Eileen Cooper RA
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SSAH Journal 2006 - Art, Art History & Research in Dundee
SSAH Journal 2006 - Art, Art History & Research in Dundee Dr Ailsa Boyd JOURNAL OF THE SCOTTISH SOCIETY FOR ART HISTORY VOLUME XI 2006 CALL FOR PAPERS The 2006 edition of the Journal of the Scottish Society for Art History will be focused on the City of Dundee and will be guest-edited by Matthew Jarron, Curator of Museum Services at the University of Dundee. There will be two main themes to this special issue: 1) Art in Dundee We welcome any paper exploring the history of art in Dundee. This might be focused on the work of a specific artist (such as McIntosh Patrick, Alberto Morrocco or David Mach) or an artistic group or collaboration (such as the Dundee Graphic Arts Association or Dalziel + Scullion). We are interested in papers on the development of art exhibitions (from the Victoria Galleries to DCA), aspects of art education (from the Watt Institute to Duncan of Jordanstone College), art patronage (Orchar, Boyd et al) or of art publishing (the Beano being the most celebrated example!). Some of the papers for this section will be drawn from the conference Art in Dundee 1880-1920 held at the University of Dundee in 2005. We would therefore particularly encourage submissions dealing with subjects outwith this period. 2) Art History & Research in Dundee Dundee is now the only University to host a Chair of the History of Scottish Art and has recently established a Centre for the Study of Modern & Contemporary Scottish Art. We are keen to showcase the research work of art historians, curators and artists based in Dundee, whatever your area of interest. -
DAVID MACH New York, NY 10014
82 Gansevoort Street DAVID MACH New York, NY 10014 p (212) 966-6675 Born 1956, Methil, Fife, Scotland allouchegallery.com Lives and works in London, UK 1974-1979 Duncan of Jordanston College of Art and Design, Dundee, Scotland 1979-1982 Royal Academy of Art, London, UK SELECTED SOLO EXHIBITIONS 2019 The Paper to Prove It, Royal Scottish Academy, Edinburgh, UK 2019 Waves, Newpaper Installation, Chester Cathedral, Chester, UK 2018 Signs of Life, Collaboration Mach/Adesina, Bolee Gallery, London, UK 2018 Rock n’ Roll, Newspaper Installation, Galway, Ireland 2018 Against the Tide, Newspaper Installation, CassArt, Glasgow, UK 2017 First Station Centre, Against the Tide, Outwith Festival, Dunfermline, UK 2017 Mach Goes Commando, Royal Engineers Museum, Gillingham, UK 2017 David Mach, Alternative Facts, Dadiani Fine Art, London, UK 2016 Golgotha, Chester Cathedral, Chester, UK 2016 Mach Goes Commando, Shetlands Art Development Agency, Shetlands, UK 2015 Mach Goes Commando, DLI Museum, Durham, UK 2015 Precious Light, Center of Turin, Italy 2013 Precious Light, Palazzo Frangini, Venice, Italy 2013 David Mach, New Works, Forum Gallery, New York, NY 2012 Mach-Mania: The David Mach Show, Opera Gallery, Hong Kong 2012 David Mach-Precious Light, Galway, Ireland 2011 David Mach-Precious Light, City Arts Centre, Edinburgh, UK 2010 Iconography, Opera Gallery, London, UK 2009 Mach, Opera Gallery, Geneva, Switzerland 2008 Breaking Images, The Cat Street Gallery, Hong Kong 2008 Size Doesn’t Matter, Art Center de Vishal, Haarlem, The Netherlands 2007 David -
Download Publication
CONTENTS History The Council is appointed by the Muster for Staff The Arts Council of Great Britain wa s the Arts and its Chairman and 19 othe r Chairman's Introduction formed in August 1946 to continue i n unpaid members serve as individuals, not Secretary-General's Prefac e peacetime the work begun with Government representatives of particular interests o r Highlights of the Year support by the Council for the organisations. The Vice-Chairman is Activity Review s Encouragement of Music and the Arts. The appointed by the Council from among its Arts Council operates under a Royal members and with the Minister's approval . Departmental Report s Charter, granted in 1967 in which its objects The Chairman serves for a period of five Scotland are stated as years and members are appointed initially Wales for four years. South Bank (a) to develop and improve the knowledge , Organisational Review understanding and practice of the arts , Sir William Rees-Mogg Chairman Council (b) to increase the accessibility of the art s Sir Kenneth Cork GBE Vice-Chairma n Advisory Structure to the public throughout Great Britain . Michael Clarke Annual Account s John Cornwell to advise and co-operate wit h Funds, Exhibitions, Schemes and Awards (c) Ronald Grierson departments of Government, local Jeremy Hardie CB E authorities and other bodies . Pamela, Lady Harlec h Gavin Jantje s The Arts Council, as a publicly accountable Philip Jones CB E body, publishes an Annual Report to provide Gavin Laird Parliament and the general public with an James Logan overview of the year's work and to record al l Clare Mullholland grants and guarantees offered in support of Colin Near s the arts. -
Press Release
PRESS RELEASE GOOD NATURE – a celebration of our planet, its beauty and its fragility and the essential part we all play in preserving it. 30 emerging and eminent artists were invited to make a new work in response to the theme. The work explores the themes of nature, our planet and the environment today. 16 September to 28 October 2017 Tuesday- Saturday 10am – 5pm CANDIDA STEVENS GALLERY Chichester West Sussex PO19 1BA Top left and clockwise: Alice Kettle, David Nash RA OBE, Michael Benson, Eileen Cooper RA OBE, Nicola Green GOOD NATURE celebrates the natural world through the observations of some of the leading artists working in the UK today who awaken our senses to the abundant beauty of our planet. They take inspiration from the warmth of the sun, the green lungs of the forests and the dark depths of the oceans, alongside all life that teems in and under them. We are reminded of the changing and fragile state of Earth and are invited to reflect on how it is necessary for all these elements to interconnect in order to exist. Highly acclaimed, environmental sculptor David Nash RA OBE shows a work created from a Holly tree, charred in his distinctive style, with an associated print. Eileen Cooper RA OBE, and this year’s curator of the RA Summer Show, includes a painting inspired by the domestic use of nature. Stephen Farthing RA makes a new print about the escapism PRESS RELEASE nature provides. Returning from highly successful exhibitions at Venice Biennale, Stephen Chambers RA takes a humorous look at manmade versus nature whilst Nicola Green makes a series of silkscreen prints in response to deforestation. -
E Ileen C Oop Er: P Ersonal S P
Eileen Cooper: Personal Space 3–5 Swallow Street London W1B 4DE 020 7434 4319 huxleyparlour.com Cover image: Sisters, 2019 Eileen Cooper: Personal Space Introduction I am very pleased to introduce our first catalogue of paintings by Eileen Cooper RA, which contains a completely new body of work produced especially for our first exhibition together. It is a remarkable group of pictures that nods to her earliest years as a painter, while also continuing to develop the themes of identity and womanhood that she has explored throughout her career. The exhibition’s particular theme of reflective, personal space is one that seems entirely appropriate to Cooper, whose studio itself is a domestic one, set in a light filled room above the convivial family kitchen in her Brockley home. Here in this high ceilinged, paint splattered sanctuary Cooper quietly makes her pictures, bathed in the rays that flood through the tall sash windows. For many years Cooper worked alone there with her imagination, but more recently she has re-welcomed models – which has given birth to a more immediate intimacy. As one of the country’s most influential female Royal Academicians, Cooper has been a force in the British art world for many years, most recently as a much-loved Keeper of the Royal Academy Schools. In seeking models for the previous project to ours, Cooper found herself welcoming a long queue of former students and their artistic brethren, which is testimony to the esteem and friendship in which she is held. Like them, I have adored getting to know and being around Cooper, whose warmth, and energetic approach to her life and work makes for an intoxicating environment. -
Annual Report 2019/2020 Contents II President’S Foreword
Annual Report 2019/2020 Contents II President’s Foreword IV Secretary and Chief Executive’s Introduction VI Key figures IX pp. 1–63 Annual Report and Consolidated Financial Statements for the year ended 31 August 2020 XI Appendices Royal Academy of Arts Burlington House, Piccadilly, London, W1J 0BD Telephone 020 7300 8000 royalacademy.org.uk The Royal Academy of Arts is a registered charity under Registered Charity Number 1125383 Registered as a company limited by a guarantee in England and Wales under Company Number 6298947 Registered Office: Burlington House, Piccadilly, London, W1J 0BD © Royal Academy of Arts, 2020 Covering the period Portrait of Rebecca Salter PRA. Photo © Jooney Woodward. 1 September 2019 – Portrait of Axel Rüger. Photo © Cat Garcia. 31 August 2020 Contents I President’s I was so honoured to be elected as the Academy’s 27th President by my fellow Foreword Academicians in December 2019. It was a joyous occasion made even more special with the generous support of our wonderful staff, our loyal Friends, Patrons and sponsors. I wanted to take this moment to thank you all once again for your incredibly warm welcome. Of course, this has also been one of the most challenging years that the Royal Academy has ever faced, and none of us could have foreseen the events of the following months on that day in December when all of the Academicians came together for their Election Assembly. I never imagined that within months of being elected, I would be responsible for the temporary closure of the Academy on 17 March 2020 due to the coronavirus (COVID-19) pandemic. -
The Joy of Scottish Art; a Study Course with Adrian Sumner
The Joy of Scottish Art; A Study Course with Adrian Sumner From Thursday thethethe 24th ofofof January until thethethe morning ofofof MondMondayayayay thethethe 28th ofofof January 2019 The Green Park Hotel Clunie Bridge Road Pitlochry Perthshire PH16 5JY Tel: 01796 473248 www.thegreenpark.co.uk e-mail - [email protected] The Joy of Scottish Art From Thursday thethethe 24th ofofof January until thethethe morning ofofof Monday thethethe 28th ofofof January 2019 A series of six lectures comprising; * An Outline History of Art in Scotland * Charles Rennie Mackintosh and the Glasgow School * Mackintosh, Arts and Crafts and International Art Nouveau * Modernism, Glasgow Boys and Girls, Colourists, and the Celtic Revival * Contemporary Scottish Art * Great Scottish Collections All illustrated with colour images in Powerpoint presentations. Suitable for all levels of student, plus those who simply love the subject. Thursday thethethe 24th ofofof JanuarJanuaryyyy So as to make the most of your day, please feel free to arrive any time from mid-morning onwards. Complimentary tea, coffee, and biscuits, will be available in the main lounge. 6.00p6.00pmmmm. The first organised activity will be a sherry reception in room 585858 ononon thethethe ground floor ofofof thethethe Tower Wing . This will give you an opportunity to meet your fellow students as well as your tutor Adrian Sumner. From 666.6...30303030pmpmpmpm --- 8.30pm8.30pm.... A four course dinner will be served in the dining room, followed by coffee and shortbread in the lounges. Friday thethethe 25th ofofof January 8.30am --- 9.45am. A full Scottish breakfast will be served in the dining room. -
David Mach RA 8 Havelock Walk, Forest Hill, London, UK Landline +44(0)2086995659 / Mobile +44(0)7947661500 / [email protected]
David Mach RA 8 Havelock Walk, Forest Hill, London, UK Landline +44(0)2086995659 / Mobile +44(0)7947661500 / [email protected] / www.davidmach.com BIOGRAPHY 1956 Born in Methil, Fife (Scotland) 1974/79 Duncan of Jordanston College of Art, Dundee (Scotland) 1975 Pat Holmes Memorial Prize 1976 Duncan of Drumfork Travelling Scholarship 1977 SED minor travelling scholarship 1978 SED major travelling scholarship 1979/82 Royal College of Art (RCA), London. 1982 RCA Drawing Prize 1988 Nominated for the Turner Prize, Tate Gallery, London 1992 Won Lord Provost’s Award, RGI, Glasgow 1998 Elected Member of the Royal Academy of Arts 1999 Visiting Professor, Sculpture Department, Edinburgh College of Art 2000 Appointed Professor of Sculpture, Royal Academy Schools, London 2002 Honorary Doctor of Laws, University of Dundee University 2004 Made Honorary Member of the Royal Scottish Academy First Visiting Professor of Inspiration and Discovery at the University of Dundee (Scotland) 2006-2010 Elected to the board of the National Portrait Gallery 2011 Bank of Scotland Herald Angel Award 2011 winner for Precious Light 2011 Glenfiddich Spirit of Scotland Award for Art SELECTED PUBLIC ART PROJECTS & COMMISSIONS 2012 The Vinadio “Giants”, VIAPAC Project, Regione Piemonte, Italy 2002 Collage Portrait of Glasgow commissioned by the Museum of Modern Art, Glasgow 2000 Unveiled “Good Guys, Bad Guys” & “Scamble”, sculptures commissioned by Chesterfield Council, UK 1999 Installed “A National Portrait”, a 70m x 3m collage of Britain, commissioned by the NMEC -
Final Thesis Combined.Pdf
Access to Electronic Thesis Author: Saskia Warren Thesis title: Audiencing artscapes: Encounters between art and audience at Yorkshire Sculpture Park Qualification: PhD This electronic thesis is protected by the Copyright, Designs and Patents Act 1988. No reproduction is permitted without consent of the author. It is also protected by the Creative Commons Licence allowing Attributions-Non-commercial-No derivatives. If this electronic thesis has been edited by the author it will be indicated as such on the title page and in the text. Audiencing artscapes: Encounters between art and audience at Yorkshire Sculpture Park Saskia Warren Thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy November 2011 Department of Geography University of Sheffield Abstract This thesis explores the ways in which the meanings of site art are inscribed by different audiences and their spatially contingent processes of audiencing. Theoretically and empirically it suggests the importance of the verb ‘audiencing’ over the static noun ‘audience’ to activate the dynamic processes involved in the production of art’s meaning. The thesis is based upon qualitative research undertaken over one year spent at Yorkshire Sculpture Park, West Yorkshire. It tailors archival, ethnographic and visual methodologies to address how examples of site art within their spatial context are audienced from a range of roles and positionalities. Audiencing is shown to occur non- linearly, with meaning inscribed variously during the processes of making, installation and exhibiting. Each chapter explores different facets of the relationship between site, art and audience, tracing the histories, discourses and situated knowledges that shape the meanings of the sculpture park and its art. -
The Representation of Association Football in Fine Art in England From
The Representation of Association Football in Fine Art in England From its Origins to the Present Day by Ray Physick A thesis submitted in partial fulfilment for the requirements for the degree of Doctor of Philosophy at the University of Central Lancashire April 2013 The Representation of Association Football in Fine Art in England King Kenny by Christine Physick (2011) From its Origins to the Present Day Ray Physick: The Representation of Association Football in Fine Art in England Table of Contents Table of Contents ................................................................................................................... 3 Acknowledgements ................................................................................................................ 4 Abstract ..................................................................................................................................... 5 Preamble ................................................................................................................................... 6 Chapter One: Introduction (part one) ............................................................................... 15 Chapter Two: Introduction (part two) and Literature Review ..................................... 41 Chapter Three: Representations of Football in Art - Origins to 1918 ........................ 76 Chapter Four: Representations of Football in Art – 1918-1945 .................................. 135 Chapter Five: Representations of Football in Art – 1945-1960 ................................. -
Eileen Cooper: Personal Space
3-5 Swallow Street, London, W1B 4DE / [email protected] Eileen Cooper: Personal Space 17 October - 16 November 2019 Huxley-Parlour Gallery, London will be exhibiting a group of 15 new paintings by Eileen Cooper RA that fuse objective drawing from life, a new part of her practice, with the instantly recognisable, passionate and imaginative works she is known for. Ruby Red, 2019 Entitled Personal Space, the focus of the exhibition is on the female figure in nurturing and intimate spaces, explored with confidence, sensitivity and awareness. Through these images, Cooper revisits and expands on themes that she has explored throughout her forty-year career, those of universal female experience, primarily fertility, sexuality and motherhood. In this latest body of work, Cooper has also incorporated images celebrating friendship, sisterhood and sense of self. Many of the images show female figures in private spaces, engaged in intimate and sometimes simple acts, including brushing or washing hair or applying make up. Cooper’s protagonists are confident, gazing stridently out at the viewer or at their own figures in the many mirrors that populate this body of work. Although not strictly representational, this latest body of work comes after an intensive year of drawing from life, a marked change in the artist’s process, after a lifetime of working directly from imagination. Cooper has skilfully blended this new part of her practise with her characteristic use of graphic, decisive line, flattened space and bold colour palette. The resulting imagery explores the powerful tension created between the universal and the particular, and of the real and the imagined. -
Ma Fille De Ans Pourrait Le Faire
CONTEMPORAINMA FILLE DE ANS POURRAIT LE FAIRE L’ARTBRISONS LES MURS ET LES CLICHÉS Rencontrez 10 artistes - Visitez 100 lieux Découvrez une ville différemment ateliershenrydougier.com AFFICHE_10_100_A3_MA_FILLE_V3.indd 1 24/01/2020 15:06 TISTES10 100LIX UN LIVRE + UN GUIDE Le livre – 2 préfaciers évoquent la scène artistique de la ville depuis 50 ans – 10 artistes racontent leur travail, leurs RTITE inspirations et leur rapport à la ville 10 Londres Le guide Visite guidée de 100 lieux clés de la ville + classés par quartier et par discipline, cartes à l'appui 100LIX Michèle Fajtmann Préfaces de Hannah Barry et Daniel Rachel AU CŒUR DE LA CRÉATION CONTEMPORAINE AU CŒUR DE LA CRÉATION SOM- Créée en 2014, la maison dédition les ateliers henry dougier souhaite « raconter » la société contemporaine dans le monde, en donnant la parole aujourdhui à des témoins souvent invisibles et inaudibles : peuples, régions, métiers, catégories sociales ou générationnelles parlent ici de leurs valeurs, de leur mémoire, MAIRE de leur imaginaire, de leur créativité. Notre objectif : briser les murs et les clichés. Avant-propos de l’auteure 6-9 Préface de Daniel Rachel 10-13 Préface de Hannah Barry 14-17 Entretiens avec 10 artistes 18-97 Portraits de 100 lieux clés 98-155 + cartographie par quartier Index des 100 lieux 156-159 01. ENTRE TIE20.NS Eileen Cooper 28. Akram Khan 36. Anna Meredith 44. Yinka Ilori 52. Mary Katrantzou AVEC 60. Ben Eine 68. Amanda Levete 76. Conrad Shawcross 84. Gillian Wearing RTITE10 92. Simon McBurney | Entretien avec Eileen Cooper | 20 21 ileen Cooper grandit à Glossop.