Archaeological Starch Preservation and Methodological Parameters: Where Does Qaraqara Fit?
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Summit Guide Guide Du Sommet Guía De La Cumbre Contents/Sommaire/Sumario
New Frontiers for Creators in the Marketplace 9-10 June 2009 – Ronald Reagan Center – Washington DC, USA www.copyrightsummit.com Summit Guide Guide du Sommet Guía de la Cumbre Contents/Sommaire/Sumario Page Welcome 1 Conference Programme 3 What’s happening around the Summit? 11 Additional Summit Information 12 Page Bienvenue 14 Programme des conférences 15 Autres événements autour du sommet ? 24 Informations supplémentaires du sommet 25 Página Bienvenidos 27 Programa de las Conferencias 28 ¿Lo que pasa alrededor del conferencia? 38 Información sobre el conferencia 39 Page Sponsor & Advisory Committee Profiles 41 Partner Organization Profiles 44 Media Partner Profiles 49 Speaker Biographies 53 9-10 June 2009 – Ronald Reagan Center – Washington DC, USA New Frontiers for Creators in the Marketplace Welcome Welcome to the World Copyright Summit! Two years on from our hugely successful inaugural event in Brussels it gives me great pleasure to welcome you all to the 2009 World Copyright Summit in Washington, DC. This year’s slogan for the Summit – “New Frontiers for Creators in the Marketplace” – illustrates perfectly what we aim to achieve here: remind to the world that creators’ contributions are fundamental for cultural, economic and social development but also that creators – and those who represent them – face several daunting challenges in this new digital economy. It is imperative that we bring to the forefront of political debate the creative industries’ future and where we, creators, fit into this new landscape. For this reason we have gathered, under the CISAC umbrella, all the stakeholders involved one way or another in the creation, production and dissemination of creative works. -
Starch and Glycogen Analyses: Methods and Techniques
biomolecules Review Starch and Glycogen Analyses: Methods and Techniques Henrike Brust 1, Slawomir Orzechowski 2 and Joerg Fettke 3,* 1 Leibniz Institute for Plasma Science and Technology, Institute of Biochemistry and Biology, Felix-Hausdorff-Str. 2, 17489 Greifswald, Germany; [email protected] 2 Department of Biochemistry and Microbiology, Warsaw University of Life Sciences-SGGW, ul. Nowoursynowska 159 Budynek 37 P/12B, 02-776 Warszawa, Poland; [email protected] 3 Biopolymer Analytics, Institute of Biochemistry and Biology, University of Potsdam, Karl-Liebknecht-Str. 24-25 Building 20, 14476 Potsdam-Golm, Germany * Correspondence: [email protected] Received: 13 May 2020; Accepted: 7 July 2020; Published: 9 July 2020 Abstract: For complex carbohydrates, such as glycogen and starch, various analytical methods and techniques exist allowing the detailed characterization of these storage carbohydrates. In this article, we give a brief overview of the most frequently used methods, techniques, and results. Furthermore, we give insights in the isolation, purification, and fragmentation of both starch and glycogen. An overview of the different structural levels of the glucans is given and the corresponding analytical techniques are discussed. Moreover, future perspectives of the analytical needs and the challenges of the currently developing scientific questions are included. Keywords: starch; glycogen; analytics 1. Introduction Today, several techniques for the analysis of complex carbohydrates exist, though a single all-embracing method is lacking. All methods provide information about glycan samples, but along with this knowledge, there is unfortunately also a partial loss of specific information. As an example, very large and complex glycans can be analyzed only following partial fragmentation. -
The World of Independent Publishing Is Ever-Growing and Ever-Changing; Yes, the Challenges May Be Great, but the Rewards Are Even Greater
SPECIAL REPORT Indie Club: PeerMusic alumni Gabrielle Aplin and Linda Perry The world of independent publishing is ever-growing and ever-changing; yes, the challenges may be great, but the rewards are even greater. In a special report, Music Week checks the pulse of this vibrant sector of the industry with some its key players… ------------ BY GEORGE GARNER ------------ n the off chance you were the only person in “One of our most important signings of the past year is Linda the music industry who didn’t get the memo: Perry,” nods Elderton. “We entered into an admin and joint venture the world of music publishing is currently in deal with Linda and her partner Kerry Brown’s company We Are a state of flux. Hear which is based in LA. We are working with Linda on numerous Following the announcement in projects including new artists, a new Natasha Bedingfield album and September 2018 that legendary Sony/ATV film projects, as well as Linda’s collaboration with Dolly Parton on the boss Martin Bandier would be stepping Netflix film Dumplin. Another major highlight was the completion down in March 2019, a very real game of of our acquisition of Music Cube in South Korea which became musical chairs was initiated. Suffice to say some big email signatures PeerMusic’s 34th global office operating in 30 territories.” Ohave changed of late, folks: Jon Platt exited Warner/Chappell to take Given the truly global scale at which independent publishers over at Sony/ATV, while Guy Moot bid adieu to Sony/ATV to become operate, it does beg the question as to how they see themselves co-chair & CEO at Warner/Chappell. -
ESTABLISHMENT of HIGH-THROUGHPUT TECHNIQUES for STUDYING STARCH FUNCTIONALITIES by Miguel Angel Alvarez Gonzales
ESTABLISHMENT OF HIGH-THROUGHPUT TECHNIQUES FOR STUDYING STARCH FUNCTIONALITIES by Miguel Angel Alvarez Gonzales A Thesis Submitted to the Faculty of Purdue University In Partial Fulfillment of the Requirements for the degree of Master of Science Department of Food Science West Lafayette, Indiana August 2019 2 THE PURDUE UNIVERSITY GRADUATE SCHOOL STATEMENT OF COMMITTEE APPROVAL Dr. Yuan Yao, Chair Department of Food Science Dr. Bruce Hamaker Department of Food Science Dr. Clifford Weil Department of Agronomy Approved by: Dr. Arun K. Bhunia Head of the Graduate Program 3 Dedicated to my family 4 TABLE OF CONTENTS LIST OF TABLES .......................................................................................................................... 8 LIST OF FIGURES ........................................................................................................................ 9 LIST OF ABREVIATIONS ......................................................................................................... 12 ABSTRACT .................................................................................................................................. 14 CHAPTER 1. LITERATURE REVIEW ................................................................................... 16 1.1 Introduction ....................................................................................................................... 16 1.2 Clean label movement ....................................................................................................... 17 -
Peter Asher Music Producer and Performer
PETER ASHER MUSIC PRODUCER AND PERFORMER 1964, one half of Peter & Gordon, who amassed nine Top 20 records. 1968, head of A&R for the Beatles’ record company, Apple Records, where he found, signed and produced James Taylor. 1971, founded Peter Asher Management, representing James Taylor, Linda Ronstadt, Joni Mitchell, Carole King, Randy Newman and more for several decades. As a producer, Mr. Asher has worked with such diverse artists as James Taylor, 10,000 Maniacs, Diana Ross, Neil Diamond, Ringo Starr, Linda Ronstadt, Hans Zimmer, Ed Sheeran, Miguel and Cher, among many others. He has produced thirteen Grammy Award-winning recordings, and in 1977 and 1989 won the Grammy for "Producer of the Year". Recent projects include the production of “So Familiar” the follow-up album (released October 2015) to the highly successful (and Grammy-winning) “Love Has Come for You” (Steve Martin & Edie Brickell), which has also generated a PBS special and a stage musical, “Bright Star”, of which Peter is the music supervisor. “Bright Star”, directed by Walter Bobbie, opened on Broadway in March of 2016 and the Broadway Cast Album (produced by Peter) was released in May. Peter also directed the highly acclaimed Hans Zimmer live concerts (“Hans Zimmer Revealed”), which took place in London on October 10th and 11th .2014 and toured Europe extensively in the spring of 2016. In the New Year’s Honours list for 2015, Peter Asher was awarded a CBE (“Commander of the Most Excellent Order of the British Empire”) by Her Majesty Queen Elizabeth. The official investiture took place at Buckingham Palace on February the 24th. -
Quantification of Soluble Starch from Fresh Potatoes Using Photopette
Application Note SOLUBLE STARCH EDUCATIONAL EXPERIMENT QUANTIFICATION OF SOLUBLE STARCH FROM FRESH POTATOES USING PHOTOPETTE P.Y. Yap, A. Jain and D. Trau, Tip Biosystems Pte Ltd, Singapore • Educational experiment using Photopette® to measure soluble starch in potatoes and other plants. • Simple extraction method combined with iodine reagent allows easy starch quantification. • Bench centrifuge OBJECTIVE Reagents: This application note provides an educational experiment to quantify soluble starch in fresh potatoes using the • Iodine Reagent Photopette® hand held photometer at 600 nm wavelength. • Starch reference solution made from soluble starch powder (Sigma, S9765). INTRODUCTION Material: • Fresh Potato Starch is a carbohydrate based energy storage molecule found in plants. There are two types of starch - amylose METHOD (highly soluble in water) and amylopectin (slightly soluble in Before performing experiments please refer to the risk- water) [1]. Both types of starch are made from glucose assessment and refer to the Photopette® User Manual for monomers but with a different linkage. operating and safety precautions [2]. EXPERIMENTAL PROCEDURE Preparation Iodine Reagent: The preparation of the Iodine reagent is made following the CLEAPSS Recipe. The reagent is prepared by adding 3 g of KI to 2.54 g I2 and toping up with water to 100 mL. Subsequently, the stock solution is diluted Figure 1a: Amylose Figure 1b: Amylopectin 10 times and stored in the dark. The presence of starch can be measured by its reaction with iodine. Starch and iodine form a dark-blue complex with an Starch Reference Solution: A 0.1% starch reference solution absorbance maximum at 600 nm [1]. is made using soluble starch powder (Sigma, S9765). -
BOSS Partners with Dorothy for North American Tour
FOR IMMEDIATE RELEASE Press Contact: Company Contact: Leslie Buttonow Rebecca Eaddy Account Manager Marketing Communications Mgr. Clyne Media, Inc. Roland Corporation U.S. (615) 662-1616 (323) 890-3718 [email protected] [email protected] BOSS Partners with Dorothy for North American Tour Joins grassroots initiative to select local artists as opening acts for each show Band submission form available here: http://smarturl.it/DorothyFreedomOpener Los Angeles, CA, January 17, 2018 — BOSS has partnered with Los Angeles-based alternative rock band Dorothy for the 2018 Freedom Tour. BOSS is a brand that realizes the dreams of guitarists and is dedicated to supporting all musicians. In that spirit, they’ve teamed with Dorothy to support the band’s grassroots initiative to select local artists as opening acts. Dorothy and BOSS are looking for hometown favorites from each city on the band’s tour to be the opening act. All genres are welcome, and selections have already begun to be announced. This will be an opportunity to bring the focus of touring back to developing the local music scene. More information and the band submission form are available at smarturl.it/DorothyFreedomOpener. Brian Alli, Roland Corporation Vice President of Artist Relations and Business Development, states, “We are excited to partner with Dorothy on this fun, grassroots talent search. We are already impressed with the submissions coming in, and we look forward to seeing these awesome acts live on stage around the country.” “We are amped to collaborate with BOSS on this important initiative! This is about taking the time to connect with communities and get a real taste of the local music scenes. -
ESV1) Protein and Its Homologue Like- Early Starvation 1 (LESV) During Starch Degradation
Biochemical studies to determine the role of Early Starvation 1 (ESV1) protein and its homologue Like- Early Starvation 1 (LESV) during starch degradation Dissertation zur Erlangung des akademischen Grades "doctor rerum naturalium" (Dr. rer. nat.) in der Wissenschaftsdisziplin Biochemistry eingereicht an der Mathematisch-Naturwissenschaftlichen Fakultät Institut für Biology/Biochemistry der Universität Potsdam von Shadha Abduljaleel AL-Rawi Potsdam. 2020 Main supervisor: Prof Dr. habil. Joerg Fettke Supervisors: Prof. Dr. Alisdair Fernie Reviewers: Prof. Dr. Christophe D’Hulst Prof. Dr. Oluwatoyin A. Odeku Published online on the Publication Server of the University of Potsdam: https://doi.org/10.25932/publishup- 48395 https://nbn-resolving.org/urn:nbn:de:kobv:517-opus4- 483956 Table of contents Table of contents Table of contents ................................................................................................................ 1 Abstract ............................................................................................................................... 5 Zusammenfassung ............................................................................................................. 7 Acknowledgement .............................................................................................................. 9 List of Figures .................................................................................................................. 11 List of Tables ................................................................................................................... -
Lyricist V Songwriter 4-4 Linda Perry's Dos & Don'ts
1 Freestyle Note: Kia ora whanau – use this space to write a message & let your loved one know why you thought they’d be interested in this article. Lyricist v Songwriter 4-4 Linda Perry’s Dos & Don’ts For Writing Love Songs Source of article: https://artists.spotify.com/blog/linda-perry%27s-dos-and-don%27t-for-writing-love-songs Continued from article 3: Do: Know who you're writing for. The process changes when you're asked to write for a specific artist. Then, it requires stepping outside yourself. "It's a different experience," says Perry. "If it were up to me, I would write sad, depressing, suicidal, Pink Floyd-ish type of songs. That's my style: I like being dark, I like living down a well. And that's where I feel the most." That can make collaboration difficult, but it can also produce exciting results. "It can be tricky, because you could be dealing with someone who really doesn't have any experience of what it feels like to be really down and out or dark and suicidal. So now it's like: here's Mrs. Doom and here's sunshine and lollipops, and you gotta meet both worlds. I have to interpret the sunshine and lollipops and figure out how to make it me and how to make my doom and gloom them. It can become very interesting." Perry is particularly fond of how this juxtaposition plays out in the love songs recorded by the Carpenters. "The songs are written by Burt Bacharach, the majority of them, and they're like, 'Why do birds suddenly appear…' The cheesiest freaking lyrics. -
Songwriters and Lyricists Are Also Performers Themselves, but Who Make a Healthy Living Off Selling Their Lyrics Or Complete Songs to Other Artists
Freestyle Note: Kia ora whanau – use this space to write a message & let your loved one know why you thought they’d be interested in this article. Lyricist v Songwriter 2-4 Some of the greatest teams in musical history have consisted of an artist and his or her favorite Lyricist or Songwriter. In many cases, Songwriters and Lyricists are also performers themselves, but who make a healthy living off selling their lyrics or complete songs to other artists. A fantastic example of this is Linda Perry, who first broke into the music industry as the lead vocalist for 4 Non Blondes but who's also written a mountain of hits for other singers. We'll take a close look at Linda's work in articles 3 & 4. To help you get a better understanding, here's some examples of famous lyricists and songwriters: Songwriters • Kesha is best known as a pop star in her own right, but as a Songwriter (she plays guitar and piano), she's written tracks for Britney Spears (“Till the World Ends”), Big Time Rush (“Windows Down”) & even Alice Cooper (“What Baby Wants.”) Linda Perry The Opal Place - Your place of Inspiration • Linda Perry began her career in ‘90s rock band 4 Non Blondes, but soon built a booming songwriting career on the strength of her work with stars like Christina Aguilera (“Beautiful”), Gwen Stefani (“What You Waiting For?”) and Pink (“Get the Party Started”). • You might not know the name Max Martin, but you've definitely heard his work. The Swedish Songwriter and Record Producer has racked up twenty-two number one hits on the Billboard charts. -
Starch Analysis of HLB-Affected and Control Healthy Citrus Leaves Reveal Variations in the Amylose/ Amylopectin Ratio
Proc. Fla. State Hort. Soc. 124:69–75. 2011. Starch Analysis of HLB-affected and Control Healthy Citrus Leaves Reveal Variations in the Amylose/ Amylopectin Ratio Pedro Gonzalez, Jose reyes, and ed etxeberria* University of Florida, IFAS, Department of Plant Pathology, Citrus Research and Education Center, 700 Experiment Station Road, Lake Alfred, FL 33850 AdditionAl index words. Citrus sp., plant disease, phloem disease, starch properties, starch accumulation Leaves of HLB (Huanglongbing or citrus greening)-affected branches contain considerably higher levels of starch than those of HLB-unaffected or “healthy trees.” Over-accumulation of starch takes place in photosynthetic cells, vascular parenchyma, ray parenchyma, and even sieve elements. These observations imply strong disturbances in starch me- tabolism and photoassimilate partitioning brought about by HLB. The elevated starch content, appearance of starch granules in phloem elements, and previous reports of the pathogen effect on starch properties lead us to hypothesize that starch from HLB-affected citrus differs morphologically, physically, and/or chemically from starch accumulated in otherwise healthy leaves. We investigated starch morphology using brightfield, polarized light and SEM and found no morphological differences between HLB-induced starch and that from healthy girdled trees. When reacted with 2% I2, whole starch fractions also showed no significant difference in the absorption spectra (λmax for HLB = 604.1 and girdled 606.2 nm, respectively; n = 6; P ≤ 0.05) nor in their amylose/amylopectin ratio (HLB = 1.4 ± 0.17 and girdled = 1.16 ± 0.07, P ≤ 0.05) after chromatographic separation. Nevertheless, λmax for individual fractions of HLB-affected leaves increased between 11 to 14 nm indicating a significant increase in the degree of polymerization of chain lengths estimated between 12 to 45 glucose units. -
Christina Aguilera
Christina Aguilera True to its title, Stripped, the audacious new RCA Records release from Christina Aguilera, strips away the last remnants of her previous teen idol persona and what’s left is as real as it gets. The sixteen new tracks that comprise Stripped, including her sensational debut single, "Dirrty," showcases an unadorned, unfettered and fearlessly outspoken artist who has liberated herself, her soul and her music on an album that is as much a declaration of independence as it is a convincing demonstration of her fierce and original talent. Simply put, this is the real deal. "When you’re seventeen years old, green and inexperienced, you’re grateful for any guidance and direction you can get." Says Christina on her rocket sled ride to the top following the 1999 release of her eponymously-titled debut album, with its string of consecutive chart toppers, including "Genie In A Bottle" and "What A Girl Wants." It was a feat she would repeat the following year with Mi Reflejo, the smash Spanish language version of her debut, followed by her hit holiday release, My Kind Of Christmas. Ten million plus albums, a Grammy win for Best New Artist and a marathon round of world touring later, Christina began to fearlessly break free from the mass media mask that hid her true self, and the full scope of her talent. "I felt trapped," she admits. "I was under the thumb of people who were mostly interested in keeping me doing exactly the same thing. But I’m not blaming anyone," she’s quick to add.