DOCSLIB.ORG

In This Issue: Online Resource

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
In This Issue: Online Resource TAMPA, FL 33634 www.nationalwatermelonassociation.com the Winter 2015 Official Newsletter of the NATIONAL WATERMELON ASSOCIATION USDA Offers Crop Great News for FSMA Disaster Assistance Watermelon Magic! Implementation The folks at Spring Garden Pictures are brimming for Fruit And with great news, and they want to share the new Dates Set developments, exciting opportunities, and upcom- Vegetable Growers ing projects with us. Since Watermelon Magic’s hometown premiere USDA Secretary Tom Vilsack recently announced at The Franklin Institute last spring, the film’s that greater protection is now available from the reach continues to grow. The screenings at The Noninsured Crop Disaster Assistance Program for Franklin Institute will come to a close at the end crops that traditionally have been ineligible for fed- of December, but you can check out the film at Now that the four major proposed rules of the Food eral crop insurance. The new options, created by the The Whitaker Center in Harrisburg PA where it Safety Modernization Act (FSMA) have been re-pro- 2014 Farm Bill, provide greater coverage for losses recently opened. More venues will be officially posed and commented, we await the final rules (publi- when natural disasters affect specialty crops such as announced soon! cation, and the court-ordered implementation dates. vegetables and fruits. But the really big news is that Watermelon Magic A consent agreement filed in federal district court “These new protections will help ensure that farm will be running for a 3-year engagement at the in Oakland, CA set a timeline for FSMA rules to be families growing crops for food, fiber, or livestock Smithsonian’s National Museum of Natural His- implemented. The agreement between FDA and the consumption will be better able to withstand losses tory in Washington DC beginning in spring or fall Center for Food Safety (CFS) ended the agency’s due to natural disasters,” said Vilsack. “For years, of 2015 on their new digital IMAX system! This appeal of strict, court-imposed deadlines that were set commodity crop farmers have had the ability to pur- is a huge, wonderful advancement for the film. as the result of a CFS lawsuit seeking a timeline for chase insurance to keep their crops protected, and it They will provide news and updates regarding the implementation. only makes sense that fruit and vegetable, and other grand opening in DC once the details are set. specialty crop growers, should be able to purchase similar levels of protection. Ensuring these farm- The consent agreement pushes back several deadlines ers can adequately protect themselves from factors for the seven rules: beyond their control is also critical for consumers • Preventive controls for human food = who enjoy these products and for communities whose August 30, 2015. economies depend on them.” • Preventive controls for animal food = Previously, the program offered coverage at 55% of August 30, 2015. the average market price for crop losses that exceed 50% of expected production. Producers can now • Produce Safety = October 31, 2015. choose higher levels of coverage, up to 65% of their expected production at 100% of the average market • Foreign supplier verification program = price. March 31, 2016. The expanded protection will be especially helpful to • Third-party accreditation = beginning and traditionally underserved producers, March 31, 2016. as well as farmers with limited resources, who will receive fee waivers and premium reductions for ex- • Sanitary transport = March 31, 2016. panded coverage. More crops are now eligible for the program, including expanded aquaculture production • Intentional adulteration = May 31, 2016. practices, and sweet and biomass sorghum. For the first time, a range of crops used to produce bioenergy “The FDA is committed to fully implementing the will be eligible as well. FSMA and to putting in place the modern, preven- tive framework envisioned by the law that will help “If America is to remain food secure and continue to prevent foodborne illnesses and protect public exporting food to the world, we need to do everything health,” says an FDA spokesperson. “The agency we can to help new farmers get started and succeed is working as quickly and expeditiously as possible in agriculture,” Vilsack said. “This program will help to meet our deadlines for the final rules, while also new and socially disadvantaged farmers affordably ensuring that we get these rules right.” manage risk, making farming a much more attractive If the application deadline for an eligible crop has business proposition.” already passed, producers will have until Jan. 14, to choose expanded coverage through the Noninsured To help producers learn more about the Noninsured Crop Disaster Assistance Program. To learn more, Crop Disaster Assistance Program and how it can visit the Farm Service Agency (FSA) website or help them, USDA, in partnership with Michigan State contact your local FSA office. The Farm Service University and the University of Illinois, created an Agency (FSA), which administers the program, also In This Issue: online resource. The Web tool, allows producers to wants to hear from producers and other interested Page 5 …………. Look at What’s NEW at the Association determine whether their crops are eligible for cover- stakeholders who may have suggestions or recom- age. It also gives them an opportunity to explore a mendations on the program. Written comments Page 16 .......................................................NWPB Update variety of options and levels to determine the best will be accepted until Feb. 13 and can be submitted Page 30 ……… Membership and the Largest Generation protection level for their operation. through Regulations.gov. 2 • the Vineline National Watermelon Association • Winter 2015 Seedless Sensations Outstanding producers with great taste and presentation! Sweet Gem Cut Above Kingman • Rich, glossy, dark green • Bright red, crisp flesh • Bright red, crisp, firm flesh rind • Sweet and flavorful • Tasty with tiny seed pips • Deep red, crisp flesh • Round to oval shape • Strong vines and high yield • Sweet with excellent flavor • 15 to 17 pounds potential • Round shape • Excellent shipping • 18 to 22 pounds • 13 to 16 pounds capabilities • Round-oval shape Premont Exclamation Fascination • Super crisp, deep red flesh • Crisp, firm, sweet red flesh • Attractive, firm red flesh • High brix and small pips • Strong vine vigor • Uniform 45- and 36-count • Round to oval shape • Uniform size and blocky blocky fruit • 15 to 17 pounds shape • Excellent yield potential • Excellent shipping and • Small-medium pips • Very small pips shelf life • Mostly 36- and 45- count • Sweet and flavorful N. FL, AL, MS, LA GEORGIA NC, SC, VA, DE, MD Terry Parrish Christian Dameron Jonathan Wilks (229) 921-7803 (229) 891-8226 (910) 290-1735 PLANT CITY, FL SOUTHEAST FL TN, KY, MO, IN Larry Pippin Robbie Bishop Wayne Eidson (813) 759-1111 (786) 255-3764 (615) 854-9859 SOUTHWEST FL NY, N. ENGLAND, OH, MI WHOLESALE Kim Clifton Walker Mark Upton Blake Dexter (239) 707-5049 (315) 604-1098 (910) 372-3602 3 • the Vineline National Watermelon Association • Winter 2015 the 2014 SPONSORS DIAMOND Nunhems PLATINUM Georgia Chapter International Paper National Watermelon Association, InInc.c Seminis 190 Fitzgerald Road• Suite #3 • Lakeland, Florida 33813 Texas Chapter CHEP and IFCO (863) 619-7575 office • (863) 619-7577 fax www.nationalwatermelonassociation.com RUBY The Vineline is published quarterly by the National Watermelon Association, serving the industry Nationwide since Allen Lund 1914. All rights reserved, except where otherwise noted. Printed in the USA. To subscribe or to change the address of Borders Melons a current mailing, please call the NWA office in Lakeland. Giumarra Highland Subscription rates: USA and Canada, no charge to NWA member. All others, U.S. subscriptions, $30.00 per year (U.S. Melon 1 Dollars); Canadian Subscriptions, $40.00 per year (U.S. Dollars); Other foreign subscriptions, $50.00 per year (U.S. Dollars). MultiCorr PECO Pallet All Statements, including product claims, are those of the person or organization making the statement or claim as Sakata it’s own, and any such statement or claim does not necessarily reflect the opinion of the publisher. Syngenta Publisher - National Watermelon Association • Layouty - www.rubberneckerdesign.comg GOLD Clifton Seed Eagle Eye Georgia Chapter Premier Melon LOAD DONORS Exeter Engineering Gibson Produce Prime Time International Gibson Produce Alabama Chapter Global Produce Sales Raymon Land Global Produce B&K Farms Graham Farms Rusty Kinard Farms Harris Moran Bagley Produce HC Schmiedling Saikhon Company Kapstone Paper Big Chuy Distributors Hoosier Fresh Farms Sanland Farms Leger & Son Billy Smith Watermelons Illiana Chapter Sun State Produce McMelon Borders Melons Jackson Farming Sunterra Produce Mobley Browning & Sons Jackson Farms Sweet Mama Produce Sundia Wiggins C&S/Reid Groves Farms Jim Rash Company Texas Melon Exchange Cactus Melon Kids Choice The Giumarra Companies EMERALD Capital City Fruit Kirschenman Enterprises Inc Timco Worldwide B & K Farms Celli Brothers Leger & Son Tucker Farms JR Produce Central American Produce MarDel Chapter Turtle Island Produce Western Chapter Coosaw Farms McMelon Inc Van Groningen & Sons Diamond 99 Melon 1 Vincent Farms SILVER DMC Farms Melon Acres Wabash Valley Growers Dupont Eagle Eye Produce Mesilla Valley Produce Warren Produce MEI Labels Florida Chapter MGM Watermelon Unlimited RockTenn Frey Farms Mouzin Brothers
Load more

Recommended publications
  • KATHLEEN FELIX-HAGER Costume Designer
    KATHLEEN FELIX-HAGER Costume Designer PROJECTS DIRECTORS STUDIOS/PRODUCERS HACKS Lucia Aniello HBO MAX / UNIVERSAL TV Season 1 Morgan Sackett, Lucia Aniello Nominated, Outstanding Contemporary Mike Schur, David Miner, Jen Statsky Costumes – Emmy Awards Paul W. Downs HAPPIEST SEASON Clea Duvall HULU / TEMPLE HILL / SONY Feature Jonathan McCoy, Nicolas Stern Isaac Klausner, Marty Bowen SPACE FORCE Various Directors NETFLIX Pilot & Series Caroline James, Greg Daniels DOWNHILL Feature Jim Rash FOX SEARCHLIGHT Official Selection – Sundance Film Festival Nat Faxon Jo Homewood, Anthony Bregman VEEP Armando Iannucci HBO / Morgan Sackett Seasons 3 - 7 Various Directors Stephanie Laing, Armando Iannucci FOR LOVE John Dahl ABC Pilot Trish Hoffman, Kim Moses UPLOAD Various Directors AMAZON STUDIOS / Jill Danton Pilot Greg Daniels, Howard Klein GETTING ON Howard Deutch ANIMA SOLA PRODUCTIONS / HBO Season 3 Various Directors Chrisann Verges HEARTBEAT Robbie McNeill UNIVERSAL / NBC / Amy Brenneman Pilot Kelly Meyer, Gordon Mark DEXTER John Dahl SHOWTIME Costume Designer Seasons 6 - 8 SJ Clarkson Robert Lewis, Gary Law, Arika Mittman Costume Supervisor Seasons 1 - 5 Various Directors INTERCEPT Kevin Hooks ABC FAMILY Pilot Lynn Raynor SALVATION BOULEVARD Feature George Ratliff LIONSGATE Costume Supervisor Cathy Schulman TEEN SPIRIT Gil Junger ABC FAMILY MOW Steven Gary Banks, James Middleton CHRISTMAS CUPID Gil Junger ABC FAMILY / Craig McNeil MOW JUDGING AMY Various Directors CBS Seasons 3 – 6 Dan Sackheim, Barbara Hall EASTWICK Series David Nutter ABC Costume Supervisor David Nutter THE WEST WING Season 2 Various Directors NBC Costume Supervisor Aaron Sorkin, John Wells INNOVATIVE-PRODUCTION.COM | 310.656.5151 .
    [Show full text]
  • 3Rd NASA/IEEE Workshop on Formal Approaches to Agent-Based Systems
    Proceedings 3rdNASA/IEEE Workshop on Formal Approaches to Agent-Based Systems Springer-Verlag LNCS vol. 3228 Edited by Michael G. Hinchey, James L. Rash, Walter F. Truszkowski and Christopher A. Rouff Please note: This is a complete draft of the text; the publisher will add the correct page numbers, etc. The current formatting, although not very neat, I is the way the publisher requires it from us. Preface Greenbelt, MD October 2004 Organizing Committee Mike Hinchey, NASA Goddard Space Flight Center Jim Rash, NASA Goddard Space Flight Center Walt Truszkowski, NASA Goddard Space Flight Center Chris Rouff, SAIC I- _- Contents Ecology Based Decentralized Agent Management System Maim D. Pqirakhov, VincentA. Cicirello and William C. Regli ........................ 1 From Abstract to Concrete Nomin Agent Institutions Daide Grossi and Frank Dipm ............................................................ 12 Meeting the Deadline: Why, When and How Frank Dignum, Jan Broersen, Virginia Dignurn and John-Jules Meyer ................ 30 Multi-Agent Systems Reliability, Fuzziness, and Deterrence Michel Rudnimki and H&ne Bestougefl.. ................................................ 41 Formalism Challenges of the Cougaar Model Driven Architecture Shawn A. Bohner. Boby George. Denis Gracirnin andMichael G. Hinchey .......... 58 Facilitating the Specification Capture and Transformation Process in the Development of Multi-Agent Systems Aluizio Haendchen Filho, Nuno Caminah, Edward Hermann Haeusler and Arndt von Staa.. ............................................................................ 73 Using Ontologies to Formalize Services Specifications in Multi-Agent Systems Karin Koogan Breitman, Aluizio Haendchen Filho, Edward Hermann Haeusler and Am& von Staa ............................................................................. 93 Two Formal Gas Models For Multi-Agent Sweeping and Obstacle Avoidance Wesley Ken, Diana Spears, William Spears and David Thayer ...................... 1 13 A Formal kysisof Potential Energy in a Multi-agent System William M Spears, Diana F.
    [Show full text]
  • Reminder List of Productions Eligible for the 86Th Academy Awards
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 86TH ACADEMY AWARDS ABOUT TIME Notes Domhnall Gleeson. Rachel McAdams. Bill Nighy. Tom Hollander. Lindsay Duncan. Margot Robbie. Lydia Wilson. Richard Cordery. Joshua McGuire. Tom Hughes. Vanessa Kirby. Will Merrick. Lisa Eichhorn. Clemmie Dugdale. Harry Hadden-Paton. Mitchell Mullen. Jenny Rainsford. Natasha Powell. Mark Healy. Ben Benson. Philip Voss. Tom Godwin. Pal Aron. Catherine Steadman. Andrew Martin Yates. Charlie Barnes. Verity Fullerton. Veronica Owings. Olivia Konten. Sarah Heller. Jaiden Dervish. Jacob Francis. Jago Freud. Ollie Phillips. Sophie Pond. Sophie Brown. Molly Seymour. Matilda Sturridge. Tom Stourton. Rebecca Chew. Jon West. Graham Richard Howgego. Kerrie Liane Studholme. Ken Hazeldine. Barbar Gough. Jon Boden. Charlie Curtis. ADMISSION Tina Fey. Paul Rudd. Michael Sheen. Wallace Shawn. Nat Wolff. Lily Tomlin. Gloria Reuben. Olek Krupa. Sonya Walger. Christopher Evan Welch. Travaris Meeks-Spears. Ann Harada. Ben Levin. Daniel Joseph Levy. Maggie Keenan-Bolger. Elaine Kussack. Michael Genadry. Juliet Brett. John Brodsky. Camille Branton. Sarita Choudhury. Ken Barnett. Travis Bratten. Tanisha Long. Nadia Alexander. Karen Pham. Rob Campbell. Roby Sobieski. Lauren Anne Schaffel. Brian Charles Johnson. Lipica Shah. Jarod Einsohn. Caliaf St. Aubyn. Zita-Ann Geoffroy. Laura Jordan. Sarah Quinn. Jason Blaj. Zachary Unger. Lisa Emery. Mihran Shlougian. Lynne Taylor. Brian d'Arcy James. Leigha Handcock. David Simins. Brad Wilson. Ryan McCarty. Krishna Choudhary. Ricky Jones. Thomas Merckens. Alan Robert Southworth. ADORE Naomi Watts. Robin Wright. Xavier Samuel. James Frecheville. Sophie Lowe. Jessica Tovey. Ben Mendelsohn. Gary Sweet. Alyson Standen. Skye Sutherland. Sarah Henderson. Isaac Cocking. Brody Mathers. Alice Roberts. Charlee Thomas. Drew Fairley. Rowan Witt. Sally Cahill.
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • Visit Imdb.Com for Up-To-The-Minute Academy Award Updates, and View
    NOMINEES FOR THE 84th ANNUAL ACADEMY AWARDS Best Motion Picture of the Year Best Animated Feature Film Best Achievement in Sound Mixing The Artist (2011): Thomas Langmann of the Year The Girl with the Dragon Tattoo (2011): David Parker, The Descendants (2011): Jim Burke, Alexander Payne, A Cat in Paris (2010): Alain Gagnol, Jean-Loup Felicioli Michael Semanick, Ren Klyce, Bo Persson Jim Taylor Chico & Rita (2010): Fernando Trueba, Javier Mariscal Hugo (2011/II): Tom Fleischman, John Midgley Extremely Loud and Incredibly Close (2011): Scott Rudin Kung Fu Panda 2 (2011): Jennifer Yuh Moneyball (2011): Deb Adair, Ron Bochar, The Help (2011): Brunson Green, Chris Columbus, Puss in Boots (2011): Chris Miller David Giammarco, Ed Novick Michael Barnathan Rango (2011): Gore Verbinski Transformers: Dark of the Moon (2011): Greg P. Russell, Hugo (2011/II): Graham King, Martin Scorsese Gary Summers, Jeffrey J. Haboush, Peter J. Devlin Midnight in Paris (2011): Letty Aronson, Best Foreign Language Film War Horse (2011): Gary Rydstrom, Andy Nelson, Tom Stephen Tenenbaum of the Year Johnson, Stuart Wilson Moneyball (2011): Michael De Luca, Rachael Horovitz, Bullhead (2011): Michael R. Roskam(Belgium) Best Achievement in Sound Editing Brad Pitt Footnote (2011): Joseph Cedar(Israel) The Tree of Life (2011): Nominees to be determined In Darkness (2011): Agnieszka Holland(Poland) Drive (2011): Lon Bender, Victor Ray Ennis War Horse (2011): Steven Spielberg, Kathleen Kennedy Monsieur Lazhar (2011): Philippe Falardeau(Canada) The Girl with the Dragon Tattoo
    [Show full text]
  • Sun Valley Film Festival Announces Its Awards For
    Oct-14 Nov-14 Dec-14 Jan-15 Feb-15 Mar-15 Website Unique Visitors 2607 4029 4611 7549 5327 6313 Website Total Visits 3944 5566 6568 9160 7892 9292 Website Pages 11961 12480 14516 20891 18380 21002 Website Statistics Q2 25000 20000 15000 10000 5000 0 Oct-14 Nov-14 Dec-14 Jan-15 Feb-15 Mar-15 Website Unique Visitors Website Total Visits Website Pages DATE: March 31, 2015 TO: HAILEY CHAMBER OF COMMERCE INVOICE: PR/COMMUNICATIONS SERVICES FOR 2015 SUN VALLEY FILM FESTIVAL November 2014 – March 2015 AMOUNT: $2500.00 Payable net 30 days DETAIL OF SERVICES: STRATEGIC PUBLIC RELATIONS EFFORTS: 1. Media Outreach Actively pursue targeted pitches to key local, regional and national consumer, travel, arts, ski media . Local & regional media/online sites – arrange for media interviews with SVFF staff as feasible . National & Regional consumer travel, arts, ski media (print, online, TV, radio, bloggers, etc) . Develop PR strategic plan and schedule with SVFF marketing director . Press release outreach/distribution to regional/national media outlets (Note: Film & Entertainment consumer/trade media outreach to be handled by BWR PR) SVFF Announcement Party – Boise – Feb 15 . Represent SVFF at the event, work with media on coverage prior, during, post-event 3. Media Assistance Assist with key targeted media invited to attend and cover the SVFF . Identify target list with SVFF/BWR, extend invites, secure ITC funds for media travel & lodging costs, secure in-kind lodging for media with SV Resort, coordinate other arrangements as needed Press Credentialing/Press Materials & Assistance . Set up online press credential application form, review applications, confirm credentials/details .
    [Show full text]
  • 2012 Annual Report
    2012 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA/ONSTAGE Events ................................................................................................................15 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Special Screenings .................................................................................................................................... 23 Robert M.
    [Show full text]
  • Ruth Prawer Jhabvala's Adapted Screenplays
    Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone.
    [Show full text]
  • 2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
    2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter
    [Show full text]
  • The Descendents – Entire Screenplay.Pdf
    THE DESCENDANTS Written by Alexander Payne, Nat Faxon & Jim Rash 1 EXT. THE OCEAN - DAY 1 CLOSE ON a beautiful 40-YEAR-OLD WOMAN at the helm of a powerful SPEEDBOAT -- her hair tossed back by the wind, her mouth in a euphoric grin. FADE OUT. 2 CREDITS -- ARCHIVAL FOOTAGE 2 MATT (V.O.) My missionary ancestors came to the islands and told the Hawaiians to put on clothes, work hard, believe in Christ, and stop surfing and hula dancing. They made business deals along the way -- buying an island, or marrying a princess and inheriting her land. Now their descendants wear bikinis and running shorts, play beach volleyball and surf, and take up hula dancing. Hawai'i has always been a place of contradiction. 3 EXT. HONOLULU - DAY 3 VARIOUS SHOTS of Honolulu begin a pattern of montages to be interspersed throughout the film. MATT (V.O.) My friends on the mainland think just because I live in Hawai'i, I live in paradise. Like a permanent vacation -- we're all just out here drinking mai- tais, shaking our hips, and catching waves. Are they nuts? How can they possibly think our families are less screwed up, our heart attacks and cancers less fatal, our grief less devastating? Hell, I haven't been on a surfboard in fifteen years. 4 INT. HOSPITAL ROOM - DAY 4 We ZOOM BACK from a panorama of Honolulu to find 50-year-old MATT KING seated amid DOCUMENTS atop a makeshift desk -- he has brought his work with him. (CONTINUED) 2. The Descendants PINK Shooting Draft 4/11/10 Draft 4 CONTINUED: 4 MATT (V.O.) For the last 23 days, I've been living in a "paradise" of IVs and urine bags and endotracheal tubes and six-month- old US magazines.
    [Show full text]
  • Sgt. Bilko, M*A*S*H and the Heyday of U.S
    TV/Series 10 | 2016 Guerres en séries (II) “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and the Heyday of U.S. Military Sitcoms (1955-75) Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/1764 DOI: 10.4000/tvseries.1764 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and the Heyday of U.S. Military Sitcoms (1955-75) », TV/Series [Online], 10 | 2016, Online since 01 December 2016, connection on 05 May 2019. URL : http://journals.openedition.org/tvseries/1764 ; DOI : 10.4000/ tvseries.1764 This text was automatically generated on 5 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and t... 1 “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and the Heyday of U.S. Military Sitcoms (1955-75) Dennis Tredy 1 If the title of this paper quotes part of the refrain from Edwin Starr’s 1970 protest song, “War,” the song’s next line, proclaiming that war is good for “absolutely nothing” seems inaccurate, at least in terms of successful television sitcoms of from the 1950s to the 1970s. In fact, while Starr’s song was still an anti-Vietnam War battle cry, ground- breaking television programs like M*A*S*H (CBS, 1972-1983) were using laughter and tongue-in-cheek treatment of the horrors of war to provide a somewhat more palatable expression of the growing anti-war sentiment to American audiences.
    [Show full text]
  • Amy | ‘Tis the Season | Meru | the Wolfpack | the Jinx | Big Men | Caring for Mom & Dad | Walt Disney | the Breach | GTFO Scene & He D
    November-December 2015 VOL. 30 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES NO. 6 IN THIS ISSUE Amy | ‘Tis the Season | Meru | The Wolfpack | The Jinx | Big Men | Caring for Mom & Dad | Walt Disney | The Breach | GTFO scene & he d BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Le n more about Bak & Taylor’s Scene & He d team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications KNOWLEDGEABLE Full-time staff of A/V catalogers, backed by their MLS degree and more than 43 years of media cataloging expertise 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review Amy HHH 2011, she died of alcohol toxicity at the age of Lionsgate, 128 min., R, 27. Drawing on early home movies, newsreel DVD: $19.98, Blu-ray: footage, and recorded audio interviews, Amy $24.99, Dec. 1 serves up a sorrowful portrait of an artist’s Publisher/Editor: Randy Pitman This disturbing, dis- deadly downward spiral. Extras include au- concerting, booze ‘n’ dio commentary by the director, previously Associate Editor: Jazza Williams-Wood drugs documentary unseen performances by Winehouse, and Copy Editor: Kathleen L. Florio about British song- deleted scenes.
    [Show full text]