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Temporary Conference Schedule Temporary Conference Schedule Tuesday, August 7 Realism & Contingency 7:00 – 9:00 P.M. (Session 1) Pre-Conference Chi Wang (Communication University of Screening: China), How did Jishi-ism Arise in Chinese Documentary Filmmaking? Chinese Austerlitz by Sergei Documentary in the 1980s Re-Evaluated Daniel Mann (Goldsmiths College, Loznitsa University of London), Obfuscation or: How the Military Learned to Stop Worrying and Love Visible Evidence Wednesday, August 8 Raya Morag (The Hebrew University), The Bystander Figure in Contemporary Israeli 8:30 – 10:15 A.M. Anti-Complicity Documentaries Gabrielle McNally (Northern Michigan Domestic Ethnography University), Pressing Record in and (Auto)Biography Charlottesville: Citizen Surveillance as an Emerging Documentary Form (Session 1) Mockumentary & the Raquel Valadares de Campos (Instituto de Artes e Design & Universidade Federal de Carnival (Session 1) Juiz de Fora), Personal Account in First Person Performative Documentaries: Kotaro Nakagaki (Senshu University), Efficient Signifiers and Presentifiers of the Challenges of Documentary Drama / Past Mockumentary in Japan: The Crossroads Natalija Arlauskaite (Vilnius University), Between Fiction and Reality in the Era of (Dis)Appearance of Index: Family Albums Reality TV in Documentary Photofilms Cristina Formenti (University of Milan), Alina Predescu (University of California, Cartooned Documentary Aesthetics: The Berkeley), Filmic Resistance Against Animated Mockumentary and its Markers of Everyday: Su Friedrich's Re/Mediation of Veridiction Present in I Cannot Tell You How I Feel Arturo Delgado Pereira (University of Brett Kashmere (University of California, California, Santa Cruz), Re-Creating Santa Cruz), Everywhere and Nowhere: Documentary: Performance, Play, and Un- Anne Charlotte Robertson in Film History Sobriety Joseph Wofford (Indiana University Bloomington), The Documentary Becoming Fiction: Formal Standardization and Ethical Praxis ! 1 Writing for Documentary Eco-Crisis (Session 2) and the Essay Film Hannah Goodwin (Brown University), (Session 1) Blinded by the Flash: Documenting the Atomic Bomb Jill Daniels (University of East London) Thomas Patrick Pringle (Brown Susan&Seizer (Indiana University University), Ecosystem c. 1984: Digital Bloomington) Media Documentation from Nuclear Winter Miroslaw Przlipiak (University of Gdańsk) to Climate Change Elizabeth Coffman (Loyola University) Belinda Smaill (Monash University), Ted Hardin (Columbia College Chicago) Documentary, Interaction, Time: An Ecocritical Practice-Based Intervention 10:15 – 10:30 A.M. Anthony Stagliano (New Mexico State University), Speculative Non-Fiction Media Break and Making the Future after Humanity Visible 10:30 – 12:15 P.M. Theorizing Spectatorship (Session 2) Maria Hofmann (Middlebury College), Philip Scheffner's Havarie (2016): Documentary Theory in a Crisis of Perception Toby Lee (New York University), The Radical Unreal: Fabulation, Fiction, and Fantasy in Speculative Documentary Scott Curtis (Northwestern University), The Function of the “Animated” in “Animated Documentary” Michael Renov (University of Southern California), Documentary Poesis/Documentary Disposition ! 2 Media Art in Campus / Art Documentaire / Malled Space: Documentary Art: Imperatives in Creative Challenges to Politics & Critical Documentary, Aesthetics (Session 2) Social, and Archival Aline Caillet (University Paris 1 Panthéon- Practice (Session 2) Sorbonne), How to Conceive a Documentary Art: Towards the Performative Mode in Stephanie DeBoer (Indiana University Documentary in Visual Arts Bloomington), Screen Ecology Project: Judith Michalet (University Paris 1 Media Art, Campus Space, and the Panthéon-Sorbonne), Uses of Traces and Inhabited Digital Archive Testimonies in the Documentary Art and Kristy Ha Kang (Nanyang Technological Political Issues University, Singapore ) & Laura Miotto Masha Vlasova (Indiana University (Nanyang Technological University, Bloomington), All about (Wanting to have Singapore), Tracing the Life of a Neglected Sex with) My Mother: Documentary National Monument: Visualizing Collective Evidence as Access to Taboos in Visual Arts Memory through Tangible Heritage in Jane Gaines (Columbia University), Singapore Respondent Isaac Leung (Hong Kong Education University), Rethinking Exhibitions and Coding Conversations Public Space in the Age of Social Media Veronica Paredes (University of Illinois at (Session 2) Urbana-Champaign), XMAL: Building Cross-Campus Collaboration in Anandana Kapur (A.J.K Mass Experimental Media Arts Communication Research Centre), “User Faye Gleisser (Indiana University Experience” and its Modalities in i-Docs Bloomington), Respondent Fabioloa Hanna (University of California, Santa Cruz), Translating Conversations into A Software-Based Documentary Amir Husak (The New School), Software Power Plays and (My) Documentary Dilemmas Screening (Session 2) Lívia Perez (University of São Paulo), Who Killed Eloá? & Lampiao, Lighting up the Brazilian Press ! 3 12:15 – 1:15 P.M. Sexual Polity (Session 3) Lunch Najmeh Moradiyan-Rizi (University of 1:15 – 3:00 P.M. Kansas), Under Western Eyes? Muslim Sexuality and the Politics of Documentary Radical / Militant Film Documentary (Session 3) Juan Carlos Kase (University of North Carolina, Wilmington), Wrecker of Civilization? Cosey Fanni Tutti in Ryan Watson (Misericordia University), Performance, Photography, and Film Radicality and the Documentary Image in Simran Bhalla (Northwestern University), the Age of New Media The Body Politic: Governing Reproduction Martin Lucas (City University of New through the Documentary Film in York), Occupying Time and Space: The Postcolonial India Media Legacy of the Occupy Wall Street Paraic Kerrigan (Maynooth University), Movement Projecting a Queer Republic: Sean Batton (University of Chicago), Mainstreaming Queer Identities on Irish Nouvelle Societe: Militant Cinema and Documentary Film Popular Education in Post-War France Patrick Smith (Concordia University), Critiquing Late Capitalism and the Use of Sound in “Oneworldedness” Aesthetic: Hito Steyerl's Documentary (Session 3) Liquidity Inc. (2014) Jacqueline Goss (Bard Film and Electronic Indigeneity & Modernity Arts), Use of Foley in Non-Fiction Forms (Session 3) Renan P. Chaves (University of Campinas), Documents and Writings on Sound in Documentary Film: In Search of a History Darlene Sadlier (Indiana University and Theory Bloomington), The Jungle and the City: Two Greg Siegel (University of California, Santa 1920s Brazilian Silent Documentaries about Barbara), Aliens, Volcanoes, and Atomic Modernity Bombs: A Strange History of Infrasonic Matteo Dutto (Monash University), Evidence Filming across two laws: Reframing Paul Fileri (American University), The Australian Indigenous Activism in Phantom Sounds of West Africa: The Alessandro Cavadini's Ningla A-Na (1972) Inscription of Documentary Listening in Joanna Hearne (University of Missouri), Paulin Viera's Colonial-Period Work “Changing the World Starts in a Very Simple Way”: Indigenous Children's Rights and the Films of Alanis Obomsawin ! 4 Traveling / Touring / 3:15 – 5:00 P.M. Surveying (Session 3) Practices of Historiography Martin Johnson (University of North (Session 4) Carolina at Chapel Hill), The Manufacture of the Documentary: Industrial Travelogues, Process Narratives, and the Aesthetics of Robert Clift (University of Pittsburgh), Educational Film Tracing the Subjective: Creative Research Jonathan Knapp (Harvard University), Methods and Audiovisual Scholarship Filmmaker-as-Surveyor: The Work of Peter Nicole Keating (Woodbury University), Bo Rappmund and Thomas Comerford Visualizing History: Conversations with Shota Ogawa (Nagoya University), Historians, Documentarians, and Associated Projecting the Japan-Korea-Manchuria History-Makers Travel Route: Amateur Travel Film, Dimitrios Latsis (Ryerson University), The Tourism PR, and the Imaginary of the Slanted Mirror: Early Nonfiction Films Japanese Empire in the 1930s about the History of Cinema Karla McManus (Ryerson University), Katja Lautamatti (Aalto University), Modern Energy Rising: Margaret Bourke- Cinema of the Absent White's Aerial Photography of Canada's Last Industrial Frontier Trauma in Multiple Screening (Session 3) Forms (Session 4) Odeya Kohen Raz (Tel Aviv University, Zoe Beloff (Queen's College, CUNY), Israel), Arnon Goldfinger's The Flat (2011): A Model Family in a Model Home & Exile Ethics and Aesthetics in Third Generation Holocaust Cinema 3:00 – 3:15 P.M. Jan Mollenhauer (Goethe University), Itineraries Break Maria Zalewska (University of Southern California), Digital Topography of Memory: Reimagining Landscapes of Pre-Holocaust Eastern Europe Debra Pentecost (Vancouver Island University), The WAR-TOYS Project: Intersections of Children's Drawings and Photography ! 5 Bursting Bubbles and Forms & Processes in Crossing Lines: Experimental Nonfiction Searching for Film (Workshop) Commonalities Among (Session 4) Differences (Session 4) Papagena Robbins (Concordia University) Marielle Nitoslawska (Concordia B. Rich (DePaul University), Speaking Not University) to the Choir Guylaine Dione (Concordia University) Dana Kupper (DePaul University), Michael Yaroshevsky (Concordia Surprises that Happen When You Make University) Documentaries Jean-Claude Bustros (Concordia Susanne Suffredin (DePaul University), University) @home: See the Invisible and Start the Conversation Screening (Session 4) Embodied Time in Michelle Citron (Columbia College Audiovisual History Chicago), Lives: Visible
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