The Maintenance of a Permanent Afro-Brazilian Underclass
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1995,Brazil's Zumbi Year, Reflections on a Tricentennial Commemoration
1995,Brazil’s Zumbi Year, Reflections on a Tricentennial Commemoration Richard Marin To cite this version: Richard Marin. 1995,Brazil’s Zumbi Year, Reflections on a Tricentennial Commemoration. 2017. hal-01587357 HAL Id: hal-01587357 https://hal.archives-ouvertes.fr/hal-01587357 Preprint submitted on 10 Mar 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Richard Marin 1995, BRAZIL’S ZUMBI YEAR: REFLECTIONS ON A TRICENTENNIAL COMMEMORATION In 1995, the Brazilian commemorations in honor of the tricentennial of the death of Zumbi, the legendary leader of the large maroon community of Palmares, took on every appearance of a genuine social phenomenon. The Black Movement and part of Brazilian civil society, but also the public authorities, each in different ways, were all committed to marking the event with exceptional grandeur. This article advances a perspective on this commemorative year as an important step in promoting the "Black question" along with Afro-Brazilian identity. After describing the 1995 commemorations, we aim to show how they represented the culmination of already-existing movements that had been at work in the depths of Brazilian society. We will finish by considering the period following the events of 1995, during which "the Black question" becomes truly central to debates in Brazilians society. -
Dancing Through Difficulties: Capoeira As a Fight Against Oppression by Sara Da Conceição
Dancing Through Difficulties: Capoeira as a Fight Against Oppression by Sara da Conceição Capoeira is difficult to define. It is an African form of physical, spiritual, and cultural expression. It is an Afro-Brazilian martial art. It is a dance, a fight, a game, an art form, a mentality, an identity, a sport, an African ritual, a worldview, a weapon, and a way of life, among other things. Sometimes it is all of these things at once, sometimes it isn’t. It can be just a few of them or something different altogether. Capoeira is considered a “game” not a “fight” or a “match,” and the participants “play” rather than “fight” against each other. There are no winners or losers. It is dynamic and fluid: there is no true beginning or end to the game of capoeira. In perhaps the most widely recognized and referenced book dealing with capoeira, Ring of Liberation: Deceptive Discourse in Brazilian Capoeira, J. Lowell Lewis attempts to orient the reader with a fact-based, straightforward description of this blurred cultural genre: A game or sport played throughout Brazil (and elsewhere in the world) today, which was originally part of the Afro-Brazilian folk tradition. It is a martial art, involving a complete system of self-defense, but it also has a dance-like, acrobatic movement style which, combined with the presence of music and song, makes the games into a kind of performance that attracts many kinds of spectators, both tourists and locals. (xxiii) An outsider experiencing capoeira for the first time would undoubtedly assert that the “game” is a spectacular, impressive, and peculiar sight, due to its graceful and spontaneous integration of fighting techniques with dance, music, and unorthodox acrobatic movements. -
Experiences of Race and Migration Among Brazilians in the Netherlands
Between (in)visibilities: Experiences of race and migration among Brazilians in the Netherlands Aline Rodrigues Silva Main Supervisor: Prof. Dr. Koen Leurs Support Supervisor: Dr. Boriana Alexandrova Home University: University of York – Centre for Women’s Studies Mobility University: Utrecht University – Graduate Gender Programme 2020 Between (in)visibilities: Experiences of race and migration among Brazilians in the Netherlands Aline Rodrigues Silva Main Supervisor: Prof. Dr. Koen Leurs Support Supervisor: Dr. Boriana Alexandrova Home University: University of York – Centre for Women’s Studies Mobility University: Utrecht University – Graduate Gender Programme 2020 Main Supervisor Approval: Prof. Dr. Koen Leurs ____________________________ Signature 3 Abstract This research investigates how Brazilians experience race in the Netherlands. Race is socially constructed and historically and contextually dependent, so this thesis looks at the ways in which race is lived by Brazilians in a new social and racial context. The study focuses on how this type of postcolonial migration (re)produces and (re)constructs racial meanings and identities, and how various axes of difference intersect in this process. Drawing upon 24 semi- structured interviews, the empirical analysis is divided into two parts. Visa Matters shows how race is invisible as a term, but present as a structuring notion, in immigration policies. Brazilian women moving to the country in a transnational relationship are subjected to strict and exclusionary controlling practices, which redefine the privilege and mobility they enjoyed in Brazil. At the same time, the different visa regimes re-inscribe and reinforce systems of privilege and inequality, not only among those applying for a ‘partner visa’, but especially among those migrating as highly skilled migrants or those holding dual citizenship, one of which is European. -
The Africanisms of Capoeira Angola Juan Esteban Sosa SIT Study Abroad
SIT Graduate Institute/SIT Study Abroad SIT Digital Collections Independent Study Project (ISP) Collection SIT Study Abroad Fall 2006 Visiting the Past, Reclaiming the Present: The Africanisms of Capoeira Angola Juan Esteban Sosa SIT Study Abroad Follow this and additional works at: https://digitalcollections.sit.edu/isp_collection Part of the Dance Commons, and the Performance Studies Commons Recommended Citation Sosa, Juan Esteban, "Visiting the Past, Reclaiming the Present: The Africanisms of Capoeira Angola" (2006). Independent Study Project (ISP) Collection. 272. https://digitalcollections.sit.edu/isp_collection/272 This Unpublished Paper is brought to you for free and open access by the SIT Study Abroad at SIT Digital Collections. It has been accepted for inclusion in Independent Study Project (ISP) Collection by an authorized administrator of SIT Digital Collections. For more information, please contact [email protected]. Visiting the Past, Reclaiming the Present: The Africanisms of Capoeira Angola Juan Esteban Sosa Advisor: Eduardo David de Oliveira Graduado em filosofia Especialista em culturas Africanas e Relações Interetnicas na Educação Brasileira Mestre em Antropologia Social Doutorado em Educação Ativista dos Movimentos Sociais Populares Membro do Movimento Negro School for International Training- CSA Brazil – Northeast Fall 2006 1 Iê! Viva meu mestre, Viva meu mestre, camará! Iê! Que me ensinou Que me ensinou, camará! 2 This research is dedicated to Mestre Boca do Rio and to Grupo de Capoeira Angola Zimba for allowing -
Frequency of CCR5∆32 in Brazilian Populations
Brazilian Journal of Medical and Biological Research (2006) 39: 321-325 CCR5∆32 in Brazilian populations 321 ISSN 0100-879X Short Communication Frequency of CCR5∆32 in Brazilian populations A.E. Vargas, A.R. Marrero, Departamento de Genética, Instituto de Biociências, F.M. Salzano, M.C. Bortolini Universidade Federal do Rio Grande do Sul, Porto Alegre, RS, Brasil and J.A.B. Chies Abstract Correspondence A sample of 103 randomly chosen healthy individuals from Alegrete, Key words J.A.B. Chies RS, Brazil, was tested for the CCR5∆32 allele, which is known to • CCR5 Departamento de Genética, UFRGS influence susceptibility to HIV-1 infection. The CCR5∆32 allele was • Chemokine receptors Caixa Postal 15053 identified by PCR amplification using specific primers flanking the • Brazilian population 91501-970 Porto Alegre, RS region of deletion, followed by electrophoresis on a 3% agarose gel. • Gene flow Brasil Fax: +55-51-3316-7311 The data obtained were compared to those reported for other popula- E-mail: [email protected] tions and interpreted in terms of Brazilian history. The individuals studied came from a highly admixed population. Most of them were Research supported by PRONEX identified as white (N = 59), while blacks and browns (mulattoes) (No. 66.1002/1997.9), CNPq, were N = 13 and N = 31, respectively. The observed frequencies, FAPERGS, and PROPESQ/UFRGS. considering the white, black and brown samples (6.8, 3.8, and 6.4%, respectively), suggest an important European parental contribution, even in populations identified as black and brown. However, in Brazil Received April 29, 2005 as a whole, this allele shows gradients indicating a relatively good Accepted October 14, 2005 correlation with the classification based on skin color and other physical traits, used here to define major Brazilian population groups. -
Quilombo a Critical Review of a Brazilian Film Tristán Del Canto
Quilombo A Critical Review of a Brazilian Film Tristán del Canto Summary and Background This paper investigates race and folklore in the Brazilian motion picture Quilombo, a movie about a seventeenth-century maroon slave community in Northeastern Brazil called Quilombo dos Palmares. In this paper, I look at criticism about the movie and how the myth of “racial democracy” is still alive in Quilombo despite the film’s theme of Black resistance to White oppression during slavery. I argue that while Quilombo appears to celebrate Black pride and history, it does not contribute to the alleviation of racial discrimination, poverty and oppression faced by Afro- Brazilians. Quilombo was written and directed by Carlos Diegues, produced by Augusto Arraes and stars Zeze Motta, Antonio Pompeo, Toni Tornado, Antonio Pitanga, Vera Fischer, Mauricio Do Valle and Grande Otelo; it was released in 1984 in color and lasts 119 minutes. Brazilian Slavery and Quilombo dos Palmares Historically, Brazil imported more slaves (3.6 million) than any other country in the Americas and was the last colony to abolish slavery in 1888 (Telles 2004:25). Many quilombos (runaway slave communities), large-scale revolts and resistance heroes developed in response to the harsh nature of Brazil slavery. Quilombo dos Palmares however was the most impressive maroon community in Brazil. It held between 11,000 and 30,000 people and resisted Portuguese, Dutch and Native Brazilian attacks until finally succumbing to the cannons of the Portuguese in 1694-1695 (Reis and Gomes 2006). Even though Quilombo dos Palmares lasted nearly one hundred years, Brazilian 2 colonial authorities preserved little documentation about the community; most recorded information was written by soldiers of fortune that were paid to find and attempt to bring down the settlement. -
Information to Users
Race and public policy in Brazil: Immigration, Sao Paulo and the First Republic Item Type text; Thesis-Reproduction (electronic) Authors Penn, David Scott, 1967- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 10/10/2021 01:12:45 Link to Item http://hdl.handle.net/10150/291872 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. -
Palmares: a Critical View on Its Sources Introduction
Palmares: A Critical View on Its Sources Wim Hoogbergen (Utrecht) Introduction Every community has historical narratives that axe known by virtually everybody. In Brazil the account of the quilombo1 of Palmares is one of such stories. Palmares is already included in the history books for pri mary school. One of those books, Historia do Brasil (Primeiro Grau), by Osvaldo R. de Souza, for example, mentions that during the slav ery period many slaves escaped from their plantations. They established themselves in places where they were difficult to trace. In those locations, he writes, they formed quilombos. The most famous quilombo was P al mares, situated in a hilly region of the present federal state of Alagoas. The chefe of these runaway-slaves, he continues, was Ganga-Zumba, who after his dead was succeeded by his nephew Zumbi, the rei (king) of Pal mares. The runaway-slaves organized their own fives in their villages. They were active in agriculture and cattle-breeding and had workshops where clothes, shoes, nets, mats, and pots were made. For over sixty years these people succeeded in resisting their enemies. Eventually the bandeirante paulista2 Domingos Jorge Velho was successful in conquer ing the quilombo, however Zumbi could escape and continued to fight for another two years. Finally he too was killed. His head was cut off and taken to Recife, where it was displayed in the market-place. Zumbi has In a Portuguese article of 1987, included in the English translation in his 1992 book, Stuart Schwartz pays much attention to the use of the words quilombo and mucambo as designations for villages of runaway slaves. -
Communication, Migrant Activism and Counter-Hegemonic Narratives of Haitian Diaspora in Brazil
Communication, migrant activism and counter-hegemonic narratives of Haitian diaspora in Brazil Denise Cogo* Escola Superior de Propaganda e Marketing (ESPM) National Council for Scientific and Technological Development (CNPq), Brazil Abstract This article presents ongoing findings of a larger research project oriented towards the analysis of counter-hegemonic narratives produced and shared in digital media by Haitian immigrants during 2015 and 2017. The analysis demonstrates how these narratives evidence racism experienced by these immigrants residing in Brazil. The analytical corpus is comprised of a selection of these media narratives as well as the examination of in-depth interviews conducted with Haitian immigrants in the Southeast, South and Mid-East areas of Brazil. Results show two dimensions in these narratives. On the one hand, the recognition and denunciation of racism marks the insertion and trajectory of Haitians in Brazil; on the other hand, the growing efforts for producing other representations in Haiti and Haitians in Brazil. Keywords Digital media, Haitian immigration, narratives, racism, activism, Brazil Introduction This article gathers partial results of a research project oriented towards the analysis of narratives produced by Haitian immigrants using digital media in Brazil. The analysis focuses on those counter-hegemonic narratives that expose racism experienced by immigrants. The research comprises, on one hand, the collection of a corpus of different modalities of narratives produced and shared in digital media environments by Haitian immigrants in Brazil between 2015 and 2017. On the other hand, it also includes the analysis of semi-structured interviews with Haitian immigrants involved in the production of these narratives. The analysis is developed from the selection of two main dimensions that cross these narratives, in an articulated manner, and that can be evidenced both in the content of media productions and in interviews with immigrants. -
Translocality and Afro-Brazilian Imaginaries in Globalised Capoeira
Inkeri Aula TRANSLOCALITY AND AFRO-BRAZILIAN IMAGINARIES IN GLOBALISED CAPOEIRA abstract Afro-Brazilian capoeira exemplifies how communal practices connect multilocally. This article investigates how the fight-game-art forms a translocal culture, uniting practitioners in diverse localities, and connects them to a transnationally created Black Atlantic heritage. The multi-sited ethnographic approach focuses mostly on Salvador, Northeastern Brazil, where the purity of Afro-Brazilian traditions raises polemic. Through critical observation of capoeira’s dual development in Brazil, transnationality is asserted as a historical continuity in capoeira communities’ imaginaries. To grasp how globalised capoeira maintains its connection to Afro-Brazilian history, the analysis of capoeira’s traditionalism is complemented by a description of the formation of capoeira practice in the faraway location of Eastern Finland, where capoeira’s creativity and categorization-resistant, holistic nature remain central. Through the densely historicized tradition of capoeira, minoritarian views on transnational connections, on the colonial encounter, and on the effects of transatlantic slavery are shared in multiple locations. Keywords: translocal, transnational, Capoeira Angola, Capoeira Regional, Black Atlantic, Afro-Brazilian, multi-sited ethnography Eu sou angoleiro que veio de angola Cheguei para vadiar, o iaiá, nessa roda I am angoleiro coming from angola I came to play (to fool around, to play capoeira) in this circle (capoeira song)1 The globalised fight-art -
The Integration of the White Into the Community of Color, Or How the Europeans Became Brazilian in the Twentieth Century ______
The Integration of the White into the Community of Color, or How the Europeans Became Brazilian in the Twentieth Century ______________________________________________ LUISA FARAH SCHWARTZMAN UNIVERSITY OF TORONTO Abstract Studies of immigrant integration in Europe and North America generally assume that immigrants are less white and considered less “modern” than the nationals of the countries where they arrive. In this essay, my purpose is to examine what happens when we apply the idea of “immigrant integration” to European immigrants who arrived in Brazil at the end of the nineteenth century and the early twentieth century. These immigrants and their descendants have faced a contradiction between integrating into a national “imagined community,” constructed as “mixed-race,” and participating in local, national and global projects of (white) “modernity.” The paper explores how this contradiction was historically constructed in Brazil, how some Brazilians of European descent resolved it, and how we can think of the relationship between race, modernity, nationhood and immigrant integration from a more global perspective. Key Words: Latin America, Brazil, Immigrant Integration, Whitening, National Identity, Whiteness. In the 1960s, the Brazilian sociologist Florestan Fernandes wrote, in The Integration of the Black into the Society of Classes, on the relationship between blacks and whites in the city of Sao Paulo: O antigo agente do trabalho escravo foi expelido, nas condições em que se formou e se consolidou, inicialmente, a ordem social -
Trindade, Solano; Tati, Miécio. Zumbi of Palmares, the Malungo (Translation and Critical Introduction by Ananya Jahanara Kabir & Francesca Negro)
Trindade, Solano; Tati, Miécio. Zumbi of Palmares, the Malungo (translation and critical introduction by Ananya Jahanara Kabir & Francesca Negro) Zumbi of Palmares, the Malungo [Zumbi dos Palmares Malungo] Solano Trindade & Miécio Tati Translation and critical introduction by Ananya Jahanara Kabir1 Francesca Negro2 Zumbi dos palmares malungo is an unpublished and unedited play in three acts, which dramatizes Afro-Brazilian memory and agency through the iconic maroon figure of Brazil, Zumbi, his life in the maroon enclave of Palmares, and his death in battle against the colonial authorities and subsequent apotheosis. Written in Portuguese and cast in a classical mould with recognizable structuring elements drawn from Greek tragedy, it is equally infused with Afro-Atlantic lexis and cultural practices that cover quotidian, performative, and sacred realms. Hence land cultivation, culinary traditions, Afro-Brazilian dance and percussive practices, and invocations to and appearances of Yoruba religious divinities all animate the play, bestowing on it an astonishing richness of cultural texture. While in themselves elements worthy of investigation, this evident literary quality and density of ethnographic detail are not the only reasons we bring this hitherto-unknown play into the scholarly spotlight. Our investigations establish Zumbi dos Palmares malungo as the earliest dramatic depiction of Zumbi as Afro-Brazilian protagonist by an Afro-Brazilian dramaturge. In this introduction to the first translation into English of this valuable document, we present the reasons behind our claim. We also survey the play’s three-act structure, its thematic focus and lexis, its relevance to Brazilian cultural politics, its place within African diasporic mobilizations of marronage as resistance to capitalism, and of 1 Professor of English Literature, Department of English, King's College London.