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SLAV-T230 Vampire F2019 Syllabus-Holdeman-Final
The Vampire in European and American Culture Dr. Jeff Holdeman SLAV-T230 11498 (SLAV) (please call me Jeff) SLAV-T230 11893 (HHC section) GISB East 4041 Fall 2019 812-855-5891 (office) TR 4:00–5:15 pm Office hours: Classroom: GA 0009 * Tues. and Thur. 2:45–3:45 pm in GISB 4041 carries CASE A&H, GCC; GenEd A&H, WC * and by appointment (just ask!!!) * e-mail me beforehand to reserve a time * It is always best to schedule an appointment. [email protected] [my preferred method] 812-335-9868 (home) This syllabus is available in alternative formats upon request. Overview The vampire is one of the most popular and enduring images in the world, giving rise to hundreds of monster movies around the globe every year, not to mention novels, short stories, plays, TV shows, and commercial merchandise. Yet the Western vampire image that we know from the film, television, and literature of today is very different from its eastern European progenitor. Nina Auerbach has said that "every age creates the vampire that it needs." In this course we will explore the eastern European origins of the vampire, similar entities in other cultures that predate them, and how the vampire in its look, nature, vulnerabilities, and threat has changed over the centuries. This approach will provide us with the means to learn about the geography, village and urban cultures, traditional social structure, and religions of eastern Europe; the nature and manifestations of Evil and the concept of Limited Good; physical, temporal, and societal boundaries and ritual passage that accompany them; and major historical and intellectual periods (the settlement of Europe, the Age of Reason, Romanticism, Neo-classicism, the Enlightenment, the Victorian era, up to today). -
Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960S and Early 1970S
TV/Series 12 | 2017 Littérature et séries télévisées/Literature and TV series Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/2200 DOI: 10.4000/tvseries.2200 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s », TV/Series [Online], 12 | 2017, Online since 20 September 2017, connection on 01 May 2019. URL : http://journals.openedition.org/tvseries/2200 ; DOI : 10.4000/tvseries.2200 This text was automatically generated on 1 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Light Shadows: Loose Adaptations of Gothic Literature in American TV Series o... 1 Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy 1 In the late 1960’s and early 1970’s, in a somewhat failed attempt to wrestle some high ratings away from the network leader CBS, ABC would produce a spate of supernatural sitcoms, soap operas and investigative dramas, adapting and borrowing heavily from major works of Gothic literature of the nineteenth and early twentieth century. The trend began in 1964, when ABC produced the sitcom The Addams Family (1964-66), based on works of cartoonist Charles Addams, and CBS countered with its own The Munsters (CBS, 1964-66) –both satirical inversions of the American ideal sitcom family in which various monsters and freaks from Gothic literature and classic horror films form a family of misfits that somehow thrive in middle-class, suburban America. -
The Dracula Film Adaptations
DRACULA IN THE DARK DRACULA IN THE DARK The Dracula Film Adaptations JAMES CRAIG HOLTE Contributions to the Study of Science Fiction and Fantasy, Number 73 Donald Palumbo, Series Adviser GREENWOOD PRESS Westport, Connecticut • London Recent Titles in Contributions to the Study of Science Fiction and Fantasy Robbe-Grillet and the Fantastic: A Collection of Essays Virginia Harger-Grinling and Tony Chadwick, editors The Dystopian Impulse in Modern Literature: Fiction as Social Criticism M. Keith Booker The Company of Camelot: Arthurian Characters in Romance and Fantasy Charlotte Spivack and Roberta Lynne Staples Science Fiction Fandom Joe Sanders, editor Philip K. Dick: Contemporary Critical Interpretations Samuel J. Umland, editor Lord Dunsany: Master of the Anglo-Irish Imagination S. T. Joshi Modes of the Fantastic: Selected Essays from the Twelfth International Conference on the Fantastic in the Arts Robert A. Latham and Robert A. Collins, editors Functions of the Fantastic: Selected Essays from the Thirteenth International Conference on the Fantastic in the Arts Joe Sanders, editor Cosmic Engineers: A Study of Hard Science Fiction Gary Westfahl The Fantastic Sublime: Romanticism and Transcendence in Nineteenth-Century Children’s Fantasy Literature David Sandner Visions of the Fantastic: Selected Essays from the Fifteenth International Conference on the Fantastic in the Arts Allienne R. Becker, editor The Dark Fantastic: Selected Essays from the Ninth International Conference on the Fantastic in the Arts C. W. Sullivan III, editor Library of Congress Cataloging-in-Publication Data Holte, James Craig. Dracula in the dark : the Dracula film adaptations / James Craig Holte. p. cm.—(Contributions to the study of science fiction and fantasy, ISSN 0193–6875 ; no. -
Rosemary Ellen Guiley
vamps_fm[fof]_final pass 2/2/09 10:06 AM Page i The Encyclopedia of VAMPIRES, WEREWOLVES, and OTHER MONSTERS vamps_fm[fof]_final pass 2/2/09 10:06 AM Page ii The Encyclopedia of VAMPIRES, WEREWOLVES, and OTHER MONSTERS Rosemary Ellen Guiley FOREWORD BY Jeanne Keyes Youngson, President and Founder of the Vampire Empire The Encyclopedia of Vampires, Werewolves, and Other Monsters Copyright © 2005 by Visionary Living, Inc. All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Guiley, Rosemary. The encyclopedia of vampires, werewolves, and other monsters / Rosemary Ellen Guiley. p. cm. Includes bibliographical references and index. ISBN 0-8160-4684-0 (hardcover : alk. paper) ISBN 978-1-4381-3001-9 (e-book) 1. Vampires—Encyclopedias. 2. Werewolves—Encyclopedias. 3. Monsters—Encyclopedias. I. Title. BF1556.G86 2004 133.4’23—dc22 2003026592 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Printed in the United States of America VB FOF 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. -
Length in Mina. Length in Nins. METRO-GOLDWYN-MAYER. (R
Length Length In Mina. In Nins. HOTEL 124 HOW TO MAKE A MONSTER 75 WARNER BROS. (R) March, 1967. Rod Taylor, Catherine AMERICAN INTERNATIONAL. (R) July, 1968. Robert Spaak. Color. Harris, Paul Brinegar. HOTEL PARADISO (P) 100 HOW TO MURDER A RICH UNCLE 80 METRO-GOLDWYN-MAYER. (R) November, 1966. Alec Guin- COLUMBIA. (R) January, 1958. Charles Coburn, Migel Patrick ness, Gina Lollobrigida. Color. HOW TO MURDER YOUR WIFE 118 HOUND OF THE BASKERVILLES 64 UNITED ARTISTS. (R) February, 1965. Jack Lemmon, Virna UNITED ARTISTS. (R) June, 1959. Peter Cushing. Lisi. Color. HOUND DOG MAN (Cs) 87 HOW TO SAVE A MARRIAGE -AND RUIN YOUR LIFE (P) 108 TWENTIETH CENTURY-FOX. (R) November, 1959. Fabian, COLUMBIA. (R) March, 1968. Dean Martin, Stella Stevens. Carol Lynley. Color. Color. HOUR OF DECISION (Belt.) 74 HOW TO SEDUCE A WOMAN 106 ASTOR. (R) January, 1957. Jeff Morrow, Hazel Court. CINERAMA. (R) January, 1974. Angus Duncan, Angel Tompkins. HOUR OF THE GUN (R) 100 UNITED ARTISTS. (R) October, 1967. James Garner, Jason HOW TO STEAL A MILLION (P) 127 Robards. Color. 20th CENTURY -FOX. (R) August, 1966. Audrey Hepburn, Peter O'Toole. Color. HOUR THE WOLF (Swed.) 88 OF HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING (P) . 119 LOPERT. (R) April, 1968. Liv Ullmann, Max von Sydow. UNITED ARTISTS. (R) March, 1967. Robert Morse, Michele HOURS OF LOVE, THE (Md. English Titles) 89 Lee. Color. CINEMA V. (R) September, 1965. Vgo Tognazzi, Emmanuela HOW TO STUFF A WILD BIKINI 90 Riva. AMERICAN INTERNATIONAL. (R) July, 1965. Annette HOUSE IS NOT A HOME, A 90 Funicello, Dwayne Hickman. -
A Reconsideration of Pictish Mirror and Comb Symbols Traci N
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations December 2016 Gender Reflections: a Reconsideration of Pictish Mirror and Comb Symbols Traci N. Billings University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Archaeological Anthropology Commons, European History Commons, and the Medieval History Commons Recommended Citation Billings, Traci N., "Gender Reflections: a Reconsideration of Pictish Mirror and Comb Symbols" (2016). Theses and Dissertations. 1351. https://dc.uwm.edu/etd/1351 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. GENDER REFLECTIONS: A RECONSIDERATION OF PICTISH MIRROR AND COMB SYMBOLS by Traci N. Billings A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science in Anthropology at The University of Wisconsin-Milwaukee December 2016 ABSTRACT GENDER REFLECTIONS: A RECONSIDERATION OF PICTISH MIRROR AND COMB SYMBOLS by Traci N. Billings The University of Wisconsin-Milwaukee, 2016 Under the Supervision of Professor Bettina Arnold, PhD. The interpretation of prehistoric iconography is complicated by the tendency to project contemporary male/female gender dichotomies into the past. Pictish monumental stone sculpture in Scotland has been studied over the last 100 years. Traditionally, mirror and comb symbols found on some stones produced in Scotland between AD 400 and AD 900 have been interpreted as being associated exclusively with women and/or the female gender. This thesis re-examines this assumption in light of more recent work to offer a new interpretation of Pictish mirror and comb symbols and to suggest a larger context for their possible meaning. -
Celebrating 10 Years 02 CONTENTS
March 2015 • £1.50 Magazine of the Scottish Episcopal Church Celebrating 10 years 02 CONTENTS Catch up with news from the Scottish Episcopal Church in between printed editions of inspires, by subscribing to inspires online at www.scotland.anglican.org/who-we-are/publications/inspires/ A JOURNEY THROUGH EASTER, AND &11 &07 10 PALESTINE & ISRAEL 06 EASTER’S COMING LOVE AND &15 14 MARRIAGE...? Page 3 Pages 10 & 11 Pages 20 & 21 Editorial Bid Thou our sad divisions cease – Credit Unions – People helping a journey through Palestine People Page 4 10 years strong! Page 12 Pages 22 & 23 Views & Voices Politics of the real world Page 5 Views & Voices Page 13 Pages 24 & 25 Forming people for ministry – Reviews Pages 6 & 7 The Scottish Episcopal Institute Easter, and Easter’s coming Page 26 Pages 14 & 15 Letters Page 8 Love and Marriage…? Listening to children and young Page 27 people in Church Pages 16 & 17 The Final Word Spotlight on a Diocese – Brechin Page 9 Page 28 Focus on Faith – interfaith Pages 18 & 19 Notices dimension to being Episcopalians Living by the Rule EDITORIAL 2005-15 TEN YEARS 03 Welcome to the re-launched inspires magazine! Issue 63 The first edition of inspires was published Editorial Team in March 2005… 10 years ago! The Rev Chris Mayo Lorna Finley Over the past 10 years much has happened, both The Rev Kate Reynolds within and out-with the Church, and this first of our 10th Karen Willey anniversary editions attempts to reflect some of the things that contribute to the life of the Scottish Episcopal Church Contact details – its past and its present; and its hopes for the future! inspires 21 Grosvenor Crescent, In this edition, we hear some views and voices of a few Edinburgh, EH12 5EE. -
The Redwall Adventures by Brian Jacques Call Number: F JAC
SERIES BOOKS IN ORDER 2015 The Alex Rider Series by Anthony Horowitz Call Number: F HOR 1. Stormbreaker 2. Point Blanc 3. Skeleton Key 4. Eagle Strike 5. Scorpia 6. Ark Angel 7. Snakehead 8. Crocodile Tears 9. Scorpia Rising 10. Russian Roulette Related title: The gadgets The Chronicles of Narnia by C.S. Lewis Call Number: F LEW The order in which C. S. Lewis wrote his books: The Lion, the Witch and the Wardrobe Prince Caspian The Voyage of the Dawn Treader The Silver Chair The Horse and His Boy The Magician’s Nephew The Last Battle Chronological order of the story of Narnia: The Magician’s Nephew The Lion, the Witch and the Wardrobe The Horse and His Boy Prince Caspian The Voyage of the Dawn Treader The Silver Chair The Last Battle The Dragonback Adventure Series by Timothy Zahn Call Number: F ZAH 1. Dragon and Thief 2. Dragon and Soldier 3. Dragon and Slave 4. Dragon and Herdsman 5. Dragon and Judge 6. Dragon and Liberator The Dragonkeeper Chronicles by Donita K. Paul Call Number: F PAU 1. Dragonspell 2. Dragonquest 3. Dragonknight 4. Dragonfire 5. Dragonlight The Dreamhouse Kings Series by Robert Liparulo Call Number: F LIP 1. House of Dark Shadows 2. Watcher in the Woods 3. Gatekeepers 4. Timescape 5. Whirlwind 6. Frenzy The Guardians of Ga’Hoole Series by Kathryn Lasky Call Number: F LAS 1. The Capture 2. The Journey 3. The Rescue 4. The Siege 5. The Shattering 6. The Burning 7. The Hatchling 8. The Outcast 9. The First Collier 10. -
Dark Shadows (Of My Childhood)
THE COMPLETE DARK SHADOWS (OF MY CHILDHOOD) BOOK 1 TONY TRIGILIO B L A Z E V O X [ B O O K S ] Buffalo, New York The Complete Dark Shadows (of My Childhood) Book 1 by Tony Trigilio Copyright © 2014 Published by BlazeVOX [books] All rights reserved. No part of this book may be reproduced without the publisher’s written permission, except for brief quotations in reviews. Printed in the United States of America Interior design and typesetting by Geoffrey Gatza Cover Design by Michael Trigilio First Edition ISBN: 978-1-60964-143-6 Library of Congress Control Number: 2013942424 BlazeVOX [books] 131 Euclid Ave Kenmore, NY 14217 [email protected] publisher of weird little books BlazeVOX [ books ] blazevox.org 21 20 19 18 17 16 15 14 13 12 01 02 03 04 05 06 07 08 09 10 1. Night is drawing nearer and nearer to Collinwood. Another man has come—a stranger who is not a stranger. Everyone pushes Willie Loomis around, like a scarecrow, and he only makes it worse busting Barnabas Collins from his casket. That’s Barnabas, looking as if he were alive, posing next to his ancient portrait at the foot of the stairs. Barnabas Collins, source of my childhood nightmares, rolls the “r” in “Victoria” with a lilt, a graceful excess, prim and courtly and swallowing blood. _________________________ Over drinks at The Blue Whale, Burke spends half an episode apologizing to Carolyn, who walks out when the samba music starts. Two great houses in Collinwood, Barnabas compares one to the pyramids of Egypt: “The plaster walls were made from crushed clamshells and horsehair.” Joe, distracted at The Blue Whale, keeps seeing that little calf drained of his blood (but doesn’t seem to notice the half-shell ashtrays). -
SFC Update Vol. 1 No. 6
SSOOUUTTHHEERRNN ffAANNDDOOMM CCOONNFFEEDDEERRAATTIIOONN UUPPDDAATTEE Volume 1, issue 6 June 2009 Editor & SFC President: Warren Buff ( [email protected] ) Art Credits: Cover – Steve Stiles, this page – Brad Foster Dark Shadows article: Jeff Thompson So, we’ve got another ish of the SFCU coming out, and as always, it’s a few days later than I meant for it to be. I’m finally set up in my new apartment with a working computer and internet connection. The address there is 2412 Still Forest Pl., Apt. F, Raleigh, NC 27607. My phone is still (919) 633-4993. I’m so lonely. The good news, though, is that I’m getting this out before DeepSouthCon (okay, it’s tomorrow). I hope to see a whole bunch of y’all there. I tried to pimp it out last month, and I’m not sure how much good another rant would do, so let’s just say I hope to see a bunch of you there (and for those of you outside the South, if you don’t feel like joining us there, we can always meet at Worldcon). Let’s get on with this ish! Rebel Yells Letters from the South and abroad Here we go, folks! Another zine, another Letter Column. Starting off, we heard from the ever- friendly Jeff Thompson: Thank you, Warren, for Update #5. I always enjoy reading what you and the other fen have to say. The hyperlinks proved interesting, too. I hope to meet you at Deep South Con five weeks from now. Also, I am going to speak about director Dan Curtis, Dark Shadows, horror, and my new 200-page McFarland book, The Television Horrors of Dan Curtis: Dark Shadows, The Night Stalker, and Other Productions, 1966-2006, at the Bellevue branch of the Nashville Public Library on June 18 at 6:30 PM; at the Green Hills branch of the Nashville Public Library on July 14 at 6:30 PM; and at the Dark Shadows Festival, August 14-15-16, in Newark, New Jersey (www.darkshadowsfestival.com). -
Mark Coleman Wallace Phd Thesis
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by St Andrews Research Repository >0;??6>5 3=228/>;9=B &+'*"&,&%- <=;4=2>>! <;A2=! /91 <;76?60> 8CRL 0PMGNCO ACMMCEG / ?JGSKS >UDNKTTGF HPR TJG 1GIRGG PH <J1 CT TJG @OKVGRSKTY PH >T# /OFRGWS '%%+ 3UMM NGTCFCTC HPR TJKS KTGN KS CVCKMCDMG KO =GSGCREJ.>T/OFRGWS-3UMM?GXT CT- JTTQ-$$RGSGCREJ"RGQPSKTPRY#ST"COFRGWS#CE#UL$ <MGCSG USG TJKS KFGOTKHKGR TP EKTG PR MKOL TP TJKS KTGN- JTTQ-$$JFM#JCOFMG#OGT$&%%'($(') ?JKS KTGN KS QRPTGETGF DY PRKIKOCM EPQYRKIJT SCOTTISH FREEMASONRY 1725-1810: PROGRESS, POWER, AND POLITICS MARK COLEMAN WALLACE Thesis submitted for the degree of Ph.D. University of St Andrews, 10 April 2007 For Uncle Dennis ii Declarations (i) I, Mark Coleman Wallace, hereby certify that this thesis, which is approximately 80,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. Date………………. Signature of candidate…………………….. (ii) I was admitted as a research student in September 2001 and as a candidate for the degree of Ph.D. in September 2002; the higher study for which this is a record was carried out in the University of St Andrews between 2001 and 2006. Date………………. Signature of candidate…………………….. (iii) I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of Ph.D. in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. -
Unseen Horrors: the Unmade Films of Hammer
Unseen Horrors: The Unmade Films of Hammer Thesis submitted by Kieran Foster In partial fulfilment of the requirements for the award of Doctor of Philosophy De Montfort University, March 2019 Abstract This doctoral thesis is an industrial study of Hammer Film Productions, focusing specifically on the period of 1955-2000, and foregrounding the company’s unmade projects as primary case studies throughout. It represents a significant academic intervention by being the first sustained industry study to primarily utilise unmade projects. The study uses these projects to examine the evolving production strategies of Hammer throughout this period, and to demonstrate the methodological benefits of utilising unmade case studies in production histories. Chapter 1 introduces the study, and sets out the scope, context and structure of the work. Chapter 2 reviews the relevant literature, considering unmade films relation to studies in adaptation, screenwriting, directing and producing, as well as existing works on Hammer Films. Chapter 3 begins the chronological study of Hammer, with the company attempting to capitalise on recent successes in the mid-1950s with three ambitious projects that ultimately failed to make it into production – Milton Subotsky’s Frankenstein, the would-be television series Tales of Frankenstein and Richard Matheson’s The Night Creatures. Chapter 4 examines Hammer’s attempt to revitalise one of its most reliable franchises – Dracula, in response to declining American interest in the company. Notably, with a project entitled Kali Devil Bride of Dracula. Chapter 5 examines the unmade project Nessie, and how it demonstrates Hammer’s shift in production strategy in the late 1970s, as it moved away from a reliance on American finance and towards a more internationalised, piece-meal approach to funding.