Antique French Empire Ormolu Mounted Sofa Settee 19Th C

Total Page:16

File Type:pdf, Size:1020Kb

Antique French Empire Ormolu Mounted Sofa Settee 19Th C anticSwiss 29/09/2021 13:30:53 http://www.anticswiss.com Antique French Empire Ormolu Mounted Sofa Settee 19th C FOR SALE ANTIQUE DEALER Period: 19° secolo - 1800 Regent Antiques London Style: Altri stili +44 2088099605 447836294074 Height:97cm Width:124cm Depth:59cm Price:1800€ DETAILED DESCRIPTION: This is a fantastic and highly decorative antique French gilt bronze mounted Empire Revival sofa, circa 1880 in date. Crafted from fabulous solid mahogany and smothered in fabulous high quality ormolu mounts reminiscent of the Empire style with Egyptian motifs such as sphinxes, urns, laurels and Napoleonic symbols. The arms terminating in classical female masks, standing on elegant tapering legs that terminate in ormolu sabots and upholstered in a fabulous golden fabric Add an elegant touch to your home with this exceptional sofa. Condition: In excellent condition having been beautifully cleaned and polished in our workshops, please see photos for confirmation. Dimensions in cm: Height 97 x Width 124 x Depth 59 Dimensions in inches: Height 38.2 x Width 48.8 x Depth 23.2 Empire style, is an early-19th-century design movement in architecture, furniture, other decorative arts, and the visual arts followed in Europe and America until around 1830. The style originated in and takes its name from the rule of Napoleon I in the First French Empire, where it was intended to idealize Napoleon's leadership and the French state. 1 / 4 anticSwiss 29/09/2021 13:30:53 http://www.anticswiss.com The style corresponds to the Biedermeier style in the German-speaking lands, Federal style in the United States and to the Regency style in Britain. The previous style was called Louis XVI style, in France. The Empire style was based on aspects of the Roman Empire. It is the second phase of neoclassicism which is also called "Directoire", after a goverment system. Furniture typically had symbols and ornaments borrowed from the glorious ancient Greek and Roman empires. The furniture was made from heavy woods such as mahogany and ebony, imported from the colonies, with dark finishes often with decorative bronze mounts. Marble tops were popular as were Egyptian motifs like sphinxes, griffins, urns and eagles and the Napoleonic symbols, the eagle, the bee, the initials "I" and a large "N." Gilded bronze (ormolu) details displayed a high level of craftsmanship. Ormolu - (from French 'or moulu', signifying ground or pounded gold) is an 18th-century English term for applying finely ground, high-carat gold in a mercury amalgam to an object of bronze.The mercury is driven off in a kiln leaving behind a gold-coloured veneer known as 'gilt bronze'. The manufacture of true ormolu employs a process known as mercury-gilding or fire- gilding, in which a solution of nitrate of mercury is applied to a piece of copper, brass, or bronze, followed by the application of an amalgam of gold and mercury. The item was then exposed to extreme heat until the mercury burned off and the gold remained, adhered to the metal object. No true ormolu was produced in France after around 1830 because legislation had outlawed the use of mercury. Therefore, other techniques were used instead but nothing surpasses the original mercury-firing ormolu method for sheer beauty and richness of colour. Electroplating is the most common modern technique. Ormolu techniques are essentially the same as those used on silver, to produce silver-gilt (also known as vermeil). Mahogany is probably one of the largest ‘families’ of hardwood, having many different varieties within its own species. Mahogany has been used for centuries in ship building, house building, furniture making etc and is the core structure of just about every 19th century vanity box, dressing case or jewellery box. It became more of a Victorian trend to dress Mahogany with these decorative veneers, such as Rosewood, Kingwood, Burr Walnut and Coromandel, so that the actual Mahogany was almost hidden from view. Mahogany itself is a rich reddish brown wood that can range from being plain in appearance to something that is so vibrant, figured and almost three dimensional in effect. Although Mahogany was most often used in its solid form, it also provided some beautifully figured varieties of veneer like ‘Flame’ Mahogany and ‘Fiddleback’ Mahogany 2 / 4 anticSwiss 29/09/2021 13:30:53 http://www.anticswiss.com (named after its preferred use in the manufacture of fine musical instruments). Cuban Mahogany was so sought after, that by the late 1850?s, this particular variety became all but extinct. Our reference: A1470a https://www.anticswiss.com/en/fine-art-antiques/antique-french-empire-ormolu-mounted-sofa-settee-19th-c-22271 3 / 4 anticSwiss 29/09/2021 13:30:53 http://www.anticswiss.com Gallery 4 / 4 Powered by TCPDF (www.tcpdf.org) Powered by TCPDF (www.tcpdf.org).
Recommended publications
  • The Care of Antiques & Works Of
    THE BRITISH ANTIQUE DEALERS’ ASSOCIATION The Care of Antiques & Works of Art The Care of Antiques & Works of Art Antiques have been passed down by our ancestors over the centuries to our present generation, so by their very nature have stood the test of time. They may have taken a few knocks in those earlier ages, but surprisingly, despite all our 21st-century creature comforts, it is the modern world, with its central heating and chemical cleaning products, which poses particular challenges for such objects. You may have spent a considerable sum acquiring a beautiful and valuable antique, so you do not want to throw away that investment by failing to look after it. Half the battle is knowing just when to try and remedy a defect yourself and when to leave it to the experts. Here are some basic recommendations, compiled through extensive consultation with specialists who have the greatest experience of handling antiques on a daily basis – members of The British Antique Dealers’ Association. We hope this guide helps you to decide what to do, and when. INTERNATIONAL DIVISION As specialist fine art & antique Lloyd’s insurance brokers we are delighted to sponsor this BADA guide. Besso Limited • 8‒11 Crescent • London ec3n 2ly near America Square Telephone +44 ⁽0⁾20 7480 1094 Fax +44 ⁽0⁾20 7480 1277 [email protected] • www.besso.co.uk Published for The British Antique Dealers’ Association by CRAFT PUBLISHING 16–24 Underwood Street • London n1 7jq T: +44⁽0⁾207 1483 483 E: [email protected] www.craftpublishing.com The Association gratefully acknowledges the editorial assistance of Nöel Riley in compiling this guide.
    [Show full text]
  • Summer Art Acquisitions
    COMMUNICATIONS & MARKETING VIRGINIA MUSEUM OF FINE ARTS 200 N. Boulevard I Richmond, Virginia 23220-4007 www.vmfa.museum/pressroom I T 804.204.2704 FOR IMMEDIATE RELEASE July 15, 2013 Summer Art Acquisitions The following artworks were approved by the VMFA Board of Trustees in June 2013. VMFA is a state agency and a public/private partnership. All works of art are purchased with private funds from dedicated endowments. After VMFA’s board approves proposed acquisitions on a quarterly basis, the art becomes the property of the Commonwealth of Virginia to protect, preserve, and interpret. 1. Head of a Herm, Augustan (late 1st c. BCE—early 1st century CE), marble, 19¾‖ (w/o base); 26¾‖ (w/base). Arthur and Margaret Glasgow Endowment. This beautifully carved image of a bearded god is VMFA’s first major acquisition of ancient art in recent years and a significant addition to the museum’s holdings of Greek and Roman sculpture. As a late Hellenistic or Roman creation based on an original from the mid-fifth century BCE, this sculpture reflects the esteem later generations of artists held for the art of classical Athens. The head came from a herm, a type of sculpture that consists of a head surmounting a tall pillar with projecting posts evoking arms and an erect phallus. Early herms had a sacred character and served as distance and boundary markers with the power to ward away evil. Later herms had different type of heads, including female heads and even portraits. The form of the herm has remained part of the visual vocabulary of Western art with a wide variety of adaptations.
    [Show full text]
  • Uva-DARE (Digital Academic Repository)
    UvA-DARE (Digital Academic Repository) Casting Rodin’s Thinker Sand mould casting, the case of the Laren Thinker and conservation treatment innovation Beentjes, T.P.C. Publication date 2019 Document Version Other version License Other Link to publication Citation for published version (APA): Beentjes, T. P. C. (2019). Casting Rodin’s Thinker: Sand mould casting, the case of the Laren Thinker and conservation treatment innovation. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:07 Oct 2021 Chapter 2 The casting of sculpture in the nineteenth century 2.1 Introduction The previous chapter has covered the major technical developments in sand mould casting up till the end of the eighteenth century. These innovations made it possible to mould and cast increasingly complex models in sand moulds with undercut parts, thus paving the way for the founding of intricately shaped sculpture in metal.
    [Show full text]
  • Exceptional Works of Art 2017 PUSHKIN ANTIQUES – MAYFAIR –
    Exceptional works of art 2017 PUSHKIN ANTIQUES – MAYFAIR – At Pushkin Antiques we specialise in unique statement Each item is professionally selected and inspected pieces of antique silver as well as branded luxury items, to ensure we can give our customers a guarantee of stylish interior articles and objects d’art. authenticity and the required peace of mind when buying from us. Since the inception of our company, we’ve been at the forefront of online sales for high end, quality antiques. Our retail gallery is located on the lower floor of the world Our presence on most major platforms has allowed us famous Grays Antiques Centre in the heart of Mayfair. to consistently connect exquisite pieces with the most discerning collectors and interior decorators from all over the world with particular focus on the demands of the markets from the Far East, the Americas, Europe & Russia. www.pushkinantiques.com [email protected] We aim to provide the highest quality in every department: rare hand crafted articles, accurate item descriptions (+44) 02085 544 300 to include the history and provenance of each item, an (+44) 07595 595 079 extensive photography report, as well as a smooth buying process thus facilitating an efficient and pleasant online Shop 111, Lower Ground Floor, Grays Antiques Market. experience. 58 Davies St, London. W1K 5AB, UK. ALEX PUSHKIN OLGA PUSHKINA DUMITRU TIRA Founder & Director Managing Director Photographer Contents 6 ENGLISH SILVER 42 CHINESE SILVER 56 JAPANESE SILVER 66 INDIAN SILVER 78 BURMESE SILVER 86 CONTINENTAL SILVER 100 FRENCH SILVER 108 GERMAN SILVER 118 RUSSIAN SILVER 132 OBJECTS OF VERTU English Silver The style and technique in manufacturing silver during Hester Bateman (1708-1794) was one of the greatest this era (over 100 years) changed radically, reflecting silversmiths operating in this style, she is the most the variations in taste, society, costumes, economic and renowned and appreciated female silversmith of all time.
    [Show full text]
  • The Furnishing of the Neues Schlob Pappenheim
    The Furnishing of the Neues SchloB Pappenheim By Julie Grafin von und zu Egloffstein [Master of Philosophy Faculty of Arts University of Glasgow] Christie’s Education London Master’s Programme October 2001 © Julie Grafin v. u. zu Egloffstein ProQuest Number: 13818852 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818852 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 l a s g o w \ £5 OG Abstract The Neues SchloB in Pappenheim commissioned by Carl Theodor Pappenheim is probably one of the finest examples of neo-classical interior design in Germany retaining a large amount of original furniture. Through his commissions he did not only build a house and furnish it, but also erected a monument of the history of his family. By comparing parts of the furnishing of the Neues SchloB with contemporary objects which are partly in the house it is evident that the majority of these are influenced by the Empire style. Although this era is known under the name Biedermeier, its source of style and decoration is clearly Empire.
    [Show full text]
  • Toronto Arch.CDR
    The Architectural Fashion of Toronto Residential Neighbourhoods Compiled By: RASEK ARCHITECTS LTD RASE K a r c h i t e c t s www.rasekarchitects.com f in 02 | The Architectural Fashion of Toronto Residential Neighbourhoods RASEK ARCHITECTS LTD Introduction Toronto Architectural Styles The majority of styled houses in the United States and Canada are The architecture of residential houses in Toronto is mainly influenced by its history and its culture. modeled on one of four principal architectural traditions: Ancient Classical, Renaissance Classical, Medieval or Modern. The majority of Toronto's older buildings are loosely modeled on architectural traditions of the British Empire, such as Georgian, Victorian, and Edwardian architecture. Toronto was traditionally a peripheral city in the The earliest, the Ancient Classical Tradition, is based upon the monuments architectural world, embracing styles and ideas developed in Europe and the United States with only limited of early Greece and Rome. local variation. A few unique styles of architecture have emerged in Toronto, such as the bay and gable style house and the Annex style house. The closely related Renaissance Classical Tradition stems from a revival of interest in classicism during the Renaissance, which began in Italy in the The late nineteenth century Torontonians embraced Victorian architecture and all of its diverse revival styles. 15th century. The two classical traditions, Ancient and Renaissance, share Victorian refers to the reign of Queen Victoria (1837-1901), called the Victorian era, during which period the many of the same architectural details. styles known as Victorian were used in construction. The styles often included interpretations and eclectic revivals of historic styles mixed with the introduction of Middle Eastern and Asian influences.
    [Show full text]
  • Jackson's Auction
    Jackson's Auction Collector's Choice: Antiques & Collectibles Wednesday - September 19, 2012 Collector's Choice: Antiques & Collectibles 675: REED & BARTON STERLING SILVER FLATWARE, 148 PIECES USD 4,000 - 6,000 A LARGE 148 PIECE SET OF REED AND BARTON FRANCIS 1ST STERLING SILVER FLATWARE, MID 20TH CENTURY. Comprising 24 table knives, 24 table forks, 24 salad forks, 35 teaspoons, 13 cream soup spoons, 5 tablespoons, 12 individual butter knives and 11 various serving pieces. Contained in two fitted chests, not matching. Total weight approximately 194 troy oz. 676: DUTCH SILVER EPERGNE, 1853 USD 1,000 - 1,500 A VERY FINE DUTCH SILVER AND CUT CRYSTAL CENTERPIECE EPERGNE, 1853. Stamp hallmarks including "Z&B" probably for Pieter Zollner and William Beijoer (1849-1871) comprising a silver entwining stem with extending foliage supporting two scallop cut crystal trays below a tulip blossom finial raised on a scalloped floral repousse and chased bell form base. Additionally stamped "Pde Meyer te'Hage." Silver weight approximately 34.76 troy oz. Height 22.5 inches (57cm). 677: WALLACE ROSE POINT STERLING SILVER FLATWARE, 63 PIECES USD 1,200 - 1,800 A VERY FINE SET OF WALLACE ROSE POINT STERLING SILVER FLATWARE, MID 20TH CENTURY. 63 pieces comprising 10 each place knives, place forks and salad forks, 20 teaspoons, 10 individual butters, a gravy ladle, sugar shell and pastry server. All contained in a fitted mahogany chest with drawer. Weight approximately 60 troy oz. 678: A FINE CONTINENTAL SILVER BACCHANALIAN FOOTED BOWL USD 200 - 400 A FINE CONTINENTAL SILVER BACCHANALIAN FOOTED BOWL, 20TH CENTURY. With embossed and chased facial mask within hammered scalloped lobes and grape vine rim in deep relief.
    [Show full text]
  • Chateau-Sur-Mer Other Name/Site
    NATIONAL HISTORIC LANDMARK NOMINATION NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 CHATEAU-SUR-MER Page 1 United States Department of the Interior, National Park Service_________________________________________National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Chateau-sur-Mer Other Name/Site Number: 2. LOCATION Street & Number: 424 Bellevue Avenue Not for publication: City/Town: Newport Vicinity: State: RI County: Newport Code: 005 Zip Code: 02840 3. CLASSIFICATION Ownership of Property Category of Property Private: JL Building(s): X Public-Local: _ District: _ Public-State: _ Site: _ Public-Federal: Structure: _ Object: _ Number of Resources within Property Contributing Noncontributing 4 3 buildings _ sites 3 structures _ objects 7 6 Total Number of Contributing Resources Previously Listed in the National Register:_1 Name of Related Multiple Property Listing: N/A NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 CHATEAU-SUR-MER Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this __ nomination __ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property __ meets __ does not meet the National Register Criteria. Signature of Certifying Official Date State or Federal Agency and Bureau In my opinion, the property __ meets __ does not meet the National Register criteria.
    [Show full text]
  • Antique French Empire Ormolu Mounted Mahogany Sofa C.1900
    anticSwiss 28/09/2021 22:29:41 http://www.anticswiss.com Antique French Empire Ormolu Mounted Mahogany Sofa c.1900 FOR SALE ANTIQUE DEALER Period: 19° secolo - 1800 Regent Antiques London Style: Impero +44 2088099605 447836294074 Height:102cm Width:126cm Depth:57cm Price:2100€ DETAILED DESCRIPTION: This is a fantastic and highly decorative antique French Empire sofa, circa 1900 in date. It has been crafted from fabulous solid mahogany and is smothered in fabulous high quality ormolu mounts reminiscent of the Empire style with Egyptian motifs such as sphinxes, urns, laurels and Napoleonic symbols. The arms terminating in classical female masks and standing on elegant tapering legs that terminate in ormolu sabots. This gorgeous antique sofa has been reupholstered in a fabulous ivory coloured fabric and will be a wonderful addition to one special room in your home. Condition: In excellent condition having been beautifully restored and reupholstered in our workshops, please see photos for confirmation. Dimensions in cm: Height 102 x Width 126 x Depth 57 - sofa Dimensions in inches: Height 3 foot, 4 inches x Width 4 foot, 2 inches x Depth 1 foot, 10 inches - sofa Empire style, is an early-19th-century design movement in architecture, furniture, other decorative arts, and the visual arts followed in Europe and America until around 1830. The style originated in and takes its name from the rule of Napoleon I in the First French Empire, where it was intended to idealize Napoleon's leadership and the French state. 1 / 4 anticSwiss 28/09/2021 22:29:41 http://www.anticswiss.com The style corresponds to the Biedermeier style in the German-speaking lands, Federal style in the United States and to the Regency style in Britain.
    [Show full text]
  • DEFINING STYLE Fine European Furniture, Sculpture, Works of Art, Silver and Gold Boxes Wednesday 18 November 2015
    EUROPE - DEFINING STYLE Fine European Furniture, Sculpture, Works of Art, Silver and Gold Boxes Wednesday 18 November 2015 Lots 9, 50, 55, 77, 78, 100, 104, 111, 135 INTERNATIONAL FURNITURE, SCULPTURE, SILVER AND WORKS OF ART SPECIALISTS FURNITURE, SCULPTURE AND WORKS OF ART François Le Brun Guy Savill Sally Stratton SILVER Michael Moorcroft EARLY WORKS OF ART Rachael Osborn-Howard Bonhams 1793 Limited Bonhams 1793 Ltd Directors Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Co-Chairman, Colin Sheaf Chairman, Jonathan Baddeley, Andrew McKenzie, Simon Mitchell, Jeff Muse, Registered Office: Montpelier Galleries Malcolm Barber Co-Chairman, Antony Bennett, Matthew Bradbury, Mike Neill, Charlie O’Brien, Giles Peppiatt, Montpelier Street, London SW7 1HH Colin Sheaf Deputy Chairman, Lucinda Bredin, Harvey Cammell, Simon Cottle, Peter Rees, Iain Rushbrook, John Sandon, Matthew Girling CEO, Andrew Currie, Paul Davidson, Jean Ghika, Tim Schofield, Veronique Scorer, +44 (0) 20 7393 3900 Patrick Meade Group Vice Chairman, Charles Graham-Campbell, Miranda Leslie, James Stratton, Roger Tappin, Ralph Taylor, +44 (0) 20 7393 3905 fax Geoffrey Davies, Jonathan Horwich, Richard Harvey, Robin Hereford, Asaph Hyman, Shahin Virani, David Williams, James Knight, Caroline Oliphant, Charles Lanning, Gordon McFarlan, Michael Wynell-Mayow, Suzannah Yip. Hugh Watchorn. EUROPE - DEFINING STYLE Fine European Furniture, Sculpture, Works of Art, Silver & Gold Boxes Wednesday 18 November 2015 at 14.00 101 New Bond Street, London VIEWING ENQUIRIES CUSTOMER SERVICES IMPORTANT INFORMATION Sunday 15 November, Furniture, Sculpture Monday to Friday 8.30 to 18.00 The United States 11.00 - 15.00 & Works of Art +44 (0) 20 7447 7447 Government has banned the François Le Brun Monday 16 November, Please see page 2 for bidder import of ivory into the USA.
    [Show full text]
  • Dissent and Disruption: How Artists Redefine Museum Spaces and Audience Engagement Paige E
    James Madison University JMU Scholarly Commons Proceedings of the Tenth Annual MadRush MAD-RUSH Undergraduate Research Conference Conference: Best Papers, Spring 2019 Dissent and Disruption: How Artists Redefine Museum Spaces and Audience Engagement Paige E. Sellars Randolph-Macon College Follow this and additional works at: https://commons.lib.jmu.edu/madrush Part of the Art Practice Commons, Contemporary Art Commons, and the Museum Studies Commons Sellars, Paige E., "Dissent and Disruption: How Artists Redefine usM eum Spaces and Audience Engagement" (2019). MAD-RUSH Undergraduate Research Conference. 1. https://commons.lib.jmu.edu/madrush/2019/dissent/1 This Event is brought to you for free and open access by the Conference Proceedings at JMU Scholarly Commons. It has been accepted for inclusion in MAD-RUSH Undergraduate Research Conference by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Dissent and Disruption: How Artists Redefine Museum Spaces and Audience Engagement Paige Sellars ARTH 422: Senior Thesis Randolph-Macon College Ashland, Virginia, 23005 1 While studying abroad in January 2018, I visited the Frans Hals Museum in Haarlem, the Netherlands, to see the Art of Laughter exhibit, and I experienced the most unexpected, yet memorable and wittily disruptive intervention by Bulgarian artist, Nedko Solakov (1957–) (figure 1). Solakov created drawings of little monkeys and people and wrote narrative on the walls and other surfaces in order to provide counterpoints to the humorous Dutch Baroque paintings on view.1 Although I initially believed that someone desecrated the space—I soon realized it was intentional and was intrigued by the potentialities of the interventions to expand or counteract the established narratives in the didactic labels.
    [Show full text]
  • The Exceptional Sale 2011 King Street – Thursday, 7 July
    The Exceptional Sale 2011 King Street – Thursday, 7 July 2011 Sale no: 8033 – Top Ten [All sold prices include buyer’s premium] Sold: £28,781,000 $45,934,476 €32,004,472 Lots Sold: 36 Lots Offered: 50 Sold by Lot: 72% Sold by £: 91% Exchange Rate£:= $1.596/ €1.112 Purchase Lot Description Estimate (£) Price Buyer A set of four Empire ormolu-mounted Chinese porcelain baluster vases, the porcelain Jiaqing period (1796-1821), £7,993,250 600,000 - 10 the mounts circa 1815 $12,757,227 Wynn Macau Ltd. 1,000,000 WORLD AUCTION RECORD FOR €8,888,494 ORMOLU-MOUNTED PORCELAIN The Givenchy Royal Hanover chandelier, a German silver eight-light chandelier Balthasar Friedrich Behrens, £5,753,250 2,600,000 - 52 designed by the King's architect William Kent $9,182,187 Anonymous 3,600,000 WORLD AUCTION RECORD FOR GERMAN €6,397,614 SILVER Demidoff service, a French-Empire silver-gilt dinner- £3,177,250 3,000,000 - 30 service, mark of Jean-Baptiste-Claude Odiot, Paris, $5,070,891 Anonymous 5,000,000 1817 €3,533,102 A pair of Empire ormolu-mounted Chinese porcelain baluster vases, the porcelain Jiaqing period (1796-1821), the £2,841,250 11 base mounts circa 1810, the neck and handle mounts 200,000 - 300,000 $4,534,635 Anonymous circa 1820 €3,159,470 A Chinese gilt-bronze, enamel and paste-set quarter-striking £2,505,250 9 automaton musical table clock, Guangzhou workshops, 150,000 - 250,000 $3,998,379 Anonymous vasesfirst quarter 19th century €2,785,838 A north Italian Empire ormolu, silver-gilt and lapis lazuli, £612,450 7 by Luigi Manfredini, Milan, dated
    [Show full text]