Sun Temple - Konark, Orissa World Heritage Site by Prof
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Sun Temple, Konark
Sun Temple, Konark March 11, 2021 About Sun Temple, Konark Konark Sun Temple, located in the eastern State of Odisha near the sacred city of Puri, is dedicated to the sun God or Surya. It is a monumental representation of the sun God Surya’s chariot; its 24 wheels are decorated with symbolic designs and it is led by a team of six horses. It is a masterpiece of Odisha’s medieval architecture and one of India’s most famous Brahman sanctuaries. The Konark temple is widely known not only for its architectural grandeur but also for the intricacy and profusion of sculptural work. It marks the highest point of achievement of Kalinga architecture depicting the grace, the joy and the rhythm of life all its wondrous variety. The temple declared a world heritage by UNESCO was built in A.D. 1250, during the reign of the Eastern Ganga King Narasimhadeva-I (A.D. 1238-64). There are two rows of 12 wheels on each side of the Konark sun temple. Some say the wheels represent the 24 hours in a day and others say the 12 months. The seven horses are said to symbolize the seven days of the week. Sailors once called this Sun Temple of Konarak, the Black Pagoda because it was supposed to draw ships into the shore and cause shipwrecks. The Konark is the third link of Odisha’s Golden Triangle. The first link is Jagannath Puri and the second link is Bhubaneswar (Capital city of Odisha). This temple was also known as Black Pagoda due to its dark color and used as a navigational landmark by ancient sailors to Odisha. -
An Integrative Framework for Temple Tourism Destination of Odisha: the Marketing and Management Perspectives, Case Study on Golden Triangle of Odisha, India
INTERNATIONAL JOURNAL OF SCIENTIFIC & TECHNOLOGY RESEARCH VOLUME 9, ISSUE 01, JANUARY 2020 ISSN 2277-8616 An Integrative Framework For Temple Tourism Destination Of Odisha: The Marketing And Management Perspectives, Case Study On Golden Triangle Of Odisha, India P.P.Mohanty, Dr. Sapan Kumar Sadual Abstract: The tourism industry is changing rapidly across the globe that ultimately accountable towards the sustainability of the destination. Tourists derive the unforgettable experience by the dint of destination attributes like competitiveness, attractiveness, and uniqueness. The success and failure of a particular destination solely depend on the various attributes that make and mars the image of the destination. The existence of both destination and tourism is vital for future survival in terms of many touristic activities. Odisha, the land of spiritualism, has been laced with history, heritage, culture, faith and belief of various temples, but in particular temple tourism as a single entity has not been promoted instead of vast potential and prospects. Hence it is a major and prolific step taken by the author to study and find the way for promoting Odisha as an emerging temple tourism destination concentrating and focusing in and around Bhubaneswar-Puri- Konark, the golden triangle circuit. Index Terms: Temple tourism, Marketing, Management, Destination, Golden triangle ———————————————————— 1 INTRODUCTION Since then temples have been significant in all religions. In In this cut-throat competitive era, lagging behind all other many people’s opinion religious, spiritual and pilgrimage all sectors, the tourism industry is growing rapidly and has are enticed or engulfed within the temple tourism being been emerged as a vehicle for socio-economic, cultural and propelled by the faith, belief, religion, somehow correct, but sustainable development. -
Ace Expedition India Tours & Travels
+91-9090551212 Ace Expedition India Tours & Travels https://www.indiamart.com/ace-expedition/ Providing car rental services, hotel booking services, guide services etc. About Us Now days, Travel is an urge for life which gives experience,knowledge and peace in mind. Travel is one of the life greatest joys. And this joy can be better enjoyed when it is perfectly organized. To have a perfectly organized trip, it needs a highly experienced hand We are one of India's leading travel-service-providers, specialized in providing customized travel services to tourists visiting the Indian Sub-Continent Specially Orissa with neighboring provinces like Chhattisgarh, Bengal. Jharkhand which are still very much unexplored part of India. Our zeal and commitment to our customers has empowered our vision to lead with exemplifying excellence. As a responsible travel company, we lay great emphasis on responsible and mindful travel that calls for protecting the local environment and culture. It is our constant endeavor to make positive contribution to the local ethos, customs and community, thereby ensuring a rewarding, inspiring and positive travel experience. We believe that as a reputed travel-service-provider, our success relies on our strong team to ensure that we meet all of your requirements and exceed your expectations. The major part played in the success of the firm is by the experienced & dedicated personnel having excellent track record in the respected fields that puts their all efforts to address our valuable client’s demands. Our services -
Proposal Under Demand No-07-3054-04-337-0865-21007'District Head Quarter Road for the Year 2019-20 SI
Proposal under Demand No-07-3054-04-337-0865-21007'District Head Quarter Road for the year 2019-20 SI. Name of the Amount Name of the Work No. (R&B) Division (Rs. In lakh) 1 2 3 4 S/R to New Jagannath Sadak from 0/630 to Q/660km ( Such as providing 1 Puri 4.76 Cement Concrete pavement at Chandanpur Bazar Portion ) S/R to New Jagannath Sadak from 0/665 to 0/695km ( Such as providing 2 Puri 4.91 Cement Concrete pavement at Chandanpur Bazar Portion ) Construction of entry gate on approach to Makara Bridge at ch,23/80km of New 3 Puri 4.23 Jagannath Sadak, Puri S/r ro New Jagannath Sadak from 14/070 to 14/240 Km such as construction of 4 Puri 4.82 Toe-wall & Packing on right side Construction of Retaining wall in U/S of Ratnachira Bridge at 13/290Km of New 5 Puri 4.98 Jagannath Sadak 6 Puri S/R to Jagannath Sadak road {Such as construction of Toe-wall at 2/300 Km) 4.74 Providing temporary Bus parking at Chupuring & approach road to Melana 7 Puri padia Jankia Gadasahi near New Jagannath Sadak for the visit of Hon’ble Chief 2.57 Minister of Odisha on 20.02,2019 Providing temporary Helipad ground Jankia Gadasahi near New Jagannath 8 Puri 3.00 Sadak for the visit of Hon'ble Chief Minister of Odisha on 20.02.2019 Providing temporary parking at Jankia Gadasahi near New Jagannath Sadak for 9 Puri 2.41 the visit of Hon'ble Chief Minister of Odisha on 20.02.2019 Providing temporary parking at Kanas side & Gadasahi near New Jagannath 10 Puri 4.88 Sadak for the visit of Hon'ble Chief Minister of Odisha on 20.02.2019 Repair of road from Hotel Prachi to -
Shree Jagannath Temple at Puri : a Study on Aruna Stambha, Simha Dwara and Baisi Pahacha
ISSN 0970-8669 Odisha Review Shree Jagannath Temple at Puri : A Study on Aruna Stambha, Simha Dwara and Baisi Pahacha Dr. Benudhar Patra he massive temple of Shree Jagannath (214 Tfeet 8 inches high above the road level) located at Puri (the hallowed srikshetra or the Purushottam kshetra) near the sea (the Bay of Bengal), in the state of Odisha on the eastern coast of India is not only a sacred Hindu temple but also one of the char dhamas (four dhamas/ four traditional pilgrimage centres) of the Hindu devotees and pilgrims. It is the symbol and embodiment of the Odia culture and civilization. The temple was built in the 12th century CE by King Anantavarman Chodaganga Deva (c. 1078 to c. 1147 CE) of the Eastern Ganga dynasty and is moulding the social, economic, political, religious gate (lion gate or simha dwara) of Shree and cultural life of the people of Odisha for Jagannath Temple. The pillar is named so after centuries. The temple is built in the Kalinga style the name of Aruna, the charioteer of the Sun God. of architecture and is significant for its marvellous It is a magnificent sixteen-sided monolithic column art, architecture and sculpture. Apart from the of chlorite stone set on an exquisite pedestal, main temple complex, the aruna stambha delicately carved of the same material. According standing in front of the temple, the simha to R.L.Mitra1 the carvings on the plinth “are of dwara or the lion gate or the main entrance of the most sumptuous description, the like of which the temple and the baisi pahacha (the flight of are to be seen nowhere else in India.” It is 25 twenty two steps) leading into the temple complex feet, and 2 inches in height, 2 feet in diameter, from the simha dwara are very noteworthy to and 6 feet and 3.5 inches in circumference. -
Odisha Review Dr
Orissa Review * Index-1948-2013 Index of Orissa Review (April-1948 to May -2013) Sl. Title of the Article Name of the Author Page No. No April - 1948 1. The Country Side : Its Needs, Drawbacks and Opportunities (Extracts from Speeches of H.E. Dr. K.N. Katju ) ... 1 2. Gur from Palm-Juice ... 5 3. Facilities and Amenities ... 6 4. Departmental Tit-Bits ... 8 5. In State Areas ... 12 6. Development Notes ... 13 7. Food News ... 17 8. The Draft Constitution of India ... 20 9. The Honourable Pandit Jawaharlal Nehru's Visit to Orissa ... 22 10. New Capital for Orissa ... 33 11. The Hirakud Project ... 34 12. Fuller Report of Speeches ... 37 May - 1948 1. Opportunities of United Development ... 43 2. Implication of the Union (Speeches of Hon'ble Prime Minister) ... 47 3. The Orissa State's Assembly ... 49 4. Policies and Decisions ... 50 5. Implications of a Secular State ... 52 6. Laws Passed or Proposed ... 54 7. Facilities & Amenities ... 61 8. Our Tourists' Corner ... 61 9. States the Area Budget, January to March, 1948 ... 63 10. Doings in Other Provinces ... 67 1 Orissa Review * Index-1948-2013 11. All India Affairs ... 68 12. Relief & Rehabilitation ... 69 13. Coming Events of Interests ... 70 14. Medical Notes ... 70 15. Gandhi Memorial Fund ... 72 16. Development Schemes in Orissa ... 73 17. Our Distinguished Visitors ... 75 18. Development Notes ... 77 19. Policies and Decisions ... 80 20. Food Notes ... 81 21. Our Tourists Corner ... 83 22. Notice and Announcement ... 91 23. In State Areas ... 91 24. Doings of Other Provinces ... 92 25. Separation of the Judiciary from the Executive .. -
37. Aruna Prasnam V1
Sincere Thanks To: 1. Smt. Krishna Priya for compiling the source document 2. Nedumtheru SrI Mukund Srinivasan for image selections 3. Smt.Jayashree Muralidharan for eBook assembly sadagopan.org C O N T E N T S Introduction 1 Mantrams and Commentaries 9 First anuvAkam 11 Second anuvAkam 25 Third anuvAkam 39 Fourth anuvAkam 53 sadagopan.org Fifth anuvAkam 66 Sixth anuvAkam 70 ashTottarasata nAmAvaLi 83 i IMPORTANT LINKS 1. AruNam Text in Sanskrit svara notations: http://www.geocities.com/ Yajur.Veda 2. Audio for AruNam - http://www.vedamantram.com/audio/arunam.mp3 3. Another audio for aruNam - http://www.astrojyoti.com/ yajurvedamp3part51.htm 4. Au d i o f o r a s h t o t t a r a m - http://www.astrojyoti.com/ sooryaastottaram.htm 5. Famous sUryanArAyaNa Temple in SrI KAkulam, Andhra Pradesh, India - http://www.arasavallisungod.org/abttemple.html 6. The ancient Konarak Sun Temple in India - http://konark.nic.in/intro.htm sadagopan.org ii Photo Credits Page # Photo Detail Courtesy Cover Ulaguyya ninRa PerumAl SrI B.Senthil Kumar Thirukkadalmallai iv SrI Malayappa Swamy - Tirumala Archakam SrI Ramakrishna Deekshitulu 2 -do- -do- 24 -do- -do- sadagopan.org 46 -do- -do- 74 -do- -do- 10 -do- SrI Amudala Satyanarayana www.tirupatitimes.com 20 -do- -do- 33 -do- -do- 48 -do- -do- 16 -do- SrI Vimal Kalyan 56 -do- -do- 69 -do- -do- 76 -do- -do- 12 SrI MAlolan - Ahobila Mutt SrI Diwakar Kannan 28, 52 SrI Malayappa Swamy SrI Stephen Knapp iii iv sadagopan.org SrI Malayappa Swamy on Ratha Sapthami day ौीः॥ ॥ौी छाया सवलााु र् समते ौी सयनारायणू र् ािमन े नमः॥ कृ यजवदीयु तिरीयारण्यकमै ् अण ूः KrishNa yajurvediiya taittiriiyAraNyakam AruNa praSna: sadagopan.org INTRODUCTION Ratha saptami or Soorya Jayanti is a big festival at Thirumala and is a celebration of the Lord as Soorya NaarAyaNan. -
Classical Dances Have Drawn Sustenance
Performing Art 1 Classic Dances 4 Bharatnatyam Dance 8 Kathakali Dance 12 Kathak Dance 18 Manipuri 21 Lai Haraoba 22 Radha and Krishna 23 Pung Cholam 23 Kartal Cholam 23 Thang-Ta 24 Musicians 24 Odissi 25 Kuchipudi 30 Sattriya 34 Performing Art In India, various facets of performing arts are all pervading bringing colour and joy to numerous festivals and ceremonies, and reaffirming the faith of the people in their heritage. These facets have been responsible for sustaining the long continuities of ancient traditions. They are the link between the past and the present. It thus exemplifies the complex, organic interaction of all aspects of life implicit in all tribal and folk art forms; art is not seen as something apart from life, a mere ornamentation or entertainment, but as an intrinsic part of it. Page !1 of !36 Pre-historic Cave painting, Bhimbetka, Madhya Pradesh Under the patronage of Kings and rulers, skilled artisans and entertainers were encouraged to specialize and to refine their skills to greater levels of perfection and sophistication. Gradually, the classical forms of Art evolved for the glory of temple and palace, reaching their zenith around India around 2nd C.E. onwards and under the powerful Gupta empire, when canons of perfection were laid down in detailed treatise - the Natyashastra and the Kamasutra - which are still followed to this day. Through the ages, rival kings and nawabs vied with each other to attract the most renowned artists and performers to their courts. While the classical arts thus became distinct from their folk roots, they were never totally alienated from them, even today there continues a mutually enriching dialogue between tribal and folk forms on the one hand, and classical art on the other; the latter continues to be invigorated by fresh folk forms, while providing them with new thematic content in return. -
Sun Worship in Himalaya Region: with Special Reference to Katarmal and Martand
Artistic Narration: A Peer Reviewed Journal of Visual & Performing Art ISSN (P): 0976-7444 Vol. IV., 2013 Sun Worship in Himalaya Region: with Special Reference to Katarmal and Martand Dr. Virendra Bangroo Assistant Professor IGNCA, New Delhi. & Dr. Richan Kamboj Assistant Professor & HOD, Department of Drawing & Painting M.K.P.(P.G.) College Dehra Dun. The Sun, the source of light and solar energy, is the sources of all life and finds mention in all the sacred texts like the Rig Veda, the Vishnu Purana, the Mahabharta, the Bhavisya Purana, the Chandogya Upanishad, the Markandaya Purana, the Taittiriya Upansihad, the Nilarudra Upanishad and the Varaha purana. The Sun or Surya is also known by other names, each name highlights the grandeur, brilliance, quality and power of the Sun,viz:- 1. Aditya- Son of the primordial vastness ss 2. Aja-ekapad – one legged goat 3. Pavaka – Purifier 4. Jivana- the source of life 5. Jayanta-Victorious 6. Ravi - Divider 7. Martanda- born from life less egg 8. Savitr -Nourisher 9. Aharpati-Lord of the day 10. Jagat chaksu-Eye of the world 11 - Karma Sanskasin -Witness of deeds 12. Graha Rajan-King of Planets 13. Sahasra-Kirana-Having Thousand beams 14. Saptashwa-Having seven horses 15. Dyumani-Gem of the sky 1 Artistic Narration: A Peer Reviewed Journal of Visual & Performing Art ISSN (P): 0976-7444 Vol. IV., 2013 16. Graha pati-Lord of the Planets 17. Heli-Pervader 18. Khaga-Wanderer of space 19. Padma-bandhu-Friend of the lotus 20. Padma Pani-Lotus in hand 21. Himarati- Enemy of snow 22. -
Ancient Temples of Kashmir
Ancient Temples of Kashmir by Virendra Bangroo Kashmir is bestowed with nature's bounties and the mystical environment has fascinated people irrespective of caste, creed and language. Scholars coming from far and wide have carried away with them its, immense spiritual wealth shedding the shackles of this materialistic work and merging with the ultimate. The Kashmir valley blessed with the natural bounties is rightly celebrated as the valley of Gods. Apart from its natural beauty an added attraction are the ancient stone temples of Kashmir, noteworthy for unique architectural elements and fine stone carvings. The Hindu temple represents the cosmological symbolism in an aesthetic grab. The Hindu temple is a symbol or rather an aggregate of various symbols. It is ritually invested with human personality (Vastupursha) and conceived in terms of human organism, which is the most evolved form. The scriptures say that the temple should be worshipped as Pursa. The names of the various limbs of the human body from the foot to the crown of the head are applied in Indian architectural texts to different parts of the temple structure. The door of the temple is its mouth, the platform terminating the trunk to the superstructure, represents the shoulder of the Pursa; the projection, the arms and down to the wall, the leg and to the very bottom, to the lower most molding- the feet. The temple is Pursa and conceived by means of Prakrti the feminine form. We talked about the perfect body- the Vastupursha, but it is lifeless without the resident soul. The image in the temple, the Pratima is the very life of the temple. -
2018 Excursion Tour Packages (Ex – Bhubaneswar)
HOCKEY WORLD CUP – 2018 EXCURSION TOUR PACKAGES (EX – BHUBANESWAR) Tour – 2: Raghurajpur – Puri - Konark – Pipili & back Tour duration: (09.00 a.m. to 08.45 p.m.) Package cost -: Rs.1335/- per head for Domestic Tourist Rs.1980/- per head for International Tourist ITINERARY Departure: 9.00 a.m. Kalinga Stadium Arrival: 10.30 a.m. Raghurajpur. Departure: 11.30 a.m. Raghurajpur. Arrival: 12 noon Jagannath Temple, Puri. Departure: 1.30 p.m. Jagannath Temple. Arrival: 1.45 p.m. Panthanivas Puri. (1.45 p.m. to 2.45 p.m. – Lunch at Panthanivas Puri and visit Panthanivas exclusive beach) Departure: 2.45 p.m. Puri beach. Arrival: 3.30 p.m. Chandrabhaga beach, Konark. Departure: 3.45 p.m. Chandrabhaga beach. Arrival: 4.00 p.m. Interpretation Centre, Konark & visit Sun Temple, Konark. Departure: 5.45 p.m. Sun Temple, Konark. Arrival: 7.15 p.m. Pipili. Departure: 7.45 p.m. Pipili. Arrival: 8.45 p.m. Kalinga Stadium. (Tour ends) Information about the places being visited in the programme -: • Raghurajpur - Artisans Pattapainting Village. • Jagannath Temple – Monument of 12th Century A.D. – One of the 4 dhams (Holy pilgrimage). • Puri beach - Beach on eastern sea coast where one can witness both sunrise and sunset. • Chandrabhaga beach - Famous for rising sun. • Sun Temple - Monument of 13th Century A.D. – The only World Heritage Site in Odisha. • Pipili – Famous for Appliqué work. Package Includes -: Ac Transport, Food (Only Lunch), 2 bottle Mineral Water per person, Entry fee & Guide service. Condition -: • Package shall be operational subject to minimum 8 person. -
The Divine Name
THE DIVINE NAME by Raghava Chaitanya Das Published by BHAKTI VIGYAN NITYANANDA BOOK TRUST SRI KRISHNA CHAITANYA MISSION (Regd.) SRI BHAKTI VINOD ASHRAM BERHAMPUR-6(GM) (INDIA) SRI GAUR JAYANTI 24 March 1997 (WWW Edition - Vamana dvadasi 2007) All Rights Reserved By BHAKTI VIGYAN NITYANANDA BOOK TRUST CONTENTS PREFACE........................................................................................................9 DIVINE NAME AND ITS EFFICACIES.................................................................14 DIVINE NAME - THE SWEETEST OF ALL..........................................................................................14 DIVINE NAME - THE SOLE REMEDY FOR ALL ILLS...............................................................................15 DIFFERENT DIVINE DISPENSATIONS..............................................................................................15 DIVINE NAME - THE BEST IN KALI YUGA.......................................................................................16 AGE OF MACHINES................................................................................................................16 AGE OF FREE CONTROVERSY......................................................................................................17 ABODES OF KALI..................................................................................................................17 DIVINE GRACE - ESSENTIAL......................................................................................................18 SELF-SURRENDER - WAY