DOCSLIB.ORG

Design Guidelines 2021-A City of Hood River Design Guidelines - 2021-A Section 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Design Guidelines 2021-A City of Hood River Design Guidelines - 2021-A Section 1 CITY OF est. 1895 DESIGN GUIDELINES 2021-A CITY OF HOOD RIVER DESIGN GUIDELINES - 2021-A SECTION 1 GRAPHIC STANDARDS However, the standards call for materials to demonstrate a family resemblance so it is The visual identity of City of Hood River clear they are from the same organization. is created through the consistent use This will help the audience to associate all of graphic elements, including logo, branded materials with the City of Hood typography, and color palette. By preserving River. a professional and recognizable look for the The guidelines that follow apply to the City of Hood River, we are protecting and logo, typeface, graphics, and color usage promoting the City of Hood River name and associated with City of Hood River. They reinforcing the quality of City of Hood River represent a standards system identity while as an institution to all audiences. still allowing for graphic variations among The existence of these guidelines does not various City materials. mean that materials must look exactly alike. OFFICIAL LOGO The colors have been similarly in use for decades but fit with international standards The City of Hood River logo serves as a as shown in Section 3 and are easily graphical representation of the geographic implemented. location of Hood River. The logo has been in use for decades but was recently updated to a more usable form than the previous CITY OF circular seal. It is important that the logo be displayed in a consistent manner to present the City in a est. 1895 professional way. OFFICIAL SEAL The City of Hood River seal is applicable to certain official uses and on internal documents. The most prominent official use is on the front of the City Council dais in City hall. CITY OF HOOD RIVER DESIGN GUIDELINES - 2021-A SECTION 1 LOGO USAGE It is preferred that the two tone blue logo LOGO COLORS be used where possible. The logo should Pantone 2925 always appear with clear space around C 79 / M 32 / Y 0 / K 0 it—and the diagram shows a minimum R 0 / G 144 / B 216 Hex Value (web): #008fd7 encroachment zone (X). Please try to follow this when placing the logo amongst other Pantone 539 graphics or partner logos. C 100 / M 77 / Y 45 / K 42 R 0 / G 49 / B 76 Minimum encroachment zone. The is Hex Value (web): #00314c equal to the height of the letter “C” in CITY. The will change proportionally as the mark increases and decreases in size. COLOR USAGE CITY OF Color It is preferred that CITY OF the color logo be used whenever est. 1895 possible. est. 1895 Black or Greyscale LOGO REPOSITORY Logo should CITY OF appear in 100% City of Hood River logos are available in digital black. est. 1895 form at cityofhoodriver.gov/media-assets. Reversed When logo appears on dark background it is appropriate to feature the logo as shown. CITY OF HOOD RIVER DESIGN GUIDELINES - 2021-A SECTION 1 INCORRECT LOGO USAGE The logo should not be altered in any way, such as stretching, editing the graphic elements, changing the colors, or attaching other words or graphics. The graphics on this page are examples of incorrect usage and alterations of the City of Hood River logo. DO NOT stretch logo DO NOT compress logo DO NOT mix logo colors DO NOT change the logo color logo. 1/2” DO NOT delete parts of logo DO NOT scale below 1/2” height CITY OF HOOD RIVER DESIGN GUIDELINES - 2021-A SECTION 2 PRIMARY CITY OF HOOD RIVER FONT Arial typeface is a design based on the influence of nineteenth-century See the sample sans-serifs, but made more regular and even to be more suited to page at the end continuous body text and to form a cohesive family of fonts. The bundling of this section for of Arial with Windows and Mac OS X has contributed to it being one of the most widely distributed and used typefaces in the world. suggested uses of the primary and Arial Regular and Italic should be used for the body copy of City of secondary fonts. Hood River communications. Arial Bold/Italic should be used for headlines, sub-heads and for emphasis in body copy. PRIMARY FONT ARIAL ARIAL Arial is included with Bold Microsoft Office and is ABCDEFGHIJKLM one of only 5 fonts that is NOPQRSTUVWXYZ compatible with all PC/Mac and iOS versions dating abcdefghijklm back to 2007. nopqrstuvwxyz Regular ABCDEFGHIJKLM NOPQRSTUVWXYZ abcdefghijklm nopqrstuvwxyz Numbers TYPE EXAMPLES ARIAL 01234567890 Special !“§$%&/()=?`;: Characters ¡“¶¢[]|{}≠ ¿‘ « ∑ €®†Ω ¨€øπ •±‘ æœ@∆ ºª©ƒ∂ ‚å¥≈ ç √ ~µ∞ …–≤ <>≥ €›‹◊ CITY OF HOOD RIVER DESIGN GUIDELINES - 2021-A SECTION 2 SECONDARY CITY OF HOOD RIVER FONT Cambria is a transitional serif typeface commissioned by See the sample Microsoft and distributed with Windows and Office. It was page at the end designed by Dutch typeface designer Jelle Bosma in 2004, of this section for with input from Steve Matteson and Robin Nicholas. suggested uses of Cambria Italic and bold Italic should be used for introductory or the primary and explanitory short text blocks, captions and pull quotes. secondary fonts. SECONDARY FONT CAMBRIA CAMBRIA Cambria is included with Microsoft Office and is Bold ABCDEFGHIJKLM one of only 5 fonts that is NOPQRSTUVWXYZ compatible with all PC/Mac abcdefghijklm and iOS versions dating back to 2007. nopqrstuvwxyz Regular ABCDEFGHIJKLM NOPQRSTUVWXYZ abcdefghijklm nopqrstuvwxyz Numbers TYPE EXAMPLES CAMBRIA 01234567890 Special Characters !“§$%&/()=?`;: ¡“¶¢[]|{}≠¿‘ «∑€®†Ω¨⁄ø𕱑 æœ@∆ºª©ƒ∂‚å¥≈ç √~µ∞…–≤<>≥˘›‹◊ CITY OF HOOD RIVER DESIGN GUIDELINES - 2021-A SAMPLE USE OF PRIMARY AND SECONDARY FONTS Arial Establishing a Vision and Meeting Oregon’s Statewide Bold Planning Goals on the Local Level Oregon is distinguished by vast natural landscapes outside of urban areas, Cambria qualities that have not come about by chance. Conserving farm and forest land Bold italic and protecting natural environments while sustaining a prosperous economy and ensuring a desirable quality of life are part of Oregon’s legacy. Oregon’s land use planning program, established in 1973, requires cities and counties to establish comprehensive land-use plans that address numerous Statewide Planning Goals. Local Comprehensive Plans reflect the interests of communities, protect farm and Cambria italic forest lands, natural resources, and manage urban growth within identified urban areas. (For information on Statewide Planning Goals, visit oregon.gov/lcd.) Hood River is required to implement Statewide Planning Goals at the local Arial Bold level. Hood River’s Comprehensive Plan was acknowledged by the state in 1983. The “Comp Plan” provides the basis for Hood River’s land use and development ordinances, zoning map, and its policies guide the regulation of new development. Arial Since its establishment 35 years ago, several components of the plan have been Regular updated to address economic development, the transportation system, natural resources and, most recently, housing. State law requires cities to provide a 20-year supply of developable land for both employment and housing needs and directs future growth will to occur within the City’s Urban Growth Boundary (UGB) where urban services are provided such as roads, water and sewer systems, parks, schools and fire and police protection. The UGB protects farms and forests, the backbone of Hood River County’s economy, from urban sprawl by promoting the efficient use of land, public facilities and services inside the boundary. Situated among orchards, farms, and the Columbia River Gorge National Scenic Area, Hood River continues to balance environmental stewardship with evolving community needs. Stay Connected! “Oregon is an inspiration. Whether you come to it, or are born to it, you become entranced by our state’s beauty, the opportunity she affords, and the Cambria Visit ci.hood-river.or.us/connect to sign up independent spirit of her citizens.” -- Governor Tom italic for topic specific email updates McCall’s 1973 Address to the Oregon Legislature Arial City of Hood River Planning Department • 211 2nd St., Hood River • 541-387-5210 • ci.hood-river.or.us/planning Bold CITY OF HOOD RIVER DESIGN GUIDELINES - 2021-A SECTION 3 CITY OF HOOD RIVER COLORS Color plays an important role in the City of Hood River identity program. The colors below are recommendations for various media. Consistent use of these colors will contribute to the cohesive and harmonious look of the City of Hood River identity across all relevant media. Check with your designer or printer when using the corporate colors that they will be always be consistent. PRIMARY PRIMARY COLOR MEDIUM BLUE COLORS Use them as the dominant - color palette for all internal and COLOR CODES external visual presentations of CMYK : C79 M32 Y0 K0 Pantone : 2925 the City. RGB : R000 G144 B216 Web : #008FD7 COLOR SYSTEMS DEFINED COLOR TONES PANTONE (PMS) 100 % 80 % 60 % 40 % 20 % Color system used for print reproduction CMYK, 4COLOR PRIMARY COLOR Four colors combined to create full- DARK BLUE color print reproduction C=Cyan M=Magenta Y=Yellow K=Black - RGB COLOR CODES Three colors combined for CMYK : C100 M77 Y45 K42 computer monitor full-color viewing Pantone : 539 R=Red G=Green B=Blue RGB : R0 G49 B76 Web : #00314C WEB A six-digit alpha numeric (HEX) representation of color for use on the web, derived from RGB color COLOR TONES values 100 % 80 % 60 % 40 % 20 % CITY OF HOOD RIVER DESIGN GUIDELINES - 2021-A SECTION 3 CITY OF HOOD RIVER SECONDARY COLORS The Secondary colors are complementary Secondary colors should generally be used to official colors, but are not recognizable sparingly, that is, in less than 25 percent of identifiers for the City of Hood River. the palette in one piece. SECONDARY COLOR CODES CMYK : C68 M50 Y96 K53 COLORS Pantone : 2411 RGB : R38 G60 B5 Use them to accent and Web : #263C05 Tones currently used on WACP website support the primary color palette.
Load more

Recommended publications
  • Skagit Wild & Scenic River System Sign Plan and Graphics Guideline
    Skagit Wild & Scenic River System Sign Plan and Graphics Guideline for Mt. Baker/ Snoqualmie National Forest Skagit Wild & Scenic River System Sign Plan and Graphics Guideline for Mt. Baker/Snoqualmie National Forest by Joe Guarisco and Louanne Atherley Heritage Design USDA Forest Service January 2002 This project was funded by Seattle City Light as part of The Settlement Agreement on Recreation for the Skagit Hydroelectric Project #553 Cascade River SKAGIT WILD & SCENIC RIVER SYSTEM TABLE OF CONTENTS PAGE INTRODUCTION...................................................................................................................................... 9 I. FAMILY OF SIGNS .......................................................................................................................... 13 a. WAYSIDE EXHIBITS ................................................................................................................... 15 ORIENTATION .......................................................................................................................... 17 INTERPRETIVE ........................................................................................................................ 19 b. ROADWAY SIGNS ...................................................................................................................... 21 W&SR IDENTIFIER .................................................................................................................. 23 WELCOME W&SR ....................................................................................................................25
    [Show full text]
  • INTERNATIONAL TYPEFACE CORPORATION, to an Insightful 866 SECOND AVENUE, 18 Editorial Mix
    INTERNATIONAL CORPORATION TYPEFACE UPPER AND LOWER CASE , THE INTERNATIONAL JOURNAL OF T YPE AND GRAPHI C DESIGN , PUBLI SHED BY I NTE RN ATIONAL TYPEFAC E CORPORATION . VO LUME 2 0 , NUMBER 4 , SPRING 1994 . $5 .00 U .S . $9 .90 AUD Adobe, Bitstream &AutologicTogether On One CD-ROM. C5tta 15000L Juniper, Wm Utopia, A d a, :Viabe Fort Collection. Birc , Btarkaok, On, Pcetita Nadel-ma, Poplar. Telma, Willow are tradmarks of Adobe System 1 *animated oh. • be oglitered nt certain Mrisdictions. Agfa, Boris and Cali Graphic ate registered te a Ten fonts non is a trademark of AGFA Elaision Miles in Womb* is a ma alkali of Alpha lanida is a registered trademark of Bigelow and Holmes. Charm. Ea ha Fowl Is. sent With the purchase of the Autologic APS- Stempel Schnei Ilk and Weiss are registimi trademarks afF mdi riot 11 atea hmthille TypeScriber CD from FontHaus, you can - Berthold Easkertille Rook, Berthold Bodoni. Berthold Coy, Bertha', d i i Book, Chottiana. Colas Larger. Fermata, Berthold Garauannt, Berthold Imago a nd Noire! end tradematts of Bern select 10 FREE FONTS from the over 130 outs Berthold Bodoni Old Face. AG Book Rounded, Imaleaa rd, forma* a. Comas. AG Old Face, Poppl Autologic typefaces available. Below is Post liedimiti, AG Sitoploal, Berthold Sr tapt sad Berthold IS albami Book art tr just a sampling of this range. Itt, .11, Armed is a trademark of Haas. ITC American T}pewmer ITi A, 31n. Garde at. Bantam, ITC Reogutat. Bmigmat Buick Cad Malt, HY Bis.5155a5, ITC Caslot '2114, (11 imam.
    [Show full text]
  • Teaching Guide & Worksheets
    JANUARY/FEBRUARY 2019 TEACHING GUIDE & WORKSHEETS OVERVIEW By middle-school age, young people are forming opinions about everything they encounter. With that in mind, WORLDteen chooses stories to broaden readers’ knowledge beyond just the events of their day-to-day lives, giving them more opportunity to apply thinking skills and discernment to the events of the greater world. WORLDteen stories are selected not simply for appealing content. Our editors look for news that gives opportunity to prompt response in readers, encouraging them to ask questions of their own, to apply biblical truth, and to consider ethical practices. EACH TOPIC SECTION INCLUDES: • Four unique stories (thirty-two online stories total; selected stories in print magazine) • Photo slideshows with each online story (thirty-two total) • One quiz for each topic (eight online quizzes total; one topic quiz in print magazine) • Choice of printable worksheets included with teaching guide DAILY NEWS SECTION: • Online News Bytes section for breaking news each weekday • News Bytes comments area for safe discussion of current events RECOMMENDED PACING: • Daily—Read the current online News Bytes stories and reader comments; optionally, add your own comments online. • Weekly—Work through one topic section through the week: read all four stories online, research the topic further, comment online with other WORLDteen readers, and finish by taking the online quiz. • Weekly—Complete your choice of printable worksheets (included with your teaching guide) to study a selected article or that week’s topic more thoroughly. WORLDteen 1 JANUARY/FEBRUARY TEACHING GUIDE EXPLAIN IT! STORIES Check the box after reading each story, and then take the quiz.
    [Show full text]
  • TESI E.VILALTA.Pdf
    U UNIVERSITAT DE BARCELONA B DEPARTAMENT D’ECOLOGIA STRUCTURE AND FUNCTION IN FLUVIAL BIOFILMS IMPLICATIONS IN RIVER DOC DYNAMICS AND NUISANCE METABOLITE PRODUCTION ESTRUCTURA I FUNCIÓ DELS BIOFILMS FLUVIALS IMPLICACIONS EN LA DINÀMICA DEL DOC AL RIU I LA PRODUCCIÓ DE METABÒLITS SECUNDARIS ELISABET VILALTA BALIELLAS BARCELONA, 2004 STRUCTURE AND FUNCTION IN FLUVIAL BIOFILMS IMPLICATIONS IN RIVER DOC DYNAMICS AND NUISANCE METABOLITE PRODUCTION UNIVERSITAT DE BARCELONA FACULTAT DE BIOLOGIA DEPARTAMENT D’ECOLOGIA PROGRAMA DE DOCTORAT DIPLOMATURA EN ESTUDIS AVANÇANTS EN ECOLOGIA (DEA) BIENNI 2000-2002 MEMORIA PRESENTADA PER ELISABET VILALTA BALIELLAS PER OPTAR AL GRAU DE DOCTORA EN BIOLOGIA TESI REALITZADA SOTA LA DIRECCIÓ I TUTORIA DE Dr. SERGI SABATER Dra. ISABEL MUÑOZ Director Tutora BARCELONA, JULIOL 2004 Als meus pares AGRAÏMENTS Els agraïments d’aquesta tesi van dirigits especialment al meu director de tesi, en Sergi Sabater, sense el qual no n’hauria estat possible la seva realització. Altres persones es mereixen també un èmfasi especial, com són la Isabel Muñoz, tutora de la tesi, l’Anna M. Romaní i l’Helena Guasch, pels suggeriments, comentaris i motivacions que em van anar transmetent al llarg de la tesi. La realització de la tesi va estar englobada dins el projecte europeu "Natural biofilms as high-tech conditioners for drinking water" (BIOFILMS) i subvencionat pel programa europeu "Environment & Climate" num. EVK1-1999-00005. Per tant, cal agrïr la col.laboració de les diferents entitats involucrades en la realització del projecte, com són, el "Department of Aquatic Ecology" del "Institute of Biodiversity and Ecosystems Dynamics" de la Universitat d’Amsterdam; el "Department of Environment Microbiology" del "Forschungszentrum of Karlsruhe" (Alemanya); el "Department of Experimental Phycology and Ecotoxicology" del "Czech Academy of Sciences" a Brno (República Txeca) i el propi Departament d’Ecologia de la Universitat de Barcelona.
    [Show full text]
  • Methods of Using Kinetic Type to Express Emotions Soo Chun Hostetler Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1-1-2005 Methods of using kinetic type to express emotions Soo Chun Hostetler Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Recommended Citation Hostetler, Soo Chun, "Methods of using kinetic type to express emotions" (2005). Retrospective Theses and Dissertations. 18790. https://lib.dr.iastate.edu/rtd/18790 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Methods of using kinetic type to express emotions by Soo Chun Hostetler A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF FINE ARTS Major: Graphic Design Program of Study Committee: Roger E. Baer, Major Professor Sunghyun Kang Geoffrey Sauer Iowa State University Ames, Iowa 2005 11 Graduate College Iowa State University This is to certify that the master's thesis of Soo Chun Hostetler has met the thesis requirements of Iowa State University Signatures have been redacted for privacy iii TABLE OF CONTENTS INTRODUCTION 1 LITERATURE REVIEW 4 Visual Perception 4 Perception in Two-Dimensional Space 6 Gestalt Principles 6 Gestalt Laws 9 Perception in Three-Dimensional
    [Show full text]
  • Chicago Style Crib Sheet
    CMS CRIB SHEET By Dr. Abel Scribe PhD Chicago Style is the style of formatting books and research papers documented in the Chicago Manual of Style (CMS), 2003, and Turabian’s Manual for Writer’s of Research Papers, Theses, and Dissertations, 2007 (both published by the University of Chicago Press). While sometimes reference is made to a “Turabian style,” this is simply the Chicago style applied to research papers. Revised Fall 2007. CMS Crib Sheet Contents Chicago Style & Usage Chicago Page Formatting Chicago End/Footnotes • Abbreviations & Acronyms • Title and Text Page • Authors & Books • Capitalization • Footnotes • Journals & Newspapers • Compound Words • Headings & Lists • Reports & Papers • Emphasis: Italics/Quotes • Bibliography & Tables • References & Documents • • Numbers & Dates Table Notes Chicago Bibliographies • Quotations The CMS Crib Sheet is one of a family of style guides available at www.docstyles.com. Chicago Style and Usage Dictionaries. “For general matters of spelling, Chicago recommends using Webster’s Third New International Dictionary and its chief abridgment , Merriam-Webster’s Collegiate Dictionary . in its latest edition.. If more than one spelling is given, or more than one form of the plural . ., Chicago normally opts for the first form listed, thus aiding consistency. If, as occasionally happens, the Collegiate disagrees with the Third International, the Collegiate should be followed, since it represents the latest lexical research” (CMS 2003, 278). Abbreviations Abbreviations--other than acronyms/initialisms--are rarely used in the text, other than in tables, figure captions, in notes and references, or within parentheses. Follow these general rules: 1. Beginning a sentence. Never begin a sentence with a lowercase abbreviation. Begin a sentence with an acronym only if there is no reasonable way to rewrite it.
    [Show full text]
  • Baptism for the Dead at Nauvoo
    "What Has Become of Our Fathers?" Baptism for the Dead at Nauvoo M. Guy Bishop Else what shall they do which are baptized for the dead, if the dead rise not at all? why are they then baptized for the dead? (1 Cor. 15:29) ALTHOUGH THE BIBLE briefly mentions vicarious baptism, the belief was not a part of mid-nineteenth-century American religions. Even such denominations as the Disciples of Christ (Campbellites), who professed to find the "law" for Christian life and worship spelled out within the New Testament, offered no response to the Apostle Paul's reference to baptism for the dead (Ahlstrom 1972, 447-49). It was left to Joseph Smith and the Church of Jesus Christ of Latter-day Saints to establish a doctrinal stance on the subject. In an epistle to the early saints of Corinth, Paul mentioned vicari- ous baptism in relation to the resurrection and as a way to overcome humankind's "last enemy"—death. This final victory was also a great concern to the Latter-day Saints in Nauvoo. Many Saints had died in the Mormon War in Missouri during 1838 and in malaria-ridden M. GUY BISHOP is head of Research Services, Seaver Center for Western History Research, Natural History Museum of Los Angeles County. A version of this essay was presented at the Mormon History Association meetings in Quincy, Illinios, May 1989. DIALOGUE: A JOURNAL OF MORMON THOUGHT Nauvoo in the early 1840s. Finding a way to, in a sense, overcome death must have been a comfort to those constantly reminded of the frailties of mortality (Bishop 1986; Meyers 1975; Bishop, Lacey, and Wixon 1986).
    [Show full text]
  • ADJOURNED MEETING of the August 10,2021
    1 ADJOURNED MEETING OF THE COUNTY BOARD OF COMMISSIONERS August 10,2021 - BOARD AGENDA Government Center Board Room The public is invited to join the meeting remotely by phone call 1-415-655-0001, (access code):1 82 027 3876; (meeting password): 7282 9:00 1) J. Mark Wedel, Gounty Board Ghair A) Gall to Order B) Pledge of Allegiance G) Board of Gommissioners Meeting Procedure D) Approval ofAgenda E) Gitizens' Public Gomment - Comments from visitors must be informational in nature and not exceed (5) minutes per person. The County Board generally will not engage in a discussion or debate in those five minutes but willtake the information and find answers if that is appropriate. As part of the County Board protocol, it is unacceptable for any speaker to slander or engage in character assassination at a public Board meeting. Anyone attending virtually wishing to speak during the public comment period should notify the County Administrator's office at218-927-7276 option 7 no later than 2:30 P.M. on the Monday before the meeting. 2l Consent Agenda - All items on the Consent Agenda are considered to be routine and have been made available to the County Board at least two days prior to the meeting; the items will be enacted by one motion. There will be no separate discussion of these items unless a Board member or citizen so requests, in which event the item will be removed from this Agenda and considered under separate motion. A) Correspondence File July 27,2021to August 9,2021 B) Approve July 27,2021 Gounty Board Minutes G) Approve Electronic Funds Transfers D) Approve Commissioner Vouchers E) Approve Auditor's Vouchers - l.T.
    [Show full text]
  • LCARC Tuned Circuit January 2019
    Volume 39, Number 6, L’Anse Creuse Amateur Radio Club February 2019 THE TUNED CIRCUIT Club Website: http://www.n8lc.org INSIDE THIS ISSUE: [Click the link to jump to the item] THE PREZ SEZ February Meeting Program We had a great start at our first meeting of 2019. We had a very informa- tive presentation on the Internet for Hams. We will see more about this pro- The Secretary’s Report gram and improvements to our repeater over the coming year. We also had the White Elephant Gift Exchange with a new method of keep- Membership Report ing all gifts wrapped until the end. A lot of gift stealing was done with no idea of what is in the package. Some great wrapping ideas and gifts were Future Programs provided. I think it was fun for all. Upcoming Swaps Of course we have Winter Filed day coming up and the monthly dinner out is starting back up in January. So a busy January and coming year. Club Nets I have come up with some ideas of how to achieve some of the goals I thought we should focus on for 2019. To keep this update short I will ad- March TC dress these thoughts in a separate article in this month’s newsletter. On another good note our club is doing well with increasing membership Deadline: and our treasury is financially sound. Our club is strong because of the Monday members and their willingness to be involved. February 26th I hope everyone made a New Year’s resolution to spend a little more time enjoying the hobby and spending a few more minutes on the air or attending a Net.
    [Show full text]
  • The Methods and Business of Petrucci Vs. Attaingnant
    Musical Offerings Volume 7 Number 2 Fall 2016 Article 2 9-2016 Casting the Bigger Shadow: The Methods and Business of Petrucci vs. Attaingnant Sean A. Kisch Cedarville University, [email protected] Follow this and additional works at: https://digitalcommons.cedarville.edu/musicalofferings Part of the Book and Paper Commons, Fine Arts Commons, Musicology Commons, Printmaking Commons, and the Publishing Commons DigitalCommons@Cedarville provides a publication platform for fully open access journals, which means that all articles are available on the Internet to all users immediately upon publication. However, the opinions and sentiments expressed by the authors of articles published in our journals do not necessarily indicate the endorsement or reflect the views of DigitalCommons@Cedarville, the Centennial Library, or Cedarville University and its employees. The authors are solely responsible for the content of their work. Please address questions to [email protected]. Recommended Citation Kisch, Sean A. (2016) "Casting the Bigger Shadow: The Methods and Business of Petrucci vs. Attaingnant," Musical Offerings: Vol. 7 : No. 2 , Article 2. DOI: 10.15385/jmo.2016.7.2.2 Available at: https://digitalcommons.cedarville.edu/musicalofferings/vol7/iss2/2 Casting the Bigger Shadow: The Methods and Business of Petrucci vs. Attaingnant Document Type Article Abstract The music printing of Ottaviano Petrucci has been largely regarded by historians to be the most elegant and advanced form of music publishing in the Renaissance, while printers such as Pierre Attaingnant are only given an obligatory nod. Through historical research and a study of primary sources such as line-cut facsimiles, I sought to answer the question, how did the triple impression and single impression methods of printing develop, and is one superior to the other? While Petrucci’s triple impression method produced cleaner and more connected staves, a significant number of problems resulted, including pitch accuracy and cost efficiency.
    [Show full text]
  • Hudson River Pcbs Site EPA Phase 1 Evaluation Report Addendum
    Hudson River PCBs Site EPA Phase 1 Evaluation Report Addendum Prepared for: US Environmental Protection Agency, Region 2 and US Army Corps of Engineers, Kansas City District Prepared by: The Louis Berger Group, Inc. April 2010 Table of Contents INTRODUCTION TOPIC 1: WATER COLUMN LOADS DURING AND AFTER DREDGING 1-A PCB CONCENTRATIONS AT THE FAR-FIELD STATIONS: POST- DREDGING VS BASELINE 1-B NEAR-FIELD PCB RELEASE MECHANISM STUDY 1-C NEAR-FIELD PCB TRANSECT STUDY 1-D PCB FATE AND TRANSPORT IN THE FAR-FIELD DURING DREDGING TOPIC 2: CAUSES OF RESUSPENSION DURING PHASE 1 DREDGING TOPIC 3: REDISTRIBUTION OF CONTAMINANTS DURING DREDGING TOPIC 4: FORECASTS OF DREDGING RELATED IMPACTS AND RELATED RISK 4A FORECAST OF PCB LOADS DUE TO DREDGING COMPARED TO NATURAL ATTENUATION 4-B PREDICTION OF IMPACTS ON FISH TISSUE CONCENTRATIONS IN THE LOWER HUDSON RIVER DUE TO DREDGING TOPIC 5: SCOW UNAVAILABILITY AND ITS IMPACT ON PRODUCTIVITY TOPIC 6: UNDERESTIMATION OF DEPTH OF CONTAMINATION AND ITS IMPACTS ON THE PROJECT 6-A POST-DREDGING CORE LOCATION TREATMENTS AND THE NEED FOR MULTIPLE RESIDUAL PASSES 6-B RELEVANCE AND CONSEQUENCES OF UNCERTAINTY IN MEASUREMENTS OF THE DEPTH OF CONTAMINATION TOPIC 2 ATTACHMENT: CONDITIONS ASSOCIATED WITH WATER COLUMN PCB CONCENTRATIONS: THOMPSON ISLAND DAM 2009 Hudson River PCBs Site Page i The Louis Berger Group, Inc. EPA Phase 1 Evaluation Report – Addendum April 2010 INTRODUCTION INTRODUCTION This Addendum to the EPA Phase 1 Evaluation Report presents information compiled in response to requests and questions submitted by the Peer Review Panel after its introductory meeting in February 2010.
    [Show full text]
  • The Frame Work for Kinetic Text Messages on Mobile Phones Sooyun Im Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2007 The frame work for kinetic text messages on mobile phones Sooyun Im Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Art and Design Commons Recommended Citation Im, Sooyun, "The frame work for kinetic text messages on mobile phones" (2007). Retrospective Theses and Dissertations. 15090. https://lib.dr.iastate.edu/rtd/15090 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The frame work for kinetic text messages on mobile phones by Sooyun Im A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF FINE ARTS Major: Graphic Design Program of Study Committee: Sunghyun Kang, Major Professor Paul Bruski Shana Smith Iowa State University Ames, Iowa 2007 Copyright © Sooyun Im, 2007. All rights reserved. UMI Number: 1446126 UMI Microform 1446126 Copyright 2007 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, MI 48106-1346 ii TABLE OF CONTENTS ABSTRACT iv CHAPTER 1. INTRODUCTION 1 CHAPTER 2. LITERATURE REVIEW 4 A. Mobile communication technology 4 1.
    [Show full text]