Alice Adams Fair Isle in the Round
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Elegant Shoulderette ¤ 1999 by Leef Bloomenstiel
1 Elegant Shoulderette ¤ 1999 by Leef Bloomenstiel This shrug pattern can be a wel- come addition to any wardrobe. It can be worn as a dressy acces- sory, or look equally well with jeans. It is not a tight fitting shrug, but more loosely fitted with an ele- gant drape. The pattern will fit a wide range of sizes, but you must take your arm span measurement first. Stand with your arms com- fortably at your side, and measure from the top of your wrist (where you like the cuffs of your sweaters to fit) up your arm to the top of the shoulder, over the shoulder and to the middle of your back, to the nape of the neck. Write this measurement down as you will re- fer to it often. The pattern is knit sideways from the left wrist STITCH LEGEND to the right wrist. There is a garter stitch border ———————————— at both the top and bottom. The top garter K - knit stitch border is gently increased to provide a P - purl fold back collar, and the center panel is in- st - stitch creased from the arms to cover the length of sts- stitches the back from the neck, to the lower middle M1 - make one (an increase) RS - right side of the back. The directions are given for the WS - wrong side first half of the sweater, as the second half is k2tog - knit 2 sts together knitted exactly the same as the first half, with p2tog - purl 2 sts together decreases where increases were made. PM - place marker The use of a row counter is highly recommended. -
Mechanism and Formation of Woven Selvage Lines
Mechanism and Formation of Woven Selvage Lines By Sei Uchiyama, Member,TMSJ Takatsuki Institute, Toyobo Co., Ltd. Takatsuki, Osaka Pref. Basedon Journalof the TxetileMachinery Society of Japan, Vol.19, No.11, T284-289(1966); Vol.19, No. 12, T309-315 (1966); Vol.20, No. 2, T49-56 (1967) ; Vol.20 , No.2, T57-60 (1967) Abstract This article discussestheoretically the mechanismof a woven selvage line and establishesbasic knowledgeabout, among other things, its dynamic construction, the differencesbetween the selvage and the body of a fabric, the process of stabilizingthe form of a selvage. interlaced to form a selvage is x,=C. This location 1. Introduction is a function of T-,, a force which pulls the selvage- formation point to the left ; and of T+,, a force which This work is an attempt to clarify the weaving pulls that point to the right. mechanism of a selvage as part of a research into the xi=f (T-1, T+1) .........(1) function of weaving. Seldom is the selvage of a fabric Assume that, with the progress of weaving cycles, specially woven. It is a by-product, so to say, of a fabric. xi transforms into, sucessively, x2, x3 and x; and is However, it should not be ignored, because it improves stabilized on reaching xn. xi, an optional point x at that the quality of a fabric, protects its ground and facili- time, is given as a function of xi-1. That is, tates the processing and handling of the fabric. It is xi=~5i-i(xi-,) believed, therefore, that establishing a theoretical basis xi-1=~Si-2(xi-2) for obtaining a uniform selvage is an undertaking of Also, practical value and will help to expand the range of x1~x2C"' "'.xi-1Cxi+1"' "'xn=xn+j reseach into weaving. -
VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 P.M
VOGU Eknitting CHICAGO THE ULTIMATE KNITTING EVENT OCTOBER 24 –26 ,2014 • PALMER HOUSE HILTON HOTEL PRINTABLE BROCHURE NEW& INSPIRATIONAL KNITWORTHY HAND KNITTING PRODUCTS CLASSES & LECTURES! VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 p.m. –7 p.m. OF EVENTS Classroom Hours: 6 p.m. –9 p.m. Friday, October 24 VOGUEknitting Registration: 8 a.m. –7:30 p.m. 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. 2-hour Classroom Hours: 9 a.m.–11 a.m., 2 p.m.–4 p.m. Marketplace: 5:00 p.m. –8:30 p.m. Please refer to VogueknittingLIVE.com for complete details. Saturday, October 25 HOTEL INFORMATION Registration: 8 a.m. –6:30 p.m. Vogue Knitting LIVE will be held in 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. downtown Chicago at the luxurious 2-hour Classroom Hours: Palmer House Hilton Hotel, located 9 a.m.–11 a.m., 2 p.m.–4 p.m. near Millennium Park in the heart of Marketplace: 10 a.m. –6:30 p.m. the theater, financial, and shopping districts of downtown Chicago. The Palmer House Hilton Hotel is within walking distance of the Windy City’s Sunday, October 26 most famous museums, shopping,a government, and corporate buildings. Registration: 8 a.m. –3 p.m. 3-hour Classroom Hours: The Palmer House Hilton Hotel 9 a.m.–12 p.m., 2 p.m.–5 p.m. -
Code of Federal Regulations GPO Access
12±3±96 Tuesday Vol. 61 No. 233 December 3, 1996 Pages 64007±64244 Briefings on How To Use the Federal Register For information on briefings in Washington, DC, and Austin, TX, see announcement on the inside cover of this issue. Now Available Online Code of Federal Regulations via GPO Access (Selected Volumes) Free, easy, online access to selected Code of Federal Regulations (CFR) volumes is now available via GPO Access, a service of the United States Government Printing Office (GPO). CFR titles will be added to GPO Access incrementally throughout calendar years 1996 and 1997 until a complete set is available. GPO is taking steps so that the online and printed versions of the CFR will be released concurrently. The CFR and Federal Register on GPO Access, are the official online editions authorized by the Administrative Committee of the Federal Register. To access CFR volumes via the World Wide Web, and to find out which volumes are available online at a given time users may go to: ★ http:www.access.gpo.gov/nara/cfr New titles and/or volumes will be added to this online service as they become available. The initial titles introduced include: ★ Title 20 (Parts 400±499)ÐEmployees' Benefits (Social Security Administration) ★ Title 21 (Complete)ÐFood and Drugs (Food and Drug Administration, Drug Enforcement Administration, Office of National Drug Control Policy) ★ Title 40 (Almost complete)ÐProtection of Environment (Environmental Protection Agency) For additional information on GPO Access products, services and access methods, see page II or contact the GPO Access User Support Team via: ★ Phone: toll-free: 1-888-293-6498 ★ Email: [email protected] federal register 1 II Federal Register / Vol. -
Fibers and Fabrics Level 1 Oregon 4-H Clothing Construction Fact Sheets: Basic Skills—Level 1
Archival copy. For current version, see: https://catalog.extension.oregonstate.edu/4-h32017 Fibers and Fabrics Level 1 Oregon 4-H Clothing Construction Fact Sheets: Basic Skills—Level 1 4-H 320-17 • October 2014 Natural and man-made fibers Fibers are the basic component of fabrics. Each type of fiber has unique characteristics, and fabrics have the same characteristics as the fibers they are made from. Learning about fibers is important because it helps you understand how the fabric will perform and what care the fabric needs. Fibers can be natural or man-made. Natural fibers Natural fibers come from natural sources, such as plants and animals. There are four natural fibers: cotton, linen, silk, and wool (figure 1). These fibers are naturally absorbent and porous. This is why fabrics made from natural fibers will be comfortable to wear in a variety of temperatures. However, natural fibers will Figure 1. Cotton is an example of a also shrink if they are not handled carefully. natural fiber. Man-made fibers The term “man-made fiber” refers to all fibers not found in nature. Man-made fibers are made from a synthetic source (chemicals, such as petroleum) or a cellulose source that has been enhanced in a lab (figure 2). Man-made fibers include nylon, polyester, olefin, rayon, acetate, triacetate, spandex, and acrylic. These fibers are highly resilient, so they resist creases. However, because they are not very absorbent or porous, they may be uncomfortable in hot or humid weather. Woven, knitted, and other fabric construction Fibers or yarns made from fibers can be used in many ways to make fabrics. -
Alice Starmores Book of Fair Isle Knitting Kindle
ALICE STARMORES BOOK OF FAIR ISLE KNITTING PDF, EPUB, EBOOK Alice Starmore | 208 pages | 30 Oct 2009 | Dover Publications Inc. | 9780486472188 | English | New York, United States Alice Starmores Book of Fair Isle Knitting PDF Book I am interested in seeing the new edition of this book. I am also inspired by art, culture, history, science and music. I was also born at a time when most women knitted as a matter of course, and I had three aunts who had been fisher girls in their youth and were experts at making traditional fishermen's gansies. We use cookies to improve this site Cookies are used to provide, analyse and improve our services; provide chat tools; and show you relevant content on advertising. Necessary cookies are absolutely essential for the website to function properly. I endeavoured to write a complete instruction manual for this old Scots art. Mary Thomas's Knitting Book. My Account Wishlist —. It was featured in a national newspaper and from that small beginning my knitting career evolved in ways that were quite unimaginable to me when I began. I am grateful that I was asked to write it and I am pleased that its success has been so enduring. To finish, I made a set of little knitted, embroidered and felted buttons, each one unique like the pebbles. Take it, use it. She shares fourteen of her own original designs, including patterns for cardigans, vests, fishermen's sweaters, hats, gloves, and mittens. The book begins with a comprehensive history of knitting in the Shetland Isles, and how closely knitting production was linked to the economy of the region. -
Discover Fair Isle: Cowl
Discover Fair Isle: Cowl Supplies Loops & Threads® Impeccable™ (Solids: 4.5 oz/128 g; 245 m/268 yds) (Ombres: 3.5 oz/100 g; 175 m/192 yds) Contrast A: 1 ball (01010 Heather) Contrast B: 2 balls (02001 Earth Ombre) Size 5 mm (U.S. 8) circular knitting needle 36” (90 cm) long or size needed to obtain gauge. Stitch marker Darning needle Craft Yarn Council invites you to Discover Knit & Crochet with a fun series of classes where you learn techniques by creating a project. You’ll have friendly, one-on-one help from our certified teachers and make new friends. To learn more about the Craft Yarn Council’s Discover Knit & Crochet Classes and for helpful tips and links, visit: www.cycdiscoverknitandcrochet.org. Measurements Tip Approx 16” (40.5 cm) high x 30” ( 76 cm) circumference This clever Abbreviations cowl is worked approx = approximate(ly) in the round making beg = beginning k = knit the fair isle technique k2tog = knit next 2 stitches together. super easy since all m1 = make 1 st by picking up horizontal fair isle stitches are loop lying before next stitch and knitting into back of loop knit only. pat = pattern rep = repeat rnd(s) = round(s) Back Front st(s) = stitch(es) ws = wrong side Gauge 19 sts and 22 rows = 4” (10 cm) in fair isle pat. Instructions Next rnd: With A, *K7. K2tog. Rep from * around.15 128 sts. Note: When working from chart, carry yarn not in use Break A. 13 loosely across WS of work. The colors are never twisted 1st rnd: With B, knit. -
A Quick and Easy Project – This Lovely Little Scarf Is Knit in Fisherman's
by Robyn Diliberto for Make One Design Features: A quick and easy project – this lovely little scarf is knit in fisherman’s rib and finished with a knitted flower and button. Size: One size fits most. Yarn required: 150 yards fingering weight yarn* *Yarn used is labelled 26sts/4” (sport weight), but it seemed as fine as any sock yarn. Blocked Gauge: 26 sts/32 rows = 4” (10cm) in Fisherman’s Rib stitch pattern Needles: Size 5 U.S. (3.75 mm) needles (set of 5 double pointed or two circulars) or size needed to obtain gauge. Other Supplies: Size F (3.75 mm) crochet hook Waste yarn Tapestry Needle Skill Level: Advanced Beginner/Intermediate Yarn Used for sample: Swiss Mountain Silk by Hand Maiden 65% cashmere/35% silk 180 m/50 g Color: Rose Revised August 27, 2008 Page 2 of 2 Scarf Queen’s Ball Button With Size 5 U.S. needles (straight or circular – knitter’s With Size 5 U.S. double pointed or straight needles, choice) cast on 27 stitches. cast on 8 stitches. Row 1: Knit in front and back of each stitch; *Fisherman’s Rib Stitch pattern 16 stitches. (instructions include a two stitch selvage at each edge): Row 2: *purl 1, knit 1; Row 1: Slip 1 purlwise, purl 1, knit 23, purl 1, knit 1. repeat from * to end of row. Row 2: Slip 1 purlwise, knit 1, Row 3: *knit 1, purl 1; *purl 1, knit next stitch in the row below repeat from * to end of row. [insert right hand needle into the center of the Row 4, 6, 8, 10: Repeat Row 2. -
BENON HEADBAND Designed by Hazel Tindall This Headband Was Designed to Use up Small Amounts of Shetland Yarn – 1 Background Co
BENON HEADBAND Designed by Hazel Tindall This headband was designed to use up small amounts of Shetland yarn – 1 background colour and 3 contrast colours. Model: Vaila Tinkler Photographer: Nicola Fleck Knitting Technical Editor: Stephanie Boardman ([email protected]) More knitting patterns: www.hazeltindall.com TM Benon Headband © Hazel Tindall, 2013 Visit www.hazeltindall.com for more knitting patterns NOTES • The colours are joined by knotting them together. • The headband is knitted flat for the first 8 rows. At the start of the 9th row it is joined to knit in the round. • Colours for blank and filled chart squares are given at the sides. • Cast off can be fairly tight so that band narrows at the top. SIZING 3.5” (9cm) finished depth. Headband width will easily stretch by approximately 4cm. This, plus the short section of ribbing gives a snug fit. Size 1 Size 2 Size 3 Size 4 15-19” (38-48cm) 18-22” (46-56 cm) 20-24” (51-63cm) 23-27” (58-68cm) YARN Supplies of Shetland yarn are available from either www.shetlandwoolbrokers.co.uk: Jamieson & Smith 2 ply jumper weight, 100% Shetland wool, 115m/25g ball OR www.jamiesonsofshetland.co.uk: Spindrift 2ply, 100% Shetland wool, 105m/25g ball Chart Quantity - 25g balls Jamieson & Smith 2 ply Jamieson’s of Shetland reference (approximate quantities for jumper weight colours Spindrift colours - similar Size 4 in brackets) used in the photograph colours M 1 ball 15g FC34 760 A 1 ball 3g FC41 1020 B 1 ball 3g 21 710 C 1 ball 2g 81 126 If you choose to use just 2 colours, you will need approximately 15g (90m) for the blank squares on the chart, and 8g (70m) for the filled squares. -
This Tutorial Will Explain What a Balanced Plied Yarn Is, and H
An HJS Studio Project: Knit Shetland Tote Bag This is another project inspired by the spinning group I belong to. They decided to make knitted totebags the group project in 2002 (see also Mitered Mitten Set, for my response to our 2004 project). One spinner provided photocopies of a pattern from a knitting magazine as a starting point. Some members of the group did exactly that bag, while others experi- mented in various ways. My bag is probably the farthest from the origi- nal pattern—they basically have just two things in common—they're handknit, and they're totebags! I hope to be able to get a photo of all the bags to put on the website at some point, but for now will have to settle for mine alone. This isn't an exact pattern, but rather a narra- tive of one process of creating an item of handspun yarn. Anyone who would like to can copy the process and come up with something similar, but I hope most readers will be inspired by the process to come up with something totally, uniquely their own. The first thing that comes to mind in dis- cussing something like this is I didn't follow the pattern. It was intarsia, I prefer fair isle; it had sections knitted back-and-forth, I prefer all circular knitting; etc. I just can't follow a pattern, no matter what! I've always been like that, even before I began to knit. A little of the 60s rebellion sunk in, though I wasn't quite yet a teen back then? Still, the pattern was inspirational. -
Nine Clever and Creative Ways to Use Fabric Edges
Salvage SelvagesYour good selvage is like a bonus with your fabric purchase. Most of Nine clever and the time, sewers use selvages as references to ensure we’re placing A patterns on the fabric’s straight grain, and then we cut them off creative ways to and toss them. Selvages can be so much more, however, whether used for use fabric edges structural support, as embellishment, or as a source of inspiration. You may not usually buy a piece of fabric because of its selvage, but you BY MARY RAY just might start once you learn how using a beautiful and interesting sel- vage creatively can turn a humdrum garment into a statement piece. Some selvages are unobtrusive, narrow, and woven a little tighter with stronger yarns than the rest of the fabric, while some are much fancier, with multi- colored yarns, woven patterns, or feathery edges—or sometimes all three. Once you start looking at selvages with a designer’s eye, you’ll see how useful they can be. Here are nine ways you can use selvages that are just too good to discard. Mary Ray is a Threads contributing editor and teaches apparel design and construction at Appalachian State University in Boone, North Carolina. 36 THREADS Selvages, like those shown on the facing page, may be reserved or flashy. Discover how to use them instead of trims to highlight garment details. At right, a wool tweed dress gets a boost from self- fabric selvages applied as stitched-down seam piping. Pattern: Vogue 1183; fabric: MoodFabrics.com. www.threadsmagazine.com AUGUst/SEPteMBER 2014 37 Prepare to use selvages The ways you can use a selvage depend on whether it is uncut (flat) or fringed. -
Basic Fair Isle Hat
BASIC FAIR ISLE HAT This is a new pattern for my Basic Hats collection. The heart-shaped stitches of contrasting color make this hat look so joyful! They are accomplished with the use of the fair isle technique, which might seem a bit scary and complex from the first glance. But if you start learning it from something easy - like this hat - you’ll fall in love! Chunky yarn makes this knit really fast, and two-colored design gives endless possibilities for color combination. You can adjust the pattern to another yarn, change the size or length of the finished garment, add a pompom or skip this step (if someone can actually do that!). The pattern contains links to the video tutorial that makes the process more easy to understand. YARN NOTIONS ➔ Lion Brand Wool Ease Thick&Quick (80% ➔ 1 stitch marker acrylic+20% wool, 6 oz./170g, 106 yds/97 m). ➔ Tapestry needle ➔ Main color: light pink (Blossom) 3oz./85g; ➔ Pompom maker (optional) Contrast color: natural white (Fisherman) ➔ Scissors 0.7oz./20g + 1oz./28g pompom ➔ Possible yarn substitutions: KnitPicks Biggo, GAUGE Cascade Yarns Lana Grande, Loops&Threads Cozy Wool, Nako Spaghetti, ➔ 10 sts and 14 rows in 4”/10cm in Stockinette YarnArt Alpine stitch worked in rounds. NEEDLES FINISHED SIZE ➔ US 10 ½ (6.5mm) circular needles for ribbing, ➔ 11”/28cm high with the brim down, length with the cord 16”/40cm 8.7”/22cm high with the folded brim (can ➔ US 11 (8mm) circular needles, length with the be changed to any desired) cord 16”/40cm ➔ Covers all the circumferences from ➔ You might need to use the needles of one 15”/37cm to 24”/60cm depending on how size up/down in order to obtain the same much stretched gauge.