Genderealisations: Locating Gender
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A Postcolonial Feminist Critique of the 2030 Agenda for Sustainable Development: a South African Application
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Stellenbosch University SUNScholar Repository A Postcolonial Feminist Critique of the 2030 Agenda for Sustainable Development: A South African Application by Christiane Struckmann Thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in International Studies in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Prof Pieter Fourie Co-supervisor: Prof Amanda Gouws March 2017 Stellenbosch University https://scholar.sun.ac.za DECLARATION By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2017 Copyright © 2017 Stellenbosch University All rights reserved i Stellenbosch University https://scholar.sun.ac.za ABSTRACT The United Nations 2030 Agenda for Sustainable Development, more commonly known as the Sustainable Development Goals (SDGs), was launched in September 2015. The SDGs are a global target-setting development agenda aimed at ending poverty, protecting the planet, and ensuring peace and prosperity for all by 2030. The SDGs have been lauded for vastly improving on their predecessor, the Millennium Development Goals (MDGs), by broadening the global development agenda to include environmental, social, economic and political concerns, and for, in the process of their formulation, engaging with member states and civil society groups. -
1 CHAPTER I INTRODUCTION 1.1 Background of the Research The
G a b r i e l l a | 1 CHAPTER I INTRODUCTION 1.1 Background of The Research The idea of gender inequality has always been a big issue of human rights. In the nineteenth-century, women lived in different spheres or circumstances that separate them from men. And in fact, there were only a few women who are able to get good education or to pursue their career. However, at the beginning of the nineteenth-century women have begun to fight for their rights until now. In today’s society, we are able to see women getting their rights to vote, or to pursue their career, but in fact gender equality has not achieved yet. In September 2014, United Nation Women Goodwill Ambassador, Emma Watson made her speech about gender equality, she said “No country in the world can yet say that they achieved gender equality” (Watson). The idea of gender equality is to give women their full potential in every aspect of life, being equal without any gender boundaries. However, Emma Watson speech has captured the issue of women’s struggle, not only from Emma, the writer also found the women’s struggle is interpreted by different perspective, Michelle Obama in her speech during her visit in Argentina said “As I got older, I found that men would whistle at me as I walked down the street, as G a b r i e l l a | 2 if my body were their property, as if I were an object to be commented on instead of a full human being with thoughts and feelings of my own” (Obama). -
Book Review: Ratna Kapur's Erotic Justice: Law and the New Politics of Postcolonialism London: Glasshouse, 2005
Book Review: Ratna Kapur's Erotic Justice: Law and the New Politics of Postcolonialism London: GlassHouse, 2005. Pp. vi, 219. Ryan Charles Gagliot Nietzsche observed that the commonest stupidity consists of forgetting what one is trying to do.' As Ratna Kapur argues in Erotic Justice: Law and the New Politics of Postcolonialism, political activism's continued reliance on liberal and Western feminist agendas evinces an absence of deep thinking, in turn unwittingly reinforcing the hegemony and subordination it means to challenge. In this collection of essays, Kapur draws from postcolonial feminist legal theory to critique the misguided causal logic of liberalism, which mistakenly assumes that "more rights lead to more freedom and greater equality." 2 Examining law and political activism, Kapur concludes that, unless modem postcolonial society is understood as the site of an historical, discursive struggle informed by the colonial past, steadfast allegiance to the rights project of liberalism risks perpetuating the subordination of oppressed subaltern groups under the illusive panacea of universal rights.3 Kapur uses her analysis of the condition of Indian women, transnational migrants, and sexual subalterns- groups marginally situated in and subordinate to hegemonic Indian culture-to interrogate the broader agenda of liberalism and Western feminism. This agenda ostensibly endeavors to protect third-world "victims," but, instead, Kapur argues, it tends to offer legal protection on terms that paradoxically reinforce normative and essentialist assumptions of gender, culture, and agency-thus perpetuating the very subordination and victimization it seeks to remedy. But Erotic Justice not only challenges the politics of liberalism and Western feminism by exposing the limitations of the rights project; Kapur's collection of essays goes a step further and asks what the basis of political activism should be without the comfort of liberalism's clear yet misguided Yale Law School, J.D. -
Mainstream Feminism
Feminist movements and ideologies This collection of feminist buttons from a women's museum shows some messages from feminist movements. A variety of movements of feminist ideology have developed over the years. They vary in goals, strategies, and affiliations. They often overlap, and some feminists identify themselves with several branches of feminist thought. Groupings Judith Lorber distinguishes between three broad kinds of feminist discourses: gender reform feminisms, gender resistant feminisms, and gender revolution feminisms. In her typology, gender reform feminisms are rooted in the political philosophy of liberalism with its emphasis on individual rights. Gender resistant feminisms focus on specific behaviors and group dynamics through which women are kept in a subordinate position, even in subcultures which claim to support gender equality. Gender revolution feminisms seek to disrupt the social order through deconstructing its concepts and categories and analyzing the cultural reproduction of inequalities.[1] Movements and ideologies Mainstream feminism … "Mainstream feminism" as a general term identifies feminist ideologies and movements which do not fall into either the socialist or radical feminist camps. The mainstream feminist movement traditionally focused on political and legal reform, and has its roots in first- wave feminism and in the historical liberal feminism of the 19th and early- 20th centuries. In 2017, Angela Davis referred to mainstream feminism as "bourgeois feminism".[2] The term is today often used by essayists[3] and cultural analysts[4] in reference to a movement made palatable to a general audience by celebrity supporters like Taylor Swift.[5] Mainstream feminism is often derisively referred to as "white feminism,"[6] a term implying that mainstream feminists don't fight for intersectionality with race, class, and sexuality. -
Chapter One Towards a Feminist Reading
Chapter One Towards a Feminist Reading The advent of feminism as a global and revolutionary ideology has brought into the field of literary criticism new critical outlooks and modes of exegesis. The practice of reading of any literary text has become a site in the struggle for change in gender relations that prevail in society. A reading that is feminist aims at asking such rudimentary questions: how the text defines sexual questions, what it says about gender relations and how it represents women. In other words, feminist reading/criticism has come to be recognized as a political discourse: a critical and theoretical practice committed to the struggle against patriarchy and sexism. The influential feminist critic, Elaine Showalter points out that two factors - gender and politics- which are suppressed in the dominant models of reading gain prominence with the advent of a feminist perspective. In every area of critical reflection whether it is literary representations of sexual difference or the molding/shaping of literary genres by masculine values feminist criticism has established gender as a fundamental category of literary analysis. With ,gender as a tool of literary interpretation the issue of silencing of the female voice in the institutions of literature, criticism and theory has also come to the forefront. Appreciating the widespread importance of gender, feminist philosophers resist speaking in gender-neutral voice. They value women's experiences, interest, and seek to shift the position of women from object to one of subject and agent. 1 Moreover, it has been an important function of feminist criticism to redirect attention to personal and everyday experience of alienation and oppression of women (as reflected in literary texts). -
TOWARD a FEMINIST THEORY of the STATE Catharine A. Mackinnon
TOWARD A FEMINIST THEORY OF THE STATE Catharine A. MacKinnon Harvard University Press Cambridge, Massachusetts London, England K 644 M33 1989 ---- -- scoTT--- -- Copyright© 1989 Catharine A. MacKinnon All rights reserved Printed in the United States of America IO 9 8 7 6 5 4 3 First Harvard University Press paperback edition, 1991 Library of Congress Cataloging-in-Publication Data MacKinnon, Catharine A. Toward a fe minist theory of the state I Catharine. A. MacKinnon. p. em. Bibliography: p. Includes index. ISBN o-674-89645-9 (alk. paper) (cloth) ISBN o-674-89646-7 (paper) I. Women-Legal status, laws, etc. 2. Women and socialism. I. Title. K644.M33 1989 346.0I I 34--dC20 [342.6134} 89-7540 CIP For Kent Harvey l I Contents Preface 1x I. Feminism and Marxism I I . The Problem of Marxism and Feminism 3 2. A Feminist Critique of Marx and Engels I 3 3· A Marxist Critique of Feminism 37 4· Attempts at Synthesis 6o II. Method 8 I - --t:i\Consciousness Raising �83 .r � Method and Politics - 106 -7. Sexuality 126 • III. The State I 55 -8. The Liberal State r 57 Rape: On Coercion and Consent I7 I Abortion: On Public and Private I 84 Pornography: On Morality and Politics I95 _I2. Sex Equality: Q .J:.diff�_re11c::e and Dominance 2I 5 !l ·- ····-' -� &3· · Toward Feminist Jurisprudence 237 ' Notes 25I Credits 32I Index 323 I I 'li Preface. Writing a book over an eighteen-year period becomes, eventually, much like coauthoring it with one's previous selves. The results in this case are at once a collaborative intellectual odyssey and a sustained theoretical argument. -
Woman‟S Image in Charlotte Perkins Gilman‟S, “The Yellow Wallpaper
Woman‟s Image in Charlotte Perkins Gilman‟s, “The Yellow Wallpaper” and Fadia Faqir‟s, Pillars of Salt A Feminist Approach طٛسة اٌّشأة فً لظت حشبسٌٛث بٍشوٕز جٍّبْ "ٚسق اٌجذساْ اﻷطفش" ٚسٚاٌت فبدٌٗ فمٍش "أعّذة اٌٍّح" ِٓ ِٕظٛس ٔمذي ٔسٛي By Maria R. Alfadel Supervisor Professor Tawfiq Yousef A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master in English Language and its Literature Department of English Language and Literature Faculty of Arts Middle East University for Graduate Studies May, 2010 Authorization I, Maria De Lourdes R. Alfadel, authorize Middle East University for Graduate Studies to supply copies of my thesis to libraries or establishments or individuals upon request. Name: …………………………………………….. Signature: …………………………………………. Date: ………………………………………………. Thesis Committee Decision This thesis (Woman‟s Image in Charlotte Perkins Gilman‟s, “The Yellow Wallpaper” and Fadia Faqir‟s, Pillars of Salt) was successfully defended and approved on ………………………… Examination Committee Signature Dr. Riyadh Fayez Hussein ……………………………. Dr. Tawfiq Ibrahim Yousef ...…………………………. Dr. Sabar Sadoun Sultan ........………………………. i ACKNOWLEDGMENT I would like to express my sincerest gratitude and appreciation to my supervisor, Professor Tawfiq Yousef for his generous support, guidance, and invaluable suggestions throughout every single phase of this undertaking. I have enjoyed working with him and learning from him as he guided me toward the completion and finalization of this thesis. I would also like to thank Professor Riyadh Hussein, the head of the Department of English Language and Literature and all the staff at Middle East University for Graduate Studies for patiently answering all my questions as I embarked on this project. Finally, special thanks goes to the committee members for their review and helpful feedback. -
Introduction: Eerlv Post Colonial
Introduction: eerlv Post colonial TERRY GOLDIE JTERHAPS LITERARY THEORY begins with Aristotle's Poetics but "the rise of theory" is quite recent. It has been closely associ• ated with some overtly sociopolitical movements, first Marxism and feminism, then many others, including African-American studies. Two that have made a major impact since the 1980s are postcolonial theory and queer theory. In the last few years, many scholars have asserted that these are the hot areas and just walking through the door at an MLA lecture by Edward Said or Diana Fuss suggests the truth of this. But does the heat represent any sustainable flame? Or, more to my point here, what is the connection to the warm passions of those involved? When this "hot area" comment is made to me, it has often had a personal edge. I have been involved in what is now called postcolonial studies since the early 1970s. Given that it really began with Alan McLeod's The Commonwealth Pen in 1961 and then the first Commonwealth literature conference in 1964, I was there quite close to the beginning. This is not true, however, of queer theory, as I began publishing and teaching in the area only in the early 1990s. Still, all my statements here on both fields are a reflection of what I see as my identity as a Canadian gay male. Where these three words fit within "postcolonial" and "queer" is part of this excursion. "Commonwealth Literature Studies" began with Leavisite and similar methods applied to texts from the former colonies of Britain. -
Anne Sexton and Sylvia Plath from a Kristevan Perspective
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenGrey Repository Transforming the Law of One: Anne Sexton and Sylvia Plath from a Kristevan Perspective A thesis submitted for the degree of Doctor of Philosophy By Areen Ghazi Khalifeh School of Arts, Brunel University November 2010 ii Abstract A recent trend in the study of Anne Sexton and Sylvia Plath often dissociates Confessional poetry from the subject of the writer and her biography, claiming that the artist is in full control of her work and that her art does not have naïve mimetic qualities. However, this study proposes that subjective attributes, namely negativity and abjection, enable a powerful transformative dialectic. Specifically, it demonstrates that an emphasis on the subjective can help manifest the process of transgressing the law of One. The law of One asserts a patriarchal, monotheistic law as a social closed system and can be opposed to the bodily drives and its open dynamism. This project asserts that unique, creative voices are derived from that which is individual and personal and thus, readings of Confessional poetry are in fact best served by acknowledgment of the subjective. In order to stress the subject of the artist in Confessionalism, this study employed a psychoanalytical Kristevan approach. This enables consideration of the subject not only in terms of the straightforward narration of her life, but also in relation to her poetic language and the process of creativity where instinctual drives are at work. This study further applies a feminist reading to the subject‘s poetic language and its ability to transgress the law, not necessarily in the political, macrocosmic sense of the word, but rather on the microcosmic, subjective level. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9201665 Tbward a feminist identity: Contemporary Mexican-American women novelists Gonz&lez, Marfa Carmen, Ph.D. The Ohio State University, 1991 Copyright ©1991 by GonzAlez, Marfa Carmen. -
Sólveig Anna Bóasdóttir Pleasure and Health Feminist Theological
0120_ESWTR-15/07_06_Boasdot_AP 20-09-2007 09:54 Pagina 89 Journal of the European Society of Women in Theological Research 15 (2007) 89-102. doi: 10.2143/ESWTR.15.0.2022770 ©2007 by Journal of the European Society of Women in Theological Research. All rights reserved. Sólveig Anna Bóasdóttir Pleasure and Health Feminist Theological Discourse on Sexuality, Religion and Ethics1 For at least twenty years, Western feminist theologians working in the field of sexual ethics have been wrestling with questions about human sexuality.2 Crit- ical of oppressive, androcentric perspectives in Christian sexual ethics, femi- nist scholars have argued for a comprehensive revision of Christian thought in sexuality issues. In 1994, Christian ethicist James B. Nelson and his colleague Sandra P. Longfellow observed in their book, Sexuality and the Sacred: Sources for Theological Reflection, that a new theological understanding of sexuality had emerged. This understanding, they argued, was “largely spurred by feminist theologians and by gay and lesbian theologians.”3 Recognized as the pioneer of Christian feminist liberation ethics, Beverly W.Harrison was one of the first scholars to criticize traditional Christian sex- ual ethics for being oppressive for women, denying them the moral right to control their own bodies.4 This is especially evident in terms of marriage, 1 I want to stress that I am aware of some major differences regarding issues of sexuality and reli- gion between the North American context wherefrom my main sources come and the Scandina- vian context in which I stand. In this article, however, I am not focusing on the differences but rather on the similarities, arguing that feminist theologians in a Christian-Western context have an important contribution to make to global ethics and global health. -
View / Open Final Thesis-Slavit I.Pdf
THE INFLUENCE OF NEOCONSERVATISM IN THE DEPICTION OF VIOLENT NON-NORMATIVE WOMEN IN EROTIC THRILLERS FROM 1980 TO 2000 by ILANA SLAVIT A THESIS Presented to the Department of Cinema Studies and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2020 An Abstract of the Thesis of Ilana Slavit for the degree of Bachelor of Arts in the Department of Cinema Studies to be taken June 2020 Title: The Influence of Neoconservatism in the Depiction of Non-normative Women in Erotic Thrillers from 1980 to 2000 Approved: Peter Alilunas Primary Thesis Advisor U.S. erotic thrillers of the 1980s and 1990s are intrinsically intertwined with the socio-political history of the culture wars. Both the counter-culture movements and a laxation of cinematic censorship during the 1960s resulted in an increase in sex and violence on-screen, in addition to non-normative behavior. Thus, the culture wars began, with neoconservatives and antifeminists in the late 1970s to the 1990s pushing for traditional family values against a backdrop of loosening social mores. Violent non- normative women in erotic thrillers of the 1980s and 1990s highlighted antifeminist sentiments of the era through literalization of non-normative lifestyles as dangerous to traditional family values and U.S. culture. ii Acknowledgements I would like to thank Professor Alilunas for his guidance with film history and analysis, in addition to textual and formatting suggestions from a media studies lens. I would also like to thank Professor Millán for helping me to fully examine the film history from an intersectional feminist theory perspective.