Mr. Meyer Dolinsky
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Jeff Corey Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Jeff Corey 电影 串行 (大全) Petticoat Politics https://zh.listvote.com/lists/film/movies/petticoat-politics-16254096/actors The Gangster https://zh.listvote.com/lists/film/movies/the-gangster-4013825/actors Ramrod https://zh.listvote.com/lists/film/movies/ramrod-3068250/actors Paper Tiger https://zh.listvote.com/lists/film/movies/paper-tiger-4099134/actors Lady in a Cage https://zh.listvote.com/lists/film/movies/lady-in-a-cage-2404163/actors Wake of the Red Witch https://zh.listvote.com/lists/film/movies/wake-of-the-red-witch-3226767/actors Jennifer https://zh.listvote.com/lists/film/movies/jennifer-6178052/actors The Rose and the Jackal https://zh.listvote.com/lists/film/movies/the-rose-and-the-jackal-7761551/actors Brute Force https://zh.listvote.com/lists/film/movies/brute-force-187686/actors North to the Klondike https://zh.listvote.com/lists/film/movies/north-to-the-klondike-16253723/actors Once a Thief https://zh.listvote.com/lists/film/movies/once-a-thief-7091907/actors The Flame https://zh.listvote.com/lists/film/movies/the-flame-16213823/actors Only the Valiant https://zh.listvote.com/lists/film/movies/only-the-valiant-3077894/actors The Outriders https://zh.listvote.com/lists/film/movies/the-outriders-11747945/actors Joe Palooka, Champ https://zh.listvote.com/lists/film/movies/joe-palooka%2C-champ-6211686/actors Sirocco https://zh.listvote.com/lists/film/movies/sirocco-2290141/actors The Premonition https://zh.listvote.com/lists/film/movies/the-premonition-16912504/actors Canon City https://zh.listvote.com/lists/film/movies/canon-city-5033183/actors -
Have Gun, Will Travel: the Myth of the Frontier in the Hollywood Western John Springhall
Feature Have gun, will travel: The myth of the frontier in the Hollywood Western John Springhall Newspaper editor (bit player): ‘This is the West, sir. When the legend becomes fact, we print the legend’. The Man Who Shot Liberty Valance (dir. John Ford, 1962). Gil Westrum (Randolph Scott): ‘You know what’s on the back of a poor man when he dies? The clothes of pride. And they are not a bit warmer to him dead than they were when he was alive. Is that all you want, Steve?’ Steve Judd (Joel McCrea): ‘All I want is to enter my house justified’. Ride the High Country [a.k.a. Guns in the Afternoon] (dir. Sam Peckinpah, 1962)> J. W. Grant (Ralph Bellamy): ‘You bastard!’ Henry ‘Rico’ Fardan (Lee Marvin): ‘Yes, sir. In my case an accident of birth. But you, you’re a self-made man.’ The Professionals (dir. Richard Brooks, 1966).1 he Western movies that from Taround 1910 until the 1960s made up at least a fifth of all the American film titles on general release signified Lee Marvin, Lee Van Cleef, John Wayne and Strother Martin on the set of The Man Who Shot Liberty Valance escapist entertainment for British directed and produced by John Ford. audiences: an alluring vision of vast © Sunset Boulevard/Corbis open spaces, of cowboys on horseback outlined against an imposing landscape. For Americans themselves, the Western a schoolboy in the 1950s, the Western believed that the western frontier was signified their own turbulent frontier has an undeniable appeal, allowing the closing or had already closed – as the history west of the Mississippi in the cinemagoer to interrogate, from youth U. -
Eager to Please Their Discussants That One Is Painfully Reminded of Barbara 160 Left History 6.1
Reviews 159 Paul Buhle and Patrick McGilligan, Tender Comrades: A Backstory of the Hollywood Blacklist (New York: St. Martin's Press 1997). When Yogi Berra pontificated that "It ain't over until it's over!" he may have hit a deep vein of truth. Certainly, his sage words apply to the Cold War. Perestroika and the demolition of the Berlin Wall did not bring reconciliation between right and left - at least not in the USA, the source of Bruce Springsteen's famous bellow. Indeed, since 1989 we have been engulfed not only in renewed warfare on various battlefields but, more significantly I think, in the groves of academe. Intellectuals, right and left, hurl verbal missiles at each other with increasing frequency if not accuracy. Ellen Schrecker, for example, continues to mine McCarthyism for academic gold, if not glory. Witness, for example, the exchange of letters in the New York Times on Sunday, 2 August 1998. There is an increased fascination with the years following World War 11, that Zeitgeist which I have tried to capture in conjunction with Joram Warmund. The book, Jackie Robinson: Race, Sports and theAmerican Dream takes a hard look at the cold war era and the legacy of heroes like Mr. Robinson. This labour of love will be followed by a second burnt offering, namely, a study of Paul Robeson whose 100th birthday stirred old passions and even produces "hate mail" in the wake of a day in his honour, 28 February 1998, held on the campus of Long Island University. Thus, when another retrospective on "Scoundrel Time" beckoned, I jumped at the opportunity to share my unabashed enthusiasm for Tender Comrades, expertly edited by Patrick McGilligan and Paul Buhle and attractively published by St. -
XIX:12) Arthur Penn NIGHT MOVES (1975, 100 Min)
November 17, 2009 (XIX:12) Arthur Penn NIGHT MOVES (1975, 100 min) Directed by Arthur Penn Written by Alan Sharp Produced by Robert M. Sherman Original Music by Michael Small Cinematography by Bruce Surtees Film Editing by Dede Allen Gene Hackman...Harry Moseby Jennifer Warren...Paula Susan Clark...Ellen Moseby Ed Binns...Joey Ziegler Harris Yulin...Marty Heller Kenneth Mars...Nick Janet Ward...Arlene Iverson James Woods...Quentin Melanie Griffith...Delly Grastner Anthony Costello...Marv Ellman John Crawford...Tom Iverson Ben Archibek...Charles Max Gail...Stud Stunts: Dean Engelhardt, Ted Grossman, Richard Hackman, Chuck Hicks, Terry Leonard, Rick Lockwood, Ernie F. Orsatti, Enemy Lines (2001), The Royal Tenenbaums (2001), Heist Chuck Parkison Jr., Betty Raymond, Ronnie Rondell Jr., Walter (2001/I), Heartbreakers (2001), The Mexican (2001), Under Scott, Fred M. Waugh, Glenn R. Wilder, Suspicion (2000), Enemy of the State (1998), Twilight (1998), Absolute Power (1997), The Chamber (1996), The Birdcage ARTHUR PENN (27 September 1922, Philadelphia, Pennsylvania, (1996), Get Shorty (1995), Crimson Tide (1995), The Quick and USA—) directed 27 film and dozens of tv episodes, among them the Dead (1995), Wyatt Earp (1994), Geronimo: An American Inside (1996), Penn & Teller Get Killed (1989), Dead of Winter Legend (1993), The Firm (1993), Unforgiven (1992), Company (1987), Target (1985), Four Friends (1981), The Missouri Breaks Business (1991), Class Action (1991), Postcards from the Edge (1976), Night Moves (1975), Little Big Man (1970), Alice's -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE -
November 11, 2014 (Series 29:12) Sydney Pollack, TOOTSIE (1982, 119 Minutes)
November 11, 2014 (Series 29:12) Sydney Pollack, TOOTSIE (1982, 119 minutes) Tootsie won the 1983 Academy Award for Best Actress in a Supporting Role, Jessica Lange Directed by Sydney Pollack Written by Larry Gelbart, Murray Schisgal, Don McGuire, Larry Gelbart, Barry Levinson, Robert Garland, and Elaine May Produced by Sydney Pollack, Dick Richards, and Ronald L. Schwary Music by Dave Grusin Cinematography by Owen Roizman Film Editing by Fredric Steinkamp and William Steinkamp Dustin Hoffman ... Michael Dorsey / Dorothy Michaels Jessica Lange ... Julie Teri Garr ... Sandy Dabney Coleman ... Ron Charles Durning ... Les Bill Murray ... Jeff Sydney Pollack ... George Fields Geena Davis ... April Gene Shalit ... Himself Andy Warhol ... Himself “Breaking Point” (TV Series), 1962-1963 “Ben Casey” (TV Series, 12 episodes), 1962-1963 “The Alfred Hitchcock Hour” Sydney Pollack (director, producer, George Fields) (b. (TV Series), 1963 “Wagon Train” (TV Series), 1963 “The Sydney Irwin Pollack, July 1, 1934 in Lafayette, Indiana—d. Defenders” (TV Series), and 1961 “Shotgun Slade” (TV Series). May 26, 2008 (age 73) in Pacific Palisades, Los Angeles, He also has 48 producer or executive producer, and he appeared California) won 2 1986Academy Awards for Out of Africa as an actor in 40 films and TV episodes, among them 2008 Made (1985), one for Best Picture and one for Best Director. He of Honor, 2007 Michael Clayton, 2007 “Entourage” (TV Series), directed 37 films and television shows, which are 2005 2007 “The Sopranos” (TV Series), 2005 The Interpreter, -
Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism
doherty_FM 8/21/03 3:20 PM Page i COLD WAR, COOL MEDIUM TELEVISION, McCARTHYISM, AND AMERICAN CULTURE doherty_FM 8/21/03 3:20 PM Page ii Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic Henry Jenkins Showstoppers: Busby Berkeley and the Tradition of Spectacle Martin Rubin Projections of War: Hollywood, American Culture, and World War II Thomas Doherty Laughing Screaming: Modern Hollywood Horror and Comedy William Paul Laughing Hysterically: American Screen Comedy of the 1950s Ed Sikov Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Rey Chow The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman Susan M. White Black Women as Cultural Readers Jacqueline Bobo Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Darrell William Davis Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema Rhona J. Berenstein This Mad Masquerade: Stardom and Masculinity in the Jazz Age Gaylyn Studlar Sexual Politics and Narrative Film: Hollywood and Beyond Robin Wood The Sounds of Commerce: Marketing Popular Film Music Jeff Smith Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, ‒ Thomas Doherty Sound Technology and the American Cinema: Perception, Representation, Modernity James Lastra Melodrama and Modernity: Early Sensational Cinema and Its Contexts Ben Singer -
Willa Cather Pioneer Memorial Newsletter
Copyright © 1995 by the Willa Cather Pioneer ISSN 0197-663X Memorial and Educational Foundation Willa Cather Pioneer Memorial Newsletter The Willa Cather Society 326 N. Webster Street VOLUME XXXVIII, No. 4 Red Cloud, Nebraska 68970 Winter, ~ Telephone (402) 746-2653 CATHER’S CANADIAN AND OLD WORLD CONNECTIONS Sixth International Willa Cather Seminar JUNE 24-JULY 1, 1995 Laval University, Quebec City, Canada Papers on any aspect of Cather are invited for possible presentation in special sessions. Papers which employ interdisciplinary approaches are especially encouraged, as are those which connect the life, work or critical reputation to the theme. Three copies of manuscripts (2500-5000 words, 20 minutes maximum presentation time) or a 300-word abstract should be submitted by April 15; for those submitting abstracts, the completed paper should be received by May 15. Also being planned is a separate pre-trip to Grand Manan Island, New Brunswick, June 20-23 (embarking from Quebec City and returning there for the seminar). Space is limited, and there will be an additional fee for travel, meals, and housing. Papers and proposals, as well as requests for further information, should be sent to: PROFESSOR MICHAEL A. PETERMAN Department of English, Trent University, Peterborough, Ontario K9J 7B8 ¯ Phone: (705) 748-1491 ¯ Fax: (705) 748-1630 ¯ E-mail: [email protected] PROFESSOR ROBERT THACKER Canadian Studies Program, St. Lawrence University, Canton, New York 13617 ¯ Phone: (315) 379-5970 ¯ Fax (315) 379-5802 ¯ E-maih [email protected] Sponsored by St. Lawrence University, Trent University, the University of Nebraska - Lincoln, and the Willa Cather Pioneer Memorial and Educational Foundation. -
The Mary Tyler Moore Show" 10 8
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or “target" for pages apparently lacking from the document photographed is “ Missing Page(s)". If it was possible to obtain the missing page{s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in die adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in “sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right .in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Using Film to Teach Psychology: a Resource of Film Study Guides
USING FILM TO TEACH PSYCHOLOGY: A RESOURCE OF FILM STUDY GUIDES Elizabeth M. Nelson, Christian Brothers University (2002 Instructional Resource Award Recipient) Overview This 106-page resource offers instructors tools for using films to enhance their instruction. Student evaluations consistently indicate that films help them learn the topics, provide an alternative to traditional lectures, and give them a different point of view. However, students also say they do not like to view films if they do not understand the relevancy of the film to the course material. This resource gives teachers of psychology additional tools for using film, such as tested study guides, sample syllabi, student papers, references, and Internet resources. The film study guides contained in this resource have been used in a variety of psychology classes, and may be applicable to a variety of other courses. Outline of Contents Introduction How to Use the Study Guides List of Study Guides by Topic and Film/s References Filmography Sample Syllabi Sample Paper ___________________________________ Author contact information: Elizabeth M. Nelson, Ph.D., Christian Brothers University, Department of Psychology, 650 East Parkway South, Memphis, TN 38104 ([email protected]) Copyright 2006 by Elizabeth M. Nelson. All rights reserved. You may reproduce multiple copies of this material for your own personal use, including use in your classes and/or sharing with individual colleagues as long as the author’s name and institution and the Office of Teaching Resources in Psychology heading or other identifying information appear on the copied document. No other permission is implied or granted to print, copy reproduce, or distribute additional copies of this material. -
Collezione 16Mm
Elenco pellicole collezione “16mm GEH” TITOLO ORIGINALE TITOLO COPIA REGIA NAZIONE ANNO FORM. RULLI 20.000 YEARS IN SING SING 20.000 YEARS IN SING SING Michael Curtiz USA 1932 16 3 2001: A SPACE ODISSEY 2001: A SPACE ODISSEY Stanley Kubrick UK/USA 1968 16 4 2001: A SPACE ODISSEY 2001: A SPACE ODISSEY Stanley Kubrick UK/USA 1968 16 4 3 GODFATHERS 3 GODFATHERS John Ford USA 1948 16 3 3 MEN IN WHITE THREE IN WHITE Willis Goldbeck USA 1944 16 2 36 HOURS 36 HOURS George Seaton USA 1965 16 4 42ND STREET 42ND STREET Lloyd Bacon USA 1933 16 3 7 FACES OF DR. LAO 7 FACES OF DR. LAO George Pal USA 1964 16 3 7 WOMEN 7 WOMEN John Ford USA 1966 16 3 A CHRISTMAS CAROL A CHRISTMAS CAROL Edwin L. Marin USA 1938 16 2 A DATE WITH JUDY A DATE WITH JUDY Richard Thorpe USA 1948 16 3 A DAY AT THE RACES A DAY AT THE RACES Sam Wood USA 1937 16 3 A FAMILY AFFAIR A FAMILY AFFAIR George B. Seitz USA 1937 16 2 Elenco pellicole collezione “16mm GEH” Pagina 1 TITOLO ORIGINALE TITOLO COPIA REGIA NAZIONE ANNO FORM. RULLI A FREE SOUL A FREE SOUL Clarence Brown USA 1931 16 3 A GUY NAMED JOE A GUY NAMED JOE Victor Fleming USA 1943 16 3 A KISS IN THE DARK A KISS IN THE DARK Delmer Daves USA 1949 16 3 A LIFE FOR A LIFE A LIFE FOR A LIFE Stephen Whittaker UK 1998 16 2 A MIDSUMMER NIGHTʼS DREAM A MIDSUMMER NIGHTʼS DREAM William Dieterle, Max Reinhardt USA 1935 16 3 A MODERN HERO A MODERN HERO G.W. -
Technology Promotion and PR Allied Fields
firm, Stein Communications Inc. Brian J. Bu- Fellowship. chanan, serves as Technology director, media relations, Appointments at newly expanded Washing- acting director, communications. ton office, Bryan, Cave, McPheeters & Mary Kichefski, account executive, Julie Si- McRoberts, St. Louis -based communications mon Communications, Miami -based public law firm: Carl W. Northrop, managing partner, relations and marketing firm, named VP. Kadison, Pfaelzer, Woodard, Quinn & Rossi, Washington, and John Griffith Johnson Jr. Julie Osier, former VP, public relations, The and Jack R. Smith, partners, Kadison, Entertainment Channel, New York, and for- Pfaelzer, to partners. mer head, public relations, Showtime there, joins Cablevision Systems Corp., Woodbury, N.Y., as director, public affairs. Deaths Lisa DeLucia, merchandising -public relations manager, Pentel of America, Los Angeles - Quinn Martin, 65, pro- based public relations firm, joins KCOP(TV) ducer of more than 16 Strange Mason there as media supervisor, creative services hour-long network Appointments at Acrian Inc., San Jose, Ca- department. television series and 20 movies the lif. -based equipment manufacturer: David A. Tom Hayes, senior promotion producer and of week, died Sept. 5 of a Strange, director, program management, assistant to director, creative services, KCST- heart attack at his Ran- Loral Corp.'s Narda Western Operations, mi- TV San Diego, joins KOVR(TV) Stockton, Ca- cho Santa Fe, Calif., crowave equipment manufacturer, Manhattan lif., as promotion manager. Beach, Calif., to director, marketing, ampli- home. Most recently fier division; Stan Mason, director, engineer- president and CEO of ing, Narda, to same capacity, amplifier divi- Quinn Martin Com- Allied Fields munications film pro- sion; John P. Quinn, private consultant and Martin, 1968 company, former group manager, semiconductor mar- duction founded after the 1979 sale of Quinn Martin keting applications, Avantek, Milpitas, Ca- Robert E.