Choral Program

Total Page:16

File Type:pdf, Size:1020Kb

Load more

Choral Program Welcome Junior Chorus Marilyn Buzy, Conductor Caitlin Geishaker, Manager Ben Rafuse, Accompanist Glorificamus Te Jerry Estes Jambo, Karibu kwa Afrika Patsy Ford Simms A Merry Madrigal Donald Moore Durme, Durme arr. Audrey Snyder Give Us Hope Jim Papoulis arr. Francisco J. Nunez Senior Chorus Dr. Richard G. Nickerson, Conductor Renae Misner, Manager Lynne Burney, Accompanist Fanfare for a Festival Ron Nelson Ubi Caritas Ola Gjeilo Tres Cantos Marcos Leite He Ain’t Heavy, He’s My Brother Arr. Mark Hayes Praise His Holy Name Keith Hampton Marilyn Buzy, Junior Chorus Conductor Originally from western NewYork, Ms Marilyn Buzy received her undergraduate degree from West Virginia University. She has been a music educator for the last 25 years having taught in New Hampshire, Massachusetts and Maine with the last 14 years at Winslow Junior High School. Professional affiliations include membership with: the Music Educators National Conference, Maine Music Educator's Association as well as former president and managerial positions with the KV Music Association. Ms Buzy has been a guest conductor of: The Dist VII HS Honors Band, The Skowhegan Choral-A-Rama, District III Honors Jazz Band, All-Aroostoock Jr. Band, KVMEA Junior Honors Chorus 2003, and KVMEA Junior Bands in 1999 and 1996. She currently serves as the musical and choir director at Temple Beth El in Bangor, Maine. Ms Buzy also performs professionally as a percussionist throughout New England. She has played “in the pit” for area high school musical productions and for the Waterville Opera House's musical productions. Classically she plays for Farmington, Bates, Bowdoin and Colby College ensembles and is the drummer for Maine's premiere all woman's jazz band, The Edith Jones Project. Ms. Buzy is very excited to conduct this year's KVMEA Junior Chorus and looks forward to a wonderful festival! Dr. Richard G. Nickerson, Senior Chorus Conductor Richard G. Nickerson received a Bachelor's Degree in Vocal Music Education, the Master of Music in Choral Conducting from the University of Maine and the Doctor of Musical Arts degree in Choral Conducting from the Conservatory of Music - University of Missouri - Kansas City. He has studied conducting with Dr. Eph Ehly, Dr. Charles Robinson, Dr. Dennis Cox, Werner Torkanowsky, Robert Shaw, Eric Ericson and Rodney Eichenberger. He is President of the Maine chapter of the American Choral Directors Association and has served as Repertoire and Standards Chair for Ethnic and Multi - Cultural Perspectives. For the past 22 years Dr. Nickerson has been Director of Choral Activities at Windham High School in Windham, Maine where he conducts 3 choirs and teaches courses in music theory and music history. In addition to his duties in Windham, Dr. Nickerson teaches at St. Joseph’s College. He is also the conductor of the “Magic of Christmas” Chorus with the Portland Symphony Orchestra. In constant demand as a guest conductor and clinician, Nickerson has made guest appearances in 18 states, 3 Canadian provinces and 6 European countries. He has conducted in major concert venues throughout the world including Carnegie Hall, Notre Dame in Paris, La Salle de Musique in La Chaux de Fonds, Switzerland, the White House, St. Paul’s in Antwerp, Belgium and The Austria Center in Vienna. During the summer of 2008, he made his 5th guest conducting appearance with the United States Youth Chorale in a 3-week European concert tour. He was the children's choir director for the nationally broadcast Tim Janis special, The American Christmas Carol narrated by James Earl Jones. His choirs have performed in concert with Kenny Rogers, Andy Williams, Josh Groban, Jodi Benson, Susan Egan, Noel Paul Stookey, John Rutter, Capathia Jenkins and the Barenaked Ladies. Dr. Nickerson is listed in 2 editions of Who's Who in America, 6 editions of Who's Who among America's Teachers, has been named a finalist for Maine Teacher of the Year and, in 1996, was named Maine Music Educator of the Year. In 1997 he was presented an Academy Award from the Maine State Academy for the Performing Arts for outstanding contributions to the performing arts in the State of Maine. In May 2007, he was named Distinguished Choral Director by the Maine ACDA chapter. In January, 2009, he was honored by Choral Director Magazine as one of 10 “Choral Directors of Note” in the United States. Nickerson would like to thank the three women in his life who keep him grounded; his “soon-to be wife” Linda and his twin daughters, Sarah and Arianna. .
Recommended publications
  • An Interview with Robert Shaw: Reflections at Eighty

    An Interview with Robert Shaw: Reflections at Eighty

    An Interview with Robert Shaw: Reflections at Eighty by Jeffrey Baxter RobertShaw .Robert Shaw's distinguished career began in New York City In 1979, Shaw was appointed by President Jimmy Carter to in 1938, where he prepared choruses for such renowned con­ the National Council on the Arts and he was a 1991 recipient of ductors as Fred Waring, Arturo Toscanini, and Bruno Walter. the Kennedy Center Honors, the nation's highest award given to In 1949 he formed the Robert Shaw Chorale, which for two artists. Musical America, the international directory of the per­ decades reigned as America's premier touring choir. Under the forming arts, named him Musician of the Year for 1992, and auspices ofthe U.S. State Department, the Chorale performed during the same year he was awarded the National Medal ofthe in thirty countries throughout Europe, the Soviet Union, the Arts in a White House ceremony. He was the 1993 recipient of Middle East, and Latin America. During this period Shaw also the Conductors' Guild TheodoreThomas Award, in recognition served as Music Director ofthe San Diego Symphony and then ofhis outstanding achievement in conducting and his contribu­ as Associate Conductor of the Cleveland Orchestra, working tions to the education and training ofyoung conductors. closely with George Szell for eleven years. He served as Music A regular guest conductor ofmajor orchestras in this country Director of the Atlanta Symphony Orchestra from 1967 to and abroad, Shaw also is in demand as a teacher and lecturer at 1988, during which time the orchestra garnered widespread leading U.S.
  • Vision / Dance Innovations

    Vision / Dance Innovations

    2020 FEBRUARY PROGRAMS 02 /03 CLASSICAL (RE)VISION / DANCE INNOVATIONS The people you trust, trust City National. Top Ranked in Client Referrals* “City National helps keep my financial life in tune.” Michael Tilson Thomas Conductor, Educator and Composer Find your way up.SM Visit cnb.com *Based on interviews conducted by Greenwich Associates in 2017 with more than 30,000 executives at businesses across the country with sales of $1 million to $500 million. City National Bank results are compared to leading competitors on the following question: How likely are you to recommend (bank) to a friend or colleague? City National Bank Member FDIC. City National Bank is a subsidiary of Royal Bank of Canada. ©2018 City National Bank. All Rights Reserved. cnb.com 7275.26 PROGRAM 02 | CLASSICAL (RE)VISION PROGRAM 03 | DANCE INNOVATIONS TABLE OF CONTENTS 05 Greetings from the Artistic Director & Principal Choreographer 05 06 Board of Trustees Endowment Foundation Board 07 SF Ballet Leadership 08 Season News 10 Off Stage 13 Pointe and Counterpoint: The Story of Programs 02 and 03 14 PROGRAM 02 Classical (Re)Vision Bespoke Director's Choice Sandpaper Ballet 22 PROGRAM 03 Dance Innovations The Infinite Ocean The Big Hunger World Premiere Etudes 30 Artists of the Company 14 39 SF Ballet Orchestra 40 SF Ballet Staff 42 Donor Events and News 46 SF Ballet Donors 61 Thank You to Our Volunteers 63 For Your Information 64 Designing Sandpaper Ballet FOLLOW US BEFORE AND AFTER THE PERFORMANCE! San Francisco Ballet SFBallet youtube.com/sfballet SFBallet 42 San Francisco Ballet | Program Book | Vol.
  • CHORAL PROBLEMS in HANDEL's MESSIAH THESIS Presented to The

    CHORAL PROBLEMS in HANDEL's MESSIAH THESIS Presented to The

    *141 CHORAL PROBLEMS IN HANDEL'S MESSIAH THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By John J. Williams, B. M. Ed. Denton, Texas May, 1968 PREFACE Music of the Baroque era can be best perceived through a detailed study of the elements with which it is constructed. Through the analysis of melodic characteristics, rhythmic characteristics, harmonic characteristics, textural charac- teristics, and formal characteristics, many choral problems related directly to performance practices in the Baroque era may be solved. It certainly cannot be denied that there is a wealth of information written about Handel's Messiah and that readers glancing at this subject might ask, "What is there new to say about Messiah?" or possibly, "I've conducted Messiah so many times that there is absolutely nothing I don't know about it." Familiarity with the work is not sufficient to produce a performance, for when it is executed in this fashion, it becomes merely a convention rather than a carefully pre- pared piece of music. Although the oratorio has retained its popularity for over a hundred years, it is rarely heard as Handel himself performed it. Several editions of the score exist, with changes made by the composer to suit individual soloists or performance conditions. iii The edition chosen for analysis in this study is the one which Handel directed at the Foundling Hospital in London on May 15, 1754. It is version number four of the vocal score published in 1959 by Novello and Company, Limited, London, as edited by Watkins Shaw, based on sets of parts belonging to the Thomas Coram Foundation (The Foundling Hospital).
  • The Media and Reserve Library, Located on the Lower Level West Wing, Has Over 9,000 Videotapes, Dvds and Audiobooks Covering a Multitude of Subjects

    The Media and Reserve Library, Located on the Lower Level West Wing, Has Over 9,000 Videotapes, Dvds and Audiobooks Covering a Multitude of Subjects

    Libraries MUSIC The Media and Reserve Library, located on the lower level west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 24 Etudes by Chopin DVD-4790 Anna Netrebko: The Woman, The Voice DVD-4748 24 Hour Party People DVD-8359 Anne Sophie Mutter: The Mozart Piano Trios DVD-6864 25th Anniversary Rock and Roll Hall of Fame Concerts DVD-5528 Anne Sophie Mutter: The Mozart Violin Concertos DVD-6865 3 Penny Opera DVD-3329 Anne Sophie Mutter: The Mozart Violin Sonatas DVD-6861 3 Tenors DVD-6822 Art Blakey and the Jazz Messengers: Live in '58 DVD-1598 8 Mile DVD-1639 Art of Conducting: Legendary Conductors of a Golden DVD-7689 Era (PAL) Abduction from the Seraglio (Mei) DVD-1125 Art of Piano: Great Pianists of the 20th Century DVD-2364 Abduction from the Seraglio (Schafer) DVD-1187 Art of the Duo DVD-4240 DVD-1131 Astor Piazzolla: The Next Tango DVD-4471 Abstronic VHS-1350 Atlantic Records: The House that Ahmet Built DVD-3319 Afghan Star DVD-9194 Awake, My Soul: The Story of the Sacred Harp DVD-5189 African Culture: Drumming and Dance DVD-4266 Bach Performance on the Piano by Angela Hewitt DVD-8280 African Guitar DVD-0936 Bach: Violin Concertos DVD-8276 Aida (Domingo) DVD-0600 Badakhshan Ensemble: Song and Dance from the Pamir DVD-2271 Mountains Alim and Fargana Qasimov: Spiritual Music of DVD-2397 Ballad of Ramblin' Jack DVD-4401 Azerbaijan All on a Mardi Gras Day DVD-5447 Barbra Streisand: Television Specials (Discs 1-3)
  • A Midsummer Night's Dream 3.6 – 3.12.Indd 1 1/29/2020 9:24:18 AM March 2020 | Volume 27, No

    A Midsummer Night's Dream 3.6 – 3.12.Indd 1 1/29/2020 9:24:18 AM March 2020 | Volume 27, No

    2020 MARCH A MIDSUMMER PROGRAM 04 NIGHT'S DREAM The people you trust, trust City National. Top Ranked in Client Referrals* “City National helps keep my financial life in tune.” Michael Tilson Thomas Conductor, Educator and Composer Find your way up.SM Visit cnb.com *Based on interviews conducted by Greenwich Associates in 2017 with more than 30,000 executives at businesses across the country with sales of $1 million to $500 million. City National Bank results are compared to leading competitors on the following question: How likely are you to recommend (bank) to a friend or colleague? City National Bank Member FDIC. City National Bank is a subsidiary of Royal Bank of Canada. ©2018 City National Bank. All Rights Reserved. cnb.com 7275.26 Engaging and eclectic in the East Bay. Oakland is the gateway to the East Bay with a little bit of everything to offer, and St. Paul’s Towers gives you easy access to it all. An artistic, activist, and intellectual Life Plan Community, St. Paul’s Towers is known for convenient services, welcome comforts and security for the future. With classes, exhibits, lectures, restaurants, shops and public transportation within walking distance, St. Paul’s Towers is urban community living at its best. Get to know us and learn more about moving to St. Paul’s Towers. For information, or to schedule a visit, call 510.891.8542. 100 Bay Place, Oakland, CA 94610 www.covia.org/st-pauls-towers A not-for-profit community owned and operated by Covia. License No. 011400627 COA# 327 Untitled-3 1 12/11/19 12:50 PM One team with a singular goal: your real estate success.
  • Ann Arbor Festival of Song Presents the Sixteenth Annual

    Ann Arbor Festival of Song Presents the Sixteenth Annual

    ANN ARBOR FESTIVAL OF SONG PRESENTS THE TWENTY-SIXTH ANNUAL WEEK AFTER ART FAIR SONG FEST TUESDAY-FRIDAY, JULY 23-26, 2019 KERRYTOWN CONCERT HOUSE, ANN ARBOR OUR 25TH ANNIVERSARY TUESDAY, JULY 23, 8:00PM THURSDAY, JULY 25, 8:00PM LIZ PEARSE, PERFORMER SEX, DRUGS, AND OPERA SCENES FRIDAY, JULY 26 8:00PM CABARET SCHMABARET WEDNESDAY, JULY 24, 8:00PM Herz, Schmerz/Toujours L’amour 2019 ARTISTS Key to abbreviations: BGSU = Bowling Green State Univ; EMU = Eastern Michigan Univ; MOT= Michigan Opera Theatre; UM = Univ of Michigan Pianist KEVIN BYLSMA‘s work has taken him in recent years to Venice, Paris, Romania, Eastern Europe, New York City, Boston, Los Angeles, and Thailand. Recent collaborations include recitals with Jennifer Rowley, Irina Mishura, Michelle DeYoung, and Kathryn Lewek, and accompanying masterclasses of Samuel Ramey, Dianne Soviero, and Marilyn Horne. His music directing and coaching credits include Ann Baltz' OperaWorks in Los Angeles, Toledo Opera, MOT, OPERA!Lenawee, Papagena Opera Company, and the UM. Currently serving as Head of Music Preparation at Toledo Opera, and Lecturer of Opera at the College of Musical Arts at BGSU, Kevin has also served the Toledo, Adrian, and Greater Lansing Symphony Orchestras as keyboardist, and since 1993 has been associate organist at Mariners' Church of Detroit. CHRISTINE AMON, MEZZO-SOPRANO, a Grand Rapids native, has performed in recent seasons with Opera Carolina, Nashville Opera, Opera Memphis, Toledo Opera, Opera Louisiane, Union Avenue Opera, and Opera Grand Rapids. In 2018 she was a finalist in the Lotte Lenya Competition hosted by the Kurt Weill Foundation for Music. She is a voice instructor in the Grand Rapids area.
  • Usc Thornton Oriana Women's Choir and Apollo Men's Chorus

    Usc Thornton Oriana Women's Choir and Apollo Men's Chorus

    UNIVERSITY OF SOUTHERN CALIFORNIA THORNTON SCHOOL OF MUSIC USC THORNTON ORIANA WOMEN’S CHOIR AND APOLLO MEN’S CHORUS FRIDAY | OCTOBER 28, 2016 | 8:00PM NEWMAN RECITAL HALL ORIANA WOMEN’S CHOIR IRENE APANOVITCH conductor MICHAEL DAWSON co-conductor ASHLEY RAMSEY co-conductor HANBO MA accompanist APOLLO MEN’S CHORUS ERNEST H. HARRISON conductor SCOTT RIEKER co-conductor DA’JON JAMES co-conductor LUIS REYES accompanist PROGRAM ORIANA WOMEN’S CHOIR PABLO CASALS Eucaristica Ashley Ramsey, conductor CHARLES IVES At the River Irene Apanovitch, conductor RANDALL THOMPSON “A Girl’s Garden” from Frostiana Irene Apanovitch, conductor MICHAEL MCGLYNN The White Rose Michael Dawson, conductor GIDEON KLEIN Bachuri Le’an Tisa Ashley Ramsey, conductor Katharine LaMattina, soloist EUGENE SUCHON Bodaj by vás čerti vzali Michael Dawson, conductor MICHAEL MCGLYNN, arr. Song for Jerusalem Michael Dawson, conductor Sunmi Shin, soloist Kathy Tu, soloist Clare Wallmark, soloist SRUL IRVING GLICK “Psalm 23” from Psalm Trilogy Irene Apanovitch, conductor OSCAR PETERSON Hymn to Freedom Irene Apanovitch, conductor APOLLO MEN’S CHORUS MICHAEL COX Praise him! Ernest H. Harrison, conductor MXOLISI MATYILA Bawo Thixo Somnadla Mxolisi Matyila Ernest H. Harrison, conductor AARON COPLAND Simple Gifts Scott Rieker, conductor ROBERT SHAW & Blow the Man Down Scott Rieker, conductor ALICE PARKER Da’Jon James, soloist Daniel Newman-Lessler, soloist David Massatt, soloist ROBERT SHAW & Vive L’Amour Da’Jon James, conductor ALICE PARKER Stephan Pellisier, soloist Ivan Tsung, soloist Luke Can Lant, soloist JOHN FARMER Fair Phyllis Scott Rieker, conductor AARON COPLAND The Dodger Ernest H. Harrison, conductor Chung Ming Zen, soloist Daniel Newman-Lessler, soloist Stephan Pellissier, soloist PAUL BASLER Sing to the Lord Ernest H.
  • Biography -- Printable Version

    Biography -- Printable Version

    Biography -- Printable Version Peter Wolf's Historical Biography Written & Researched by Bryan Wiser, and Sheila Warren with Mimi Fox. Born in New York City, Peter grew up in the Bronx during the mid-1950's in a small, three-room apartment where he lived with his parents, older sister, two cats, dog and parakeet. For some time, Peter lived with his grandmother, an actress in New York City's Yiddish Theater. She and Peter had a strong bond, and she affectionately named him "Little Wolf" for his energetic and rambunctious ways. His father was a musician, vaudevillian and singer of light opera. Like Peter did years later, his father left home at age fourteen to join the Schubert Theater Touring Company with which he traveled the country performing light operas such as The Student Prince and Merry Widow. He had his own radio show called The Boy Baritone, which featured new songs from Tin Pan Alley, and was a member of the Robert Shaw Chorale. As a result of such artistic pursuits, Peter's father underwent long periods of unemployment that created a struggle to make financial ends meet. Peter's mother was an elegant and attractive woman who taught inner-city children in the South Bronx for 27 years. A political activist, union organizer and staunch civil rights advocate, she supported racial equality by attending many of the southern "freedom rides" and marches. Peter's older sister was also a teacher as well as a photographer who now works as an advocate for persons with disabilities. She continues her mother's tradition, often marching on Washington to support the rights of the disabled.
  • Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre

    Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre

    Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) James Cotton Living the Blues James Cotton; Larry McCray; John Primer; Johnny B. Gayden; Brian Jones; Dr. John; Lucky Peterson; Joe Louis Walker 1994 1121-105-242 19 Blues (music) Willie Dixon Willie Dixon; Andy McKaie; Don Snowden 1988 1121-105-249 01 Oversized case; 2 CD box set Blues (music) Cincinnati Blues (1928-1936) Bob Coleman's Cincinnati Jug Band and Associates; Walter Coleman; Bob Coleman no date 1121-105-242 17 Found with CD album in Box #10, Item #28; Case was found separately Blues (music) Willie Dixon, The Big Three Trio Willie Dixon; The Big Three Trio 1990 1121-105-242 18 Blues (music) The Best of Muddy Waters Muddy Waters 1987 1121-105-242 08 Blues (music) The Roots of Robert Johnson Robert Johnson 1990 1121-105-242 07 Blues (music) The Best of Mississippi John Hurt Mississippi John Hurt; Bob Scherl 1987 1121-105-242 06 Blues (music) Bud Powell: Blues for Bouffemont Bud Powell; Alan Bates 1989 1121-105-242 36 Friday, May 11, 2018 Page 1 of 89 Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) Big Bill Broonzy Good Time Tonight Big Bill Broonzy 1990 1121-105-242 04 Blues (music) Bessie Smith The Collection Bessie Smith; John Hammond; Frank Walker 1989 1121-105-242 38 Blues (music) Blind Willie Johnson Praise God I'm Satisfied Blind Willie Johnson 1989 1121-105-242 20 Post-it note was found on the back of this CD case, photocopy made and placed in envelope behind CD.
  • NEA Chronology Final

    NEA Chronology Final

    THE NATIONAL ENDOWMENT FOR THE ARTS 1965 2000 A BRIEF CHRONOLOGY OF FEDERAL SUPPORT FOR THE ARTS President Johnson signs the National Foundation on the Arts and the Humanities Act, establishing the National Endowment for the Arts and the National Endowment for the Humanities, on September 29, 1965. Foreword he National Foundation on the Arts and the Humanities Act The thirty-five year public investment in the arts has paid tremen­ Twas passed by Congress and signed into law by President dous dividends. Since 1965, the Endowment has awarded more Johnson in 1965. It states, “While no government can call a great than 111,000 grants to arts organizations and artists in all 50 states artist or scholar into existence, it is necessary and appropriate for and the six U.S. jurisdictions. The number of state and jurisdic­ the Federal Government to help create and sustain not only a tional arts agencies has grown from 5 to 56. Local arts agencies climate encouraging freedom of thought, imagination, and now number over 4,000 – up from 400. Nonprofit theaters have inquiry, but also the material conditions facilitating the release of grown from 56 to 340, symphony orchestras have nearly doubled this creative talent.” On September 29 of that year, the National in number from 980 to 1,800, opera companies have multiplied Endowment for the Arts – a new public agency dedicated to from 27 to 113, and now there are 18 times as many dance com­ strengthening the artistic life of this country – was created. panies as there were in 1965.
  • Inforiwatfonto USERS

    Inforiwatfonto USERS

    INFORIWATfONTO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction Is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and teaming 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMI' THE ART SWGS OF ANDRÉ PREVIN WITH LYRICS BY TONI MORRISON: HONEY AND RUE AND FOUR SOSGS FOR SOPRANO, CELLO AND PIANO A PERFORMER'S PERSPECTIVE D.M.A. DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Misical Arts in the Graduate School of the School of The Ohio State University By Stephanie McClure Adrian, B.M., M M ***** The Ohio State University 2001 D.M.A.
  • The Collaborative Arrangements of Alice

    The Collaborative Arrangements of Alice

    THE COLLABORATIVE ARRANGEMENTS OF ALICE PARKER AND ROBERT SHAW by JAMES EDWARD TAYLOR JOHN RATLEDGE, COMMITTEE CHAIR DON FADER METKA ZUPANCIC SUSAN FLEMING KENNETH OZZELLO MARVIN JOHNSON A DOCUMENT Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in the School of Music in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2012 Copyright James Edward Taylor 2012 ALL RIGHTS RESERVED ABSTRACT This document is a comprehensive survey of the two hundred and twenty-three choral arrangements created in the collaboration between Alice Parker (b.1925) and Robert Shaw (1916-1999). This repertoire was written between 1950 and 1967 for seventeen RCA Victor recordings made by the Robert Shaw Chorale. Part I presents an overview of the music, title listings, and publisher information. Part II is a history of the collaboration, beginning with its genesis and the working relationship between the two. Their work occurred in the “Golden Age” of choral music in America and during the American folk music revival, both of which contributed to commercial album sales and the fame of Shaw and the Chorale. Part III describes the style of the arrangements, whose nineteen style characteristics are demonstrated in excerpts from six different songs. A detailed method developed by Dr. Parker for identifying distinguishing features of these arrangements is applied to one of the folk hymns. Over half of the Parker-Shaw arrangements are then compared in spreadsheets, found in Appendix III, with successive appendices presenting summaries of the results of the comparisons. This process reveals, among other things, the central role of melody and counterpoint in determining the nature of this music, and the arrangers’ preference for working with melodies based on traditional church modes and gapped scales over those with strong tonal implications.