DOCSLIB.ORG

Bob Willoughby. Audrey Hepburn. Photographs 1953-1966 Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bob Willoughby. Audrey Hepburn. Photographs 1953-1966 Free FREE BOB WILLOUGHBY. AUDREY HEPBURN. PHOTOGRAPHS 1953-1966 PDF Bob Willoughby | 280 pages | 05 Oct 2014 | Taschen GmbH | 9783836554497 | English, French, German | Cologne, Germany El Cruasán de Audrey: AUDREY HEPBURN PHOTOGRAPHS BOB WILLOUGHBY. By Margot Peppers for MailOnline. A new photo book sheds light on the life of Audrey Hepburn during the prime of her career, capturing her behind-the-scenes on set as well as in the privacy of her home. Bob Willoughby's Audrey Hepburn features pages filled with photographs of the late Hollywood icon, from her arrival in Hollywood in untilthree years after she shot to fame in My Fair Lady. In one of the more intimate images, Hepburn is seen doting on her baby son Sean, who was born inas her The Children's Hour co-star James Garner smiles in the background. Scroll down for video. Behind-the-scenes: A new book features rarely seen candid photos of Audrey Hepburn from to Downtime: The portraits were all taken by the late Hollywood photographer Bob Willoughby, her friend and confidante. Sean, whose father was Hepburn's first husband Mel Ferrer, giggles from his crib as his glamorous mother laughs with him. Another photo shows the actress reclining against a tree beside a pond, which was located at the villa that the Ferrers rented while shooting film Paris When It Sizzles. Sporting her signature short bangs, Hepburn wears a knee-length pink skirt and white shirt and looks demurely at the camera, her bare feet planted on the tree Bob Willoughby. Audrey Hepburn. Photographs 1953-1966. Keeping fit: She wore a striking red leotard to do some exercising and stretching in the garden. Interactions: In one particularly striking photo, she is seen looking downcast with her Green Mansions co-star Anthony Perkins, who is seemingly attempting to cheer her up. He said of meeting the Belgian-born star for the first time: 'She took my hand like… well a princess, and dazzled me with that smile that God designed to melt mortal men's hearts. From that first encounter, the pair became fast friends, and Willoughby was often at her side to capture her at her most candid moments. He even snapped a photo of her shopping at a Beverly Hills grocery store with Bob Willoughby. Audrey Hepburn. Photographs 1953-1966 pet fawn Ip, whom she met on the set of 's Green Mansions, directed by her then-husband Mel Ferrer. Close comrades: Hepburn pictured with Bob Willoughby, who passed away in Enraptured: Willoughby said of meeting the star pictured in for the first time: 'She took my hand like Getting in character: Hepburn grins as she greets Bob Willoughby. Audrey Hepburn. Photographs 1953-1966 international press, who were invited to attend the first day of shooting of My Fair Lady. Classic beauty: The star wears striking earrings during a photo session at Paramount Studios in Willoughby also captured her interacting with her co-stars while shooting her movies, revealing aspects of her personality rarely seen in pictures. In one particularly striking photo, she is seen looking downcast while sitting on a camera boom with her Green Mansions co-star Anthony Perkins, who is seemingly attempting to cheer her up. At work: Here she chats with director George Kukor on the set of My Fair Lady while Assam, her Yorkshire terrier, sits in the basket of the bike she used to cycle around the studio grounds. On set: The actress pictured in a still from one of her most famous films, My Fair Lady. And another behind-the-scenes photo sees her chatting with director George Kukor on the set of My Fair Lady. While the pair converse, Assam, her Yorkshire terrier, sits in the basket of the bike the actress Bob Willoughby. Audrey Hepburn. Photographs 1953-1966 to cycle around the studio grounds. Bob Willoughby. Audrey Hepburn. Photographs 1953-1966 perfect: Willoughby, who shot many stars in his career including Judy Garland, Marilyn Monroe and Natalie Wood, was known to consider Hepburn pictured in his favorite. Popular subject: The star climbs into the Paramount Studios car waiting to return her to the hotel after a photo session with photographer Bud Fraker. But above them all, he was known to consider Hepburn as his unequivocal favorite. His historic, perfectionist, tender photographs seek out the many facets Bob Willoughby. Audrey Hepburn. Photographs 1953-1966 Hepburn's beauty and elegance, as she progresses from her debut to her career high of My Fair Lady in The views expressed in the contents above are those of our users and do not necessarily reflect the views of MailOnline. Argos AO. Share this article Share. Read more: Bob Willoughby. Audrey Hepburn. Share or comment on this article: Audrey Hepburn photographs show everyday life of a Hollywood icon e-mail. PM quizzed over covid support Breathtaking moment daring diver jumps off metre-high cliff China's Loch Ness Monster? Comments Share what you think. View all. Bing Site Web Enter search term: Search. Today's headlines Most Read Prince Harry and Meghan Markle painted themselves as 'intellectuals' and chose 'enigmatic' gestures when Prince William's main challenge as King will be to balance staying true to his principles while bringing Apprentice's Claude Littner tells Manchester restaurant owner worried about paying his staff to 'suck it up' Does my bumpkin look Bob Willoughby. Audrey Hepburn. Photographs 1953-1966 in this? Bake Off fans accuse Paul Hollywood for showing 'blatant favoritism' to Lottie Bedlow because 'he fancies Liverpool woman, 21, who converted to Islam to marry her husband says she was 'never fully happy' until she Aisle make you cry! Moment speech therapist bride is surprised by her students with Down's syndrome after How'd you afford that supercar? Brie happy, it's Christmas! Original cheese advent calendar that took world by storm is BACK with five new The Met Police deny making 'racist assumptions' about black mother, 38, who was punched to the ground and Adult Material viewers brand 'rape role play' scene 'disturbing' after porn star Jolene's boyfriend puts on Dallas mother, 38, reveals a severe allergic reaction to ear infection medication left her in a BURNS unit Picture that caught a predator: Teenager who was abused by family Bob Willoughby. Audrey Hepburn. Photographs 1953-1966 reveals how photo of a bouquet he sent for her 16th birthday helped jail him a decade later Prince Harry and Meghan Markle painted themselves as 'intellectuals' and chose 'enigmatic' gestures when talking about running for political office, body language expert claims Aisle make you cry! Moment speech therapist bride is surprised by her students with Down's syndrome after her husband secretly arranged for them to be ring bearers Archewell is live! Missguided - Get the latest fashion. Lookfantastic - Discount codes. Treat yourself to offers on make-up and accessories. Wayfair - Furniture offers. Check out the latest Wayfair sale to save on furniture. Back to top Home News U. Audrey Hepburn photographs show everyday life of a Hollywood icon | Daily Mail Online Post a Comment. Willoughby was called in to shoot the new starlet one morning shortly after she arrived in Hollywood in It was a humdrum commission for the portraitist often credited with having perfected the photojournalistic movie still, but when he met the Belgian-born beauty, Willoughby was enraptured. Here's a collection of 16 captivating photographs of Audrey Hepburn taken by Bob Willoughby from between Audrey Hepburn at a photo shoot with photographer Bob Willoughby, Bob Willoughby. Audrey Hepburn. Photographs 1953-1966 Hepburn pictured in a still from one of her most famous films, My Fair Lady. She chats with director George Kukor on the set of My Fair Lady while Assam, her Yorkshire terrier, sits in the basket of the bike she used to cycle around the studio grounds. Audrey Hepburn climbs into the Paramount Studios car waiting to return her to the hotel after a photo session with photographer Bud Fraker. Bob Willoughby. Audrey Hepburn. Photographs 1953-1966 one particularly striking photo, Hepburn is seen looking downcast with her Green Mansions co-star Anthony Perkins, who is seemingly attempting to cheer her up. Hepburn wears a dress designed for her by Givenchy while reclining on a bed in Paris When It Sizzles. Hepburn grins as she greets the international press, who were invited to attend the first day of shooting of My Fair Lady. No comments:. Newer Post Older Post Home. Subscribe to: Post Comments Atom. Bob Willoughby. Audrey Hepburn, Photographs – (Limited Edition) - TASCHEN Books Willoughby was called in to shoot the new starlet Bob Willoughby. Audrey Hepburn. Photographs 1953-1966 morning shortly after she arrived in Hollywood in Bob Willoughby. Audrey Hepburn. Photographs 1953-1966 It was a humdrum commission for the portraitist often credited with having perfected the photojournalistic movie still, but when he met the Belgian-born beauty, Willoughby was enraptured. Mini Clothespin Photo Holder. Salgado, Exodus. Los Angeles. Portrait of a City. Great Escapes Mediterranean. Time and Silence teNeues. Frenchman, The. Salgado, Kuwait. Hrvatska novinska fotografija. Edward Sheriff Curtis. Growing Up Wild. Web Design Index by Content Vol. Hrvatsko podmorje eng. Hrvatsko podmorje njem. Hrvatsko podmorje. Berlin, Portrait of a City. Andre de Dienes, Marilyn. Big Butt Book, The. If you disable this cookie, we will not be able to save your preferences. This means that every time you visit this website you will need to enable or disable cookies again. Pri tome koristimo Google Analytics kojime prikupljamo anonimne podatke poput broja posjetitelja i najpopularnijih stranica. Audrey Hepburn, Photographs Na zalihi. Quick View. Reiter, Christiane ; Taschen, Dr. Dopusti sve Spremi promjene..
Load more

Recommended publications
  • Figuring the Future in Los(T) Angeles
    1 MUSEUM DIGITAL ARCHIVE NOW DIG THIS! ART & BLACK LOS ANGELES 1960–1980 Figuring the Future in Los(t) Angeles HAZEL V. CARBY ORIGINALLY PUBLISHED IN COMPARATIVE AMERICAN STUDIES: AN INTERNATIONAL JOURNAL 1, NO. 1 (2003): 19–34. Los Angeles, California, is a city that has a very complex symbolic relation to the rest of the US. For me, the story of the Belmont Learning Center vividly dramatizes the betrayal of minority dreams by the boosterism, corruption, ineptitude, and potential for environmental disaster that characterizes the political culture of the city. Planned more than a decade ago at a projected cost of $200 million, it will be, if completed, the most expensive public high school ever built in the US.1 Construction of the Belmont Learning Center proceeded despite warnings issued by the State Division of Oil and Gas about the dangers of the site, an abandoned oil field. The black officials of the school board were desperate to solve the overcrowding and generally dire conditions in which so many young black, Latino, and poor students do not get educated in the Los Angeles Unified School District. But potentially explosive methane gas and toxic hydrogen sulfide gas, known to cause neurological damage, seeped into the school structure for which there appeared to be no remediation. Finally, after spending $170 million, the School Board voted in January 2000 to abandon the project.2 However, Superintendent Roy Romer revived the project, and, with $175 million spent so far, completion could add yet another $100 million to the costs. Oil-well logs have revealed an earthquake fault underneath already existing buildings on the campus; any seismic activity would cause a rush of the gases with devastating consequences.3 More than a metaphor for the city, this unfolding tragic narrative actually embodies the multi-layered political, social, economic, racialized and environmental complexity of Los Angeles from its fissures and abandoned oil fields below ground to the concrete highways soaring through, around and above its neighborhoods.
    [Show full text]
  • A Publisher and an Antique Dealer for Most of His Life, Streeter Blair (1888–1966) Began Painting at the Age of 61 in 1949
    1960 Paintings by Streeter Blair (January 12–February 7) A publisher and an antique dealer for most of his life, Streeter Blair (1888–1966) began painting at the age of 61 in 1949. Blair became quite successful in a short amount of time with numerous exhibitions across the United States and Europe, including several one-man shows as early as 1951. He sought to recapture “those social and business customs which ended when motor cars became common in 1912, changing the life of America’s activities” in his artwork. He believed future generations should have a chance to visually examine a period in the United States before drastic technological change. This exhibition displayed twenty-one of his paintings and was well received by the public. Three of his paintings, the Eisenhower Farm loaned by Mr. & Mrs. George Walker, Bread Basket loaned by Mr. Peter Walker, and Highland Farm loaned by Miss Helen Moore, were sold during the exhibition. [Newsletter, memo, various letters] The Private World of Pablo Picasso (January 15–February 7) A notable exhibition of paintings, drawings, and graphics by Pablo Picasso (1881–1973), accompanied by photographs of Picasso by Life photographer, David Douglas Duncan (1916– 2018). Over thirty pieces were exhibited dating from 1900 to 1956 representing Picasso’s Lautrec, Cubist, Classic, and Guernica periods. These pieces supplemented the 181 Duncan photographs, shown through the arrangement of the American Federation of Art. The selected photographs were from the book of the same title by Duncan and were the first ever taken of Picasso in his home and studio.
    [Show full text]
  • Book XVIII Prizes and Organizations Editor: Ramon F
    8 88 8 88 Organizations 8888on.com 8888 Basic Photography in 180 Days Book XVIII Prizes and Organizations Editor: Ramon F. aeroramon.com Contents 1 Day 1 1 1.1 Group f/64 ............................................... 1 1.1.1 Background .......................................... 2 1.1.2 Formation and participants .................................. 2 1.1.3 Name and purpose ...................................... 4 1.1.4 Manifesto ........................................... 4 1.1.5 Aesthetics ........................................... 5 1.1.6 History ............................................ 5 1.1.7 Notes ............................................. 5 1.1.8 Sources ............................................ 6 1.2 Magnum Photos ............................................ 6 1.2.1 Founding of agency ...................................... 6 1.2.2 Elections of new members .................................. 6 1.2.3 Photographic collection .................................... 8 1.2.4 Graduate Photographers Award ................................ 8 1.2.5 Member list .......................................... 8 1.2.6 Books ............................................. 8 1.2.7 See also ............................................ 9 1.2.8 References .......................................... 9 1.2.9 External links ......................................... 12 1.3 International Center of Photography ................................. 12 1.3.1 History ............................................ 12 1.3.2 School at ICP ........................................
    [Show full text]
  • Introductory Essay 3 of 3
    Hollywood Royale: Out of the School of Los Angeles Introductory Essay 3 of 3: Glamour Reborn: Out of the School of Los Angeles By Charles Churchward HOLLYWOOD, September, 1985 — LA’s oven-like Santa Ana winds blew down from the nearby Mojave Desert on the dusty sidewalks of Melrose Avenue one unseasonably warm evening. The city’s nascent style elite were about to descend on the G. Ray Hawkins Gallery for an exhibition highlighting the work of three local, up-and-coming portrait photographers whose only mutual connection was that their work had been spotted in the pages of Andy Warhol’s proto-celebrity magazine, Interview. The winds of creative change were in the air. Warhol began Interview in New York in 1969 as a clever way to receive invitations to screenings and meet celebrities in society and entertainment. More importantly, it was a new way for Warhol to express his ongoing obsession with the idea of fame. In its bare beginnings, the crudely-printed magazine was an exploration, primarily made up of verbatim interviews with individuals that fascinated Warhol, illustrated with his famous Polaroids, and occasionally, a gratuitous page or two dedicated to campy publicity stills from golden-age Hollywood films. But by the late-1970s, Interview had started to show some polish, becoming an important platform for magazine photography. With virtually no budget and fueled by Warhol’s ever growing interest in the concept of Hollywood celebrity, Warhol and his magazine’s editors, Bob Colacello and later, Gael Love, sought out the next generation of young artists and photographers hungry to find a showcase for their work.
    [Show full text]
  • Catalog Filigranes Full - 04/10/2021 Test
    Catalog Filigranes full - 04/10/2021 test BELLAMY BELLAMY DE L’AUTRE CÔTÉ DE L’EAU MAPUTO Alexandra Bellamy Sylvia Ney Thibaud Yevnine Nathalie Epron Maryam Madjidi Bellamy / Bellamy. A name, two people? “Scope by the insistent reading of Flaubert’s In this foreign land it was impossible for me Three? Four? The BELLAMY / BELLAMY work, I composed a photographic series on to photograph; As soon as I went out my editorial project is part of the line of tales, our common territory. The windows where I device I was crossed in the way. It was like mythologies, stories in which family secrets stay regularly located not far from the body-contacts: powerful, […] are omnipresent. […] Grocet Pavilion, […] Released : 07/10/2021 Released : 04/11/2021 Released : 14/10/2021 Format : 170 x 240 - 64 pages Format : 220 x 300 - 80 pages Format : 210 x 250 - 64 pages French French French Relié couverture cartonnée Broché Relié couverture cartonnée 40 photos colors 41 photos colors and black and withe 28 photos colors ISBN : 978-2-35046-517-3 ISBN : 978-2-35046-548-7 ISBN : 978-2-35046-545-6 Special editions available Special editions available Special editions available INTIME & AUTOFICTIONS MOIRAGE ÉMERAUDE IRÈNE JONAS MÉMOIRES DE CAMPAGNE Festival du Regard Stéphanie Mansy Irène Jonas Marie Gayet Founded in 2015 by Eric Vialatel, the During my return from Amiens, after visiting Irene Jonas has been a sociologist and festival of the gaze offers a dive in the heart the Picardie Museum where Stéphanie photographer for 35 years. His work has of the intimate
    [Show full text]
  • Past Event Catalog
    FOCUS ON AIDS 12 PREVIEW EXHIBITION Preview Exhibition April 21-26, 2007 Farmani Gallery 844 South Robertson Blvd. Los Angeles, CA. 90035 B ENEFIT AUCTION April 27th, 2007 7:00 PM Directors Guild of America 7920 Sunset Blvd. Los Angeles, California This drawing was created for FOA by Keith Haring as a symbol of his support. We are honored to display it in his memory. 20 Years of Focus Focus On AIDS was established in March of 1987 by a group of people in the creative community effected by the daily loss of lives to AIDS. The original founding members: Hossein Farmani, Candace McKendree Falk, Susan Baraz, Ron Bakal, G. Ray Hawkins, Laura Hinds, Robert Berman, Jodi Rappaport, Robert Berman, Madeline Leonard, Price Deratzian and Henry Eshelman. Since then, FOA has raised over $2.8 million which has been donated to various organizations. UNTIL THE CURE FOR AIDS IS FOUND. BENEFICIARIES INCLUDE: FOCUS ON AIDS (FOA) is a non-profit, 100% volunteer-based organization whose purpose is to provide financial aid to photog- raphy professionals living with HIV and AIDS as well as to assist “hands on” AIDS organizations globally. Since 1987, Focus On AIDS has produced a photography benefit auction every 18 S TATEMENT of PURPOSE months that is the largest benefit of its kind in the world, to raise money for AIDS treatment, research, education and care. 20 years of Focus… and until the cure for AIDS is found. ASHA KIRANA HOSPITAL Center for AIDS Care & Research, is a voluntary organization located in Mysore, India, addressing the issue of HIV/AIDS.
    [Show full text]
  • Jazzwax: March 2009
    JazzWax: March 2009 JazzWax Marc Myers blogs daily on jazz legends and legendary jazz recordings « February 2009 | Main | April 2009 » Email me March 2009 Just click here March 31, 2009 Search JazzWax Mindblowers (Vol. 5) JazzWax If you're new to this blog, you should know that at the tail end of Web each quarter I provide a roundup of my favorite quotes from JazzWax interviews About posted over the past three Marc Myers is a New York months. Between January journalist and historian. His thoughts on jazz and jazz and March 2009, I interviewed recordings appear here daily. Jimmy Cobb, Sandie Shaw, more... Buddy De Franco, David Soyer, Helen Merrill, Phil JazzWax Interviewed Woods, Hal McKusick, Billy Joel, Chico Hamilton, Carol Sloane and Simone, Nina Simone's daughter. If you're looking for Volumes 1-4 in this series, you'll find them by typing "Top Mindblowers" into the search engine in the upper right-hand corner of this page. So, without further delay, here are the past quarter's gems: Subscribe for British pop singer Sandie Shaw on why there were so many free "girl" singers in the U.K. in the early 1960s: In the 1960s, the American scene was still stuck in the 1950s. Enter your email address: The U.K. had an amazing free creative environment and a huge establishment to kick Delivered by FeedBurner against. We had a class war to fight and sexual equality to define within the new liberalism over here. Our male and female audiences directly related to all SponsLink the musical output and were really ready for change.
    [Show full text]
  • Artbookdap Catalog-1.Pdf
    Sonia Delaunay, “Five Designs for Children’s Clothing,” 1920. From Sonia Delaunay: Art, Design, Fashion, published by Fundación Colección Thyssen-Bornemisza. See page 18. FEATURED RELEASES 2 Journals 90 Limited Editions 92 Lower-Priced Books 94 Backlist Highlights from Lars Müller 95 Backlist Highlights from Skira 96 Backlist Highlights from Heni & Inventory Press 97 CATALOG EDITOR Thomas Evans ART DIRECTOR SPRING HIGHLIGHTS 98 Stacy Wakefield IMAGE PRODUCTION Art 100 Hayden Anderson, Isabelle Baldwin Photography 130 COPY WRITING Architecture & Design 148 Janine DeFeo, Thomas Evans Art History 166 PRINTING Sonic Media Solutions, Inc. Writings 169 FRONT COVER IMAGE SPECIALTY BOOKS 176 Burt Glinn, “Jay DeFeo in Her Studio,” 1960. From The Beat Scene, published by Reel Art Art 178 Press. See page 41. Group Exhibitions 194 BACK COVER IMAGE Photography 198 Anna Zemánková, untitled pastel, oil and ink drawing, early 1960s. From Anna Zemánková, Backlist Highlights 206 published by Kant. See page 109. Index 215 Bruce Nauman: Disappearing Acts Edited by Kathy Halbreich, Isabel Friedli, Heidi Naef, Magnus Schaefer, Taylor Walsh. Text by Thomas Beard, Briony Fer, Nicolás Guagnini, Kathy Halbreich, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. At 76 years old, Bruce Nauman is widely ac- knowledged as a central figure in contemporary art whose stringent questioning of values such as good and bad remains urgent today. Throughout his 50-year career, he has explored how mutable experiences of time, space, sound, movement and language provide an insecure foundation for our understanding of our place in the world.
    [Show full text]
  • Steven Culp Scott Michael Campbell
    A FILM BY DAVID ORR refSTEVEN CULPresh SCOTT MICHAEL CAMPBELL www.refreshfilm.com ______________________________________________________________________________ LOGLINE A wealthy but chronically unhappy businessman at the end of his rope hires a mysterious company that promises an effective—but irrevocable—solution to his problem. SYNOPSIS Roger Dean (Steven Culp), a successful businessman, has been chronically unhappy for years. Over time, he has attempted a wide range of remedies, some prescribed, some not; some orthodox, some radical, but none have worked for him. At the end of his rope, he approaches PDLAS, a mysterious private company that promises an effective—but irrevocable—solution. He is assured that the company has a 100% success rate, and that he will emerge “completely refreshed.” What ultimately happens to Roger is of course much, much more than he bargained for. CONTACT Keith Gayhart (310) 837-6008 [email protected] www.refreshfilm.com ______________________________________________________________________________ www.refreshfilm.com | 1 ______________________________________________________________________________ PRODUCTION NOTES INSPIRATION Writer/director David Orr tells the story of the film’s genesis: “The tableau and mood of Refresh was inspired by a visit to a sleep study clinic—a place where you spend the night while being monitored by both video cameras and electronic sensors that are attached to your body. This particular facility was located in an office building that was deserted, because it was night and all the regular building and office workers were gone. There wasn’t a soul around until you got to the actual, dimly lit clinic office, where everyone looked sleep-deprived.” “In general I think there’s a universal feeling that being in a medical facility and dealing with medical staff—when you’re usually at your most vulnerable—can be stressful and depressing.
    [Show full text]
  • Ernest Lehman
    Ernest Lehman: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: Lehman, Ernest, 1915-2005 Title: Ernest Lehman Collection Dates: 1888-1994 (bulk 1931-1994) Extent: 186 document boxes, 28 oversize boxes (78.12 linear feet), 31 oversize folders (osf), 13 galley files (gf) Abstract: The papers of American screenwriter, producer, director, novelist, and journalist Ernest Lehman document the span of Lehman’s forty-plus year career in New York and Hollywood. The collection contains drafts of screenplays and other written works, film production, publicity, and research materials, correspondence, collected materials, and other professional and personal papers. Call Number: Film Collection FI-017 Language: English, with some printed material in French, German, Hebrew, Italian, Japanese, Spanish, and Swedish Access: Open for research Administrative Information Acquisition: Gifts, 1960s-1997 (G 10980) Processed by: Ancelyn Krivak, 2014-2015 Repository: The University of Texas at Austin, Harry Ransom Center Lehman, Ernest, 1915-2005 Film Collection FI-017 Biographical Sketch Screenwriter, producer, director, novelist, and journalist Ernest Lehman was born in New York City on December 8, 1915 and raised in Woodmere, New York. After receiving a bachelor’s degree in English from the City College of New York, Lehman began his career as a freelance magazine writer, publishing his first work (a profile of entertainer Ted Lewis co-written with his friend David Brown) in Collier’s in 1939. After the United States entered the Second World War, Lehman received training at the New England Radio Institute and worked as a radio operator for the aviation industry. He also continued his career as a magazine writer, contributing short stories and articles to national magazines including Collier’s, Cosmopolitan, Esquire, Liberty, and Redbook throughout the 1940s and early 1950s.
    [Show full text]