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Scary Movies at the Cudahy Family Library
SCARY MOVIES AT THE CUDAHY FAMILY LIBRARY prepared by the staff of the adult services department August, 2004 updated August, 2010 AVP: Alien Vs. Predator - DVD Abandoned - DVD The Abominable Dr. Phibes - VHS, DVD The Addams Family - VHS, DVD Addams Family Values - VHS, DVD Alien Resurrection - VHS Alien 3 - VHS Alien vs. Predator. Requiem - DVD Altered States - VHS American Vampire - DVD An American werewolf in London - VHS, DVD An American Werewolf in Paris - VHS The Amityville Horror - DVD anacondas - DVD Angel Heart - DVD Anna’s Eve - DVD The Ape - DVD The Astronauts Wife - VHS, DVD Attack of the Giant Leeches - VHS, DVD Audrey Rose - VHS Beast from 20,000 Fathoms - DVD Beyond Evil - DVD The Birds - VHS, DVD The Black Cat - VHS Black River - VHS Black X-Mas - DVD Blade - VHS, DVD Blade 2 - VHS Blair Witch Project - VHS, DVD Bless the Child - DVD Blood Bath - DVD Blood Tide - DVD Boogeyman - DVD The Box - DVD Brainwaves - VHS Bram Stoker’s Dracula - VHS, DVD The Brotherhood - VHS Bug - DVD Cabin Fever - DVD Candyman: Farewell to the Flesh - VHS Cape Fear - VHS Carrie - VHS Cat People - VHS The Cell - VHS Children of the Corn - VHS Child’s Play 2 - DVD Child’s Play 3 - DVD Chillers - DVD Chilling Classics, 12 Disc set - DVD Christine - VHS Cloverfield - DVD Collector - DVD Coma - VHS, DVD The Craft - VHS, DVD The Crazies - DVD Crazy as Hell - DVD Creature from the Black Lagoon - VHS Creepshow - DVD Creepshow 3 - DVD The Crimson Rivers - VHS The Crow - DVD The Crow: City of Angels - DVD The Crow: Salvation - VHS Damien, Omen 2 - VHS -
Alternatives to US Hard Power
JANUARY 2014 ALTERNATIVES TO U.S. HARD POWER: THE SAUDI RESPONSE TO U.S. TACTICS IN THE MIDDLE EAST By Brandon Friedman Brandon Friedman is a Research Fellow at the Moshe Dayan Center for Middle East and African Studies at Tel Aviv University and a Senior Fellow of FPRI. Brandon is also the Managing Editor of the Dayan Center’s journal Bustan: The Middle East Book Review. Brandon teaches in Tel Aviv University’s international Master’s in Middle East Studies program and its B.A. in Liberal Arts program. His research interests include contemporary Middle East geopolitics and strategic analysis, nuclear arms proliferation, and the political history of the Middle East during the modern period. Brandon's PhD research focused on the political relations between the rulers of the Persian Gulf littoral during the period of British military withdrawal from the region (1968 to 1971). Prior to beginning his academic career in Israel, Brandon spent seven years working for a risk advisory consulting firm in the U.S. To access Brandon’s earlier FPRI essays: http://www.fpri.org/contributors/brandon- friedman The conventional wisdom today is that Saudi Arabia will ultimately accept recent U.S. policy decisions that currently it rejects1 because it has no viable alternatives.2 While it is true that there is no equivalent to U.S. power, there are certainly alternatives to it. Historically, the Saudis have pursued regional security according to four broad principles: (1) preserving the internal security of the kingdom, (2) maintaining a regional balance of power, (3) preventing conflicts that may damage the kingdom, and (4) relying on the U.S. -
UPDATED KPCC-KVLA-KUOR Quarterly Report JAN-MAR 2013
Date Key Synopsis Guest/Reporter Duration Quarterly Programming Report JAN-MAR 2013 KPCC / KVLA / KUOR 1/1/13 MIL With 195,000 soldiers, the Afghan army is bigger than ever. But it's also unstable. Rod Nordland 8:16 When are animals like humans? More often than you think, at least according to a new movement that links human and animal behaviors. KPCC's Stephanie O'Neill 1/1/13 HEAL reports. Stephanie O'Neill 4:08 We've all heard warning like, "Don't go swimming for an hour after you eat!" "Never run with scissors," and "Chew on your pencil and you'll get lead poisoning," from our 1/1/13 ART parents and teachers. Ken Jennings 7:04 In "The Fine Print," Pulitzer Prize-winning author David Cay Johnston details how the David Cay 1/1/13 ECON U.S. tax system distorts competition and favors corporations and the wealthy. Johnston 16:29 Eddie Izzard joins the show to talk about his series at the Steve Allen Theater, plus 1/1/13 ART he fills us in about his new show, "Force Majeure." Eddie Izzard 19:23 Our regular music critics Drew Tewksbury, Steve Hochman and Josh Kun join Alex Drew Tewksbury, Cohen and A Martinez for a special hour of music to help you get over your New Steve Hochman 1/1/13 ART Year’s Eve hangover. and Josh Kun 12:57 1/1/2013 IMM DREAM students in California get financial aid for state higher ed Guidi 1:11 1/1/2013 ECON After 53 years, Junior's Deli in Westwood has closed its doors Bergman 3:07 1/1/2013 ECON Some unemployed workers are starting off the New Year with more debt Lee 2:36 1/1/2013 ECON Lacter on 2013 predictions -
Reimagining US Strategy in the Middle East
REIMAGININGR I A I I G U.S.S STRATEGYT A E Y IIN THET E MMIDDLED L EEASTS Sustainable Partnerships, Strategic Investments Dalia Dassa Kaye, Linda Robinson, Jeffrey Martini, Nathan Vest, Ashley L. Rhoades C O R P O R A T I O N For more information on this publication, visit www.rand.org/t/RRA958-1 Library of Congress Cataloging-in-Publication Data is available for this publication. ISBN: 978-1-9774-0662-0 Published by the RAND Corporation, Santa Monica, Calif. 2021 RAND Corporation R® is a registered trademark. Cover composite design: Jessica Arana Image: wael alreweie / Getty Images Limited Print and Electronic Distribution Rights This document and trademark(s) contained herein are protected by law. This representation of RAND intellectual property is provided for noncommercial use only. Unauthorized posting of this publication online is prohibited. Permission is given to duplicate this document for personal use only, as long as it is unaltered and complete. Permission is required from RAND to reproduce, or reuse in another form, any of its research documents for commercial use. For information on reprint and linking permissions, please visit www.rand.org/pubs/permissions. The RAND Corporation is a research organization that develops solutions to public policy challenges to help make communities throughout the world safer and more secure, healthier and more prosperous. RAND is nonprofit, nonpartisan, and committed to the public interest. RAND’s publications do not necessarily reflect the opinions of its research clients and sponsors. Support RAND Make a tax-deductible charitable contribution at www.rand.org/giving/contribute www.rand.org Preface U.S. -
Female Director Takes Hollywood by Storm: Is She a Beauty Or a Visionary?
Western Oregon University Digital Commons@WOU Honors Senior Theses/Projects Student Scholarship 6-1-2016 Female Director Takes Hollywood by Storm: Is She a Beauty or a Visionary? Courtney Richardson Western Oregon University Follow this and additional works at: https://digitalcommons.wou.edu/honors_theses Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Richardson, Courtney, "Female Director Takes Hollywood by Storm: Is She a Beauty or a Visionary?" (2016). Honors Senior Theses/Projects. 107. https://digitalcommons.wou.edu/honors_theses/107 This Undergraduate Honors Thesis/Project is brought to you for free and open access by the Student Scholarship at Digital Commons@WOU. It has been accepted for inclusion in Honors Senior Theses/Projects by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected], [email protected], [email protected]. Female Director Takes Hollywood by Storm: Is She a Beauty or a Visionary? By Courtney Richardson An Honors Thesis Submitted in Partial Fulfillment of the Requirements for Graduation from the Western Oregon University Honors Program Dr. Shaun Huston, Thesis Advisor Dr. Gavin Keulks, Honors Program Director Western Oregon University June 2016 2 Acknowledgements First I would like to say a big thank you to my advisor Dr. Shaun Huston. He agreed to step in when my original advisor backed out suddenly and without telling me and really saved the day. Honestly, that was the most stressful part of the entire process and knowing that he was available if I needed his help was a great relief. Second, a thank you to my Honors advisor Dr. -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
The “Genre Bender”: the Creative Leadership of Kathryn Bigelow
THE “GENRE BENDER”: THE CREATIVE LEADERSHIP OF KATHRYN BIGELOW Olga Epitropaki and Charalampos Mainemelis ABSTRACT In the present chapter, we present the case study of the only woman film director who has ever won an Academy Award for Best Director, Kathryn Bigelow. We analyzed 43 written interviews of Kathryn Bigelow that have appeared in the popular press in the period 1988 2013 and outlined eight main themes emerging regarding her exercise ofÀ leadership in the cinematic context. We utilize three theoretical frameworks: (a) paradoxical leadership theory (Lewis, Andriopoulos, & Smith, 2014; Smith & Lewis, 2012); (b) ambidextrous leadership theory (Rosing, Frese, & Bausch, 2011), and (c) role congruity theory (Eagley & Karau, 2002) and show how Bigelow, as a woman artist/leader working in a complex organizational system that emphasizes radical innovation, exercised paradoxical and ambidextrous leadership and challenged Downloaded by Doctor Charalampos Mainemelis At 07:19 09 March 2016 (PT) Leadership Lessons from Compelling Contexts Monographs in Leadership and Management, Volume 8, 275 300 À Copyright r 2016 by Emerald Group Publishing Limited All rights of reproduction in any form reserved ISSN: 1479-3571/doi:10.1108/S1479-357120160000008009 275 276 OLGA EPITROPAKI AND CHARALAMPOS MAINEMELIS existing conventions about genre, gender, and leadership. The case study implications for teaching and practice are discussed. Keywords: Creative leadership; ambidextrous leadership; paradoxical leadership; role congruity theory; director; film industry She’s acting out desires. She represents what people want to see, and it’s upsetting, because they don’t know exactly what to do with it. Cultural theorist Sylve´ re Lotringer INTRODUCTION Organizations are abounding with tensions and conflicting demands (e.g., flexibility vs. -
Blurring the Boundaries: Auteurism & Kathryn Bigelow Brenda Wilson
Blurring the Boundaries: Auteurism & Kathryn Bigelow Brenda Wilson Born in California in 1952, Katherine Bigelow is one of group of outsiders living by different rules are presented the few women directors working in Hollywood today. She here as whole- heartedly cool. And the aesthetic style of is exceptional because she works primarily within the the film is indicative of Bigelow's increasingly idiosyncratic traditionally male- dominated genres of the action cinema. choices that create arresting images and innovative action Bigelow's films often reflect a different approach to these sequences. Strange Days (1995) is the film in Bigelow's genres as she consistently explores themes of violence, oeuvre that has received the most critical and theoretical voyeurism and sexual politics. Ultimately she seems to be attention, and so for the purposes of this analysis it will be concerned with calling the boundaries between particular referred to but not fully theorized. Strange Days is a neo- genres into question. Bigelow's visual style echoes this noir science fiction film that presents the future on the eve thematic complexity, often introducing elements of an art- of the new millennium, a dystopic Los Angeles which is on house aesthetic. Bigelow emerged from the New York art the verge of erupting into a race war. The film was a critical scene in the 1970s, having won a Whitney Scholarship to if not commercial success, building upon recognizable study painting. She later transferred to the Columbia Film Bigelow motifs. The film is a rich tapestry of narrative program. Critics such as Yvonne Tasker have commented threads, stunning visuals and soundtrack, all of which on the amalgamation of spectacle and adrenaline with compete for attention. -
Program on the Middle East
PROGRAM ON THE MIDDLE EAST FOREIGN POLICY RESEARCH INSTITUTE 1 PROGRAM ON THE MIDDLE EAST Despite the clamor for America’s foreign policy to pivot away from the Middle East, events in the region over the past two decades have demanded sustained American attention. The challenges at hand are many, including Iran’s regional destabilizing ambitions, the rise and fall of ISIS’s Caliphate and enduring threat of jihadi terrorism, the ostensible collapse of the old state order in the Greater Middle East, and numerous ever-entrenched conflicts between, inter alia, Sunnis and Shi‘is, Kurds and Arab, Israelis and Palestinians, and even among Syrians themselves. The Program on the Middle East at the Foreign Policy Research Institute is uniquely positioned to provide the kind of strategic thinking and thoughtful analysis required to address the perennial foreign policy challenges that this fraught region poses for American policymakers. The program brings together both established and emerging scholars from the academic, military, and policy worlds in an effort to develop a new cadre of strategic policy thinkers, versed in the languages, geography, history, culture, and politics of the region. The Middle East Program offers context, content, and policy recommendations based on this holistic view of American strategic interests in the region. Its analysis transcends headlines and catch phrases. Through its research, publications, and educational outreach, the program focuses on key themes such as authoritarianism and reform; the aftermath of the Arab -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Darweesh V. Trump [Voluntarily Dismissed]
Case 1:17-cv-00480-CBA Document 99 Filed 02/16/17 Page 1 of 15 PageID #: 1076 UNITED STATES DISTRICT COURT EASTERN DISTRICT OF NEW YORK HAMEED KHALID DARWEESH and HAIDER SAMEER ABDULKHALEQ No. 17 Civ. 00480 ALSHAWI, on behalf of the themselves and others similarly situated, Petitioners, -against- DONALD TRUMP, President of the United States; U.S. DEPARTMENT OF HOMELAND SECURITY (“DHS”); U.S. CUSTOMS AND BORDER PROTECTION (“CBP”); JOHN KELLY, Secretary of DHS; KEVIN K. MCALEENAN, Acting Commissioner of CBP; and JAMES T. MADDEN, New York Field Director, CBP, Respondents. BRIEF OF AMICI CURIAE VETS FOR AMERICAN IDEALS, NO ONE LEFT BEHIND, VOTE VETS, AND COMMON DEFENSE IN SUPPORT OF PETITIONERS Emery Celli Brinckerhoff & Abady LLP 600 Fifth Avenue, 10th Floor New York, New York 10020 (212) 763-5000 Case 1:17-cv-00480-CBA Document 99 Filed 02/16/17 Page 2 of 15 PageID #: 1077 TABLE OF CONTENTS PAGE NO. CORPORATE DISCLOSURE STATEMENT ...............................................................................1 INTEREST OF AMICI ....................................................................................................................1 THE EXECUTIVE ORDER ENDANGERS AMERICAN SOLDIERS AND THEIR LOCAL ALLIES .............................................................................................................................2 A. The U.S. Military Depends on Local Allies Who Risk Their Lives ............3 B. The Executive Order Harms U.S. Allies on the Ground ..............................6 C. The Reality on the Ground: This Executive -
The Hurt Locker
VIDEA - C.D.E. WARNER PICTURES ITALIA VOLTAGE PICTURES PRESENTANO IN ASSOCIAZIONE CON GROSVENOR PARK MEDIA, LP & F.C.E.F. S.A. UNA PRODUZIONE VOLTAGE PICTURES / FIRST LIGHT / KINGSGATE FILMS The Hurt Locker Prodotto da Kathryn Bigelow, Mark Boal, Nicolas Chartier, and Greg Shapiro Scritto da Mark Boal Regia Kathryn Bigelow Copyright © 2008 Hurt Locker, LLC 1 The Hurt Locker SINOSSI Se la guerra è l’inferno, perché sono in tanti a scegliere di combattere? In un’epoca in cui gli eserciti non sono formati da militari di leva ma da volontari, e gli uomini si lanciano di buon grado nell’azione militare, a volte la guerra corteggia in maniera potente e seducente fin quasi a diventare dipendenza. THE HURT LOCKER è il ritratto intenso di un’unità speciale di soldati con il compito più pericoloso del mondo: disarmare bombe nel mezzo dell’azione. Quando il nuovo sergente, James (Jeremy Renner), assume il comando dell’unità speciale esperta in disarmo delle bombe nel bel mezzo di un violento conflitto, sorprende i due sottoposti, Sanborn ed Eldridge (Anthony Mackie e Brian Geraghty), lanciandosi inesorabilmente in un gioco mortale di guerriglia urbana. James sembra essere indifferente alla morte. Mentre i soldati lottano per controllare la follia del loro nuovo capo, in città esplode il caos, e salta fuori il vero carattere di James, cambiando ogni uomo per sempre. Con la visionaria regia di Kathryn Bigelow, THE HURT LOCKER è il frutto dell’osservazione diretta del reporter e sceneggiatore Mark Boal. Con Jeremy Renner (Dahmer, il Cannibale di Milwaukee, L’assassinio di Jesse James per mano del codardo Robert Ford), Anthony Mackie (Half Nelson, We Are Marshall) e Brian Geraghty (We Are Marshall, Jarhead), il film associa l’avvincente azione realistica al dramma umano più intimo per mostrare la psicologia di un soldato durante azioni ad altissimo rischio, fra uomini che scelgono di affrontare mortali avversità.