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PENELOPE KEITH and TAMMY GRIMES Are the Society's Newest
FREE TO MEMBERS OF THE SOCIETY APRIL 2008 - THE NEWSLETTERCHAT OF THE NOËL COWARD SOCIETY Price £2 ($4) President: HRH Duke of Kent Vice Presidents: Barry Day OBE • Stephen Fry • Penelope Keith CBE • Tammy Grimes PENELOPE KEITH and TAMMY GRIMES are the Society’s Newest Vice Presidents arbara Longford, the Society’s Chairman, was delighted to announce this month that the star of the West End Coward revivals Star Quality and Blithe Spirit, Penelope Keith, has agreed to become our next Vice President. In America the actress Tammy Grimes the star of Look After Lulu, High Spirits and Private LivesBhas also graciously accepted our invitation. Both are known Coward devotees and will provide a strong theatrical presence amongst the Society’s Honorary Officers. Penelope Keith is best known in the UK for her television appearances in two of the most successful situation comedies in entertainment history. She made her first mark as the aspiring upper-class neighbour, Margot Ledbetter, in The Good Life and later as the upper-class lady fallen on hard times, Audrey Fforbes-Hamilton, in To The Manor Born. Apart from Star Quality and Blithe Spirit she has appeared on stage at the Chichester Festival in the premiere of Richard Everett’s comedy Entertaining Angels, which she later took on tour. In 2007 she played the part of Lady Bracknell in The Importance of Being Earnest on tour and is currently appearing in the same role at the Vaudeville Theatre in the West End (booking until 26 April). Her best known theatre appearance was in 1974, playing Sarah in The Norman Conquests opposite her The Good Life co-star Richard Briers. -
Northumbria Research Link
Northumbria Research Link Citation: Irwin, Mary (2015) "That’s the Last Time I Play the Tart for You, Jerry!": Penelope Keith and British Television Situation Comedy. Critical Studies in Television, 10 (2). pp. 87- 101. ISSN 1749-6020 Published by: SAGE URL: http://dx.doi.org/10.7227/CST.10.2.7 <http://dx.doi.org/10.7227/CST.10.2.7> This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/id/eprint/27992/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published version of the research, please visit the publisher’s website (a subscription may be required.) ‘That’s the Last Time I Play the Tart for You, Jerry!’: Penelope Keith and British Television Situation Comedy1 Mary Irwin Abstract Women’s historical role in British sitcom has been critically and popularly regarded as both limited and limiting, conforming to a predictable handful of well-worn stereotypes generally comprising dutiful supportive wives and mothers, dizzy dollybirds, and unappealing, ageing harridans. -
Secrets of the Dead: King Arthur’S Lost Kingdom
MARCH 2019 Emerging Voices ourageous women who risk their lives for peace. The artistry and activism of singers Joni Mitchell and Holly Near. Tune in to WLIW21 for compelling stories of women who are making their voices heard and changing history as we celebrate Women’s History Month. Women, War & Peace II (pbs.org/womenwarandpeace), the second edition of the acclaimed documentary series, presents four new female-directed films exploring the pivotal role women are playing in dramatic conflicts and peace settlements across the globe. CCatholic and Protestant women come together in the wake of Northern Ireland’s bloody civil war in Wave Goodbye to Dinosaurs (Wednesday, March 27 at 9pm). The Trials of Spring (Wednesday, March 27 at 10pm) follows three Egyptian women as they put their lives and bodies on the line fighting for justice and freedom during the Arab Spring protests of 2011. Naila and the Uprising (Wednesday, April 3 at 9pm) tells the deeply personal story of a courageous, non-violent women’s movement that formed the heart of the Palestinian struggle for freedom in 1987. An all-female Bangladeshi police unit embarks on a risky UN peacekeeping mission into earthquake-ravaged Haiti in A Journey of a Thousand Miles: Peacekeepers (Wednesday, April 3 at 10pm). Great Performances strikes a festive note with Joni 75: A Birthday Celebration (Sunday, March 24 at 7:30pm), a star-studded 75th birthday salute to legendary singer-songwriter Joni Mitchell filmed at the Dorothy Chandler Pavilion in Los Angeles in November 2018. James Taylor, Graham Nash, Chaka Khan, Diana Krall, Norah Jones, Emmylou Harris, Seal, Rufus Wainwright, and others perform songs from Mitchell’s iconic career. -
Questions for Wednesday, 12Th October 2016 Set By: IT
Questions for Wednesday, 12th October 2016 Set by: IT Question Reader: All parts of the answer shown in Bold Face are required. Parts shown in ordinary type are not essential, but if given incorrectly will mean that the answer is wrong; for example, if the answer shown is “Tom Watson”, “Watson” would be a correct answer, but “John Watson” would be incorrect. Parts shown in italics are purely explanatory and are not required. If the answer offered is incomplete (for example, “Roosevelt” for “Theodore Roosevelt”, you may, at your discretion, ask the person answering to expand the answer. In the event of any problem, three spare questions can be found on the final sheet. When you are ready to start reading the questions, proceed to the next page Press Page Up or Page Down to move between rounds (or half-rounds for team questions) Individual Round 1 1. The spoken introduction to which popular TV series began, ‘In 1972, a crack commando unit The A-Team was sent to prison by a military court for a crime they didn't commit’? 2. Which is the only national capital whose name appears in the NATO phonetic alphabet? Lima 3. In which English seaside resort is there an area of narrow alleyways with numerous small shops, Brighton known as ‘The Lanes’? 4. In a poll conducted in 1997, which historical individual did 12% of Americans identify as the wife Joan of Arc of Noah? 5. Which boy’s name appears in the titles of Top-Ten UK hits by both The Beach Boys and The John (Sloop John B and Ballad of Beatles? John and Yoko) 6. -
Little Britain’S Fictional Teenage Single Mother, Vicky Pollard
Dynamics of Social Class Contempt in Contemporary British Television Comedy Sharon Lockyer School of Social Sciences Brunel University Uxbridge Middlesex UB8 3PH, UK Tel: +44(0)1895 267373 Email: [email protected] Dynamics of Social Class Contempt in Contemporary British Television Comedy Dynamics of Social Class Contempt in Contemporary British Television Comedy Abstract British television comedy has often ridiculed the complexities and characteristics of social class structures and identities. In recent years poor white socially marginalised groups, now popularly referred to as “chavs”, have become a prevalent comedy target. One of the most popular and controversial television “comedy chavs” is Little Britain’s fictional teenage single mother, Vicky Pollard. This paper examines the representation of Vicky Pollard in light of contemporary widespread abuse of the white working class. Highlighting the polysemic and ambivalent nature of Vicky Pollard’s representation, the paper argues that whilst Little Britain’s characterisation of Vicky Pollard largely contributes to contemporary widespread demonization of the working class, there are moments within Little Britain when a more sympathetic tone towards the poor working class may be read, and where chav identities are used to ridicule the pretensions, superficiality, and falsity of middle-class identities. The paper concludes that television comedy has been, and continues to be, a significant vehicle through which serious concerns, anxieties, and questions about social class and class identities are discursively constructed and contested. Keywords: chavs; social class; television comedy; Little Britain; Vicky Pollard; interpretive diversity; representation 2 Dynamics of Social Class Contempt in Contemporary British Television Comedy Introduction Sending up the dynamics and intricacies of the British class system has been a central ingredient of British television comedy since the 1950s. -
Medieval Europe
HISTORY AND GEOGRAPHY Medieval Europe Teacher Guide Joan of Arc Charlemagne Saint Benedict of Nursia Battle of Hastings Medieval Europe Teacher Guide Creative Commons Licensing This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. You are free: to Share—to copy, distribute, and transmit the work to Remix—to adapt the work Under the following conditions: Attribution—You must attribute the work in the following manner: This work is based on an original work of the Core Knowledge® Foundation (www.coreknowledge.org) made available through licensing under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. This does not in any way imply that the Core Knowledge Foundation endorses this work. Noncommercial—You may not use this work for commercial purposes. Share Alike—If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one. With the understanding that: For any reuse or distribution, you must make clear to others the license terms of this work. The best way to do this is with a link to this web page: https://creativecommons.org/licenses/by-nc-sa/4.0/ Copyright © 2016 Core Knowledge Foundation www.coreknowledge.org All Rights Reserved. Core Knowledge®, Core Knowledge Curriculum Series™, Core Knowledge History and Geography™ and CKHG™ are trademarks of the Core Knowledge Foundation. Trademarks and trade names are shown in this book strictly for illustrative and educational purposes and are the property of their respective owners. References herein should not be regarded as affecting the validity of said trademarks and trade names. -
Masaryk University Brno Faculty Of Education
Masaryk University Brno FacultyofEducation Department of English Language and Literature British TV Humour Bachelor thesis Brno 2006 Supervisor: Written by: Andrew Philip Oakland, M.A. Petr Bartoš Declaration: I declare that I have written this bachelor thesis myself and used only the sources listed in the enclosed bibliography. I agree with this bachelor thesis being deposited in the Library of the Faculty of Education at the Masaryk University and with its being made available for academic purposes. ................................................ Petr Bartoš Acknowledgements I would like to thank to Andrew Philip Oakland, M.A. I am grateful for his guidance and professional advice on writing the thesis. Contents Introduction…………………………….……….…………….…………………...3 FIRSTPART 1. WhatisHumour?.....................................................................................................5 2. HumourandCulture…………………………….……………………………...… 6 3. WhatamusesBritain?……………………………….…….……….………...……7 4. Comedy……………………………………………………………………………8 4.1 BritishComedy………………………………………………..………………..…9 5. BritishTelevisionComedy.……………………………..……………………...…9 5.1 Sitcom -situationalcomedy…………………………………………………….10 5.1.1Britcom……………………………………………………………….…….……11 SECONDPART 6. What makesBritainlaugh?..……………………………………………..………11 6.1 Madness& Surrealism…………………………………………………………...12 6.1.1MontyPython'sFlyingCircus…………………………………..………….……12 6.2 PoliticalSatire…………………………………………………..…………….….14 6.2.1Yes,Minister……………………………………..………………….…….……..15 6.3 TheRace……………………………………………………….……………..….17 6.3.1DaAliGShow………………………………………………………………..…18 -
WDSC-15 Program Guide
MAY 2013 PROGRAM GUIDE MAY HIGHLIGHTS Stress-Free Cooking Mondays & Thursdays at 4:30PM A program to show the viewer that cooking can be fun, rewarding, quicker, healthier and less stressful than standing in a take-out line. On Story Season premiere May 3 at 11:30PM Austin Film Festival’s series that gives a behind- the-scenes look at the creative process of the country’s most beloved movies and TV shows. Crafting at the Spotted Canary Saturdays at 1:30PM An Evening with Mike Curb Spread your wings and come in for a landing at the Spotted Canary, your destination spot Sunday May 26 at 6PM & Thursday May 30 at 9PM for contemporary crafting. Music Voyager This month’s SBDC Entrepreneurial series features Mike Curb! Season premiere May 12 at 11PM Mike Curb is a long established name in the music business, Host Jacob Edgar - an ethnomusicologist,- travels all over the world to hear cutting-edge musicians automobile racing circles, and in the political arena. and immerse himself in their cultures. Music recording executive, race car owner and philanthropist Mike Curb has generously given his name to the formerly named Art in Context School of Music, Entertainment and Art at Daytona State College. Tuesdays at 10PM A series that connects artists with arts It is through his generous philanthropic gift that the school has enthusiasts to explore creative communities and been renamed, “The Mike Curb College of Music, Entertainment conversations associated with Austin, Texas. and Art.” Join us as we take an hour-long look into how Mr. -
The Ageing Woman in British Film Comedy of the Mid-Twentieth Century
Battleaxes, Spinsters and Chars: the Ageing Woman in British Film Comedy of the Mid-Twentieth Century Submitted by Claire Mortimer Thesis submitted for the degree of Doctor of Philosophy School of Art, Media and American Studies University of East Anglia February 2017 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Word count: 94 090 i Abstract ‘Battleaxes, Spinsters and Chars: the Ageing Woman in British Film Comedy of the Mid- Twentieth Century’ explores the prominence of the mature woman in British film comedies of the mid-twentieth century, spanning the period from the Second War World to the mid- 1960s. This thesis is structured around case studies featuring a range of film comedies from across this era, selected for the performances of character actresses who were familiar faces to British cinema audiences. Organised chronologically, each chapter centres around films and actresses evoking specific typologies and themes relevant to female ageing: the ‘immobile’ woman in wartime, the spinster in the post-war era, retirement and old age in the 1950s, and the cockney matriarch in the early 1960s. The selection of case studies encompasses the overlooked and critically derided alongside the more celebrated and better known in order to represent the range of British film comedy of the time. The final chapter spans the time-frame of the whole thesis, exploring the later life stardom of Margaret Rutherford. -
July 2013 Program Guide
JULY 2013 PROGRAM GUIDE JULY HIGHLIGHTS Inspector George Gently Mondays at 9PM In 1960’s Britain, an upstanding detective, Commander George Gently, takes on a dangerous world. White House Chronicle Mondays at 10:30PM A public affairs news program told with a sense of humor. “From our town to your town, we explain politics, making it easy to understand.” Jubilee Emergency Preparedness 2013 Wednesdays at 10PM A music series featuring an eclectic mix of Live Call-in Program traditional and contemporary musical styles and other diverse forms of “roots” music. Wednesday July 17 at 8:00PM Film School Shorts Join host, Claire Metz (WESH) as she leads an informative Thursdays at 7:30PM question and answer session with emergency service managers A new weekly series showcasing quirky comedies, slice-of-life dramas and hard-hitting representing multiple counties in Central Florida. Live for 90 thrillers from cutting edge student filmmakers. minutes, viewers have the opportunity to call in with their questions about the upcoming hurricane season, flooding America’s Heartland concerns, shelters, evacuation plans and more. Have a pen and Fridays at 6PM A series that taps into the fascination with paper handy to write down important phone numbers and food while also exploring the values of family, information about your community. hard work and the spirit of independence. Just Seen It Saturdays at 6PM A review show where industry professionals present their takes on current movies and TV shows, and interview Hollywood insiders. Bake Decorate Celebrate Sundays at 1PM Combining cooking, lifestyle, and how-to, celebrate with delicious fun, filled with tasty desserts and amazing decorating techniques. -
BBC Television Centre, London
10/25/2019 Television Centre, London - Wikipedia Coordinates: 51.5099°N 0.2263°W Television Centre, London Television Centre (TVC) is a building complex in White City, West London, that was the headquarters of BBC Television between Television Centre 1960 and 2013. The first BBC staff moved into the Scenery Block in 1953, and the centre was officially opened on 29 June 1960. It is one of the most readily recognisable facilities of its type, having appeared as the backdrop for many BBC programmes. Parts of the building are Grade II listed, including the central ring and Studio 1. Most of the BBC's national television and radio news output came from Television Centre, and in later years most recorded television was output from the nearby Broadcast Centre at 201 Wood Lane, care of Red Bee Media. Live television events from studios and routing of national and international sporting events took place within Television Centre before being passed to the Broadcast Centre for transmission. The building is 4 miles (6 kilometres) west of central London, in the London Borough of Hammersmith and Fulham. The nearest Underground stations are White City and Wood Lane. The BBC announced in 2010 that they would cease broadcasting from Television Centre in 2013. In July 2012 it was announced that the complex had been sold to property developers Stanhope plc, who said that the new Television Centre development would "pay homage to the original use of the building", and that the new Television Centre would be opened up to the public, offering entertainment and leisure facilities and approximately 1,000 new homes.