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Exploring Lesbian and Gay Musical Preferences and 'LGB Music' in Flanders
Observatorio (OBS*) Journal, vol.9 - nº2 (2015), 207-223 1646-5954/ERC123483/2015 207 Into the Groove - Exploring lesbian and gay musical preferences and 'LGB music' in Flanders Alexander Dhoest*, Robbe Herreman**, Marion Wasserbauer*** * PhD, Associate professor, 'Media, Policy & Culture', University of Antwerp, Sint-Jacobsstraat 2, 2000 Antwerp ([email protected]) ** PhD student, 'Media, Policy & Culture', University of Antwerp, Sint-Jacobsstraat 2, 2000 Antwerp ([email protected]) *** PhD student, 'Media, Policy & Culture', University of Antwerp, Sint-Jacobsstraat 2, 2000 Antwerp ([email protected]) Abstract The importance of music and music tastes in lesbian and gay cultures is widely documented, but empirical research on individual lesbian and gay musical preferences is rare and even fully absent in Flanders (Belgium). To explore this field, we used an online quantitative survey (N= 761) followed up by 60 in-depth interviews, asking questions about musical preferences. Both the survey and the interviews disclose strongly gender-specific patterns of musical preference, the women preferring rock and alternative genres while the men tend to prefer pop and more commercial genres. While the sexual orientation of the musician is not very relevant to most participants, they do identify certain kinds of music that are strongly associated with lesbian and/or gay culture, often based on the play with codes of masculinity and femininity. Our findings confirm the popularity of certain types of music among Flemish lesbians and gay men, for whom it constitutes a shared source of identification, as it does across many Western countries. The qualitative data, in particular, allow us to better understand how such music plays a role in constituting and supporting lesbian and gay cultures and communities. -
Züritipp Clap Your Hands Say Yeah
MATCH & FUSE FESTIVAL 23 FUSION Das Festival bringt Musiker aus verschiedenen Genres zusammen. VON FRANK VON NIEDERHÄUSERN JAZZ Viele Jung-Jazzer fressen heute begierig über die stilistischen Gartenzäune. Kein Wunder, dass der Aus- tausch zwischen den Szenen heute intensiver geschieht denn je. Das Label Match & Fuse gibt solchen Interak- tionen seit fünf Jahren Zusatzschub und lädt zu inter- nationalen Festivals. Diesmal nach Zürich. In den Clubs Moods, Exil, Mehrspur und Laborbar stehen zwölf Kon- zerte an, die das Publikum hellhörig und die Musizie- renden inspirieren sollen. Aus hiesigen Küchen melden sich das wagemutig-hybride Elektro-Akustik-Trio Me & Mobi, die Tüftel-WG Schnellertollermeier oder Sängerin Lucia Cadotsch mit gleich zwei Varianten ihres Projekts Speak Low. Zu entdecken ist Drummer-Sän- gerin Siv Øyunn aus Oslo oder das französische Synth- Drummer-Duo In Girum mit Plaistow-Pianist Johann Die Wilde mags auch kuschelig. Bourquenez. Hoffentlich nicht zu sehr. DO BIS SA — 2000 DIVERSE ORTE BETH DITTO / Konzerte Musik MOODS / ZHDK / EXIL / LABORBAR WWW.MATCHANDFUSE.CH Eintritt 35 Franken WACHRÜTTLERIN CLAP YOUR Die Sängerin, die mit der Gruppe Gossip HANDS SAY YEAH berühmt wurde, hat eine Solokarriere eingeschlagen. Ihre Musik ist heute unauffälliger. VON ADRIAN SCHRÄDER POP Die Wucht ist weg. Gossip gibt es nicht Jennifer Decilveo hat sie über weite Strecken GUTE NUMMER mehr. Die Band, der wir Songs wie «Heavy ein Südstaatenpop-Album aufgenommen — 4.10.2017 28.9. Cross» oder «Coal to Diamonds» zu ver- – gespickt mit leisen Referenzen an die Sieb- INDIE Dreihundert Alben will die amerikanische Band danken haben, hat sich Anfang 2016 auf- ziger und Achtziger, mit Ausflügen in Soul, Clap Your Hands Say Yeah insgesamt veröffentlichen. -
D'eurockéennes
25 ans d’EUROCKÉENNES LE CRÉDIT AGRICOLE FRANCHE-COMTÉ NE VOUS LE DIT PAS SOUVENT : IL EST LE PARTENAIRE INCONTOURNABLE DES ÉVÉNEMENTS FRANCs-COMTOIS. IL SOUTIENT Retrouvez le Crédit Agricole Franche-Comté, une banque différente, sur : www.ca-franchecomte.fr Caisse Régionale de Crédit Agricole Mutuel de Franche-Comté - Siège social : 11, avenue Elisée Cusenier 25084 Besançon Cedex 9 -Tél. 03 81 84 81 84 - Fax 03 81 84 82 82 - www.ca-franchecomte.fr - Société coopérative à capital et personnel variables agréée en tant qu’établissement de crédit - 384 899 399 RCS Besançon - Société de courtage d’assurance immatriculée au Registre des Intermédiaires en Assurances sous le n° ORIAS 07 024 000. ÉDITO SOMMAIRE La fête • 1989 – 1992 > Naissance d’un festival > L’excellence et la tolérance, François Zimmer .......................................................p.4 > Une grosse aventure, Laurent Arnold ...................................................................p.5 continue > « Caomme un pèlerinage », Laurent Arnold ........................................................p.6 Les Eurockéennes ont 25 ans. Qui l’eut > Un air de Woodstock au pied du Ballon d’Alsace, Thierry Boillot .......................p.7 cru ? Et si aujourd’hui en 2013, un doux • 1993 – 1997 > Les Eurocks, place incontournable rêveur déposait sur la table le dossier d’un grand et beau festival de musiques > Les Eurocks, précurseurs du partenariat, Lisa Lagrange ..................................... p.8 actuelles (selon la formule consacrée), > Internet : le partenariat de -
Nr Kat Artysta Tytuł Title Supplement Nośnik Liczba Nośników Data
nr kat artysta tytuł title nośnik liczba data supplement nośników premiery 9985841 '77 Nothing's Gonna Stop Us black LP+CD LP / Longplay 2 2015-10-30 9985848 '77 Nothing's Gonna Stop Us Ltd. Edition CD / Longplay 1 2015-10-30 88697636262 *NSYNC The Collection CD / Longplay 1 2010-02-01 88875025882 *NSYNC The Essential *NSYNC Essential Rebrand CD / Longplay 2 2014-11-11 88875143462 12 Cellisten der Hora Cero CD / Longplay 1 2016-06-10 88697919802 2CELLOSBerliner Phil 2CELLOS Three Language CD / Longplay 1 2011-07-04 88843087812 2CELLOS Celloverse Booklet Version CD / Longplay 1 2015-01-27 88875052342 2CELLOS Celloverse Deluxe Version CD / Longplay 2 2015-01-27 88725409442 2CELLOS In2ition CD / Longplay 1 2013-01-08 88883745419 2CELLOS Live at Arena Zagreb DVD-V / Video 1 2013-11-05 88985349122 2CELLOS Score CD / Longplay 1 2017-03-17 0506582 65daysofstatic Wild Light CD / Longplay 1 2013-09-13 0506588 65daysofstatic Wild Light Ltd. Edition CD / Longplay 1 2013-09-13 88985330932 9ELECTRIC The Damaged Ones CD Digipak CD / Longplay 1 2016-07-15 82876535732 A Flock Of Seagulls The Best Of CD / Longplay 1 2003-08-18 88883770552 A Great Big World Is There Anybody Out There? CD / Longplay 1 2014-01-28 88875138782 A Great Big World When the Morning Comes CD / Longplay 1 2015-11-13 82876535502 A Tribe Called Quest Midnight Marauders CD / Longplay 1 2003-08-18 82876535512 A Tribe Called Quest People's Instinctive Travels And CD / Longplay 1 2003-08-18 88875157852 A Tribe Called Quest People'sThe Paths Instinctive Of Rhythm Travels and the CD / Longplay 1 2015-11-20 82876535492 A Tribe Called Quest ThePaths Low of RhythmEnd Theory (25th Anniversary CD / Longplay 1 2003-08-18 88985377872 A Tribe Called Quest We got it from Here.. -
The Queer History of Camp Aesthetics & Ethical
Seattle Pacific University Digital Commons @ SPU Honors Projects University Scholars Spring 6-7-2021 FROM MARGINAL TO MAINSTREAM: THE QUEER HISTORY OF CAMP AESTHETICS & ETHICAL ANALYSIS OF CAMP IN HIGH FASHION Emily Barker Follow this and additional works at: https://digitalcommons.spu.edu/honorsprojects Part of the Fashion Design Commons, and the Lesbian, Gay, Bisexual, and Transgender Studies Commons Recommended Citation Barker, Emily, "FROM MARGINAL TO MAINSTREAM: THE QUEER HISTORY OF CAMP AESTHETICS & ETHICAL ANALYSIS OF CAMP IN HIGH FASHION" (2021). Honors Projects. 118. https://digitalcommons.spu.edu/honorsprojects/118 This Honors Project is brought to you for free and open access by the University Scholars at Digital Commons @ SPU. It has been accepted for inclusion in Honors Projects by an authorized administrator of Digital Commons @ SPU. FROM MARGINAL TO MAINSTREAM: THE QUEER HISTORY OF CAMP AESTHETICS & ETHICAL ANALYSIS OF CAMP IN HIGH FASHION by EMILY BARKER FACULTY MENTORS: ERICA MANZANO & SARAH MOSHER HONORS PROGRAM DIRECTOR: DR. CHRISTINE CHANEY A project submitted in partial fulfillment of the requirements for the Bachelor of Arts degree in Honors Liberal Arts Seattle Pacific University Presented at the SPU Honors Research Symposium June 7, 2021 1 Abstract: ‘Camp’ has become a buzzword in fashion over the last few years, due to a rise in popularity following the 2019 MET Gala theme, “Camp: Notes on Fashion.” Based on Susan Sontag’s 1964 book “Notes on Camp,” the event highlighted many aesthetic elements of Camp sensibilities, but largely ignores the importance of the LGBTQ+ community in Camp’s development. In this piece, I highlight various intersections of Camp and queerness over the last century and attempt to understand Camp’s place in High Fashion today. -
The South Wedge Quarterly
equal=grounds The South We dge Quarterly summer 2017 - volume v issue iv FREE hello The South Wedge Quarterly A PUBLICATION OF THE BUSINESS ASSOCIATION OF THE SOUTH WEDGE AREA | BASWA Editorial Board Chris Jones Karrie Laughton Katie Libby pride Rose O’Keefe Paula Frumusa Bridgette Pendleton-Snyder Lori Bryce I was not alone in wishing for a perfectly lovely transition from winter and spring into summer. Nor was Toni Beth Weasner I the only one wearing a hat, scarf and gloves while walking to admire flowering pear, plum and cherry Deb Zakrzewski trees. My rhododendron stayed at peak for three weeks thanks to those cold rains and freezing winds. [email protected] Art Production If you were to take some giant steps back through the centuries, I have no doubt that wishful think- ing about the weather and real hope for the future were part of the mix that tamed the forests in the Chris Jones Genesee Valley, led to the building of the Erie Canal and brought all the goods and ills of industrializa- John Magnus Champlin tion. In the South Wedge, I’ve had good company while celebrating recent changes. Jackie Evangelisti Advertising Sales Manager On the happy side, we’ve had the openings of one new venture after the next from Fountain of Youth Nancy Daley | [email protected] Fitness at the tip of South Avenue; to Abundance; to Relish fitting in so smoothly in Open Face’s spot; Time for Wine finally ready;Sujana Beauty and Brows, Just Browsing, and Highland Market Bakery Printed By & Deli, all within blocks of each other. -
Issue 171.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 171 October Oxford’s Music Magazine 2009 tristantristantristantristan &&& thethethe troubadourstroubadourstroubadourstroubadourstroubadours Oxford’s own Magnificent Seven ride out - Interview inside plus News, reviews and seven pages of local gigs photo: Marc West photo: Marc NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net THIS MONTH’S OX4 FESTIVAL will feature a special Music Unconvention alongside its other attractions. The mini-convention, featuring a panel of local music people, will discuss, amongst other musical topics, the idea of keeping things local. OX4 takes place on Saturday 10th October at venues the length of Cowley Road, including the 02 Academy, the Bullingdon, East Oxford Community Centre, Baby Simple, Trees Lounge, Café Tarifa, Café Milano, the Brickworks and the Restore Garden Café. The all-day event has SWERVEDRIVER play their first Oxford gig in over a decade next been organised by Truck and local gig promoters You! Me! Dancing! Bands month. The one-time Oxford favourites, who relocated to London in the th already confirmed include hotly-tipped electro-pop outfit The Big Pink, early-90s, play at the O2 Academy on Thursday 26 November. The improvisational hardcore collective Action Beat and experimental hip hop band, who signed to Creation Records shortly after Ride in 1990, split in outfit Dälek, plus a host of local acts. Catweazle Club and the Oxford Folk 1999 but reformed in 2008, still fronted by Adam Franklin and Jimmy Festival will also be hosting acoustic music sessions. -
“Pop Artists Should BE Judged on Their Work, Not Their Lifestyle”
MOTION: SEPTEMBER 2009 POP “PoP ARTISTS ARTISTS SHOULD BE NAOMI TODD JUDGED ON THEIR WORK, NOT THEIR LIFesTYLE” DEBATING MATTERS DEBATOPITING MATTERCS GUIDETOPICS GUIDEwww.debatingmatters.comS CONTENTS INTRODUCTION 1 of 7 NOTES Michael Jackson’s death in 2009 prompted much discussion over Introduction 1 how the pop-star should be remembered – as ‘Wacko Jacko’, the Key terms 1 tabloid figure famed for his erratic behaviour, extreme plastic surgery and accusations of child abuse, or as an extraordinary The pop artists debate in context 2 talent who produced an exceptional body of work over his Essential reading 4 musical career? [Ref: The Times]. The question is whether pop artists should be judged on their work, or on their behaviour and Backgrounders 5 lifestyle. Whilst many artists are celebrated for the work they produce, the coverage given to the likes of Pete Doherty and Amy Organisations 5 Winehouse suggests that their work is but the support act to In the news 6 their many personal dramas. [Ref: Independent] Is this focus on lifestyle damaging? Is it a necessary side-effect of many artists’ alleged status as role models for the young and impressionable? Are pop stars today victims of a celebrity culture, or do they have themselves to blame for becoming a part of it? Does focus on an artist’s lifestyle damage their work? KEY TERMS Celebrity culture Private Life The nature of fame Andy Warhol and the cult(ure) of personality DEBATING MATTERS © ACADEMY OF IDEAS LTD 2009 TOPIC POP ARTISTS: DEBATING MATTERS GUIDES “Pop artists should be judged on their work, not their lifestyle” WWW.DEBATINGMATTERS.COM THE POP ARTISTS DEBATE IN CONTEXT 2 of 7 NOTES Does focus on an artist’s lifestyle damage their Role models? work? One reason for the scrutiny of artists’ lifestyles is that they The death of Michael Jackson has also prompted debate over are widely regarded as role models for young people. -
Karaoke Catalog Updated On: 09/04/2018 Sing Online on Entire Catalog
Karaoke catalog Updated on: 09/04/2018 Sing online on www.karafun.com Entire catalog TOP 50 Tennessee Whiskey - Chris Stapleton My Way - Frank Sinatra Wannabe - Spice Girls Perfect - Ed Sheeran Take Me Home, Country Roads - John Denver Broken Halos - Chris Stapleton Sweet Caroline - Neil Diamond All Of Me - John Legend Sweet Child O'Mine - Guns N' Roses Don't Stop Believing - Journey Jackson - Johnny Cash Thinking Out Loud - Ed Sheeran Uptown Funk - Bruno Mars Wagon Wheel - Darius Rucker Neon Moon - Brooks & Dunn Friends In Low Places - Garth Brooks Fly Me To The Moon - Frank Sinatra Always On My Mind - Willie Nelson Girl Crush - Little Big Town Zombie - The Cranberries Ice Ice Baby - Vanilla Ice Folsom Prison Blues - Johnny Cash Piano Man - Billy Joel (Sittin' On) The Dock Of The Bay - Otis Redding Bohemian Rhapsody - Queen Turn The Page - Bob Seger Total Eclipse Of The Heart - Bonnie Tyler Ring Of Fire - Johnny Cash Me And Bobby McGee - Janis Joplin Man! I Feel Like A Woman! - Shania Twain Summer Nights - Grease House Of The Rising Sun - The Animals Strawberry Wine - Deana Carter Can't Help Falling In Love - Elvis Presley At Last - Etta James I Will Survive - Gloria Gaynor My Girl - The Temptations Killing Me Softly - The Fugees Jolene - Dolly Parton Before He Cheats - Carrie Underwood Amarillo By Morning - George Strait Love Shack - The B-52's Crazy - Patsy Cline I Want It That Way - Backstreet Boys In Case You Didn't Know - Brett Young Let It Go - Idina Menzel These Boots Are Made For Walkin' - Nancy Sinatra Livin' On A Prayer - Bon -
We Can't Help It If We're from Florida’: a Discursive Analysis of the 1980S Gainesville Punk Subculture
‘WE CAN'T HELP IT IF WE'RE FROM FLORIDA’: A DISCURSIVE ANALYSIS OF THE 1980S GAINESVILLE PUNK SUBCULTURE Christos Tzoustas Student No: 5950559 Master of Arts ‘Cultural History of Modern Europe’ Utrecht University Supervisor: dr. Rachel Gillett 2018 ABSTRACT This thesis undertakes a discursive analysis of the 1980s Gainesville punk subculture. As such, it performs a semiotic analysis and close reading to both the textual and visual discursive production of the scene, in the form of flyers, fanzines and liner notes, in order to, on the one hand, examine the ways in which such production was made to signify disorder, and, on the second hand, to illuminate the identity representations that ultimately constructed the Gainesville punk identity. For this reason, it employs the concept of intersectionality in an effort to consider identity representations of gender, race and class as interconnected and overlapping rather than isolated. Finally, it investigates the links between Julia Kristeva’s concept of abjection and Mikhail Bakhtin’s concept of the carnivalesque, on the one hand, and the bodily performativity and corporeal manifestations of the Gainesville punk identity, on the other. Can the punk identity, within its capacity to disturb order, rid the ‘subject’ of its discursive constraints? 1 TABLE OF CONTENTS Abstract .............................................................................................................................................. 1 Acknowledgements ........................................................................................................................... -
Record World Salutes
DEDICATED TO THE i\IEEDS OF THE MUSIC/RECORD INDUSTRY JANUARY 26, 1974 WHO IN THE WORLD: SEALS & CROFTS Seals & Crofts Fans Eagerly Await The Warner Bros. Duo's Next Album And Single, 'Unborn Child.' Meanwhile, Their 'Diamond Girl' Is In Its 38th Week On The Album Charts. Its Predecessor, 'Summer Breeze,' Is Second In Chart Longevity Only To 'Tapestry' With Its 54 -Week Ride. See Story On Page 70. HITS OF THE WEEK t" ELVISPRESLEY, "I'VE GOT A THINGtr) GENEREDDING, "THIS HEART" (prod. by BOB DYLAN, "PLANET WAVES." Dylan ABOUT YOU BABY" (Swamp w Dennis LambertandBrian and The Band . a perfect match disc - 0 Fox, WhiteHaven, ASCAP).w Potter)(ABC / Dunhill,BMI). wise. In this long-awaited album, ship- z The Kingisback withthisw The first on Lambert and Pot- pinggold,the"NashvilleSkyline" uptempotuneshowinghis ter's label holds untold possi- sound has grown up and Dylan fluctu- ability to get as as the bilities as a charttopper. atesbetweenthisand best of them. Tight and tasty, Redding's voice comes across "gritty" vocalizing. Cuts with particular it should find the number one splendidly; nifty back-up and dazzle are "On A Night Like This," spot waiting with open arms. rhythmworkcompletethe "Forever Young" and "You Angel You." RCA APB0-0196. coup! Haven 7000 (Capitol). Elektra/Asylum 7E-1003 (6.98). THEJ.GEILS BAND, "DID YOU NO JOHNNY WINTER, "STONE COUNTY" JONI MITCHELL, "COURT AND SPARK." WRONG" (prod. by Bill Szym- (prod. by Rick Derringer) Ms. Mitchell's musical dynamics have APC59czyk).(JukeJoint,Walden, (Goshen Road, BMI). From his upsurged to the point where they are - )ASCAP). -
Corpus Antville
Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC “SHARE THE AIR†VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek Gluziñski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr.