speculate in the likelihood of terrorist attacks -- it was only a matter of hours before the project was sacrificed on the altar of political damage control. But even this, it seems, was too little, too late to appease an outraged Congress: House and Senate appropriations conferees working on the Defense budget have since voted to abolish large portions of the agency’s Terrorism Information Awareness program. The program -- of which FutureMAP was a small part -- was designed to mine private databases for information on terrorist suspects. DARPA, meanwhile, soldiers on with the kind of "blue-sky" thinking that is its charge. Indeed, the Pentagon agency that underwrote the development of some of the world’s most advanced technologies, such as the Internet, the Global Positioning System, and stealth aircraft, is now looking at technologies that will help U.S. troops soldier on, and on, and on. DARPA thinkers are saying that maybe humans themselves need an upgrade. "The human is becoming the weakest link," DARPA warned last year in an unclassified report. -
Continuity in Color: the Persistence of Symbolic Meaning in Myths, Tales, and Tropes
Georgia Southern University Digital Commons@Georgia Southern University Honors Program Theses 2016 Continuity in Color: The eP rsistence of Symbolic Meaning in Myths, Tales, and Tropes McKinley May Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/honors-theses Part of the Children's and Young Adult Literature Commons Recommended Citation May, McKinley, "Continuity in Color: The eP rsistence of Symbolic Meaning in Myths, Tales, and Tropes" (2016). University Honors Program Theses. 170. https://digitalcommons.georgiasouthern.edu/honors-theses/170 This thesis (open access) is brought to you for free and open access by Digital Commons@Georgia Southern. It has been accepted for inclusion in University Honors Program Theses by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Continuity in Color: The Persistence of Symbolic Meaning in Myths, Tales, and Tropes An Honors Thesis submitted in partial fulfillment of the requirements for Honors in the Department of Literature and Philosophy. By McKinley May Under the mentorship of Joe Pellegrino ABSTRACT This paper examines the symbolism of the colors black, white, and red from ancient times to modern. It explores ancient myths, the Grimm canon of fairy tales, and modern film and television tropes in order to establish the continuity of certain symbolisms through time. In regards to the fairy tales, the examination focuses solely on the lesser-known stories, due to the large amounts of scholarship surrounding the “popular” tales. The continuity of interpretation of these three major colors (black, white, and red) establishes the link between the past and the present and demonstrates the influence of older myths and beliefs on modern understandings of the colors. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
An Alabama School Girl in Paris 1842-1844
An Alabama School Girl in Paris 1842-1844 the letters of Mary Fenwick Lewis and her family Nancyt/ M. Rohr_____ _ An Alabama School Girl in Paris, 1842-1844 The Letters of Mary Fenwick Lewis and Her Family Edited by Nancy M. Rohr An Alabama School Girl In Paris N a n c y M. Ro h r Copyright Q 2001 by Nancy M. Rohr All rights reserved. No part of this book may be reproduced in any form without permission of the editor. ISPN: 0-9707368-0-0 Silver Threads Publishing 10012 Louis Dr. Huntsville, AL 35803 Second Edition 2006 Printed by Boaz Printing, Boaz, Alabama CONTENTS Preface...................................................................................................................1 EditingTechniques...........................................................................................5 The Families.......................................................................................................7 List of Illustrations........................................................................................10 I The Lewis Family Before the Letters................................................. 11 You Are Related to the Brave and Good II The Calhoun Family Before the Letters......................................... 20 These Sums will Furnish Ample Means Apples O f Gold in Pictures of Silver........................................26 III The Letters - 1842................................................................................. 28 IV The Letters - 1843................................................................................ -
Cowboys, Postmodern Heroes, and Anti-Heroes: the Many Faces
COWBOYS, POSTMODERN HEROES, AND ANTI-HEROES: THE MANY FACES OF THE ALTERIZED WHITE MAN Hyon Joo Yoo Murphree, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS August 2000 APPROVED: Diane Negra, Major Professor Olaf Hoerschelmann, Committee Member Diana York Blaine, Committee Member C. Melinda Levin, Graduate Coordinator of the Department of Radio, TV and Film Steve Craig, Chair of the Department of Radio, TV and Film C. Neal Tate, Dean of the Robert B. Toulouse School of Graduate Studies Murphree, Hyon Joo Yoo, Cowboys, Postmodern Heroes, and Anti-heroes: The Many Faces of the Alterized White Man. Master of Arts (Radio, Television and Film), August 2000, 131 pp., references, 48 titles. This thesis investigates how hegemonic white masculinity adopts a new mode of material accumulation by entering into an ambivalent existence as a historical agent and metahistory at the same time and continues to function as a performative identity that offers a point of identification for the working class white man suggesting that bourgeois identity is obtainable through the performance of bourgeois ethics. The thesis postulates that the phenomenal transitions brought on by industrialization and deindustrialization of 50’s through 90’s coincide with the representational changes of white masculinity from paradigmatic cowboy incarnations to the postmodern action heroes, specifically as embodied by Bruce Willis. The thesis also examines how postmodern heroes’ “intero-alterity” is further problematized by antiheroes in Tim Burton’s films. TABLE OF CONTENTS INTRODUCTION...........................................................................................................................................3 1. Reading a Dynamic Connection between the 1950’s and 1990’s..........................................................6 2. -
The Joker: a Psychoanalytic Review
The Joker: A Psychoanalytic Review Bennett Roth Ph.D. By focusing on the “villain” the controversial film of the Joker is a radical departure from the usual super-hero genre. Its reception was mixed winning an Oscar for its leading actor and receiving a mixed or negative press. Unlike many other films derived from comic books this film maintains its comic book style and logic. Comic book style and characters have influenced other entertainment media from “The Hulk” to Road Runner. Comic books have a unique history. The Glasgow Looking Glass, first published in 1825, is believed to be the first mass-produced “comic strip” focusing on current news and affairs in Glasgow, Scotland. A century later the term “superhero” was first used in 1917 in the “Golden Age of Comic Books” during the 1930s. It is acknowledged that the current Modern Age of comics occurred following the lifting of censorship, allowing comparatively darker and more complex characters to emerge with an increase in the popularity of comics and the commercialization of the industry. Along with the new popularity there has been a rush into moviemaking following the success of these simple action movies with moral lessons within them. It is possible that larger than life male superheroes are integral to American society and the development of boys. Change in many superhero comics since 1938 reflect contemporary crises also assisting in the popularity and renown of comics, superheroes and their translation into movies. World War II prompted Marvel’s to include Hitler and Japanese soldiers, atomic energy, and with the coming of The War on Terror following September 11, Captain America faced current issues of government surveillance or US foreign policy. -
Qoheleth: an Anti-Apocalyptic Genre for a Message of Joy
Marquette University e-Publications@Marquette Dissertations, Theses, and Professional Dissertations (1934 -) Projects Qoheleth: An Anti-apocalyptic Genre for a Message of Joy Jerome Douglas Marquette University Follow this and additional works at: https://epublications.marquette.edu/dissertations_mu Part of the Religion Commons Recommended Citation Douglas, Jerome, "Qoheleth: An Anti-apocalyptic Genre for a Message of Joy" (2011). Dissertations (1934 -). 104. https://epublications.marquette.edu/dissertations_mu/104 QOHELETH: AN ANTI-APOCALYPTIC GENRE FOR A MESSAGE OF JOY by Jerome N. Douglas, B.A., M.Div., M.A. A Dissertation submitted to the Faculty of the Graduate School, Marquette University, in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Milwaukee, Wisconsin May, 2011 ABSTRACT QOHELETH: AN ANTI-APOCALYPTIC GENRE FOR A MESSAGE OF JOY Jerome N. Douglas, B.A., M.Div., M.A. Marquette University, 2011 How is the interpreter to approach Ecclesiastes? What is the message of the author? What is the genre of the book? Many scholars have posited varying interpretations concerning the message of Ecclesiastes and have observed the number of statements that appear to be conflicting or, at least, in tension with one another. Discussions about the argument and genre label(s) of/ or in Ecclesiastes have not fully considered the author’s polemics against the apocalyptic beliefs of his day, 200 B.C.E. This dissertation will propose that the author of Ecclesiastes utilizes a hybrid genre in his work. He, in part, employs an “anti-apocalyptic genre” in Ecclesiastes, and the presence of this genre serves to further the author’s message of joy. -
The Mythology and Psychology of Shame in the Early Novels of George Eliot
'Spells That Have Lost Their Virtue': The Mythology and Psychology of Shame in the Early Novels of George Eliot Item Type text; Electronic Dissertation Authors Bell, Mary E. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 12:34:33 Link to Item http://hdl.handle.net/10150/321007 ! ! ! !"#$%%"&'()*(&(+,$&%-".&.($)/&,)/.0$!1&& .($&23.(-%-43&+56&#"3*(-%-43&-7&"(+2$&)5&.($&$+/%3&5-,$%"&-7&4$-/4$&$%)-.! "#! ! $%&#!'(!)*++! ,,,,,,,,,,,,,,,,,,,,,,,,,,! Copyright © Mary E. Bell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
Ironic Imperialism: How Russian Patriots Are Reclaiming Postmodernism
Stud East Eur Thought (2011) 63:147–158 DOI 10.1007/s11212-011-9141-3 Ironic imperialism: how Russian patriots are reclaiming postmodernism Boris Noordenbos Published online: 10 May 2011 Ó The Author(s) 2011. This article is published with open access at Springerlink.com Abstract This essay analyzes the recent appearance in Russian letters of ultra- nationalist fantasies about the restoration of Russia’s imperial or totalitarian status. This new trend has its roots not only in the increasingly patriotic tone of Russian society and politics, but also in the dynamics of the literary field itself. ‘Imperialist writers’ such as Aleksandr Prokhanov and Pavel Krusanov have both revived and reacted against postmodern themes and motifs from earlier decades. Relying on the legacy of sots-art and stiob, the ‘imperialists’ advance a new model in Russia’s postmodern tradition, one that is balanced on the very borderline between irony and ideological militancy. In playing the game of ambiguous fanaticism, these writers have been able to attract the attention of a broad and diverse public, and have moved from an intellectual periphery into the cultural mainstream. Keywords Pavel Krusanov Á Aleksandr Prokhanov Á Dmitrij Bykov Á Aleksandr Dugin Á Russian postmodernism Á Imperialism Á Stiob Á Sots-art The last decade has witnessed the advent in Russian letters of megalomaniac fantasies about the restoration of Russia’s imperial or totalitarian status. This trend has received various labels (‘new imperial literature’, ‘radical literature’, ‘new political literature’, etc.), and it appears in the work of very diverse writers, including Aleksandr Prokhanov, Dmitrij Bykov, and a group of authors called the ‘Petersburg Fundamentalists’.1 Typically, the plots of these ‘imperial novels’ 1 The members of this group are Vadim Nazarov, Sergej Nosov, Nal’ Podol’skij, Vladimir Reksˇan, Il’ja Stogov, Pavel Krusanov and the philosopher Aleksandr Sekackij. -
Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays.