The Redwall Adventures by Brian Jacques Call Number: F JAC
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SLAV-T230 Vampire F2019 Syllabus-Holdeman-Final
The Vampire in European and American Culture Dr. Jeff Holdeman SLAV-T230 11498 (SLAV) (please call me Jeff) SLAV-T230 11893 (HHC section) GISB East 4041 Fall 2019 812-855-5891 (office) TR 4:00–5:15 pm Office hours: Classroom: GA 0009 * Tues. and Thur. 2:45–3:45 pm in GISB 4041 carries CASE A&H, GCC; GenEd A&H, WC * and by appointment (just ask!!!) * e-mail me beforehand to reserve a time * It is always best to schedule an appointment. [email protected] [my preferred method] 812-335-9868 (home) This syllabus is available in alternative formats upon request. Overview The vampire is one of the most popular and enduring images in the world, giving rise to hundreds of monster movies around the globe every year, not to mention novels, short stories, plays, TV shows, and commercial merchandise. Yet the Western vampire image that we know from the film, television, and literature of today is very different from its eastern European progenitor. Nina Auerbach has said that "every age creates the vampire that it needs." In this course we will explore the eastern European origins of the vampire, similar entities in other cultures that predate them, and how the vampire in its look, nature, vulnerabilities, and threat has changed over the centuries. This approach will provide us with the means to learn about the geography, village and urban cultures, traditional social structure, and religions of eastern Europe; the nature and manifestations of Evil and the concept of Limited Good; physical, temporal, and societal boundaries and ritual passage that accompany them; and major historical and intellectual periods (the settlement of Europe, the Age of Reason, Romanticism, Neo-classicism, the Enlightenment, the Victorian era, up to today). -
Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960S and Early 1970S
TV/Series 12 | 2017 Littérature et séries télévisées/Literature and TV series Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/2200 DOI: 10.4000/tvseries.2200 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s », TV/Series [Online], 12 | 2017, Online since 20 September 2017, connection on 01 May 2019. URL : http://journals.openedition.org/tvseries/2200 ; DOI : 10.4000/tvseries.2200 This text was automatically generated on 1 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Light Shadows: Loose Adaptations of Gothic Literature in American TV Series o... 1 Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy 1 In the late 1960’s and early 1970’s, in a somewhat failed attempt to wrestle some high ratings away from the network leader CBS, ABC would produce a spate of supernatural sitcoms, soap operas and investigative dramas, adapting and borrowing heavily from major works of Gothic literature of the nineteenth and early twentieth century. The trend began in 1964, when ABC produced the sitcom The Addams Family (1964-66), based on works of cartoonist Charles Addams, and CBS countered with its own The Munsters (CBS, 1964-66) –both satirical inversions of the American ideal sitcom family in which various monsters and freaks from Gothic literature and classic horror films form a family of misfits that somehow thrive in middle-class, suburban America. -
The Dracula Film Adaptations
DRACULA IN THE DARK DRACULA IN THE DARK The Dracula Film Adaptations JAMES CRAIG HOLTE Contributions to the Study of Science Fiction and Fantasy, Number 73 Donald Palumbo, Series Adviser GREENWOOD PRESS Westport, Connecticut • London Recent Titles in Contributions to the Study of Science Fiction and Fantasy Robbe-Grillet and the Fantastic: A Collection of Essays Virginia Harger-Grinling and Tony Chadwick, editors The Dystopian Impulse in Modern Literature: Fiction as Social Criticism M. Keith Booker The Company of Camelot: Arthurian Characters in Romance and Fantasy Charlotte Spivack and Roberta Lynne Staples Science Fiction Fandom Joe Sanders, editor Philip K. Dick: Contemporary Critical Interpretations Samuel J. Umland, editor Lord Dunsany: Master of the Anglo-Irish Imagination S. T. Joshi Modes of the Fantastic: Selected Essays from the Twelfth International Conference on the Fantastic in the Arts Robert A. Latham and Robert A. Collins, editors Functions of the Fantastic: Selected Essays from the Thirteenth International Conference on the Fantastic in the Arts Joe Sanders, editor Cosmic Engineers: A Study of Hard Science Fiction Gary Westfahl The Fantastic Sublime: Romanticism and Transcendence in Nineteenth-Century Children’s Fantasy Literature David Sandner Visions of the Fantastic: Selected Essays from the Fifteenth International Conference on the Fantastic in the Arts Allienne R. Becker, editor The Dark Fantastic: Selected Essays from the Ninth International Conference on the Fantastic in the Arts C. W. Sullivan III, editor Library of Congress Cataloging-in-Publication Data Holte, James Craig. Dracula in the dark : the Dracula film adaptations / James Craig Holte. p. cm.—(Contributions to the study of science fiction and fantasy, ISSN 0193–6875 ; no. -
Length in Mina. Length in Nins. METRO-GOLDWYN-MAYER. (R
Length Length In Mina. In Nins. HOTEL 124 HOW TO MAKE A MONSTER 75 WARNER BROS. (R) March, 1967. Rod Taylor, Catherine AMERICAN INTERNATIONAL. (R) July, 1968. Robert Spaak. Color. Harris, Paul Brinegar. HOTEL PARADISO (P) 100 HOW TO MURDER A RICH UNCLE 80 METRO-GOLDWYN-MAYER. (R) November, 1966. Alec Guin- COLUMBIA. (R) January, 1958. Charles Coburn, Migel Patrick ness, Gina Lollobrigida. Color. HOW TO MURDER YOUR WIFE 118 HOUND OF THE BASKERVILLES 64 UNITED ARTISTS. (R) February, 1965. Jack Lemmon, Virna UNITED ARTISTS. (R) June, 1959. Peter Cushing. Lisi. Color. HOUND DOG MAN (Cs) 87 HOW TO SAVE A MARRIAGE -AND RUIN YOUR LIFE (P) 108 TWENTIETH CENTURY-FOX. (R) November, 1959. Fabian, COLUMBIA. (R) March, 1968. Dean Martin, Stella Stevens. Carol Lynley. Color. Color. HOUR OF DECISION (Belt.) 74 HOW TO SEDUCE A WOMAN 106 ASTOR. (R) January, 1957. Jeff Morrow, Hazel Court. CINERAMA. (R) January, 1974. Angus Duncan, Angel Tompkins. HOUR OF THE GUN (R) 100 UNITED ARTISTS. (R) October, 1967. James Garner, Jason HOW TO STEAL A MILLION (P) 127 Robards. Color. 20th CENTURY -FOX. (R) August, 1966. Audrey Hepburn, Peter O'Toole. Color. HOUR THE WOLF (Swed.) 88 OF HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING (P) . 119 LOPERT. (R) April, 1968. Liv Ullmann, Max von Sydow. UNITED ARTISTS. (R) March, 1967. Robert Morse, Michele HOURS OF LOVE, THE (Md. English Titles) 89 Lee. Color. CINEMA V. (R) September, 1965. Vgo Tognazzi, Emmanuela HOW TO STUFF A WILD BIKINI 90 Riva. AMERICAN INTERNATIONAL. (R) July, 1965. Annette HOUSE IS NOT A HOME, A 90 Funicello, Dwayne Hickman. -
Read Ebook {PDF EPUB} Loamhedge by Brian Jacques Quotes from Loamhedge
Read Ebook {PDF EPUB} Loamhedge by Brian Jacques Quotes from Loamhedge. “When the sun sets like fire, I will think of you, when the moon casts its light, I'll remember, too, if a soft rain falls gently, I'll stand in this place, recalling the last time, I saw your kind face. Good fortune go with you, to your journey's end, let the waters run calmly, for you, my dear friend.” ― Brian Jacques, quote from Loamhedge. “The crafty otter produced a flat pebble from his helmet, spat on one side of it, and held it up for the bird to see. 'Right, I'll spin ye. Dry side, I win, wet side, you lose. Good?' The honey buzzard nodded eagerly. Buteo's keen eyes watched every spin of the stone until it clacked down flat on the deck. Garfo grinned from ear to ear. 'Wet side! You lose!” ― Brian Jacques, quote from Loamhedge. “Friendship is the greatest gift one can give to another.” ― Brian Jacques, quote from Loamhedge. “When weary day does shed its light, I rest my head and dream, I ride the great dark bird of night, so tranquil and serene. Then I can touch the moon afar, which smiles up in the sky, and steal a twinkle from each star, as we go winging by. We’ll fly the night to dawning light, and wait ’til dark has ceased, to marvel at the wondrous sight, of sunrise in the east. So slumber on, my little one, float soft as thistledown, and wake to see when night is done, fair morning’s golden gown.” ― Brian Jacques, quote from Loamhedge. -
By Kate Mcmullan Submitted by Johnny, Age 2
Dig Dig Digging by Margaret Mayo Beast by Susan Meddaugh submitted by Johnny, age 2 (EM). submitted by Cole, age 5 (E Meddaugh). I'm Mighty! by Kate McMullan Fairy Boat by Tracy Kane submitted by Johnny, age 2 (EM). submitted by Alexa, age 5 (E Kane). Peter and the Wolf by Vladimir Vagin Harry Potter and the Order of the Phoenix by J.K. submitted by Alexander, age 2 (E Vagin). Rowling submitted by John, age 5 (J Rowling, JPB). Winnie Flies Again by Korky Paul & Valerie Thomas submitted by Lior, age 2 (E Paul). Hop on Pop by Dr. Seuss submitted by Sidney, age 5 (EB Seuss). Amanda Pig and the Awful, Scary Monster by Jean Van Leeuwen submitted by Cali, age 3 Magic School Bus Chapter Book: The Truth About (EB Van Leeuwen). Bats by Eva Moore submitted by Sofia, age 5 (JPB). Magic School Bus series by Joanna Cole submitted by Bailey, age 3 (special shelf). Mary-Kate and Ashley: The Case of the 202 Clues by Nina Alexander Monster Mischief by Pamela Jane submitted by Shannon, age 5 (JPB). submitted by Andrew, age 3 (not at LGPL). Max and Ruby stories by Rosemary Wells Old Hat New Hat by Stan & Jan Berenstain submitted by Nicole, age 5 (E Wells). submitted by Claire, age 3 (EB Berenstain). Mr. Putter and Tabby Pour the Tea by Cynthia The Bears' Picnic by Stan & Jan Berenstain Rylant submitted by Kale, age 5 (EB Rylant). submitted by Anna, age 3 (EB Berenstain). New at the Zoo by Frank B. Edwards Trucks by Ray Broekel submitted by Nicole, age 5 (EB Edwards). -
Publication Order
Publication Order young mouse warrior Martin The Legend of Luke (1999) vows to end the evil beast's Addressing some of the mysteries behind the Abbey's Redwall (1986) plundering and killing. early years, this book tells the tale of two quests: that As the inhabitants of Redwall The Bellmaker (1994) of a son, Martin the Warrior, to find his father and that Abbey bask in the glorious of a father to avenge the murder Summer of the Late Rose, all is More than four seasons have of his beloved wife. Brian quiet and peaceful. But things are passed since Mariel the Jacques' skillful narrative is told not as they seem. Cluny the Warriormouse and the rogue in three parts, interweaving the Scourge--the evil one-eyed rat mouse, Dandin, set off from stories of father and son. warlord, is preparing to fight a Redwall in search of adventure, bloody battle for the ownership of and Joseph the Bellmaker is Lord Brocktree (2000) worried. Where is his beloved Redwall. Dotti, a brazen young haremaid, daughter? Can he find his and the badger Lord Brocktree, a Mossflower (1988) daughter before the dreaded Foxwolf, Urgan Nagru, fearsome warrior embark on a plunders the kingdom of Southsward? The clever and greedy wildcat Tsarmina rules all perilous journey. These most Mossflower Woods with an iron paw. Brave mouse Outcast of Redwall (1995) unlikely of companions search Martin, quick-talking mouse thief Gonff, and Kinny for Salamadastron which is under siege by the vicious the mole resolve to end her tyrannical rule, setting off When ferret Swartt Sixclaw and his badger arch enemy wildcat Ungatt Trunn and his infamous Blue Hordes. -
Marlfox, Brian Jacques
Marlfox, Brian Jacques DOWNLOAD http://bit.ly/1qEagpj http://en.wikipedia.org/wiki/Marlfox Queen Silth rules Castle Marl from behind the curtains of her palanquin. Greedy and vain, she has sent her six children into the world to plunder treasure. Stealth and cunning are the traits of the Marlfox. Known only in Redwall country by legend, they are said to able to appear and disappear by magic. When the strange creatures begin to appear in Mossflower Woods, it is clear that evil is abroad. A kidnapping and a cunning raid to steal the beautiful Redwall tapestry confirm the worst; Redwall is under threat! Three young friends, fated by the prophecy of Martin the Warrior, pursue the villains in a quest of daring, courage and wit to return the beloved tapestry to its home. DOWNLOAD http://t.co/af7g5fm09S http://bit.ly/1xRgKJr Outcast Of Redwall , Brian Jacques, Jan 25, 2011, Juvenile Fiction, 368 pages. Ferret Swartt Sixclaw and badger Sunflash the Mace are arch enemies who have sworn a pledge of death upon each other. Meanwhile, the Abbess of Redwall has banished a young. Mattimeo , Brian Jacques, Jul 31, 2012, Juvenile Fiction, 448 pages. Slagar the Fox is bent on revenge - and determined to bring death and destruction to Redwall Abbey. Gathering his evil band around him, Slagar plots to strike at the heart of. The Sable Quean , Brian Jacques, Feb 23, 2010, Fiction, 368 pages. Buckler the hare, Blademaster of the Long Patrol, must save the youngsters of Redwall Abbey-kidnapped by the vile Vilaya the Sable Quean-and stop the villain's conquest of. -
Into the Wild. a Hide-And-Seek Game Between a Narrator and His Character Roxana Minart
Into the Wild. A Hide-and-Seek Game between a Narrator and His Character Roxana Minart To cite this version: Roxana Minart. Into the Wild. A Hide-and-Seek Game between a Narrator and His Character. Literature. 2012. dumas-00931258 HAL Id: dumas-00931258 https://dumas.ccsd.cnrs.fr/dumas-00931258 Submitted on 15 Jan 2014 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Into the Wild A Hide-and-Seek Game between a Narrator and His Character MINART Roxana UFR D’ETUDES ANGLOPHONES Mémoire de master 1 PLC - 12 crédits Spécialité ou Parcours : Littérature Américaine Sous la direction de M. LUDOT-VLASAK Membres du Jury : Mme. MANIEZ et M. LUDOT-VLASAK Année universitaire 2011-2012 Into the Wild A Hide-and-Seek Game between a Narrator and His Character MINART Roxana UFR D’ETUDES ANGLOPHONES Mémoire de master 1 PLC - 12 crédits Spécialité ou Parcours : Littérature Américaine Sous la direction de M. LUDOT-VLASAK Membres du Jury : Mme. MANIEZ et M. LUDOT-VLASAK Année universitaire 2011-2012 Acknowledgements I am extremely grateful to M. Ludot-Vlasak for his constant encouragement, guidance and support during the conception and the writing of my study. -
INTO the WILD Written by Sean Penn Based on The
INTO THE WILD Written by Sean Penn Based on the book by Jon Krakauer 1 EXT. THE STAMPEDE TRAIL - DAY 1 SUPER: Tuesday, April 28th 1992 WIDE-SHOT: A vast, snow-blanketed wilderness that sits beneath the icy summits of the highest mountain range in North America. This is BIG Alaska. A beat up 4x4 pick-up enters very small into the upper left corner of frame on an unkept, snow-packed road, and comes to a stop. A figure exits the passenger side and moves around the front of the truck. We can just make out the rifle sticking out of his backpack. We HEAR a very distant "Thank You" as the figure walks away from the road and away from the truck, seemingly into nowhere. DRIVER Hey! The figure with backpack and rifle, henceforth BACKPACK, stopping in his tracks, turns around in the direction of the truck. DRIVER (CONT'D) Come here. BACKPACK walks back to the truck. As he approaches the driver's door, we CUT IN TO: TIGHT SHOT over the back-packed shoulder onto the DRIVER. DRIVER (CONT'D) (referring to items we see sitting on dashboard) You left your watch, your comb, your change... We STAY on the DRIVER as BACKPACK speaks: BACKPACK Keep it. DRIVER I don't want your money. And I already have a watch. BACKPACK If you don't take it, I'm gonna throw it away. I don't want to know what time it is, what day it is, or where I am. (MORE) 2. BACKPACK (CONT'D) I don't want to see anybody. -
The Following Books Will Be for Sale on Children's Day Friday, April 17, 2015
The following books will be for sale on Children’s Day Friday, April 17, 2015. The price includes sales tax. Author / Illustrator Title Cost w/tax Adams, Mark Parts of Speech Parade, New York City $15.85 Frozen Floppies $15.85 Jilli, That's Silly! $15.85 Best Sketchbook $13.73 King for a Day $17.97 The Fart Fairy $16.91 The Belly Button Fairy $16.91 Nicholas, That's Ridiculous! $15.85 The Knot Fairy $16.91 The Sock Fairy $16.91 Polly and her Pigtails $17.97 Scribble Dee Sophie $10.59 Franny's Rescue $15.85 Teddy Tales $8.47 Pop the Bubbles $15.85 Arnett, Mindee The Nightmare Affair (hardcover) $19.07 The Nightmare Affair (paperback) $10.59 The Nightmare Dilemma $19.07 Avalon $10.59 Polaris $19.07 Arnold, Emilee How to Draw Kentucky Animals $8.43 Ballard, Colette Running on Empty $10.55 Barrett, Tracy The Stepsister's Tale $18.01 King of Ithaka $10.59 Dark of the Moon $9.53 Anna of Byzantium $7.41 The 100 Year Old Secret $7.41 Brown, Jaye Robin No Please to Fall $19.07 Buehrlen, MG The 57 Lives of Alex Wayfare $10.59 Burkhart, Jessica Take the Reins (Canterwood Crest #1) $8.47 Chasing Blue (Canterwood Crest #2) $8.47 Behind the Bit (Canterwood Crest #3 $8.47 Triple Fault (Canterwood Crest #4) $8.47 Best Enemies (Canterwood Crest #5) $8.47 Little White Lies (Canterwood Crest #6) $8.47 Rival Revenge (Canterwood Crest #7 $7.41 Home Sweet Drama (Canterwood Crest #8) $7.41 City of Secrets (Canterwood Crest #9) $7.41 Elite Ambition (Canterwood Crest #10) $8.47 Scandals, Rumors, Lies (Canterwood Crest #11) $8.47 Unfriendly Cometition (Canterwood -
Book Drive Dear Students and Parents
Book Drive Dear Students and Parents: We are enlisting your help in making our Media Center better for all. Below is a list of books that are often requested but are not in our library. We are asking students to donate one or more books on this list from September 25th – December 9th. Those students who donate will receive a pass to attend a Movie Event in the Auditorium on December 13, 2019 from 2:00pm to 3:50pm. The pass is valid for one student. We will be accepting books that are in good or new condition. If you have a book you wish to donate, that is not listed below, please come during 8:30am-4:00pm and see Mrs. Crespi in the Media Center to check if it is an approved book or needed in our Media Center. Thank you for your help in bettering our School! Books: 1. Harbor Me by Jacqueline Woodson 2. Nowhere Boy by Katherine Marsh 3. The Epic Fail of Arturo Zamora by Pablo Cartaya 4. Slider by Pete Hautman 5. The Night Diary by Veera Hiranandani 6. The Assassination of Brangwain Spurge by MT Anderson and Eugene Yelchin 7. The Crystal Ribbon by Celeste Lim 8. Mayday by Karen Harrington 9. Train I Ride by Paul Mosier 10. No Fixed Address by Susan Nielsen 11. Shadow on the Mountain by Margi Prews 12. The Book of Dust; La Belle Sauvage by Phillip Pullman 13. The House with Chicken Legs by Sophie Anderson 14. The False Prince by Jennifer A. Neilson 15.