Sonic Video Codec
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High Level Architecture Framework
Java Media Framework Multimedia Systems: Module 3 Lesson 1 Summary: Sources: H JMF Core Model H JMF 2.0 API Programmers m Guide from Sun: Architecture http://java.sun.com/products/java-media/jmf/2.1/guide/ m Models: time, event, data H JMF 2.0 API H JMF Core Functionality H JMF White Paper from IBM m Presentation http://www- 4.ibm.com/software/developer/library/jmf/jmfwhite. m Processing html m Capture m Storage and Transmission H JMF Extensibility High Level Architecture H A demultiplexer extracts individual tracks of media data JMF Applications, Applets, Beans from a multiplexed media stream. A mutliplexer performs the JMF Presentation and Processing API opposite function, it takes individual tracks of media data and merges them into a single JMF Plug-In API multiplexed media stream. H A codec performs media-data Muxes & Codecs Effects Renderers Demuxes compression and decompression. Each codec has certain input formats that it can handle and H A renderer is an abstraction of a certain output formats that it can presentation device. For audio, the generate presentation device is typically the H An effect filter modifies the computer's hardware audio card track data in some way, often to that outputs sound to the speakers. create special effects such as For video, the presentation device is blur or echo typically the computer monitor. Framework JMF H Media Streams m A media stream is the media data obtained from a local file, acquired over the network, or captured from a camera or microphone. Media streams often contain multiple channels of data called tracks. -
Mainconcept 2GO Sony PS4 Converter
MainConcept 2GO Sony PS4 Converter User Guide MainConcept 2GO Sony PS4 Converter User Guide Contents 1. Introduction ....................................................................................................................................... 2 2. Installation.......................................................................................................................................... 2 2.1 Installing Docker ..................................................................................................................................... 2 2.2 Resources for Docker ............................................................................................................................ 3 2.3 Installing MainConcept 2GO ................................................................................................................ 3 3. Settings ............................................................................................................................................... 4 3.1 Supported Input Codecs & Formats .................................................................................................. 4 3.2 Supported Output Formats ................................................................................................................. 4 3.3 Included Presets ..................................................................................................................................... 4 4. Configuration .................................................................................................................................... -
Audio Codec 120
Audio codec 120 click here to download Opus is a totally open, royalty-free, highly versatile audio codec. Opus is unmatched for interactive speech and music transmission over the Internet, but is also. Opus is a lossy audio coding format developed by the www.doorway.ru Foundation and standardized Opus supports constant and variable bitrate encoding from 6 kbit/ s to kbit/s, frame sizes from ms to ms, and five sampling rates from 8 . The RTP audio/video profile (RTP/AVP) is a profile for Real-time Transport Protocol (RTP) that specifies the technical parameters of audio and video streams. RTP specifies a general-purpose data format, but doesn't specify how. stereo audio codec (ADC and DAC) with single-ended Output Spectrum (– dB, N = ) f – Frequency – kHz. – – – – – – – 0. 0. The IETF Opus codec is a low-latency audio codec optimized for both voice and . in [RFC] can be any multiple of ms, up to a maximum of ms. IP Audio decoder with USB/Micro SD flash interface and serial port. Support of Internet Radio (AACplus, MP3, shoutcast, TCP streaming) and VoIP (SIP, RTP). V Mono Audio Codec with V Tolerant. Digital Interface . Transition Band. 5. kHz. Stop Band. kHz. Stop-Band Attenuation. dB. Group Delay. The SGTL is a low-power stereo codec is designed to provide a comprehensive audio solution for portable products that require line-in, mic-in, line-out. Opus has already been shown to out-perform other audio codecs at .. encoder now adds support for encoding packets of 80, , and Sonifex PS-PLAY IP to Audio Streaming Decoder Sonifex PS-SEND Audio to IP Streaming Encoder . -
Capabilities of the Horchow Auditorium and the Orientation
Performance Capabilities of Horchow Auditorium and Atrium at the Dallas Museum of Art Horchow Auditorium Capacity and Stage: The auditorium seats 333 people (with a 12 removable chair option in the back), maxing out the capacity at 345). The stage is 45’ X 18’and the screen is 27’ X 14’. A height adjustable podium, microphone, podium clock and light are standard equipment available. Installed/Available Equipment Sound: Lighting: 24 channel sound board 24 fixed lights 4 stage monitors (with up to 4 Mixes) 5 movers (these give a wide array of lighting looks) 6 hardwired microphones 4 wireless lavaliere microphones 2 handheld wireless microphones (with headphone option) 9-foot Steinway Concert Grand Piano 3 Bose towers (these have been requested by Acoustic performers before and work very well) Music stands Projection Panasonic PTRQ32 4K 20,000 Lumen Laser Projector Preferred Video Formats in Horchow Blu Ray DVD Apple ProRes 4:2:2 Standard in a .mov wrapper H.264 in a .mov wrapper Formats we can use, but are not optimal MPEG-1/2 Dirac / VC-2 DivX® (1/2/3/4/5/6) MJPEG (A/B) MPEG-4 ASP WMV 1/2 XviD WMV 3 / WMV-9 / VC-1 3ivX D4 Sorenson 1/3 H.261/H.263 / H.263i DV H.264 / MPEG-4 AVC On2 VP3/VP5/VP6 Cinepak Indeo Video v3 (IV32) Theora Real Video (1/2/3/4) Atrium Capacity and Stage: The Atrium seats up to 500 people (chair rental required). The stage available to be installed in the Atrium is 16’ x 12’ x 1’. -
(A/V Codecs) REDCODE RAW (.R3D) ARRIRAW
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format. -
Zoom Player Documentation
Table of Contents Part I Introduction 1 1 Feature................................................................................................................................... Chart 5 2 Features................................................................................................................................... in detail 10 3 Options................................................................................................................................... & Settings 19 Advanced Options.......................................................................................................................................................... 20 Interface ......................................................................................................................................................... 21 Control Bar ......................................................................................................................................... 22 Buttons ................................................................................................................................... 23 Timeline Area ................................................................................................................................... 23 Display ................................................................................................................................... 24 Keyboard ........................................................................................................................................ -
Transcoding SDK Combine Your Encoding Presets Into a Single Tool
DATASHEET | Page 1 Transcoding SDK Combine your encoding presets into a single tool MainConcept Transcoding SDK is an all-in-one production tool offering HOW DOES IT WORK? developers the ability to manage multiple codecs and parameters in one • Transcoding SDK works as an place. This streamlined SDK supports the latest encoders and decoders additional layer above MainConcept from MainConcept, including HEVC/H.265, AVC/H.264, DVCPRO, and codecs. MPEG-2. The transcoder generates compliant streams across different • The easy-to-use API replaces the devices, media types, and camcorder formats, and includes support for need to set conversion parameters MPEG-DASH and Apple HLS adaptive bitstream formats. Compliance manually by allowing you to configure ensures content is delivered that meets each unique specification. the encoders with predefined profiles, letting the transcoding engine take Transcoding SDK was created to simplify the workflow for developers care of the rest. who frequently move between codecs and output to a multitude of • If needed, manual control of the configurations. conversion process is supported, including source/target destinations, export presets, transcoding, and filter AVAILABLE PACKAGES parameters. HEVC/H.265 HEVC/H.265 encoder for creating HLS, DASH-265, and other ENCODER PACKAGE generic 8-bit/10-bit 4:2:0 and 4:2:2 streams in ES, MP4 and TS file formats. Includes hardware encoding support using Intel Quick KEY FEATURES Sync Video (IQSV) and NVIDIA NVENC (including Hybrid GPU) for Windows and Linux. • Integrated SDKs for fast deployment HEVC/H.265 SABET HEVC/H.265 encoder package plus Smart Adaptive Bitrate Encod- of transcoding tools ENCODER PACKAGE ing Technology (SABET). -
Codec Plugin for Davinci Resolve Studio Datasheet
DATASHEET | Page 1 Codec Plugin for DaVinci Resolve Studio AS-11 UK DPP rendering and native HEVC, all in one place Now, you can render project timelines from DaVinci Resolve Studio BENEFITS into the same professional camera format video content was recorded in, including Sony, Panasonic and others, using the first codec plugin Fast Encode in HEVC up to 20% faster than approved by Blackmagic Design. With the MainConcept Codec Plugin open source(1). for DaVinci Resolve Studio, the complete production chain—from filming, capturing and editing to playout—can remain in the same Efficient broadcast format. Experience a seamless workflow in DaVinci Resolve Studio. The MainConcept Codec Plugin for DaVinci Resolve Studio enables AS- 11 UK DPP SD (MPEG-2) and HD (AVC/H.264) project rendering direct Reliable from the DaVinci Resolve Studio timeline—eliminating the need for First plugin for DaVinci Resolve Studio redundant applications. The included XML metadata template file can approved by Blackmagic Design. be modified to set all descriptive metadata required to create AS-11 UK DPP compliant content. KEY FEATURES The plugin also allows native access to HEVC Main and Main 10 profiles, making use of MainConcept’s industry-leading HEVC/H.265 • Use generic HEVC/H.265 Main and Main 10 presets in up to 8K software video encoder. This feature provides encoding up to 8K resolution and 10-bit 4:2:2 to satisfy the needs of most broadcast and • Create compliant AS-11 UK DPP content using ready-to-use SD and OTT use cases. HD presets, including metadata processing and XML sidecar file Gone are the days of moving between different applications to generation finalize and deliver content. -
Compression for Great Video and Audio Master Tips and Common Sense
Compression for Great Video and Audio Master Tips and Common Sense 01_K81213_PRELIMS.indd i 10/24/2009 1:26:18 PM 01_K81213_PRELIMS.indd ii 10/24/2009 1:26:19 PM Compression for Great Video and Audio Master Tips and Common Sense Ben Waggoner AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier 01_K81213_PRELIMS.indd iii 10/24/2009 1:26:19 PM Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK © 2010 Elsevier Inc. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions . This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this fi eld are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. -
LDAC: Experience Your N8 Through a Wireless Hi-Res Connection
LDAC: Experience your N8 through a wireless Hi-Res connection (1) Introduction Bluetooth has always been considered as a convenient but low quality option for audiophiles. The situation was changed dramatically in past few years when new codec such as AAC and aptX gained popularity, and the latest LDAC Bluetooth codec developed by Sony has added fuel to the fire. LDAC allows streaming audio up to 24Bit/96kHz over a Bluetooth connection, and it has made full use of the bandwidth, offering a connection speed up to 990 kbps. LDAC employs a hybrid coding scheme to squeeze the Hi-Res audio data into the limited bandwidth. It comes with 3 connection modes: quality priority (990 kbps), normal (660 kbps), and connection priority (330 kbps) respectively. The playback quality will be compromised when only lower speed options are feasible (either hardware limitation of environment constraint). LDAC is a lossy compression codec. At Quality Priority mode, Sony promised CD- quality playback at quality priority mode and from what has been announced, 16Bit/44.1kHz bitstream will be transmitted as-is without any compression. LDAC is used across a wide range of Sony products, including headphones, speakers, mobile phones, portable player and home theater systems. When Google announced Android O (aka Android 8.0 Oreo) at Mar. 2017, the mobile industry was surprised that Sony has become an Android partner and played a key role to improve the wireless audio capability of Android devices. Among the features enhancements and bug fixes, LDAC will be available as a part of the core Android Open Source Project (AOSP) code, enabling OEMs to support this Sony codec in their Android 0 devices freely. -
Getting Started
Getting started Note: This Help file explains the features available in RecordNow! and RecordNow! Deluxe. Some of the features and projects detailed in the Help are only available in RecordNow! Deluxe. Click here to connect to a Web site where you can learn more about upgrading to RecordNow! Deluxe. Welcome to RecordNow! by Sonic, your gateway to the world of digital music, video, and data recording. With RecordNow! you can make perfect copies of your CDs and DVDs, transfer music from your CD collection to your computer, create personalized audio CDs containing all of your favorite songs, and much more. In addition, a full suite of data and video recording programs by Sonic can be started from within RecordNow! to back up your computer, create drag-and-drop discs, watch movies, edit digital video, and create your own DVDs. Some of these programs may already be installed on your computer. Others are available for purchase. This Help file is divided into the following sections to help you quickly find the information you need: Getting started — Learn about System requirements, Getting help, Accessibility, and Removing RecordNow!. Things you should know — Useful information for newcomers to digital recording. Exploring RecordNow! — Learn to use RecordNow! and find out more about associated programs and upgrade options. Audio Projects — Step-by-step instructions for every type of audio project. Data projects — Step-by-step instructions for every type of data project. Backup projects — Step-by-step instructions for backup projects. Video projects — Step-by-step instructions for video projects. Utilities — Instructions on how to erase and finalize a disc, how to display detailed information about your discs and drives, and how to create disc labels. -
Cineplayer Datasheet
CinePlayer SDK DVD-VComprehensive VCD SVCD Media -VR Player +VR Engine BDAV FEATURES AND BENEFITS The CinePlayer CE Navigator SDK is a software development kit that allows developers for both PC and consumer electronics (CE) platforms to quickly and CINEPLAYER easily incorporate comprehensive, reliable The CinePlayer SDK is Sonic's powerful, comprehensive solu- playback of BD-ROM, tion for playback of BD-ROM, DVD-Video, VCD, SVCD, and DVD, Super Video CD, CDDA formatted discs as well as compressed audio and pic- Video CD, Audio CD and ture file formats. The SDK makes it simple and fast for OEMs compressed file formats and third-party developers to integrate rich playback func- Blu-Ray tionality into host applications running in embedded environ- Complete support for all ments. The SDK interprets all the details of supported for- profiles and content mats so that in-depth knowledge of specifications is not re- types including BDAV quired to enable full-featured, high-quality playback of digital and BD-Live advanced media content. content. DVD Formats The family of CinePlayer SDKs are designed to be cross plat- Support for DVD-V, form to support any embedded environment with well- +VR, -VR and Divx defined APIs that enables quick, easy, and flexible integra- including software tion of media playback capabilities into existing systems. solutions for CSS and CPRM decryption. Powerful and efficient, the CinePlayer supports an impressive feature set with minimal demand on system resources. CD Formats Support for SVCD, VCD, Sonic’s 20+ years of engineering experience with optical disc CD-DA, MP3 and JPEG formats provide the highest level of compatibility and qual- CDs.