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PENELOPE KEITH and TAMMY GRIMES Are the Society's Newest
FREE TO MEMBERS OF THE SOCIETY APRIL 2008 - THE NEWSLETTERCHAT OF THE NOËL COWARD SOCIETY Price £2 ($4) President: HRH Duke of Kent Vice Presidents: Barry Day OBE • Stephen Fry • Penelope Keith CBE • Tammy Grimes PENELOPE KEITH and TAMMY GRIMES are the Society’s Newest Vice Presidents arbara Longford, the Society’s Chairman, was delighted to announce this month that the star of the West End Coward revivals Star Quality and Blithe Spirit, Penelope Keith, has agreed to become our next Vice President. In America the actress Tammy Grimes the star of Look After Lulu, High Spirits and Private LivesBhas also graciously accepted our invitation. Both are known Coward devotees and will provide a strong theatrical presence amongst the Society’s Honorary Officers. Penelope Keith is best known in the UK for her television appearances in two of the most successful situation comedies in entertainment history. She made her first mark as the aspiring upper-class neighbour, Margot Ledbetter, in The Good Life and later as the upper-class lady fallen on hard times, Audrey Fforbes-Hamilton, in To The Manor Born. Apart from Star Quality and Blithe Spirit she has appeared on stage at the Chichester Festival in the premiere of Richard Everett’s comedy Entertaining Angels, which she later took on tour. In 2007 she played the part of Lady Bracknell in The Importance of Being Earnest on tour and is currently appearing in the same role at the Vaudeville Theatre in the West End (booking until 26 April). Her best known theatre appearance was in 1974, playing Sarah in The Norman Conquests opposite her The Good Life co-star Richard Briers. -
Nicholas Mcardle Photo: Pieter Lawman
59 St. Martin's Lane London WC2N 4JS Phone: 0207 836 7849 Email: [email protected] Website: www.nikiwinterson.com Nicholas McArdle Photo: Pieter Lawman London, Hampshire, United Location: Kingdom Hair Colour: Greying Height: 6' (182cm) Hair Length: Balding Playing Age: 70 - 85 years Facial Hair: Moustache Appearance: White Voice Character: Authoritative Other: Equity Voice Quality: Melodious Eye Colour: Blue Television Television, MacDougal Brown, Cloud Howe, BBC, Tom Cotter Television, Captain Walters, Colditz (Throughout Series Two.), BBC, Various Television, Narrator, Great Books (Series), Discovery Channel Television, Ronald, Late Call, BBC, Philip Dudley Television, Rosie's Dad, May to December, BBC, Paul Harrison Television, Mr. Crump, No Place Like Home, BBC, Robin Nash Television, Mr Dale, Privates, Richmond Films, Bob Spiers Television, Ronald - The Chess Playing Friend., Something's Got To Give (with Ian Charleson), STV, Mike Vardy Television, Walter Forbes-2 Yrs, Strathblair, BBC Television, Various Television, Mr Potts, The Boot Street Band, BBC, John Smith Television, Uncle Derek, The Hello Girls, BBC/Feelgood Fiction, Dermot Boyd Television, Narrator, The Second World War-The Complete History, Discovery Channel Film Feature Film, Bridget Jone's Diary, Sharon Maguire Feature Film, Dance With A Stranger, Channel 4 Films, Mike Newall Feature Film, Death On The Nile, Paramount, John Guillermin Feature Film, Mr Dale, Mrs Caldicot's Cabbage War, Ian Sharp Stage Stage, George, Railway Adventure, Phil Higginson Voice Over Voice -
Northumbria Research Link
Northumbria Research Link Citation: Irwin, Mary (2015) "That’s the Last Time I Play the Tart for You, Jerry!": Penelope Keith and British Television Situation Comedy. Critical Studies in Television, 10 (2). pp. 87- 101. ISSN 1749-6020 Published by: SAGE URL: http://dx.doi.org/10.7227/CST.10.2.7 <http://dx.doi.org/10.7227/CST.10.2.7> This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/id/eprint/27992/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published version of the research, please visit the publisher’s website (a subscription may be required.) ‘That’s the Last Time I Play the Tart for You, Jerry!’: Penelope Keith and British Television Situation Comedy1 Mary Irwin Abstract Women’s historical role in British sitcom has been critically and popularly regarded as both limited and limiting, conforming to a predictable handful of well-worn stereotypes generally comprising dutiful supportive wives and mothers, dizzy dollybirds, and unappealing, ageing harridans. -
Secrets of the Dead: King Arthur’S Lost Kingdom
MARCH 2019 Emerging Voices ourageous women who risk their lives for peace. The artistry and activism of singers Joni Mitchell and Holly Near. Tune in to WLIW21 for compelling stories of women who are making their voices heard and changing history as we celebrate Women’s History Month. Women, War & Peace II (pbs.org/womenwarandpeace), the second edition of the acclaimed documentary series, presents four new female-directed films exploring the pivotal role women are playing in dramatic conflicts and peace settlements across the globe. CCatholic and Protestant women come together in the wake of Northern Ireland’s bloody civil war in Wave Goodbye to Dinosaurs (Wednesday, March 27 at 9pm). The Trials of Spring (Wednesday, March 27 at 10pm) follows three Egyptian women as they put their lives and bodies on the line fighting for justice and freedom during the Arab Spring protests of 2011. Naila and the Uprising (Wednesday, April 3 at 9pm) tells the deeply personal story of a courageous, non-violent women’s movement that formed the heart of the Palestinian struggle for freedom in 1987. An all-female Bangladeshi police unit embarks on a risky UN peacekeeping mission into earthquake-ravaged Haiti in A Journey of a Thousand Miles: Peacekeepers (Wednesday, April 3 at 10pm). Great Performances strikes a festive note with Joni 75: A Birthday Celebration (Sunday, March 24 at 7:30pm), a star-studded 75th birthday salute to legendary singer-songwriter Joni Mitchell filmed at the Dorothy Chandler Pavilion in Los Angeles in November 2018. James Taylor, Graham Nash, Chaka Khan, Diana Krall, Norah Jones, Emmylou Harris, Seal, Rufus Wainwright, and others perform songs from Mitchell’s iconic career. -
Questions for Wednesday, 12Th October 2016 Set By: IT
Questions for Wednesday, 12th October 2016 Set by: IT Question Reader: All parts of the answer shown in Bold Face are required. Parts shown in ordinary type are not essential, but if given incorrectly will mean that the answer is wrong; for example, if the answer shown is “Tom Watson”, “Watson” would be a correct answer, but “John Watson” would be incorrect. Parts shown in italics are purely explanatory and are not required. If the answer offered is incomplete (for example, “Roosevelt” for “Theodore Roosevelt”, you may, at your discretion, ask the person answering to expand the answer. In the event of any problem, three spare questions can be found on the final sheet. When you are ready to start reading the questions, proceed to the next page Press Page Up or Page Down to move between rounds (or half-rounds for team questions) Individual Round 1 1. The spoken introduction to which popular TV series began, ‘In 1972, a crack commando unit The A-Team was sent to prison by a military court for a crime they didn't commit’? 2. Which is the only national capital whose name appears in the NATO phonetic alphabet? Lima 3. In which English seaside resort is there an area of narrow alleyways with numerous small shops, Brighton known as ‘The Lanes’? 4. In a poll conducted in 1997, which historical individual did 12% of Americans identify as the wife Joan of Arc of Noah? 5. Which boy’s name appears in the titles of Top-Ten UK hits by both The Beach Boys and The John (Sloop John B and Ballad of Beatles? John and Yoko) 6. -
Little Britain’S Fictional Teenage Single Mother, Vicky Pollard
Dynamics of Social Class Contempt in Contemporary British Television Comedy Sharon Lockyer School of Social Sciences Brunel University Uxbridge Middlesex UB8 3PH, UK Tel: +44(0)1895 267373 Email: [email protected] Dynamics of Social Class Contempt in Contemporary British Television Comedy Dynamics of Social Class Contempt in Contemporary British Television Comedy Abstract British television comedy has often ridiculed the complexities and characteristics of social class structures and identities. In recent years poor white socially marginalised groups, now popularly referred to as “chavs”, have become a prevalent comedy target. One of the most popular and controversial television “comedy chavs” is Little Britain’s fictional teenage single mother, Vicky Pollard. This paper examines the representation of Vicky Pollard in light of contemporary widespread abuse of the white working class. Highlighting the polysemic and ambivalent nature of Vicky Pollard’s representation, the paper argues that whilst Little Britain’s characterisation of Vicky Pollard largely contributes to contemporary widespread demonization of the working class, there are moments within Little Britain when a more sympathetic tone towards the poor working class may be read, and where chav identities are used to ridicule the pretensions, superficiality, and falsity of middle-class identities. The paper concludes that television comedy has been, and continues to be, a significant vehicle through which serious concerns, anxieties, and questions about social class and class identities are discursively constructed and contested. Keywords: chavs; social class; television comedy; Little Britain; Vicky Pollard; interpretive diversity; representation 2 Dynamics of Social Class Contempt in Contemporary British Television Comedy Introduction Sending up the dynamics and intricacies of the British class system has been a central ingredient of British television comedy since the 1950s. -