Temporary Conference Schedule

Tuesday, August 7 Realism & Contingency 7:00 – 9:00 P.M. (Session 1)

Pre-Conference Chi Wang (Communication University of Screening: China), How did Jishi-ism Arise in Chinese Documentary Filmmaking? Chinese Austerlitz by Sergei Documentary in the 1980s Re-Evaluated Daniel Mann (Goldsmiths College, Loznitsa University of London), Obfuscation or: How the Military Learned to Stop Worrying and Love Visible Evidence Wednesday, August 8 Raya Morag (The Hebrew University), The Bystander Figure in Contemporary Israeli 8:30 – 10:15 A.M. Anti-Complicity Documentaries Gabrielle McNally (Northern Michigan Domestic Ethnography University), Pressing Record in and (Auto)Biography Charlottesville: Citizen Surveillance as an Emerging Documentary Form (Session 1) Mockumentary & the Raquel Valadares de Campos (Instituto de Artes e Design & Universidade Federal de Carnival (Session 1) Juiz de Fora), Personal Account in First Person Performative Documentaries: Kotaro Nakagaki (Senshu University), Efficient Signifiers and Presentifiers of the Challenges of Documentary Drama / Past Mockumentary in Japan: The Crossroads Natalija Arlauskaite (Vilnius University), Between Fiction and Reality in the Era of (Dis)Appearance of Index: Family Albums Reality TV in Documentary Photofilms Cristina Formenti (University of Milan), Alina Predescu (University of California, Cartooned Documentary Aesthetics: The Berkeley), Filmic Resistance Against Animated Mockumentary and its Markers of Everyday: Su Friedrich's Re/Mediation of Veridiction Present in I Cannot Tell You How I Feel Arturo Delgado Pereira (University of Brett Kashmere (University of California, California, Santa Cruz), Re-Creating Santa Cruz), Everywhere and Nowhere: Documentary: Performance, Play, and Un- Anne Charlotte Robertson in Film History Sobriety Joseph Wofford (Indiana University Bloomington), The Documentary Becoming Fiction: Formal Standardization and Ethical Praxis

! 1 Writing for Documentary Eco-Crisis (Session 2) and the Essay Film Hannah Goodwin (Brown University), (Session 1) Blinded by the Flash: Documenting the Atomic Bomb Jill Daniels (University of East London) Thomas Patrick Pringle (Brown Susan&Seizer (Indiana University University), Ecosystem c. 1984: Digital Bloomington) Media Documentation from Nuclear Winter Miroslaw Przlipiak (University of Gdańsk) to Climate Change Elizabeth Coffman (Loyola University) Belinda Smaill (Monash University), Ted Hardin (Columbia College Chicago) Documentary, Interaction, Time: An Ecocritical Practice-Based Intervention 10:15 – 10:30 A.M. Anthony Stagliano (New Mexico State University), Speculative Non-Fiction Media Break and Making the Future after Humanity Visible 10:30 – 12:15 P.M. Theorizing Spectatorship (Session 2)

Maria Hofmann (Middlebury College), Philip Scheffner's Havarie (2016): Documentary Theory in a Crisis of Perception Toby Lee (New York University), The Radical Unreal: Fabulation, Fiction, and Fantasy in Speculative Documentary Scott Curtis (Northwestern University), The Function of the “Animated” in “Animated Documentary” Michael Renov (University of Southern California), Documentary Poesis/Documentary Disposition

! 2 Media Art in Campus / Art Documentaire / Malled Space: Documentary Art: Imperatives in Creative Challenges to Politics & Critical Documentary, Aesthetics (Session 2) Social, and Archival Aline Caillet (University Paris 1 Panthéon- Practice (Session 2) Sorbonne), How to Conceive a Documentary Art: Towards the Performative Mode in Stephanie DeBoer (Indiana University Documentary in Visual Arts Bloomington), Screen Ecology Project: Judith Michalet (University Paris 1 Media Art, Campus Space, and the Panthéon-Sorbonne), Uses of Traces and Inhabited Digital Archive Testimonies in the Documentary Art and Kristy Ha Kang (Nanyang Technological Political Issues University, Singapore ) & Laura Miotto Masha Vlasova (Indiana University (Nanyang Technological University, Bloomington), All about (Wanting to have Singapore), Tracing the Life of a Neglected Sex with) My Mother: Documentary National Monument: Visualizing Collective Evidence as Access to Taboos in Visual Arts Memory through Tangible Heritage in Jane Gaines (Columbia University), Singapore Respondent Isaac Leung (Hong Kong Education University), Rethinking Exhibitions and Coding Conversations Public Space in the Age of Social Media Veronica Paredes (University of Illinois at (Session 2) Urbana-Champaign), XMAL: Building Cross-Campus Collaboration in Anandana Kapur (A.J.K Mass Experimental Media Arts Communication Research Centre), “User Faye Gleisser (Indiana University Experience” and its Modalities in i-Docs Bloomington), Respondent Fabioloa Hanna (University of California,

Santa Cruz), Translating Conversations into A Software-Based Documentary Amir Husak (The New School), Software Power Plays and (My) Documentary Dilemmas

Screening (Session 2)

Lívia Perez (University of São Paulo), Who Killed Eloá? & Lampiao, Lighting up the Brazilian Press

! 3 12:15 – 1:15 P.M. Sexual Polity (Session 3) Lunch Najmeh Moradiyan-Rizi (University of 1:15 – 3:00 P.M. Kansas), Under Western Eyes? Muslim Sexuality and the Politics of Documentary Radical / Militant Film Documentary (Session 3) Juan Carlos Kase (University of North Carolina, Wilmington), Wrecker of Civilization? Cosey Fanni Tutti in Ryan Watson (Misericordia University), Performance, Photography, and Film Radicality and the Documentary Image in Simran Bhalla (Northwestern University), the Age of New Media The Body Politic: Governing Reproduction Martin Lucas (City University of New through the Documentary Film in York), Occupying Time and Space: The Postcolonial India Media Legacy of the Occupy Wall Street Paraic Kerrigan (Maynooth University), Movement Projecting a Queer Republic: Sean Batton (University of Chicago), Mainstreaming Queer Identities on Irish Nouvelle Societe: Militant Cinema and Documentary Film Popular Education in Post-War France Patrick Smith (Concordia University), Critiquing Late Capitalism and the Use of Sound in “Oneworldedness” Aesthetic: Hito Steyerl's Documentary (Session 3) Liquidity Inc. (2014)

Jacqueline Goss (Bard Film and Electronic Indigeneity & Modernity Arts), Use of Foley in Non-Fiction Forms (Session 3) Renan P. Chaves (University of Campinas), Documents and Writings on Sound in Documentary Film: In Search of a History Darlene Sadlier (Indiana University and Theory Bloomington), The Jungle and the City: Two Greg Siegel (University of California, Santa 1920s Brazilian Silent Documentaries about Barbara), Aliens, Volcanoes, and Atomic Modernity Bombs: A Strange History of Infrasonic Matteo Dutto (Monash University), Evidence Filming across two laws: Reframing Paul Fileri (American University), The Australian Indigenous Activism in Phantom Sounds of West Africa: The Alessandro Cavadini's Ningla A-Na (1972) Inscription of Documentary Listening in Joanna Hearne (University of Missouri), Paulin Viera's Colonial-Period Work “Changing the World Starts in a Very Simple Way”: Indigenous Children's Rights and the Films of Alanis Obomsawin

! 4 Traveling / Touring / 3:15 – 5:00 P.M. Surveying (Session 3) Practices of Historiography Martin Johnson (University of North (Session 4) Carolina at Chapel Hill), The Manufacture of the Documentary: Industrial Travelogues, Process Narratives, and the Aesthetics of Robert Clift (University of Pittsburgh), Educational Film Tracing the Subjective: Creative Research Jonathan Knapp (Harvard University), Methods and Audiovisual Scholarship Filmmaker-as-Surveyor: The Work of Peter Nicole Keating (Woodbury University), Bo Rappmund and Thomas Comerford Visualizing History: Conversations with Shota Ogawa (Nagoya University), Historians, Documentarians, and Associated Projecting the Japan-Korea-Manchuria History-Makers Travel Route: Amateur Travel Film, Dimitrios Latsis (Ryerson University), The Tourism PR, and the Imaginary of the Slanted Mirror: Early Nonfiction Films Japanese Empire in the 1930s about the History of Cinema Karla McManus (Ryerson University), Katja Lautamatti (Aalto University), Modern Energy Rising: Margaret Bourke- Cinema of the Absent White's Aerial Photography of Canada's Last Industrial Frontier Trauma in Multiple

Screening (Session 3) Forms (Session 4)

Odeya Kohen Raz (Tel Aviv University, Zoe Beloff (Queen's College, CUNY), Israel), Arnon Goldfinger's The Flat (2011): A Model Family in a Model Home & Exile Ethics and Aesthetics in Third Generation Holocaust Cinema 3:00 – 3:15 P.M. Jan Mollenhauer (Goethe University), Itineraries Break Maria Zalewska (University of Southern California), Digital Topography of Memory: Reimagining Landscapes of Pre-Holocaust Eastern Europe Debra Pentecost (Vancouver Island University), The WAR-TOYS Project: Intersections of Children's Drawings and Photography

! 5 Bursting Bubbles and Forms & Processes in Crossing Lines: Experimental Nonfiction Searching for Film (Workshop) Commonalities Among (Session 4) Differences (Session 4) Papagena Robbins (Concordia University) Marielle Nitoslawska (Concordia B. Rich (DePaul University), Speaking Not University) to the Choir Guylaine Dione (Concordia University) Dana Kupper (DePaul University), Michael Yaroshevsky (Concordia Surprises that Happen When You Make University) Documentaries Jean-Claude Bustros (Concordia Susanne Suffredin (DePaul University), University) @home: See the Invisible and Start the Conversation Screening (Session 4) Embodied Time in Michelle Citron (Columbia College Audiovisual History Chicago), Lives: Visible & Leftovers (Session 4) 5:00 – 5:15 P.M. Break Ilona Hongisto (Macquarie University), Pedagogy of Perception: The Documentary Frame in Sergei Loznitsa’s Austerlitz (2016) 5:30 – 7:15 Jeffrey Skoller (University of California, Berkeley), Refugees, Remnants, Opening Reception: Reanimations: Tactile Cinema as Embodied President’s Hall at History Malin Wahlberg (Stockholm University), Franklin Hall Reverberations of a Conflicted Past: “Pensive Images” and Attentive Listening in Natureza Morta and 48 Jaimie Baron (University of Alberta), Respondent

! 6 Thursday, August 9 Music Documentaries 8:30 – 10:15 A.M. (Session 5)

Filmic Geographies Tess McClernon (Concordia University), (Session 5) Billie Sings the Blues: Feminist Documentary and the Female Star Laurel Westrup (UCLA), Toward a (Not Vinicius Navarro (Emerson College), El So) New Art: Music Video-Documentary Mar La Mar: The Desert as Political Space Hybridity John Caldwell (UCLA), 55 Film Locations Adam Diller (Temple University), as Cultural Hacks Epistrophy: Thelonious Monk at the Five Shara Lange (East Tennessee State Spot as a Model for an Ambient Poetics of University; Concordia University), Ethical Documentary Film Documentary Filmmaking Process in Appalachia Juana New (University of Iowa), The Between Hemispheres Documentary Tradition: Visualizing the (Session 5) Planet and Claiming the Real in the Natural Sciences Deane Williams (Monash University), The Documentary Extension Dispostif: The Case Documentary of the Victorian Department of Agriculture Photography (Session 5) Film Unit Esther Hamburger (University of São Paulo), Transnational Encounters and Dis- Catherine Zuromskis (Rochester Institute Encounters in Arne Sucksdorff’s Brazilian of Technology), Evidence of Feeling: Race, Experience Police Violence, and the Limits of Gilberto Sobrinho (Campinas State Documentation University, São Paulo), Documentary and Barbara Evans (University of York), From the Aesthetic of Resistance: Confession, Agnes to Iris: Documentary Representations Performance and Disruption Acts of Age and Ageing Fernao Ramos (State University of Rebecca Boguska (Goethe University), Campinas) (Respondent) Image Banks, Stock Photography and Documentary Representation Jyotsna Kapur (Southern Illinois University, Carbondale), Painted Portraits and Public Faces: The Pose in the First Decades of Photography in India

! 7 Conceptualizing 10:30 – 12:15 P.M. Documentary Sponsored / Industrial Cinematography Films (Session 6)

(Session 5) Zoe Druick (Simon Fraser University), Art and Politics in Instruments of the Orchestra S. Topiary Landberg (University of (1946) California, Santa Cruz), The Postmodern Nariman Massoumi (University of Bristol), City Symphony: Organism in the Space Age “Pouring Water on Troubled Oil”: Dylan Hudson Moura (Ryerson University), Thomas and the Unfilmability of the Anglo- Drone’s Aesthetic: Capturing the Smooth Iranian Oil Company Film Persian Story and Silent Human Flow in Documentary (1952) Chris Cagle (Temple University), Color Colin Williamson (Pace University), A Lost Correction and the Look of Festival History of Automation: American Natural Documentary History Filmmaking and the Wonder Leo Goldsmith (New York University), On Programs of Pillsbury and Ott Documentary’s Surfaces: Lens-Based Annie Sullivan (Northwestern University), Capture in Contemporary Documentary Sponsoring Uplift: The New Detroit Committee, Black Citizenship, and the Political Valence of Local Documentary Screening (Session 5) Documentary Ron Osgood (Indiana University Bloomington), Just Like Me Temporalities (Session 6) 10:15 – 10:30 Kevin Sherman (City College of San Break Francisco), The Elements of Structural Documentary in the Digital Age Heather McIntosh (Minnesota State University, Mankato), The Long-Form Documentary Series, The New Americans, and Kartemquin Films Jason Middleton (University of Rochester), Temporality and Pathos in Longitudinal Documentary Stephan Boman (University of California, Santa Barbara), Circadian Rhythms: Biology, Analogy, and Time-Lapse Imagery in Hilary Harris's Organism

! 8 Migrants & Migrancy Dynamics of (Session 6) Transparency and Opacity: Challenging the Angela Aguayo (Southern Illinois University, Carbondale), Documenting Lives Limits of Documentary Across Borders: The Interventions of Harvey Richards (Session 6) Laura Isabel Serna (University of Southern California), Seeing Chicana Labor: Susan Kris Fallon (University of California, Racho's Garment Workers (1975) Davis), A Supreme Theory of Truth: Irina Patkanian (Brooklyn College), Defining Documentary in Citizens United Documentary in Iphigenia in Lesvos: A Film Daniel Grinberg (University of California, Opera about a Woman's Experience of War Santa Barbara), Compelling Sources: (working title) Documentary Research, Government Clayton Dillard (Oklahoma State Archives, and the Freedom of Information University), From Image to Tableau Vivant: Act Theatricality and Migrancy in Abram Stern (University of California, Contemporary European Documentary Santa Cruz), Metadata as Operational Media Sharon Daniel (University of California, Film and Revolution: Santa Cruz), Undoing Time | A Kind of Pedagogies of Radical Social Death: Materializing a Gesture of Resistance Media (Workshop) (Session 6) Screening (Session 6)

David Fresko (Fairfield University) Hadi Gharabaghi (New York University) Reece Auguiste (University of Colorado Ayeshan Julide Etem, Indiana University Boulder) Bloomington) Lauren McLeod Cramer (Pace University) Jennifer Horne (University of California, Alisa Lebow (University of Sussex) Santa Cruz) Alice Lovejoy (University of Minnesota) Han Sang Kim (Ajou University) John MacKay (Yale University) Village Tractor, I Am A Truck, Earthquake Village, & A Skill for Monila 12:15 – 1: 15 P.M. Lunch

! 9 1:15 – 3:15 P.M. Documentary Audiences Plenary Session: & Spectatorship Kartemquin Films: Past, (Session 7) Present, and Future at IU Cinema Anne Jerslev (University of Copenhagen), The Intimate Documentary and the Vulnerable Subject Speakers: Gordon Quinn, Tim Horsburgh, Brian Winston (University of Lincoln), Emily Strong, Bing Liu, and Ashley Theorizing the Documentary Audience O’Shay Allison Ross (University of Southern California), The Politics of Prurient 3:15 – 3:30 P.M. Engagement Break Claudia Springer (Framingham State University), Shadow Films and the Case for Chimpanzee Rights 3:30 – 5:15 P.M. Documentary Techniques of Truth Interactivity (Session 7) (Session 7)

Francesca Soans (University of Northern Dustin Zemel (Louisiana State University), Iowa), Unreal City: (Re)Creating Urban Robert Fulton and the Documentary Memoryscapes in Documentary Film Integrity of the Superimposition Christopher Barnes (Syracuse University), Ohad Landesman (Tel Aviv University) & Entering the Prison in The Deeper They Patrik Sjoberg (Karlstad University), Bury Me Casting Doubt: Audience, Pre-Enactment, Wentao Ma (Columbia University), and Insidious Reflexivity Deconstructing “Sage Media”: The Moving Steve Thomas (University of Melbourne), Image of Contemporary China in Interactive Towards a Redemptive Aesthetic: Documentary Reflexivity, Collaboration and Ethics in Aaron Goodman (Kwantlen Polytechnic Documentary Filmmaking University & Concordia University), Amanda Keeler (Marquette University), Responding to North America's Opioid Interrogating the “Tabloid” in True Crime Overdose Crisis: Participatory Interactive Television Documentary and Collaborative Testimony

! 10 On Bill Greaves 5:30 – 7:30 P.M. (Workshop) (Session 7) Plenary Session: Lust in the Kinsey Stag Joan Hawkins (Indiana University Archives: Production, Bloomington) Scott MacDonald (Hamilton College) Texts, Exhibition at IU Irina Leimbacher (Keene State

University) Cinema J.J. Murphy (University of Wisconsin- Madison) Speakers: Thomas Waugh, Linda Charles Musser (Yale University) Williams, Russell Sheaffer, and Liana Jacqueline Stewart (University of Chicago) Zhou Patricia Zimmermann (Ithaca College)

Screening (Session 7) Friday, August 10 8:30 – 10:15 A.M. D. Andy Rice (Miami University) & Against Mutual Zeinabu Davis (University of California, San Diego), Spirits of Rebellion: Black Exclusivity: Independent Cinema from Los Angeles Documentary and Screening (Session 7) Performance (Session 8)

Jonathan Olshefski (Rowan University), Jamie Hook (Indiana University QUEST Bloomington),“Do I Get a Chance to Say Who I Want to Play my Life?”: 5:00 – 5:30 P.M. Documentary and Metatheatricality in Every Little Step Break Eric Zobel (Indiana University Bloomington), “The Texture of Time and Memory”: Re-Constructing The Wooster Group’s Rumstick Road Landon Palmer (The University of Tampa), “Vicariously Being There”: New Media and Music Performance in The T.A.M.I. Show Jennifer Zale (Independent Scholar), Bolshoi Babylon: Documenting the Struggle for Power Within the 21st Century Russian Theater World

! 11 Political Truths & Fifty Years of Persuasion (Session 8) Participatory Community Media: On the Frontlines Ritika Kaushik (University of Chicago), Indeterminacies of Bureaucratic Film: State of Politics and Place Sponsored Film Infrastructure at the Time of Emergency in India (Workshop) (Session 8) Scott Krzych (Colorado College), Bias or Belief? The Evangelical Political Film Patricia Zimmermann (Ithaca College) Jacob Bohrod (University of Southern Louis Massiah (Scribe Video) California), From Housing Problems to Carmel Curtis (XFR Collective) Sidra: The Tradition of the Victim in Virtual Brendan Allen (XFR Collective) Reality Documentary Caroline Gil (XFR Collective) Michael Grant (XFR Collective) Marie Lascu (Crowing Rooster Arts) New Histories of Direct Cinema & Cinéma Vérité Operating in the Open: (Session 8) Operative Images in Public Discourse Miroslaw Przylipiak (University of Gdańsk), Dialectics of Surface and Depth: (Session 8) American Direct Cinema at the Crossroads of Idealistic Philosophy and Phenomenology Gabriel Kitofi Tonelo (UNICAMP), Direct Laliv Melamed (Goethe University), Cinema and Autobiography in the 1970s: Simulated Scenarios: Visual Politics of The MIT Film Section Production Flight Simulation Aesthetic Nilo Couret (University of Michigan), Benjamin Schultz-Figueroa (University of Chronicle of a (Sexy) Summer: New California Santa Cruz), Bird Brained Argentine Cinema Camps Cinéma Vérité in Bombs: Rendering the War Animal Through ¡Ufa con el sexo! (Rodolfo Kuhn, 1968) Optical Technology Katie Model (OCAD University), Jason Fox (Princeton University), Does Respondent Documentary Need a Subject?: Operational Images and Managing Surplus Life Oliver Gaycken (University of Maryland), Visualizing a Smarter Planet: IBM’s Data Aesthetics

! 12 Screening (Session 8) The Intermediality of Art Documentaries Irina Patkanian (Brooklyn College), Three Boats (Session 9) Yulia Lokshina (University of Bonn), Days of Youth Roger Hallas (Syracuse University), Global 10:15 – 10:30 A.M. Participatory Photography and the Moving Image Break Bella Honess Roe (University of Surrey), Exhibition on Screen and the Documentary Experience of Art 10:30 A.M. – 12:15 P.M. Chanda Carey (Franklin & Marshall Documentary College), Film and the Performance of Marina Abramović: Documentary as (In)humanity (Session 9) Documentation Matthew J. Fee (Le Moyne College), “Seeing Too Much is Seeing Nothing”: Jaimie Baron (University of Alberta), Documentary Film and the Place of Fashion Visualizing Inhumanity: Appropriating

Perpetrator Footage in You Don't Like The Truth: Four Days Inside Guantanamo Ism, Ism, Ism: Maria Pramaggiore (Maynooth University), Voyager as Avant Doc: Experimental Cinema in Projecting the Anthropocene and Recording Latin America the Inhuman Brian Frye (University of Kentucky), (Workshop) (Session 9) Killing Time: Motion Picture Evidence & Capital Punishment Kristen Fuhs (Woodbury University), Jesse Lerner (Claremont College; Pitzer Respondent College), Cine Reciclado / Recycled Cinema Luciano Piazza (Independent Scholar), Bilingual Aesthetics and The Disputed Interactivity in Action: Territories of Languages Isabel Arredondo (SUNY Plattsburgh), Social Documentary in Audible Evidence: Historical Soundscapes the Virtual World in Orinoko, Nuevo Mundo Antoni Pinent (Independent Scholar), (Workshop) (Session 9) Manipulated Analog Documents Álvaro Vázquez Mantecón (Universidad Autónoma Metropolitana), Manuel Álvarez Augusta Palmer (St. Francis College) Bravo “On the Watch” Kari Brown (University of Nevada Reno)

Joseph Brown (Marquette University)

! 13 Post-Realism: Political 3:30 – 5:15 P.M. Mimesis Reconsidered Standing with Indigenous (Workshop) (Session 9) Documentary Media (Session 10) Jonathan Kahana (University of California, Santa Cruz) Marit Corneil (Norwegian University of Zoe Beloff (Queens College CUNY) Science and Technology), The Whole World Jane M. Gaines (Columbia University) is Watching: Mobile and Locative Media in John Greyson (York University) the Service of Indigenous Protest Jean-Marie Téno (Independent Filmmaker) Movements Leshu Torchin (University of St. Andrews) Janet Walker (University of California, Santa Barbara), Media, Mapping, Surveillance, and Survivance: Standing with Screening (Session 9) Standing Rock Lucia Ricciardelli (Montana State Daniel Mann (Goldsmiths College, University), Circles of Story Circles: University of London) & Sasha Litvintseva Preserving Native American Oral History (Goldsmiths College, University of through Audiovisual Storytelling London), Salarium Julia Lesage (University of Oregon), Adam Diller (Temple University), Respondent SAFSTOR 12:15 – 1:15 News as Documentary Lunch & Visible (Session 10) Evidence Business Silpa Mukherjee (University of Pittsburgh), Meeting at Neal Marshall “Unbelievable Victory for ISIS, Shitty Camera Work for Us”: Deep Web, Visibilizing Death, and Orphan Videos of 1:15 – 3:15 P.M. Torture Plenary Session: Alexandra Juhasz (Brooklyn College), #100hardtruths-#fakenews The Illinois Parables & Ishita Tiwary (Jawaharlal Nehru University, India), Unsettling News: Hacked Circuit by Newstrack as the Video Event Deborah Stratman at IU Steven Anderson (UCLA), 360 Degrees of Truth Cinema

3:15 – 3:30 P.M. Break

! 14 Project Bluelight: 5:30 – 7:30 P.M. Bridging the Professional Plenary Session: The and Academic Worlds Event by Sergei Loznitsa through Experiential at IU Cinema Learning (Workshop) (Session 10) Saturday, August 11 8:30 – 10:15 A.M. Anuradha Rana (DePaul University), The Hour of the Furnaces Researching and Developing the Project Dana Kupper (DePaul University), (Solanas & Getino, Preparing for the Shoot Susanne Suffredin (DePaul University), 1968), Fifty Years (of Editing the Documentary Blood and Ink) Later Gary Novak (DePaul University), Foundation, Academic Aims and the (Session 11) Administrative Process

Javier Campo (Universidad Nacional del Media Burn Archive Centro de la Provincia de Buenos Aires), The Hour of the Furnaces as a (Session 10) Revolutionary Film Creation that Left its Mark Michael Renov (University of Southern Tomás Crowder-Taraborrelli (Soka California) University of America, California), Popular Tom Weinberg (Filmmaker/Producer at Music and Political Militancy in The Hour Media Burn) of the Furnaces Kristi Wilson (Soka University of America, California) & Laura Ruberto (Berkeley Screening (Session 10) City College), The Hour of the Furnaces, May 1968, and the Pesaro International Jill Daniels (University of East London), Film Festival Journey to the South & My Private Life II Fernao Ramos (UNICAMP), Respondent

5:15 -5:30 P.M. Break

! 15 Mainstreaming the War Documentary and Data Documentary Visualization (Session 11) (Session 11) Scott MacKenzie (Queen's University), The Ethics of Faking It: Data Visualization in Seth Feldman (University of York, Satirical News, Climate Change Denial Canada), Memory and Spectatorship in Ken Documentaries, and “Fake News” Burns’ and Lynn Novick’s The Vietnam War Anna Westerstahl Stenport (Georgia Bjørn Sørenssen (Norwegian University of Institute of Technology), Environmental Science and Technology), The “High Data Visualization, Documentary Theory, Concept Documentary” and War Memories: and the Climate Crisis Comments on Ken Burns´ and Lynn Jeffrey Himpele (Princeton University), Novick´s The Vietnam War (United States Data Visualization and Documentary in 2017) Philadelphia’s Local Biology: Notes from Christopher Moore (University of the VizE Lab Minnesota), Documentary Film is a Local Katy Bӧrner (Indiana University Cinema (Even for Ken Burns) Bloomington), Visualizations for Making Marit Corneil (Norwegian University of Sense of Science and Technology Science and Technology), Respondent Elizabeth Record (Indiana University Bloomington), Visualizations for Making Experimental Media Sense of Science and Technology

Ethnography Beyond the Screening (Session 11) Human (Session 11) Charles Fairbanks (Antioch College) & Isabelle Carbonell (University of Saul Kak (Galeria MUY), The Modern California, Santa Cruz), Cinema of the Jungle Anthropocene: Using Experimental Ethnographic Film to Think Sideways Beyond the Human Screening Session (11) Patricia Alvarez Astacio (Brandeis University), Experimental Embodied and Anal Shah (Grand Valley State University), Sensorial Approaches in Ethnography and Kalaripayattu Representation Marco Ferrari (Chicago, IL; Guardistallo, Franziska Weidle (Göttingen University, Italy), Spirit Level Germany), Authoring Software as Focusing Media in Experimental Ethnography 10:15 – 10:30 A.M. Mauricio Godoy (Pontificia Universidad Católica del Perú), Primitive, Break Anthropophagic and Dialectical: The Aesthetics of Dreaming in Latin American Documentary Film

! 16 10:30 A.M. – 12:15 P.M. Circulating Subjectivities Longitudinal and the Political Documentaries as Environments of Epistemic Instruments Documentary (Session 12) (Session 12)

Britta Hartmann (University of Bonn), Ashes of Time: Longitudinal Documentaries Joel Neville Anderson (University of as Lived Experience and Conserved Rochester), LaToya Ruby Frazier and the Biography Place of the Artist in Social Documentary Marian Petraitis (University of Zurich), Ling Zhang (SUNY Purchase), Voicing “Give Me the Child Until He is Seven, and I Gender and Peasants’ Poetry in Will Show You the Man”: Childhood Contemporary Chinese Documentary Around the World in Seven Up Vincent Bohlinger (Rhode Island College), Ylia Lokshina (University of Bonn), The Observing the Observer: Vertov’s Portrayal Unintended Longer View: The Alternative of Pioneer Girls Narrations of Non-Institutional Long Docs David Gray (Northern Arizona University), Adrian Hermann (University of Bonn), Minding the Divides: Class Politics in Respondent Postdictatorship Documentary from Chile and Argentina

Nonfiction Camera- Expanded Documentary: Bodies: Reflections on Micro-Medias, Experiences of Animation, and Evidence Camerawork (Session 12) in Nonfiction Forms

D. Andy Rice (Miami University), The (Session 12) Virtual Camera: Reenactment in Theories of the Nonfiction Camera-Body Soumyaa Behrens (San Francisco State Sarah Franzen (Spelman College), The University), Assisting and Usurping the Social Dance of Filmmaking: An Processes of Law and Justice (working title) Observational Approach Kelly Gallagher (Antioch College), Erika Addis (Griffith University), Woman Working from the Inside Out: Resurrecting with a (Documentary) Movie Camera: The Our Experiences through Animation Art of Seeing Alexander Johnston (University of Chris Cagle (Temple University), California, Santa Cruz), Use of GIF Format Respondent by Documentary and Experimental Media Producers (working title) Jason Fox (Princeton University), Respondent

! 17 The Politics of Amateur & Training Programming (Workshop) Films (Session 13) (Session 12) Shan Tong (City University of Hong Kong), Translating for Global Circulation: Leshu Torchin (University of St Andrews), A Case Study of Chinese Documentary Streaming Documentary Institution CNEX and its Training Events Scott, MacKenzie (Queen’s University), Heather Blackmore (University of Teaching and Programming “Films That Southern California), “Up-to-the-Minute Ought Not to be Seen” People”: The Bell & Howell Filmo and the Zeynep Yasar (Indiana University Female Image Bloomington), State Interventions Jessica Gordon-Burroughs (Miami Andy Uhrich (Indiana University Libraries University), Between Documentary and the Moving Image Archive), The Politics of Amateur: 16mm Loisada Selecting Non-Fiction Films for a Mass Digitization Project Mediated, Contested, and Screening (Session 12) Erased: Crafting Vernacular and Official Raquel Valadares de Campos (Instituto de Artes e Design, Universidade Federal de Memory (Session 13) Juiz de Fora), Old Man's Cars 12:15 – 1:15 P.M. Rudo Mudiwa (Indiana University Bloomington), The Durability of Cecil John Lunch Rhodes: Colonial Monuments, Memory, and Place Katie Lind (Indiana University 1:15 – 3:00 P.M. Bloomington), Ephemeral Illuminations: Radical Documentary Projecting (Vernacular) Memory Safak Killctepe (Indiana University Revisited (Session 13) Bloomington), No Camera Zones: Negotiating Documenting in Politically Changing Environments Jane M. Gaines (Columbia University), Julie Le Hégarat (Indiana University Radical Film Collectives of the 1930s: The Bloomington), Keeping a Trace: Memory, World Connection Voice, and the (Still) Image Charles Musser (Yale University), Jay

Leyda and the Documentary Mode Nathaniel Brennan (New York University), Too Far Left of Center: The Rockefeller Foundation and the Association of Documentary Film Producers Tom Waugh (Concordia University), Respondent

! 18 Social Marginality Screening (Session 13) (Session 13) Rick Prelinger (University of California Santa Cruz), Lost Landscapes of New York Alan Wright (Independent Scholar), Cooperative Cinema and the Equity of 3:00 – 3:15 P.M. Reproducing Participants in Documentary Benedict Stork (Independent Scholar), The Break Prison in Twelve Landscapes and the Mise- en-scène of Surplus 3:15 – 6:15 P.M. Laurel Ahnert (Georgia State University), Documentaries, Disability, and the Deferral Plenary Session: of Touch: Re-Thinking the Ethics and Epistemology of Film-Phenomenology in Dawson City: Frozen Planet of Snail Time & Buried Breaking Catalin Brylla (University of West London), Away by Bill Morrison at Disability Artivism and Documentary Storytelling IU Cinema

6:15 – 6:30 Documentary Cultures of Break the United States Information Agency in 6:30 – 7:30 P.M. Asia (Session 13) Closing Toast: Showalter Fountain Hadi Gharabaghi (New York University), “American Mice Grow Big”: Investigating Documentary Diplomacy in Iran during 1950s through the Embassy's Mobile Screening Reports of Film Illiteracy Ayeshan Julide Etem (Indiana University Bloomington), USIS Facilitation of Multimedia Networks between Turkey and the U.S. Han Sang Kim (Ajou University), USIS and the Local Film Cultures in South Korea, Taiwan, and Okinawa, 1945-1972 Bret Vukoder (Carnegie Mellon University), “Neither American nor Vietnamese”: The Discordant Documentaries of USIA/JUSPAO During the Vietnam War

! 19