3Rd NASA/IEEE Workshop on Formal Approaches to Agent-Based Systems
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D3.3 Initial Technical & Logical Architecture and Future Work
D3.3 Initial Technical & Logical Architecture and future work recommendations ECP 2008 DILI 558001 Europeana v1.0 D3.3 Initial Technical & Logical Architecture and future work recommendations Deliverable number D3.3 Dissemination level Public Delivery date 30 July 2010 Status Final Makx Dekkers, Stefan Gradmann, Jan Author(s) Molendijk eContentplus This project is funded under the eContentplus programme1, a multiannual Community programme to make digital content in Europe more accessible, usable and exploitable. 1 OJ L 79, 24.3.2005, p. 1. 1/14 D3.3 Initial Technical & Logical Architecture and future work recommendations 1. Introduction This deliverable has two tasks: To characterise the technical and logical architecture of Europeana as a system in its 1.0 state (that is to say by the time of the ‘Rhine’ release To outline the future work recommendations that can reasonably be made at that moment. This also provides a straightforward and logical structure to the document: characterisation comes first followed by the recommendations for future work. 2. Technical and Logical Architecture From a high-level architectural point of view, Europeana.eu is best characterized as a search engine and a database. It loads metadata delivered by providers and aggregators into a database, and uses that database to allow users to search for cultural heritage objects, and to find links to those objects. Various methods of searching and browsing the objects are offered, including a simple and an advanced search form, a timeline, and an openSearch API. It is also important to describe what Europeana.eu does not do, even though people sometimes expect it to. -
A Knowledge Discovery Approach
Semantic XML Tagging of Domain-Specific Text Archives: A Knowledge Discovery Approach Dissertation zur Erlangung des akademisches Grades Doktoringenieur (Dr.-Ing.) angenommen durch die Fakult¨at fur¨ Informatik der Otto-von-Guericke-Universit¨at Magdeburg von Diplom-Kaufmann Peter Karsten Winkler, geboren am 1. Oktober 1971 in Berlin Gutachterinnen und Gutachter: Prof. Dr. Myra Spiliopoulou Prof. Dr. Gunter Saake Prof. Dr. Stefan Conrad Ort und Datum des Promotionskolloquiums: Magdeburg, 22. Januar 2009 Karsten Winkler. Semantic XML Tagging of Domain-Specific Text Archives: A Knowl- edge Discovery Approach. Dissertation, Faculty of Computer Science, Otto von Guericke University Magdeburg, Magdeburg, Germany, January 2009. Contents List of Figures v List of Tables vii List of Algorithms xi Abstract xiii Zusammenfassung xv Acknowledgments xvii 1 Introduction 1 1.1 TheAbundanceofText ............................ 1 1.2 Defining Semantic XML Markup . 3 1.3 BenefitsofSemanticXMLMarkup . 9 1.4 ResearchQuestions ............................... 12 1.5 ResearchMethodology ............................. 14 1.6 Outline...................................... 16 2 Literature Review 19 2.1 Storage, Retrieval, and Analysis of Textual Data . ....... 19 2.1.1 Knowledge Discovery in Textual Databases . 19 2.1.2 Information Storage and Retrieval . 23 2.1.3 InformationExtraction. 25 2.2 Discovering Concepts in Textual Data . 26 2.2.1 Topic Discovery in Text Documents . 27 2.2.2 Extracting Relational Tuples from Text . 31 2.2.3 Learning Taxonomies, Thesauri, and Ontologies . 35 2.3 Semantic Annotation of Text Documents . 39 2.3.1 Manual Semantic Text Annotation . 40 2.3.2 Semi-Automated Semantic Text Annotation . 43 2.3.3 Automated Semantic Text Annotation . 47 2.4 Schema Discovery in Marked-Up Text Documents . -
Bibliography [Abiteboul and Kanellakis, 1989] Serge Abiteboul and Paris Kanellakis
507 Bibliography [Abiteboul and Kanellakis, 1989] Serge Abiteboul and Paris Kanellakis. Object identity as a query language primitive. In Proc. of the ACM SIGMOD Int. Conf. on Management of Data, pages 159–173, 1989. [Abiteboul et al., 1995] Serge Abiteboul, Richard Hull, and Victor Vianu. Foundations of Databases. Addison Wesley Publ. Co., Reading, Massachussetts, 1995. [Abiteboul et al., 1997] Serge Abiteboul, Dallan Quass, Jason McHugh, Jennifer Widom, and Janet L. Wiener. The Lorel query language for semistructured data. Int. J. on Digital Libraries, 1(1):68–88, 1997. [Abiteboul et al., 2000] Serge Abiteboul, Peter Buneman, and Dan Suciu. Data on the Web: from Relations to Semistructured Data and XML. Morgan Kaufmann, Los Altos, 2000. [Abiteboul, 1997] Serge Abiteboul. Querying semi-structured data. In Proc. of the 6th Int. Conf. on Database Theory (ICDT’97), pages 1–18, 1997. [Abrahams et al., 1996] Merryll K. Abrahams, Deborah L. McGuinness, Rich Thomason, Lori Alperin Resnick, Peter F. Patel-Schneider, Violetta Cavalli-Sforza, and Cristina Conati. NeoClassic tutorial: Version 1.0. Technical report, Artificial Intelligence Prin- ciples Research Department, AT&T Labs Research and University of Pittsburgh, 1996. Available as http://www.bell-labs.com/project/classic/papers/NeoTut/NeoTut. html. [Abrett and Burstein, 1987] Glen Abrett and Mark H. Burstein. The KREME knowledge editing environment. Int. J. of Man-Machine Studies, 27(2):103–126, 1987. [Abrial, 1974] J. R. Abrial. Data semantics. In J. W. Klimbie and K. L. Koffeman, editors, Data Base Management, pages 1–59. North-Holland Publ. Co., Amsterdam, 1974. [Achilles et al., 1991] E. Achilles, B. -
KATHLEEN FELIX-HAGER Costume Designer
KATHLEEN FELIX-HAGER Costume Designer PROJECTS DIRECTORS STUDIOS/PRODUCERS HACKS Lucia Aniello HBO MAX / UNIVERSAL TV Season 1 Morgan Sackett, Lucia Aniello Nominated, Outstanding Contemporary Mike Schur, David Miner, Jen Statsky Costumes – Emmy Awards Paul W. Downs HAPPIEST SEASON Clea Duvall HULU / TEMPLE HILL / SONY Feature Jonathan McCoy, Nicolas Stern Isaac Klausner, Marty Bowen SPACE FORCE Various Directors NETFLIX Pilot & Series Caroline James, Greg Daniels DOWNHILL Feature Jim Rash FOX SEARCHLIGHT Official Selection – Sundance Film Festival Nat Faxon Jo Homewood, Anthony Bregman VEEP Armando Iannucci HBO / Morgan Sackett Seasons 3 - 7 Various Directors Stephanie Laing, Armando Iannucci FOR LOVE John Dahl ABC Pilot Trish Hoffman, Kim Moses UPLOAD Various Directors AMAZON STUDIOS / Jill Danton Pilot Greg Daniels, Howard Klein GETTING ON Howard Deutch ANIMA SOLA PRODUCTIONS / HBO Season 3 Various Directors Chrisann Verges HEARTBEAT Robbie McNeill UNIVERSAL / NBC / Amy Brenneman Pilot Kelly Meyer, Gordon Mark DEXTER John Dahl SHOWTIME Costume Designer Seasons 6 - 8 SJ Clarkson Robert Lewis, Gary Law, Arika Mittman Costume Supervisor Seasons 1 - 5 Various Directors INTERCEPT Kevin Hooks ABC FAMILY Pilot Lynn Raynor SALVATION BOULEVARD Feature George Ratliff LIONSGATE Costume Supervisor Cathy Schulman TEEN SPIRIT Gil Junger ABC FAMILY MOW Steven Gary Banks, James Middleton CHRISTMAS CUPID Gil Junger ABC FAMILY / Craig McNeil MOW JUDGING AMY Various Directors CBS Seasons 3 – 6 Dan Sackheim, Barbara Hall EASTWICK Series David Nutter ABC Costume Supervisor David Nutter THE WEST WING Season 2 Various Directors NBC Costume Supervisor Aaron Sorkin, John Wells INNOVATIVE-PRODUCTION.COM | 310.656.5151 . -
Ontology-Based Methods for Analyzing Life Science Data
Habilitation a` Diriger des Recherches pr´esent´ee par Olivier Dameron Ontology-based methods for analyzing life science data Soutenue publiquement le 11 janvier 2016 devant le jury compos´ede Anita Burgun Professeur, Universit´eRen´eDescartes Paris Examinatrice Marie-Dominique Devignes Charg´eede recherches CNRS, LORIA Nancy Examinatrice Michel Dumontier Associate professor, Stanford University USA Rapporteur Christine Froidevaux Professeur, Universit´eParis Sud Rapporteure Fabien Gandon Directeur de recherches, Inria Sophia-Antipolis Rapporteur Anne Siegel Directrice de recherches CNRS, IRISA Rennes Examinatrice Alexandre Termier Professeur, Universit´ede Rennes 1 Examinateur 2 Contents 1 Introduction 9 1.1 Context ......................................... 10 1.2 Challenges . 11 1.3 Summary of the contributions . 14 1.4 Organization of the manuscript . 18 2 Reasoning based on hierarchies 21 2.1 Principle......................................... 21 2.1.1 RDF for describing data . 21 2.1.2 RDFS for describing types . 24 2.1.3 RDFS entailments . 26 2.1.4 Typical uses of RDFS entailments in life science . 26 2.1.5 Synthesis . 30 2.2 Case study: integrating diseases and pathways . 31 2.2.1 Context . 31 2.2.2 Objective . 32 2.2.3 Linking pathways and diseases using GO, KO and SNOMED-CT . 32 2.2.4 Querying associated diseases and pathways . 33 2.3 Methodology: Web services composition . 39 2.3.1 Context . 39 2.3.2 Objective . 40 2.3.3 Semantic compatibility of services parameters . 40 2.3.4 Algorithm for pairing services parameters . 40 2.4 Application: ontology-based query expansion with GO2PUB . 43 2.4.1 Context . 43 2.4.2 Objective . -
Description Logics
Description Logics Franz Baader1, Ian Horrocks2, and Ulrike Sattler2 1 Institut f¨urTheoretische Informatik, TU Dresden, Germany [email protected] 2 Department of Computer Science, University of Manchester, UK {horrocks,sattler}@cs.man.ac.uk Summary. In this chapter, we explain what description logics are and why they make good ontology languages. In particular, we introduce the description logic SHIQ, which has formed the basis of several well-known ontology languages, in- cluding OWL. We argue that, without the last decade of basic research in description logics, this family of knowledge representation languages could not have played such an important rˆolein this context. Description logic reasoning can be used both during the design phase, in order to improve the quality of ontologies, and in the deployment phase, in order to exploit the rich structure of ontologies and ontology based information. We discuss the extensions to SHIQ that are required for languages such as OWL and, finally, we sketch how novel reasoning services can support building DL knowledge bases. 1 Introduction The aim of this section is to give a brief introduction to description logics, and to argue why they are well-suited as ontology languages. In the remainder of the chapter we will put some flesh on this skeleton by providing more technical details with respect to the theory of description logics, and their relationship to state of the art ontology languages. More detail on these and other matters related to description logics can be found in [6]. Ontologies There have been many attempts to define what constitutes an ontology, per- haps the best known (at least amongst computer scientists) being due to Gruber: “an ontology is an explicit specification of a conceptualisation” [47].3 In this context, a conceptualisation means an abstract model of some aspect of the world, taking the form of a definition of the properties of important 3 This was later elaborated to “a formal specification of a shared conceptualisation” [21]. -
Will the Semantic Web Scale?
Panel Discussion P3: Will the Semantic Web scale? New York Sheraton May 19th, 2004 Proposers: Panelists: Organizers: - Raphael Volz - Dr. Cathy Marshall - Raphael Volz - Carole Goble - Prof. Dr. Alon Y. Halevy - Daniel Oberle - Rudi Studer - Prof. Dr. Jürgen Angele - Prof. Dr. Ian Horrocks Panelist 1 Dr. Cathy Marshall Microsoft Corporation Texas A+M University Why the Semantic Web won’t scale the scaled semantic web seen as mass-market product “the Flowbee uses the suction power of your household vacuum to draw the hair up to the desired length, and then gives it a perfect cut.....every time.” Three important questions: • Will it really work? • Who needs it? • Is it safe? 3 will it work? evaluating the semantic web as metadata • compare the semantic web to a widely adopted metadata scheme like the MARC record used for library cataloging – MARC practitioners are members of a community and are trained to create metadata – MARC reduces interpretive load by careful choice of attributes, authority lists, & cataloging rules (AACR, e.g.) to constrain values – MARC records are controlled for interoperability and consistency in various ways (e.g. by clearinghouses like OCLC) – so... on-line catalog (OPAC) users know what to expect 4 will it work? evaluating the semantic web as metadata • by contrast, the semantic web is subject to the following pitfalls as it scales: – social structures for creating universal semantic web metadata are missing (local culture/practices/needs prevail) – semantic web metadata requires substantial interpretation of domain knowledge; underlying assumptions about use are highly situated – no way of ensuring interoperability, consistency, accuracy • e.g. -
Reminder List of Productions Eligible for the 86Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 86TH ACADEMY AWARDS ABOUT TIME Notes Domhnall Gleeson. Rachel McAdams. Bill Nighy. Tom Hollander. Lindsay Duncan. Margot Robbie. Lydia Wilson. Richard Cordery. Joshua McGuire. Tom Hughes. Vanessa Kirby. Will Merrick. Lisa Eichhorn. Clemmie Dugdale. Harry Hadden-Paton. Mitchell Mullen. Jenny Rainsford. Natasha Powell. Mark Healy. Ben Benson. Philip Voss. Tom Godwin. Pal Aron. Catherine Steadman. Andrew Martin Yates. Charlie Barnes. Verity Fullerton. Veronica Owings. Olivia Konten. Sarah Heller. Jaiden Dervish. Jacob Francis. Jago Freud. Ollie Phillips. Sophie Pond. Sophie Brown. Molly Seymour. Matilda Sturridge. Tom Stourton. Rebecca Chew. Jon West. Graham Richard Howgego. Kerrie Liane Studholme. Ken Hazeldine. Barbar Gough. Jon Boden. Charlie Curtis. ADMISSION Tina Fey. Paul Rudd. Michael Sheen. Wallace Shawn. Nat Wolff. Lily Tomlin. Gloria Reuben. Olek Krupa. Sonya Walger. Christopher Evan Welch. Travaris Meeks-Spears. Ann Harada. Ben Levin. Daniel Joseph Levy. Maggie Keenan-Bolger. Elaine Kussack. Michael Genadry. Juliet Brett. John Brodsky. Camille Branton. Sarita Choudhury. Ken Barnett. Travis Bratten. Tanisha Long. Nadia Alexander. Karen Pham. Rob Campbell. Roby Sobieski. Lauren Anne Schaffel. Brian Charles Johnson. Lipica Shah. Jarod Einsohn. Caliaf St. Aubyn. Zita-Ann Geoffroy. Laura Jordan. Sarah Quinn. Jason Blaj. Zachary Unger. Lisa Emery. Mihran Shlougian. Lynne Taylor. Brian d'Arcy James. Leigha Handcock. David Simins. Brad Wilson. Ryan McCarty. Krishna Choudhary. Ricky Jones. Thomas Merckens. Alan Robert Southworth. ADORE Naomi Watts. Robin Wright. Xavier Samuel. James Frecheville. Sophie Lowe. Jessica Tovey. Ben Mendelsohn. Gary Sweet. Alyson Standen. Skye Sutherland. Sarah Henderson. Isaac Cocking. Brody Mathers. Alice Roberts. Charlee Thomas. Drew Fairley. Rowan Witt. Sally Cahill. -
Toward an Open Knowledge Research Graph.Pdf
THE SERIALS LIBRARIAN https://doi.org/10.1080/0361526X.2019.1540272 Toward an Open Knowledge Research Graph Sören Auera and Sanjeet Mann b aPresenter; bRecorder ABSTRACT KEYWORDS Knowledge graphs facilitate the discovery of information by organizing it into Knowledge graph; scholarly entities and describing the relationships of those entities to each other and to communication; Semantic established ontologies. They are popular with search and e-commerce com- Web; linked data; scientific panies and could address the biggest problems in scientific communication, research; machine learning according to Sören Auer of the Technische Informationsbibliothek and Leibniz University of Hannover. In his NASIG vision session, Auer introduced attendees to knowledge graphs and explained how they could make scientific research more discoverable, efficient, and collaborative. Challenges include incentiviz- ing researchers to participate and creating the training data needed to auto- mate the generation of knowledge graphs in all fields of research. Change in the digital world Thank you to Violeta Ilik and the NASIG Program Planning Committee for inviting me to this conference. I would like to show you where I come from. Leibniz University of Hannover has a castle that belonged to a prince, and next to the castle is the Technische Informationsbibliothek (TIB), responsible for supporting the scientific and technology community in Germany with publications, access, licenses, and digital information services. Figure 1 is an example of a knowledge graph about TIB. The basic ingredients of a knowledge graph are entities and relationships. We are the library of Leibniz University of Hannover and we are a member of Leibniz Association (a German research association). -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Visit Imdb.Com for Up-To-The-Minute Academy Award Updates, and View
NOMINEES FOR THE 84th ANNUAL ACADEMY AWARDS Best Motion Picture of the Year Best Animated Feature Film Best Achievement in Sound Mixing The Artist (2011): Thomas Langmann of the Year The Girl with the Dragon Tattoo (2011): David Parker, The Descendants (2011): Jim Burke, Alexander Payne, A Cat in Paris (2010): Alain Gagnol, Jean-Loup Felicioli Michael Semanick, Ren Klyce, Bo Persson Jim Taylor Chico & Rita (2010): Fernando Trueba, Javier Mariscal Hugo (2011/II): Tom Fleischman, John Midgley Extremely Loud and Incredibly Close (2011): Scott Rudin Kung Fu Panda 2 (2011): Jennifer Yuh Moneyball (2011): Deb Adair, Ron Bochar, The Help (2011): Brunson Green, Chris Columbus, Puss in Boots (2011): Chris Miller David Giammarco, Ed Novick Michael Barnathan Rango (2011): Gore Verbinski Transformers: Dark of the Moon (2011): Greg P. Russell, Hugo (2011/II): Graham King, Martin Scorsese Gary Summers, Jeffrey J. Haboush, Peter J. Devlin Midnight in Paris (2011): Letty Aronson, Best Foreign Language Film War Horse (2011): Gary Rydstrom, Andy Nelson, Tom Stephen Tenenbaum of the Year Johnson, Stuart Wilson Moneyball (2011): Michael De Luca, Rachael Horovitz, Bullhead (2011): Michael R. Roskam(Belgium) Best Achievement in Sound Editing Brad Pitt Footnote (2011): Joseph Cedar(Israel) The Tree of Life (2011): Nominees to be determined In Darkness (2011): Agnieszka Holland(Poland) Drive (2011): Lon Bender, Victor Ray Ennis War Horse (2011): Steven Spielberg, Kathleen Kennedy Monsieur Lazhar (2011): Philippe Falardeau(Canada) The Girl with the Dragon Tattoo -
Sun Valley Film Festival Announces Its Awards For
Oct-14 Nov-14 Dec-14 Jan-15 Feb-15 Mar-15 Website Unique Visitors 2607 4029 4611 7549 5327 6313 Website Total Visits 3944 5566 6568 9160 7892 9292 Website Pages 11961 12480 14516 20891 18380 21002 Website Statistics Q2 25000 20000 15000 10000 5000 0 Oct-14 Nov-14 Dec-14 Jan-15 Feb-15 Mar-15 Website Unique Visitors Website Total Visits Website Pages DATE: March 31, 2015 TO: HAILEY CHAMBER OF COMMERCE INVOICE: PR/COMMUNICATIONS SERVICES FOR 2015 SUN VALLEY FILM FESTIVAL November 2014 – March 2015 AMOUNT: $2500.00 Payable net 30 days DETAIL OF SERVICES: STRATEGIC PUBLIC RELATIONS EFFORTS: 1. Media Outreach Actively pursue targeted pitches to key local, regional and national consumer, travel, arts, ski media . Local & regional media/online sites – arrange for media interviews with SVFF staff as feasible . National & Regional consumer travel, arts, ski media (print, online, TV, radio, bloggers, etc) . Develop PR strategic plan and schedule with SVFF marketing director . Press release outreach/distribution to regional/national media outlets (Note: Film & Entertainment consumer/trade media outreach to be handled by BWR PR) SVFF Announcement Party – Boise – Feb 15 . Represent SVFF at the event, work with media on coverage prior, during, post-event 3. Media Assistance Assist with key targeted media invited to attend and cover the SVFF . Identify target list with SVFF/BWR, extend invites, secure ITC funds for media travel & lodging costs, secure in-kind lodging for media with SV Resort, coordinate other arrangements as needed Press Credentialing/Press Materials & Assistance . Set up online press credential application form, review applications, confirm credentials/details .