1973 Brown and Gold Vol 56 No 6 November 16, 1973
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
ARCHIE COMICS Random House Adult Blue Omni, Summer 2012
ARCHIE COMICS Random House Adult Blue Omni, Summer 2012 Archie Comics Archie Meets KISS Summary: A highly unexpected pairing leads to a very Alex Segura, Dan Parent fun title that everyone’s talking about. Designed for both 9781936975044 KISS’s and Archie’s legions of fans and backed by Pub Date: 5/1/12 (US, Can.), On Sale Date: 5/1 massive publicity including promotion involving KISS $12.99/$14.99 Can. cofounders Gene Simmons and Paul Stanley, Archie 112 pages expects this title to be a breakout success. Paperback / softback / Trade paperback (US) Comics & Graphic Novels / Fantasy From the the company that’s sold over 1 billion comic books Ctn Qty: 0 and the band that’s sold over 100 million albums and DVDs 0.8lb Wt comes this monumental crossover hit! Immortal rock icons 363g Wt KISS join forces ... Author Bio: Alex Segura is a comic book writer, novelist and musician. Alex has worked in comics for over a decade. Before coming to Archie, Alex served as Publicity Manager at DC Comics. Alex has also worked at Wizard Magazine, The Miami Herald, Newsarama.com and various other outlets and websites. Author Residence: New York, NY Random House Adult Blue Omni, Summer 2012 Archie Comics Archie Meets KISS: Collector's Edition Summary: A highly unexpected pairing leads to a very Alex Segura, Dan Parent, Gene Simmons fun title that everyone’s talking about. Designed for both 9781936975143 KISS’s and Archie’s legions of fans and backed by Pub Date: 5/1/12 (US, Can.), On Sale Date: 5/1 massive publicity including promotion involving KISS $29.99/$34.00 Can. -
Igncc18 Programme
www.internationalgraphicnovelandcomicsconference.com [email protected] #IGNCC18 @TheIGNCC RETRO! TIME, MEMORY, NOSTALGIA THE NINTH INTERNATIONAL GRAPHIC NOVEL AND COMICS CONFERENCE WEDNESDAY 27TH – FRIDAY 29TH JUNE 2018 BOURNEMOUTH UNIVERSITY, UK Retro – a looking to the past – is everywhere in contemporary culture. Cultural critics like Jameson argue that retro and nostalgia are symptoms of postmodernism – that we can pick and choose various items and cultural phenomena from different eras and place them together in a pastiche that means little and decontextualizes their historicity. However, as Bergson argues in Memory and Matter, the senses evoke memories, and popular culture artefacts like comics can bring the past to life in many ways. The smell and feel of old paper can trigger memories just as easily as revisiting an old haunt or hearing a piece of music from one’s youth. As fans and academics we often look to the past to tell us about the present. We may argue about the supposed ‘golden age’ of comics. Our collecting habits may even define our lifestyles and who we are. But nostalgia has its dark side and some regard this continuous looking to the past as a negative emotion in which we aim to restore a lost adolescence. In Mediated Nostalgia, Ryan Lizardi argues that the contemporary media fosters narcissistic nostalgia ‘to develop individualized pasts that are defined by idealized versions of beloved lost media texts’ (2). This argument suggests that fans are media dupes lost in a reverie of nostalgic melancholia; but is belied by the diverse responses of fandom to media texts. Moreover, ‘retro’ can be taken to imply an ironic appropriation. -
TXINITXI TEAM Capitán: Raúl Vela
TXINITXI TEAM capitán: Raúl Vela Raúl "Feytor" Vela - Undiying Dinasties Jorge “Orombi” García, Dread elves 525 death cult hierarch: general, soul conduit, wizard máster 4 spells divination, sacred hourglass, 745 - Cult Priest, BSB, Shield, Cult of Yema, Paired Weapons (Divine altar), Basalt Infusion, binding scroll Lucky Charm, Moraec's Reaping 280 death cult hierarch: hierophant, wizard adept 2 spells cosmology, book of arcane power 450 - Oracle, General, 4 spells, Wizard Master, Alchemy, Binding scroll 125 death cult hierarch: wizard apprentice 1 spells evocatión 2x160 - 5x Dark Raiders 160 tomb architect 420 - 25x Dread Legionnaires: Spears, C,S, Flaming Standard 285 nomarch on skeletal chariot: steeds of nephet-ra, death mask of teput 2x195 - 15xDread Legionnaires: Spears 210 20 skeletons: s banner of the relentless company 571 - 23xDancers of Yema: C,S, Rending Banner 505 6 skeleton chariots: c 135 - Medusa: Halaberd 290 3 skeleton chariots 3x 195 - Raptor Chariot 130 5 skeleton scouts 2x 440 - Hydra 390 4 tomb cataphracts 4496 155 3 great cultures 685 8 shabti archers: s rending banner Iban "Gorras Toretto" Eraña Kingdom of Equitaine 440 6 shabti archers 680-Duke on Pegasus: General, questing oath,basalt infusion,divine judment, lucky charm, 160x2 2x1 sand scorpion potion of swiftness, fortres of faith,virtue Total:4500 of might,shield,lance 315-Paladin on barded warhorse: (bsb),questing oath,alchemist alloy, Flaming Stanford, shield Josu "epoepo" García - The Vermin Swarm 490-Damsel on barded warhorse: wizard master,druidism, Magical -
Dan Dare the 2000 Ad Years Vol. 01 Pdf, Epub, Ebook
DAN DARE THE 2000 AD YEARS VOL. 01 PDF, EPUB, EBOOK Pat Mills | 320 pages | 05 Nov 2015 | Rebellion | 9781781083499 | English | Oxford, United Kingdom Dan Dare The 2000 AD Years Vol. 01 PDF Book I guess I'd agree with some of the comments about the more recent revival attempts and the rather gauche cynicism that tends to pervade them. Thanks for sharing that, it's a good read. The pen is mightier than the sword if the sword is very short, and the pen is very sharp. The cast included Mick Ford Col. John Constantine is dying. There are no discussion topics on this book yet. Hardcover , pages. See all 3 brand new listings. Al rated it really liked it Feb 06, Archived from the original PDF on The stories were set mostly on planets of the Solar System presumed to have extraterrestrial life and alien inhabitants, common in science fiction before space probes of the s proved the most likely worlds were lifeless. Mark has been an executive producer on all his movies, and for four years worked as creative consultant to Fox Read full description. Standard bred - ; vol. The first Dan Dare story began with a starving Earth and failed attempts to reach Venus , where it is hoped food may be found. You may also like. Ian Kennedy Artist. Pages: [ 1 ] 2. SuperFanboyMan rated it really liked it Jul 16, In Eagle was re-launched, with Dan Dare again its flagship strip. John Wiley and Sons, Author : Michigan State University. In a series of episodic adventures, Dare encountered various threats, including an extended multi-episode adventure uniting slave races in opposition to the "Star Slayers" — the oppressive race controlling that region. -
El Cómic Y Su Relación Con El Arte En Fotogramas the Comic and Its Relationship with Art in Frames
El cómic y su relación con el arte en fotogramas The comic and its relationship with art in frames AUTORES: Montalvo, Blanca Profesora Titular de Universidad. Dep. de Arte y arquitectura. Facultad de Bellas Artes. Universidad de Málaga Martínez Silvente, María Jesús Profesora Titular de Universidad. Dep. de Historia del Arte. Facultad de Filosofía y Letras. Universidad de Málaga PALABRAS CLAVE: Cómic, vídeo, fotografía, narración, instalación KEY WORDS: Comic, video, photography, storytelling, instalation RESUMEN: Esta comunicación se centra en el cómic y su relación con la fotografía. Proponemos analizar el lenguaje de la fotonovela como un formato transmedia entre el cómic, el cine, la instalación y el vídeo arte. También apostamos por una recuperación del formato, en la era de la imagen digital. Para llevarlo a cabo, analizamos las propuestas más experimentales desarrolladas desde mediados del siglo pasado, herederas de las publicadas en Help! (1960-1965) y Punk Magazine, (1978-1981). Desde Weirdo (1981- 1993), a la historia juvenil Doomlord, publicada en la revista Eagle (1982-1989), hasta las más recientes El fotógrafo (2003) de Lefèvre/ Guibert/ Lemercier y La grieta (2017) de Spottorno y Abril. Comparamos estas prácticas con obras de cine y arte que también desarrollan la narración mediante la utilización de imagen fija (fotografía o diapositivas), como las película de Chris Maker o Robert Smithson, las instalaciones de James Coleman o Nan Goldin, los flipbooks de Miguel Roschild, o el cine con múltiples pantallas de Jean Luc Godard y Lev Manovich. Para finalizar comentamos nuestro proyecto en proceso: La Súper Fotonovela. ABSTRACT: This communication focuses on comics and their relationship with photography. -
Memory, Comics and Post-War Constructions of British Girlhood, Leuven University Press, 2015
. Volume 12, Issue 2 November 2015 Review Mel Gibson, Remembered Reading: Memory, Comics and Post-War Constructions of British Girlhood, Leuven University Press, 2015. 223pps. ISBN: 9789462700307. €55.00 (£48.00). It is somewhat commonplace in reviews to say that a book ‘fills a gap’ in existing literature. But in this case, I think it is specifically true – in two definite ways. Mel Gibson in Remembered Reading both recovers a good deal of the detailed history of British girls’ comics, from 1945 until their effective demise in the mid-1990s; and she also allows the voices of their readers to be heard, if not for the very first time, then in a far more substantial and thoughtful way than previously. A substantial claim of the book indeed is to ‘break a silence’ around girls’ comics, which have for a long time been quite seriously sidelined and neglected in favour of more ‘masculine’ traditions and genres. What Gibson does very effectively in this book is to invite us to inspect a great variety of publications (often, helpfully, with illustrations of stories which she then comments on) for the ways in which they negotiated with emerging ideas of ‘girlhood’ – a distinctive cultural space between childhood and womanhood with shifting ideas of their interests, and desires (always risky things to handle!), strongly policed along not only sexual, but also class lines for ‘appropriateness’. Gibson positions her own research generally among comics researchers, girlhood studies, memory studies, media and cultural studies, and critical feminist research. Her own history, as comics fan, collector, scholar, and teacher is also vital to her work. -
Monopoly, Power and Politics in Fleet Street: the Controversial Birth of IPC Magazines, 1958-63
Monopoly, Power and Politics in Fleet Street: The Controversial Birth of IPC Magazines, 1958-63 Howard Cox and Simon Mowatt Britain’s newspaper and magazine publishing business did not fare particularly well during the 1950s. With leading newspaper proprietors placing their desire for political influence above that of financial performance, and with working practices in Fleet Street becoming virtually ungovernable, it was little surprise to find many leading periodical publishers on the verge of bankruptcy by the decade’s end. A notable exception to this general picture of financial mismanagement was provided by the chain of enterprises controlled by Roy Thomson. Having first established a base in Scotland in 1953 through the acquisition of the Scotsman newspaper publishing group, the Canadian entrepreneur brought a new commercial attitude and business strategy to bear on Britain’s periodical publishing industry. Using profits generated by a string of successful media activities, in 1959 Thomson bought a place in Fleet Street through the acquisition of Lord Kemsley’s chain of newspapers, which included the prestigious Sunday Times. Early in 1961 Thomson came to an agreement with Christopher Chancellor, the recently appointed chief executive of Odhams Press, to merge their two publishing groups and thereby create a major new force in the British newspaper and magazine publishing industry. The deal was never consummated however. Within days of publicly announcing the merger, Odhams found its shareholders being seduced by an improved offer from Cecil King, Chairman of Daily Mirror Newspapers, Ltd., which they duly accepted. The Mirror’s acquisition of Odhams was deeply controversial, mainly because it brought under common ownership the two left-leaning British popular newspapers, the Mirror and the Herald. -
Interview with Neil Hartigan # ISG-A-L-2010-012.01 Interview # 1: March 18, 2010 Interviewer: Mark Depue
Interview with Neil Hartigan # ISG-A-L-2010-012.01 Interview # 1: March 18, 2010 Interviewer: Mark DePue COPYRIGHT The following material can be used for educational and other non-commercial purposes without the written permission of the Abraham Lincoln Presidential Library. “Fair use” criteria of Section 107 of the Copyright Act of 1976 must be followed. These materials are not to be deposited in other repositories, nor used for resale or commercial purposes without the authorization from the Audio-Visual Curator at the Abraham Lincoln Presidential Library, 112 N. 6th Street, Springfield, Illinois 62701. Telephone (217) 785-7955 Note to the Reader: Readers of the oral history memoir should bear in mind that this is a transcript of the spoken word, and that the interviewer, interviewee and editor sought to preserve the informal, conversational style that is inherent in such historical sources. The Abraham Lincoln Presidential Library is not responsible for the factual accuracy of the memoir, nor for the views expressed therein. We leave these for the reader to judge. DePue: Today is Thursday, March 18, 2010. My name is Mark DePue; I’m the director of oral history at the Abraham Lincoln Presidential Library, and it’s my pleasure today to be interviewing General Neil Hartigan. How are you this afternoon, General? Hartigan: (laughs) I’m fine, Mark. How are you? We can dispense with the general part, though. (laughs) DePue: Well, it’s all these titles. You’re one of these people who has several titles. But we’ll go from there. It is a lot of fun to be able to sit down and talk to you. -
Eagle 1919 Lent
____,1 --------�----�--------�-------------------1 11 Jl!tnga!int �uppotttb b!l �tmbtrll of �t �obn'i Qtolhgt 1�rinteb for :;bubsmlbers onl)} <!t:ambrll:Jge lE. �obn55on, t!I:tinit!l �luet l�t!nUll bl! fllttcal!e k Ql:o. 1:(mite'l:l, lRose Ql:usunt 1919 'F"olumr *iL 80 Tht Library. *Glover (T. R.). From Pericles to Philip. Svo. Loncl. 1917. 18.14.42. Ilaskins (C. H.). The Nonnans in European History. 8vo. Boston 1915. 20.5.43. Historical Society (Royal). Camdcn 3rc1 Series. Vol. XXVIII. The autobiography of Thomas Raymoncl, and memoirs of the family of Guise of Elmore, Gloucestershire. Edited by G. Davies. 4to. Land. 1917. 5.17.192. 1-lovell (M.). The Chartist Movement. Edited and completed, with a memoir, by T. F. Tout. 8vo. Manchester, 1918. 1.37.76. Kirk (Roberl). The Secret Commonwc�lh of Elves, Fauns and Fairies. A study in folk-lore and p}1'fs.£:hial research. The text by R. Kirk, ,1.0. 1691 ; the comment by Andrew Lang. (Bibliotheque de Carabas). 8vo. Land. 1893. Kirkaldy (A. W.). Industry and Finance: War expedi(;nts and recon struction. Being the results of inquiries arranged by the seclion of THE EAGLE. Economic Science and Statistics of the British Association during 1916 and 1917. Edited by A. W. K. 8vo. Land. [1917]. Lang (Andrew). A history of Scotland from the Homan occupation. 4 vols. (Vol. II, 3rd edition). Svo. Ec!in. 1900-1907. 5.33.12-15. Palaeontographical Society. Vol. LXX. Issued for 1916. fol. Land. 1918. 13.2.22. Pcpys (Samuel). -
COMICS+Scifinow+Feature+On+
Comics-wise, France's Metal Hurlantand the pre-superhero American tradition (Weird, Eerie) provided his inspiration. During this remarkably long gestation period - partly the result of missing a launch deadline, partly Sanders apprehending Mills was cooking up "something special" - a hiccup occurred when a public outcry followed not long after the February '76 launch of Mills's revolutionarily gory and anti-authority Action. That October, Action was briefly taken off the stands to be cleaned up. "The disastrous press obviously had an effect on 2000 AD and stories that were originally much tougher and much harder suddenly had to be toned down," says Mills. Nonetheless, 2000 AD would remain an edgy concoction: "Action had very much a street consciousness and there's a spillover of that into 2000 AD." Additionally, "You wrote a character with some humanity in, it would bomb. You wrote a character who was totally brutal and totally ruthless, the readers would love it. John Wagner and I had both observed this trend in reader taste, so what you might call a traditional hero just didn't cut it." He happily found that the nature of the new comic gave him something of a get-out from higher-ups' disapproval: the sci-fi backdrops served to make the violence and harsh ambience seem less 'real'. An indication of just how much thought went into 2000 AD is Mills's work on the comic's look. He admired the high standards of Spaniards like Carlos Ezquerra and Italians like Massimo Belardinelli. However, though he commissioned Continental artists, he also felt them to be a little dull compared to technically inferior British ones. -
Literary Miscellany
Literary Miscellany A Selection from Recent Acquisitions and Stock Including Prose and Poetry from the 17th - 20th Centuries Association Copies and Letters Fine Printing, Illustrated Books, Film Material, And Varia of Other Sorts Catalogue 306 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.reeseco.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. -
Butte-Anaconda Historic District NHL Nomination
NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 BUTTE-ANACONDA HISTORIC DISTRICT Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Butte-Anaconda Historic District (Revised documentation) Other Name/Site Number: Butte Historic District NHL Butte, Anaconda & Pacific Railway Historic District Headframes and Mine Yards in Butte Socialist Hall, Butte Anaconda Commercial Historic District Anaconda Goosetown Historic District Anaconda West Side Historic District Anaconda Mining Company Smoke Stack Tuttle Manufacturing and Supply Company 2. LOCATION Street & Number: Not For Publication: N/A Vicinity: N/A City/Town: Walkerville, Butte and Anaconda State: Montana Counties: Silver Bow and Deer Lodge Code: 093, 023 Zip Code: 59701, 59711 3. CLASSIFICATION Ownership of Property: Category of Property: Public: X Building(s): ___ Private/Local: X District: X State: X Site: ___ Public-Federal: X Structure: ___ Object: ___ Number of Resources within Property Contributing Noncontributing 5952 1872 building(s) 2 1 sites 36 21 structures 1 0 objects 5991 1894 Total Number of Contributing Resources Previously Listed in the National Register: N/A (Contributing resources were not formally tallied in earlier Butte NHL listings) Name of Related Multiple Property Listing: NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 BUTTE-ANACONDA HISTORIC DISTRICT Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this ____ nomination ____ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60.