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Book Review: Ratna Kapur's Erotic Justice: Law and the New Politics of Postcolonialism London: Glasshouse, 2005
Book Review: Ratna Kapur's Erotic Justice: Law and the New Politics of Postcolonialism London: GlassHouse, 2005. Pp. vi, 219. Ryan Charles Gagliot Nietzsche observed that the commonest stupidity consists of forgetting what one is trying to do.' As Ratna Kapur argues in Erotic Justice: Law and the New Politics of Postcolonialism, political activism's continued reliance on liberal and Western feminist agendas evinces an absence of deep thinking, in turn unwittingly reinforcing the hegemony and subordination it means to challenge. In this collection of essays, Kapur draws from postcolonial feminist legal theory to critique the misguided causal logic of liberalism, which mistakenly assumes that "more rights lead to more freedom and greater equality." 2 Examining law and political activism, Kapur concludes that, unless modem postcolonial society is understood as the site of an historical, discursive struggle informed by the colonial past, steadfast allegiance to the rights project of liberalism risks perpetuating the subordination of oppressed subaltern groups under the illusive panacea of universal rights.3 Kapur uses her analysis of the condition of Indian women, transnational migrants, and sexual subalterns- groups marginally situated in and subordinate to hegemonic Indian culture-to interrogate the broader agenda of liberalism and Western feminism. This agenda ostensibly endeavors to protect third-world "victims," but, instead, Kapur argues, it tends to offer legal protection on terms that paradoxically reinforce normative and essentialist assumptions of gender, culture, and agency-thus perpetuating the very subordination and victimization it seeks to remedy. But Erotic Justice not only challenges the politics of liberalism and Western feminism by exposing the limitations of the rights project; Kapur's collection of essays goes a step further and asks what the basis of political activism should be without the comfort of liberalism's clear yet misguided Yale Law School, J.D. -
TOWARD a FEMINIST THEORY of the STATE Catharine A. Mackinnon
TOWARD A FEMINIST THEORY OF THE STATE Catharine A. MacKinnon Harvard University Press Cambridge, Massachusetts London, England K 644 M33 1989 ---- -- scoTT--- -- Copyright© 1989 Catharine A. MacKinnon All rights reserved Printed in the United States of America IO 9 8 7 6 5 4 3 First Harvard University Press paperback edition, 1991 Library of Congress Cataloging-in-Publication Data MacKinnon, Catharine A. Toward a fe minist theory of the state I Catharine. A. MacKinnon. p. em. Bibliography: p. Includes index. ISBN o-674-89645-9 (alk. paper) (cloth) ISBN o-674-89646-7 (paper) I. Women-Legal status, laws, etc. 2. Women and socialism. I. Title. K644.M33 1989 346.0I I 34--dC20 [342.6134} 89-7540 CIP For Kent Harvey l I Contents Preface 1x I. Feminism and Marxism I I . The Problem of Marxism and Feminism 3 2. A Feminist Critique of Marx and Engels I 3 3· A Marxist Critique of Feminism 37 4· Attempts at Synthesis 6o II. Method 8 I - --t:i\Consciousness Raising �83 .r � Method and Politics - 106 -7. Sexuality 126 • III. The State I 55 -8. The Liberal State r 57 Rape: On Coercion and Consent I7 I Abortion: On Public and Private I 84 Pornography: On Morality and Politics I95 _I2. Sex Equality: Q .J:.diff�_re11c::e and Dominance 2I 5 !l ·- ····-' -� &3· · Toward Feminist Jurisprudence 237 ' Notes 25I Credits 32I Index 323 I I 'li Preface. Writing a book over an eighteen-year period becomes, eventually, much like coauthoring it with one's previous selves. The results in this case are at once a collaborative intellectual odyssey and a sustained theoretical argument. -
Sólveig Anna Bóasdóttir Pleasure and Health Feminist Theological
0120_ESWTR-15/07_06_Boasdot_AP 20-09-2007 09:54 Pagina 89 Journal of the European Society of Women in Theological Research 15 (2007) 89-102. doi: 10.2143/ESWTR.15.0.2022770 ©2007 by Journal of the European Society of Women in Theological Research. All rights reserved. Sólveig Anna Bóasdóttir Pleasure and Health Feminist Theological Discourse on Sexuality, Religion and Ethics1 For at least twenty years, Western feminist theologians working in the field of sexual ethics have been wrestling with questions about human sexuality.2 Crit- ical of oppressive, androcentric perspectives in Christian sexual ethics, femi- nist scholars have argued for a comprehensive revision of Christian thought in sexuality issues. In 1994, Christian ethicist James B. Nelson and his colleague Sandra P. Longfellow observed in their book, Sexuality and the Sacred: Sources for Theological Reflection, that a new theological understanding of sexuality had emerged. This understanding, they argued, was “largely spurred by feminist theologians and by gay and lesbian theologians.”3 Recognized as the pioneer of Christian feminist liberation ethics, Beverly W.Harrison was one of the first scholars to criticize traditional Christian sex- ual ethics for being oppressive for women, denying them the moral right to control their own bodies.4 This is especially evident in terms of marriage, 1 I want to stress that I am aware of some major differences regarding issues of sexuality and reli- gion between the North American context wherefrom my main sources come and the Scandina- vian context in which I stand. In this article, however, I am not focusing on the differences but rather on the similarities, arguing that feminist theologians in a Christian-Western context have an important contribution to make to global ethics and global health. -
Our Story, Market, Vision and Product
Our story, market, vision and product. WHITEPAPER V1.0 Table of Contents 04 Abstract 06 Hypothesis 09 The Adult Industry 11 Progressive Decentralization 12 Problems & Solutions 12 Censorship & Shadowbanning 13 Anonymity & Privacy 14 Discoverability 14 Compliance 17 Vision & Roadmap 17 Sharesome: Facebook for Porn 19 Flame Token: Global Social Currency 20 Roadmap 22 Sharesome 22 The Feed 22 The Ranking 24 Time Factor 24 Topics 25 Verified Users 26 Coming soon: Community Profiles 27 Coming soon: Crowd Tagging 28 Flame Token 29 The Token Integration Model 30 Goods & Services 31 Token Specifications 31 Token Distribution Table of Contents 32 Social Landscape 32 Facebook 32 Instagram 32 Tik Tok 32 Twitter 33 Tumblr 33 Reddit 33 Snapchat 33 The Sharesome Social Plugins 34 Sharesome Login 34 Innovation Abstract Sharesome is the first free social network for content discovery, built with creators in mind, powered by a native crypto currency called Flame Token (XFL). Today, a large number of people make a living off their creations, whether as artists, musicians, actors, authors, models, or entrepreneurs. The top-earning writer on the paid newsletter platform Substack earns more than $500,000 a year from reader subscriptions 1. The top content creator on Podia, a platform for video courses and digital memberships, makes more than $100,000 a month. Jem Wolfie is the top earner on OnlyFans 2, where subscribers pay models a fee to view a feed of NSFW imagery too racy for Instagram. According to OnlyFans, she has 14,000 subscribers who pay $10 a month for access to her feed. These stories are indicative of a larger trend: The monetization of social media following. -
View / Open Final Thesis-Slavit I.Pdf
THE INFLUENCE OF NEOCONSERVATISM IN THE DEPICTION OF VIOLENT NON-NORMATIVE WOMEN IN EROTIC THRILLERS FROM 1980 TO 2000 by ILANA SLAVIT A THESIS Presented to the Department of Cinema Studies and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2020 An Abstract of the Thesis of Ilana Slavit for the degree of Bachelor of Arts in the Department of Cinema Studies to be taken June 2020 Title: The Influence of Neoconservatism in the Depiction of Non-normative Women in Erotic Thrillers from 1980 to 2000 Approved: Peter Alilunas Primary Thesis Advisor U.S. erotic thrillers of the 1980s and 1990s are intrinsically intertwined with the socio-political history of the culture wars. Both the counter-culture movements and a laxation of cinematic censorship during the 1960s resulted in an increase in sex and violence on-screen, in addition to non-normative behavior. Thus, the culture wars began, with neoconservatives and antifeminists in the late 1970s to the 1990s pushing for traditional family values against a backdrop of loosening social mores. Violent non- normative women in erotic thrillers of the 1980s and 1990s highlighted antifeminist sentiments of the era through literalization of non-normative lifestyles as dangerous to traditional family values and U.S. culture. ii Acknowledgements I would like to thank Professor Alilunas for his guidance with film history and analysis, in addition to textual and formatting suggestions from a media studies lens. I would also like to thank Professor Millán for helping me to fully examine the film history from an intersectional feminist theory perspective. -
Literary Modernism, Queer Theory, and the Trans Feminine Allegory
UC Irvine FlashPoints Title The New Woman: Literary Modernism, Queer Theory, and the Trans Feminine Allegory Permalink https://escholarship.org/uc/item/11z5g0mz ISBN 978081013 5550 Author Heaney, Emma Publication Date 2017-08-01 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The New Woman The FlashPoints series is devoted to books that consider literature beyond strictly national and disciplinary frameworks, and that are distinguished both by their historical grounding and by their theoretical and conceptual strength. Our books engage theory without losing touch with history and work historically without falling into uncritical positivism. FlashPoints aims for a broad audience within the humanities and the social sciences concerned with moments of cultural emergence and transformation. In a Benjaminian mode, FlashPoints is interested in how liter- ature contributes to forming new constellations of culture and history and in how such formations function critically and politically in the present. Series titles are available online at http://escholarship.org/uc/fl ashpoints. series editors: Ali Behdad (Comparative Literature and English, UCLA), Edi- tor Emeritus; Judith Butler (Rhetoric and Comparative Literature, UC Berkeley), Editor Emerita; Michelle Clayton (Hispanic Studies and Comparative Literature, Brown University); Edward Dimendberg (Film and Media Studies, Visual Studies, and European Languages and Studies, UC Irvine), Founding Editor; Catherine Gallagher (English, UC Berkeley), Editor Emerita; Nouri Gana (Comparative Lit- erature and Near Eastern Languages and Cultures, UCLA); Susan Gillman (Lit- erature, UC Santa Cruz), Coordinator; Jody Greene (Literature, UC Santa Cruz); Richard Terdiman (Literature, UC Santa Cruz), Founding Editor A complete list of titles begins on p. -
One of the Questions Our Session Asks Is the Extent to Which Western
This is a post-peer-review, pre-copyedit version of an article published in Feminist Review. The definitive publisher- authenticated version [Spurlin, WJ (2010), “Resisting heteronormativity/resisting colonisation: Affective bonds between indigenous women in southern Africa and the difference(s) of postcolonial feminist history”, Feminist Review, 95, 10- 26] is available online at: http://www.palgrave-journals.com/fr/journal/v95/n1/full/fr200956a.html. Resisting Heteronormativity/Resisting Recolonisation: Affective Bonds between Indigenous Women in Southern Africa and the Difference(s) of Postcolonial Feminist History William J Spurlin, University of Sussex One of the implicit questions posed by the topic of this themed submission is the extent to which the periodization of western feminism into the first, second, and third waves may be useful as a way of historicising feminism globally while taking into account that the efficacy of such a framework may be limiting for understanding feminisms that have emerged and developed in indigenous, non-western contexts. Not only is this question deserving of serious consideration, but it is certainly one that needs to be theorised so as to challenge Eurocentrically-privileged feminism and the reinscription of centre- periphery relations that have been part of western feminism’s past. Might theorising the first wave globally enable a more comparative feminist scholarship that will allow us, as Chandra Talpade Mohanty notes, ‘to expose and make visible the various, overlapping forms of subjugation of women’s lives’ (Mohanty 2003: 236) in a relational sense, that is, across cultures at particular historical moments? Can it take into account the difference(s) of postcolonial and indigenous feminist histories? As I am excited by the intellectual possibilities of theorising first-wave feminism globally, I remain wary of its hegemonic and imperialist implications. -
Sexcams in a Dollhouse: Social Reproduction and the Platform Economy
Sexcams in a Dollhouse: Social Reproduction and the Platform Economy Antonia Hernández A Thesis In the Department of Communication Studies Presented in Partial Fulfllment of the Requirements For the Degree of Doctor of Philosophy (Communication) at Concordia University Montréal, Québec, Canada July 2020 © Antonia Hernández, 2020 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Antonia Hernandez-Salamovich Entitled: Sexcams in a Dollhouse: Social Reproduction and the Platform Economy and submitted in partial fulfillment of the requirements for the degree of Doctor Of Philosophy (Communication) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Richard Lachapelle External Examiner Dr. Geert Lovink External to Program Dr. Johanne Sloan Examiner Dr. Fenwick McKelvey Examiner Dr. Mark Sussman Thesis Co-Supervisor Dr. Kim Sawchuk Approved by Dr. Krista Lynes, Graduate Program Director August 25, 2020 _____________________________________________ Dr. Pascale Sicotte, Dean Faculty of Arts and Science iii ABSTRACT Sexcams in a Dollhouse: Social Reproduction and the Platform Economy Antonia Hernández, Ph. D. Concordia University, 2020 Once a peripheral phenomenon on the Web, sexcam platforms have been gaining social and eco- nomic importance, attracting millions of visitors every day. Crucial to this popularity is the tech- nical and economic model that some of those sites use. Sexcam platforms combine the practices of labor and user-generated platforms. As platforms, they mediate between users and providers, becoming the feld where those operations occur. Sexcam platforms, however, are more than inter- mediaries, and their structures incorporate and reproduce discriminatory conventions. -
List of All Porno Film Studio in the Word
LIST OF ALL PORNO FILM STUDIO IN THE WORD 007 Erections 18videoz.com 2chickssametime.com 40inchplus.com 1 Distribution 18virginsex.com 2girls1camera.com 40ozbounce.com 1 Pass For All Sites 18WheelerFilms.com 2hotstuds Video 40somethingmag.com 10% Productions 18yearsold.com 2M Filmes 413 Productions 10/9 Productions 1by-day.com 3-Vision 42nd Street Pete VOD 100 Percent Freaky Amateurs 1R Media 3-wayporn.com 4NK8 Studios 1000 Productions 1st Choice 30minutesoftorment.com 4Reel Productions 1000facials.com 1st Showcase Studios 310 XXX 50plusmilfs.com 100livresmouillees.com 1st Strike 360solos.com 60plusmilfs.com 11EEE Productions 21 Naturals 3D Club 666 130 C Street Corporation 21 Sextury 3d Fantasy Film 6666 Productions 18 Carat 21 Sextury Boys 3dxstar.com 69 Distretto Italia 18 Magazine 21eroticanal.21naturals.com 3MD Productions 69 Entertainment 18 Today 21footart.com 3rd Degree 6969 Entertainment 18 West Studios 21naturals.com 3rd World Kink 7Days 1800DialADick.com 21roles.com 3X Film Production 7th Street Video 18AndUpStuds.com 21sextreme.com 3X Studios 80Gays 18eighteen.com 21sextury Network 4 Play Entertainment 818 XXX 18onlygirls.com 21sextury.com 4 You Only Entertainment 8cherry8girl8 18teen 247 Video Inc 4-Play Video 8Teen Boy 8Teen Plus Aardvark Video Absolute Gonzo Acerockwood.com 8teenboy.com Aaron Enterprises Absolute Jewel Acheron Video 8thstreetlatinas.com Aaron Lawrence Entertainment Absolute Video Acid Rain 9190 Xtreme Aaron Star Absolute XXX ACJC Video 97% Amateurs AB Film Abstract Random Productions Action Management 999 -
Trans* Identities and Politics: Repertoires of Action, Political Cleavages, and Emerging Coalitions
Politics and Governance (ISSN: 2183–2463) 2020, Volume 8, Issue 3, Pages 301–311 DOI: 10.17645/pag.v8i3.2927 Article Trans* Identities and Politics: Repertoires of Action, Political Cleavages, and Emerging Coalitions Gustavo Santos Elpes Centre for Social Studies, University of Coimbra, 3000–995 Coimbra, Portugal; E-Mail: [email protected] Submitted: 17 February 2020 | Accepted: 4 August 2020 | Published: 18 September 2020 Abstract The current political landscape provides collective actors with new strategies to articulate individual interests, hardships, identities, critiques, and solutions, engage with social mobilisation’s conflictual demands, and move towards sustainable practices of collective actions. This article will focus on theoretical challenges surrounding the political action and organi- zation of feminist and trans* identities in order to provide situated knowledge about the dynamics of the transfeminist activism in the Madrilenian geopolitical context. Throughout LGBT*Q+ activists’ integrated forms of doing politics along dif- ferent axes of oppression (e.g., class, migration, racialisation, disability, ethnicity, gender diversity), new visibility regimes are trying to expand the repertoires of action by nurturing emerging coalitions and agencies among a variety of hybrid po- litical subjects. This article thus argues that trans* politics, through nonbinary activism and a new intersectional feminist praxis, may expand the political subject of feminism and our understanding of identity politics and embodied action. Keywords activism; disability; intersectionality; social mobilisation; Spain; transfeminism Issue This article is part of the issue “Trans* Politics: Current Challenges and Contestations” edited by Mieke Verloo (Radboud University, The Netherlands) and Anna van der Vleuten (Radboud University, The Netherlands). © 2020 by the author; licensee Cogitatio (Lisbon, Portugal). -
The Role of Creative Communities and Entrepreneurs in Producing Digital
The role of creative communities and entrepreneurs in producing digital content without formal intellectual property : the case of alternative pornography Kim-Marlène Le To cite this version: Kim-Marlène Le. The role of creative communities and entrepreneurs in producing digital content without formal intellectual property : the case of alternative pornography. Economics and Finance. Université de Strasbourg; Scuola superiore Sant’Anna di studi universitari e di perfezionamento (Pise, Italie), 2018. English. NNT : 2018STRAB007. tel-02376556 HAL Id: tel-02376556 https://tel.archives-ouvertes.fr/tel-02376556 Submitted on 22 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. UNIVERSITÉ DE STRASBOURG - SCUOLA SUPERIORE DI STUDI UNIVERSITARI E DI PERFEZIONAMENTO SANT’ANNA ÉCOLE DOCTORALE ED221 AUGUSTIN COURNOT Bureau d’économie théorique et appliquée - UMR 7522 En cotutelle avec le Laboratory of Economics and Management THÈSE présentée par : Kim-Marlène LE soutenue le : 12 septembre 2018 pour obtenir le grade de : Docteur de l’université de Strasbourg -
“Lesbians Are Not Women”: Feminine and Lesbian Sensibilities in Harmony Hammond’S Late-1970S Sculpture
“Lesbians Are Not Women”: Feminine and Lesbian Sensibilities in Harmony Hammond’s Late-1970s Sculpture Margo Hobbs Thompson SUMMARY. Harmony Hammond’s wrapped fabric sculptures are placed in context of the theories of gender and sexuality that circulated among lesbian and straight feminists at the time they were made, the late 1970s. Hammond has cited in particular Monique Wittig’s novels, such as The Lesbian Body,andheressaysincluding“TheStraightMind,”whereWittig concludes that the lesbian is not a woman. The critique to which Wittig’s lesbian separatism has been subjected by Judith Butler in her consideration of the appeal and limitations of essentialism also applies to Hammond’s art. Hammond’s use of vaginal imagery was instrumental to visualizing alesbiansensibility,butthepropositionofsuchasensibilityestablished a new problematic: a new essential category. The article concludes that because Hammond’s work was produced in the context of a complex set of discourses, lesbian, feminist, and aesthetic, it resisted reduction to a singular meaning. Her sculptures avoided the pitfall of substituting one essence for another, lesbian for feminine sensibility, but activated both. The sculptures effectively queered vaginal imagery: When Hammond used vaginal imagery to represent lesbian sensibility, she subverted the equation of sex and gender and the essentialist notion of feminine sensibility. Margo Hobbs Thompson received her Ph.D. in art history from Northwestern University. Her articles on 1970s feminist art have appeared in n. paradoxa, Genders, and GLQ. She teaches modern and contemporary art at Muhlenberg College, Allentown, PA. Address correspondence to: Margo Hobbs Thompson, Ph.D., Art Department, Muhlenberg College, 2400 Chew Street, Allentown, PA 18104 (E-mail: mthomp- [email protected]).